Raggedyaggie wrote:He'd make a great Johnny Nolan in Tree Grows in Brooklyn.
I saw that production of A Tree Grows in Brooklyn, and he
was great in it.
I guess I'm the only one here who actually liked Reba McEntire in South Pacific. At first, it bothered me that that her singing was so much more "country" than Broadway, but after a while her charm won me over, and I stopped caring about her style of singing. On the other hand, I'm in complete agreement with you guys about both Brian Stokes Mitchell and Alec Baldwin.
Last night I saw a wonderful play called Faith Healer, by Brian Friel (who wrote Dancing at Lughnasa). Ralph Fiennes plays an itinerant Irish faith healer, Cherry Jones plays his wife, and Ian McDiarmid (whom I had never seen before, but who has apparently been in several Star Wars movies) plays his manager. The time period is unspecified, but there are some hints which suggest it may be the 1930's or 1940's.
The play consists of four monologues: the first is by the faith healer, the second by the wife, the third by the manager, and the last is by the faith healer again. The characters' descriptions of their lives on the road overlap in many ways, but they also differ in many ways, some trivial (whose idea was it to play the song "The Way You Look Tonight" before each of the faith healer's appearances? Each character says it was one of the others), others not so trivial (when the faith healer goes home to visit a dying parent, is it his mother or his father?). One thing that is clear from the monologues is that, while the faith healer may be a bit of a con man, he also has a gift which -- on occasion -- enables him actually to heal people, and the strain of never knowing when he'll succeed and when he'll fail takes a terrible toll on him. Beyond that, I'll say no more. The acting was sensational -- even though there was no onstage interaction between the characters, you got a real sense of their relationships.