Anderson Cooper did a segment "Stop Snitchin'" last night. Richard Simmons did pretty well I thought. I also thought why hasn't Cooper and mainstream media snitched on Bushie's war and mass murder in Iraq? What kind of example of extreme violence are we setting as a nation with hundreds of thousands dead in an unjust, unneeded war as one former CIC had the guts to call it? Anyway Richard Simmons, SIMMONS: The important thing you have to recognize is that truth that comes out of their mouths is so -- is so biting sometimes. People are offended. But the truth is we are a misogynistic society. Every time we turn on "Cops", somebody is beating their wife. We don't talk about it in great detail.
So when you hear the words out of a rapper's mouth, suddenly now you recognize misogamy or that we're racist? Or -- rappers are almost never racist -- but -- or that we're homophobic or that we're violent?
The rappers can't be possibly as violent as some of the choices we all support. We're fearful and we support the unconscious, also, about the people -- we keep talking about the 3,000 people in such a sad event. But why not talk about the 3,000 Africans who died in the last few hours, preventable deaths?
There's a lack of consciousness on the part of all the rigid, smart people, the sophisticates who sit by while we bombing innocent people, sit by while we're misogynistic. They sit by while poverty is on the rise, dramatic not only in this country but worldwide. And we're abusive of mother earth and everything on it. Sometimes the poets bring it to our attention.
COOPER: Right, but the last time -- I haven't heard 50 Cent speak about the environment or sing about the environment or sing about what's going on in Africa. I just listened to his lyrics today and every other word is -- are all these unspeakable words. And you've been saying he's...
SIMMONS: It's like a battlefield.
COOPER: Wait a minute. He lives in New Jersey. He lives in New Jersey in a gated community. That's a battlefield?
SIMMONS: 50 Cent is still a product of that environment. He's just escaped. And he's...
COOPER: But you know what? We all are a product of where we came from, and we evolve. SIMMONS: Alicia Keys is a product of the same environment.
COOPER: Right, and...
SIMMONS: And she's a hip-hop artist with a great program in Africa. Jay-Z is bringing water to people in Africa. Ludacris has the Ludacris Foundation. Chingy for Change, the Shawn Carter Foundation. P. Diddy has Daddy Palace (ph).
COOPER: He had Daddy Peace on Thanksgiving. Is it enough?
SIMMONS: I have five charities that work out of my office.
COOPER: OK, but...
SIMMONS: I'm making a point about hip-hop. It's a diverse group of messages. Some of those messages make you uncomfortable.
COOPER: I just had Geoffrey Canada on, who's a very well- respected African-American educator, runs the Children's Zone in Harlem and he says look, this is basically -- these are lies.
SIMMONS: They're blaming the messenger for the message. They're trying to break the mirror for what they're reflecting. They're reflecting on a truth in our community.
COOPER: You're saying -- you're saying that the artists simply are reflecting the reality of the streets?
SIMMONS: It's not always simple. Sometimes it's complex. But they're artists. They've always been under attack, from the history -- not only America. I remember when Run-DMC couldn't come to town without making the cover of the paper.
COOPER: But Run-DMC wouldn't get a contract today because the language he was using isn't rough enough. The stuff he was singing about...
SIMMONS: That's not true.
COOPER: He's mild by comparison to the stuff...
SIMMONS: The top ten records of the year, most are dance records. Eight of the ten, I would guess, are dance records. There's a diverse group of messages and we could -- and it's true that, I think, when they told you also that people are pushing them for dirt, it's not true. Rappers say what they want to say. And that's a fact. And I've been in the record business my whole life, and we want them to say what they want to say because honesty and authenticity sells.
COOPER: I've had people directly in these meetings who have told me off the record that they are encouraged to get into feuds and fights with each other. They're encouraged to call each other snitches because it builds up street cred and it sells records.
SIMMONS: I have street cred. I saw your "60 Minutes" piece. COOPER: Right.
SIMMONS: And Cam'ron said that he wouldn't tell on a cop. He said it was a code of the street.
COOPER: He said he wouldn't tell about a serial killer living next door to him.
SIMMONS: He was making a point. I think you'd been pushing a corner. He was making a point about not telling -- talking to the police and I think that's sad, I think.
But I have a program in Detroit where the police and community talk a lot, you know. There's a program that promotes dialogue that's critical. And I think that the lack of dialogue -- and you look at people who live in poverty and tremendous struggle. And they feel like the police are an occupying force.
And I told Commissioner Kelly a few weeks ago he should take that program and bring it to New York, because it's very successful. And when you live in such poverty, those people seeing the police seem like they're holding the system up and the system is holding you down.
COOPER: Do you believe someone who witnesses a crime comes forward and tells police what they saw, do you believe they're a snitch?
SIMMONS: I'm a snitch instantly. If I see a crime, I'm telling instantly. So -- and I tell people every day. And I tell rappers every day, if you don't tell, you're an idiot. That's my opinion, but they have a right to have their opinion.
COOPER: We're going to leave it there. Russell Simmons, thanks.
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