I found a place where we can rent scooters to help us both navigate the museum. My rollator isn't enough to help with all that walking.
It's great for a limited amount of walking, because it has a seat to rest on, but, for the museum, I think I'll opt for a scooter.
Quote:
One of the best options is ScootAround. ScootAround's mission is to provide an easy, convenient way for mature and disabled travelers to enjoy their vacations and other excursions and not have to worry about their personal mobility. By contacting ScootAround through their Internet site or toll free number, they can arrange a scooter rental through their network of dealers all over North America.
ScootAround
T: (888) 441-7575
Wheelchair and scooter rentals.
Seven days a week, 24 hours a day.
Still trying to bump this page...might as well look at more paintings...
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vonny
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Tue 13 Aug, 2013 11:58 am
bump
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vonny
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Tue 13 Aug, 2013 12:32 pm
@firefly,
I have my own mobility scooters - and rollator - but I might as well take advantage of the Metropolitan Museum of Art's facilities, and borrow one of theirs. Good idea - thanks firefly.
I wish there was a way we could walk out of the museum with my Monet, without anyone noticing. Maybe we can get osso to create some sort of noisy distraction, and, when everyone is paying attention to her.....
Nah, I'll stay at the YMCA on, I think it is, 64th. I've sentimental memories of that place. (http://able2know.org/topic/37775-1)
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vonny
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Tue 13 Aug, 2013 01:20 pm
@firefly,
The pastels are lovely, but I'd make a beeline for my favourite painting - so while you run off with your haul, I'll be on my way out of the back entrance with this beauty!
What ARE you talking about, Spendius? I'm trying to enjoy a virtual tour of an art gallery with firefly and ossobuco - not attempting to tire out my brain with your fanciful whimsies. Behave!
It is a portrait of Juan de Pareja, who was the mixed-race son of a female slave and a slave to Velasquez himself, but he later became one of Velasquez' principal assistants.
I love the strength of the face in the portrait - it isn't the face of a slave, but of a proud and free man.