I didn't see
A History of Violence in the racks this time, but I'll keep it in mind.
I saw and liked
Laurel Canyon. It was a neat plot with no loose ends. I could identify with different characters. I just wondered how come the psychiatrist did not see his own inhibitions for what they were.
I now rented:
- A Clockwork Orange (1971)
- Il Fiore delle mille e una notte (Arabian Nights, 1974)
- Fight Club (1999)
- Traffic (2000)
- Secret Window (2004)
Kubrick was excellent and behoves no comment.
Arabian Nights was the second to last Pasolini film. It surprised me in several ways. Of course, there was the gratuitous full frontal nudity, but that did not bother me so much (in fact it was quite pleasing to the eye as most of the disrobed players were young and beautiful, especially the Ethiopian actress that I remembered for her bit part in
Salo, but some scenes of men/boys may be frowned upon.). I was just disappointed that the film seems to be so sketchily put together; characters disappear without a trace, there are some unnecessarily clumsy special effects, some of the actors are too obviously amateurs.
However, having said that, I think this film is a monumental document to times gone by. It was filmed in Ethiopia, Persia, Yemen and Nepal before these countries were ripped apart by revolutions and (civil) wars. It shows wonderful landscapes and architecture of great antiquity and cultural interest. This film could not be made today. I have now become curious to see the other two titles in Pasolini's trilogy of life (
Il Decameron, 1971, and
I Racconti di Canterbury, 1972)
Fight Club was a title I had seen mentioned several times in different threads on A2K, but I had never looked into it. It turned out to be a flim with a very interesting premiss, that unfortunately escalates off track (had this film been made after 9/11 I think the script could have been molded to reflect the reality of a group of men reaching a point where they commit heinous acts of violence and terrorrism). I have yet to see a film in which Brat Pit is not overshadowed by other cast members.
Traffic was a good film that shone a light on the complexities and absurdism of the war on drugs (before it was replaced with the war on terrorrism).
Secret Window was a thriller that was too predictable IMO, but it was acted out well.
All in all I saw 17 films last weekend