@plainoldme,
Neil Gaiman tackled Shakespeare in his Sandman comic series
A Midsummer Night's Dream
This is a core issue of the Sandman series, sometimes cited as the best in the series. It concerns the premiere of William Shakespeare's A Midsummer Night's Dream, which we are told was commissioned by Morpheus as part of a bargain in which Morpheus granted Shakespeare his extraordinary skill with writing. Performed on a hillside before an audience of bizarre creatures from Faerie - including the very characters who appear in the play, Titania, Auberon, and the hobgoblin Robin Goodfellow (Puck) amongst them - the Sandman's version of reality and Shakespeare's play are merged and interact with one another.
The issue received a World Fantasy Award for short fiction in 1991, which caused an outcry of indignation amongst people who felt that a comic book should not have won the award.
Dream first meets Shakespeare in Sandman #13, "Men of Good Fortune," and the final issue, #75, "The Tempest," focuses on the second of the two plays commissioned by Morpheus.
The Tempest
"The Tempest" is a companion piece to "A Midsummer Night's Dream", from the third collection, Dream Country. "The Tempest" is more reflective than "A Midsummer Night's Dream", and features less of the original play, though it echoes it cleverly in several ways and sequences. It is principally about Gaiman's Morpheus and his issues with himself and his place in things. Here we see in detail the Morpheus only briefly fleshed in former issues - the vulnerable, emotional, confused Dream King. Gaiman uses "The Tempest", a play fundamentally about change, endings, and new beginnings, to finish the series.