There are also many on the Left that despise Michael Moore, or at least think he's a bit of a crook. Count me among them, purely on the basis of Fahrenheit 9/11. He is sure someone who is either loved or loathed, and though there are of course few conservatives who love him, there's enough liberals who loathe him.
I thought Fahrenheit, however emotionally effective as sheer propaganda art, was intellectually a disgrace of dishonesty. And I thought the scenes with the soldiers in Iraq ("burn! burn! let the motherfuccers burn!") were especially disgraceful. My (American) then-gf burst out in tears and ran off, upset into incoherence, and it's not that war is
not ugly, or that I dont want to know about it, but this was a set-up, Moore had tendentiously staged and montaged his images into maximum demonstrative ugliness. It was all about political effect, none about trying to get the facts straight, or the reality with its many contradictions out. Moore is all about shouting.
What made him look truly weaselly were his crocodile tears in other parts of the movie, where he was all indignant about the fate of the poor common folk snared into the army when the Senators' kids got off (an argument for which he apparently had to tweak the numbers a bit in the first place). How he interviewed this mother of a soldier with full sympathising "yes, of course's" - when he was damn well only gonna montage images of people just like her son to make 'em seem maxiumum evil/ugly if that served to make his point there.
Dont take my word now for it, though - just read back in this thread:
Michael Moore, Hero or Rogue. Though you have to wade through a spate of the usual stuff, you'll find a greater range of opinions, in the end, than you generally prefer to pretend exists, setting up your straw men about the other side and its purported heroes.
Au1929 called Moore a "a self serving rogue". Thomas (I wouldnt call him a leftie, but you probably would) criticized Moore's "self-serving form of grovelling", and also wrote that "to be taken seriously in the political debate [..] is a standard Moore fails to meet". Craven noted that "evaluating" Fahrenheit 9/11 "for integrity makes me really sad", and that "he's pandering to the racist lowest common denominator". He concluded: "The ploys he uses in the film are an insult to intelligence and should be an affront to liberals who care about more than scoring cheap shots for their side," and added later that "Moore may have heart, but is [..] sorely lacking in the intellectual honesty department." c.i. did note he was "not a fan of Moore either". Even Blatham, who rather passionately defended the film, easily admitted that "There is innuendo and there are unsubstaniated suggestions". I quoted Gregg Easterbrook from the liberal New Republic magazine, writing that Fahrenheit is "classic propaganda". I also quoted Michael Isikoff in Newsweek writing that "Some of the main points in ?'Fahrenheit 9/11' really aren't very fair at all".
(Also, in another thread where we talked about F9/11, DTOM wrote that "overall, michael kinda went off the deep end a little way back". I said there that it was "as honest and scrupulous as a GWB speech").
Of course, in the F9/11 thread there was also plenty of stuff like Lola saying how the movie was going to be extremely important in the presidential elections, and we might well all come to have a great debt to owe to Michael Moore for it later ... that should look about as silly to anyone now as it did to me back then already. But opinion on Moore is definitely divided on this side of the board as well.