Tony Snow and "Tar Babies"

Double standard folks. Just that simple.

Well I guess only White people who get accused of useing such terms can be called racists.

woiyo wrote:

Well I guess only White people who get accused of useing such terms can be called racists.

Weak. And it looks like you missed the point to boot.

There is no point, only more bullsh$t from you nitwits like you who have nothing to say.

tar baby n.

A situation or problem from which it is virtually impossible to disentangle oneself.

[After "Bre'r Rabbit and the Tar Baby," an Uncle Remus story by Joel Chandler Harris.]

Tar Baby, audacious and hypnotic, is masterful in its mingling of tones--of longing and alarm, of urbanity and a primal, mythic force in which the landscape itself becomes animate, alive with a wild, dark complicity in the fates of the people whose drama unfolds. It is a novel suffused with a tense and passionate inquiry, revealing a whole spectrum of emotions underlying the relationships between black men and women, white men and women, and black and white people.

The place is a Caribbean island. In their mansion overlooking the sea, the cultivated millionaire Valerian Street, now retired, and his pretty, younger wife, Margaret, go through rituals of living, as if in a trance. It is the black servant couple, who have been with the Streets for years--the fastidious butler, Sydney, and his strong yet remote wife--who have arranged every detail of existence to create a surface calm broken only by sudden bursts of verbal sparring between Valerian and his wife. And there is a visitor among them--a beautiful young black woman, Jadine, who is not only the servant''s dazzling niece, but the protegée and friend of the Streets themselves; Jadine, who has been educated at the Sorbonne at Valerian''s expense and is home now for a respite from her Paris world of fashion, film and art.

Through a season of untroubled ease, the lives of these five move with a ritualized grace until, one night, a ragged, starving black American street man breaks into the house. And, in a single moment, with Valerian''s perverse decision not to call for help but instead to invite the man to sit with them and eat, everything changes. Valerian moves toward a larger abdication. Margaret''s delicate and enduring deception is shattered. The butler and his wife are forced into acknowledging their illusions. And Jadine, who at first is repelled by the intruder, finds herself moving inexorably toward him--he calls himself Son; he is a kind of black man she has dreaded since childhood; uneducated, violent, contemptuous of her privilege.

As Jadine and Son come together in the loving collision they have both welcomed and feared, the novel moves outward--to the Florida backwater town Son was raised in, fled from, yet cherishes; to her sleek New York; then back to the island people and their protective and entangling legends. As the lovers strive to hold and understand each other, as they experience the awful weight of the separate worlds that have formed them--she perceiving his vision of reality and of love as inimical to her freedom, he perceiving her as the classic lure, the tar baby set out to entrap him--all the mysterious elements, all the highly charged threads of the story converge. Everything that is at risk is made clear: how the conflicts and dramas wrought by social and cultural circumstances must ultimately be played out in the realm of the heart.

Once again, Toni Morrison has given us a novel of daring, fascination, and power.

The expression tar baby is also used occasionally as a derogatory term for black people (in the U.S. it refers to African-Americans; in New Zealand it refers to Maoris), or among blacks as a term for a particularly dark-skinned person. As a result, some people suggest avoiding the use of the term in any context.

Several people have written:

Quote:

I have come across the term "tar baby" recently. For example, a recent newspaper editorial mentioned the Clinton impeachment as a "tar baby" they'd have to get rid of before the 2000 elections. Another article, on a drug-policy Web site, mentioned the "medical marijuana tar baby" as an issue that the FDA had to deal with. What does the expression mean, and where does it come from?

The tar baby is a form of a character widespread in African folklore. In various folktales, gum, wax, or other sticky material is used to trap a person.

The folktale achieved currency in the United States in written form in one of Joel Chandler Harris's Uncle Remus stories, a collection of stories based on African-American folklore, narrated by the fictional Uncle Remus, a former slave. In the story "Tar-Baby," the character Brer Fox makes a doll out of tar, which he places by the road to entrap his enemy Brer Rabbit. Brer Rabbit talks to the doll, and when it doesn't answer, he hits it, and gets stuck in the tar. The more he struggles with it, the more he is entangled in it.

This story has led to the figurative use of tar baby in the sense 'an inextricable problem or situation', sometimes with the nuance 'something used to entrap a person'. Both the examples cited in the question show the use of this sense, which appears to be first used in the early twentieth century.

The expression tar baby is also used occasionally as a derogatory term for black people (in the U.S. it refers to African-Americans; in New Zealand it refers to Maoris), or among blacks as a term for a particularly dark-skinned person. As a result, some people suggest avoiding the use of the term in any context.