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Impressionist insight: 1,000s letters to Monet go on sale

 
 
Reply Sat 9 Dec, 2006 03:16 am
Quote:
Impressionist insight: a thousand letters to Monet go on sale

· Collection expected to fetch £340,000 at auction
· Cézanne, Renoir and Rodin wrote to painter

Angela Doland, Associated Press in Paris
Saturday December 9, 2006
The Guardian

Pierre-Auguste Renoir wrote to his friend Claude Monet to share his joys and pains, from the birth of a child to the suffering of his final years. Auguste Rodin praised Monet's art for helping him understand light, the clouds and the sea.
More than 1,000 letters to Monet from his friends and admirers go under the hammer in Paris on Wednesday.

Many are by Monet's fellow Impressionist painters - including Renoir, Edouard Manet, Paul Cézanne, Gustave Caillebotte, Edgar Degas, Alfred Sisley and Mary Cassatt - offering an intimate glimpse into a close circle of artists.

Monet carefully preserved the letters until his death in 1926 at the age of 86, and they became a family treasure, passed down through the generations. The artist's great-grandson, Michel Cornebois, has turned them over to the Artcurial auction house, which expects the sale to bring in €500,000 (£340,000).
The collection includes previously unreleased letters, a few photographs and some jottings by Monet. Pierre Assouline, who wrote about the Impressionists in a biography of Monet's art dealer, Paul Durand-Ruel, called it "a mosaic portrait of a great artist". "For decades, we have read, analysed and dissected Monet's letters to dealers, artists, writers," Assouline says in an introduction to the collection. "At last we have the response."

The letters from Durand-Ruel show his constant support for the artist despite his financial difficulties.

In one 1885 letter, Durand-Ruel wrote with humour of his plans to go to New York to build enthusiasm for Monet's work in the US. "We have to revolutionise this country of millionaires, and try to become millionaires ourselves," he wrote. "We're not at that point yet, but everyone needs to start somewhere."

Many of the letters from Monet's fellow painters show their fascination and admiration for the work of the man at the centre of their circle. His painting Impression, Sunrise gave the movement its name. "The friendship of a great man is a gift from the gods," Cézanne wrote to Monet in 1894.

In 1897, the sculptor Rodin told Monet of his "admiration for the artist who helped me understand light, the clouds, the sea and the cathedrals".

The letters from Renoir are especially rich, showing the close bond of two artists who met in their early 20s and remained friends for a lifetime.

Renoir wrote of his children's births and illnesses, described his artistic projects and consoled Monet about the deaths of friends and family. In his final years, Renoir suffered debilitating arthritis and his handwriting was a mere faint scrawl.

Five years before he died in 1919, Renoir wrote to his old friend: "I often think of you, and as I grow older, I think of our youth. It helps me get through the present times."

source: http://arts.guardian.co.uk/news/story/0,,1968153,00.html


From the auction website (www.artcurial.auction.fr )
http://i16.tinypic.com/2iu802t.jpg
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Walter Hinteler
 
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Reply Sat 9 Dec, 2006 03:25 am
http://i10.tinypic.com/2hg9x0j.jpg
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Walter Hinteler
 
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Reply Sat 9 Dec, 2006 03:30 am
http://i16.tinypic.com/47vnqsy.jpg
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Walter Hinteler
 
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Reply Sat 9 Dec, 2006 03:31 am
http://i14.tinypic.com/43nb0d3.jpg
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Green Witch
 
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Reply Sat 9 Dec, 2006 02:57 pm
I once received a lovely note from a fairly famous artist thanking me for my help in hanging his show for the gallery I worked for. He drew a cute little doodle next to his signature and decorated the envelope with a little sketch. I treasure it. Today he would probably just sent me an email and that would be the end of it. How sad that historical memorabilia, such as letters, are going the way of the dinosaur.
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Shapeless
 
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Reply Sat 9 Dec, 2006 04:20 pm
The effects of email on archival and documentary research is something that does worry academics from time to time. A scholar friend of mine once lamented how much "primary source" material we're losing these days because the personal correspondences of artists who may (or may not!) become the subject of scholarly research some day are not being preserved the ol' fashioned way, through letters and such. Whereas there is a treasure trove of personal letters for major artists of the past, my friend worries about the amount of potentially interesting insights into artists' lives is being lost because they are increasingly taking the form of email, which becomes lost whenever these artists clean out their inboxes.
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