Linkat wrote:Gargamel - you probably cannot understand how this could hurt anyone because you personally have never been through a trauma situation. My husband had been held up, tied and had a gun put to his head and threatened. This can have a life alternating change. He had to quit his job as this occurred on the job. He could not watch movies or news reports where people were held up. He could not walk into a room or house that was dark, etc. Unless you have been through something where your left was threatened or in a similar situation as 9-11, how could you possibly understand how a simple picture could hurt someone? But it can. And each person reacts differently to a trauma. What could be therapeutic for one, could be quite harmful to another.
Well, first of all, I have been in dangerous situations involving firearms. I've lived in neighborhoods where I had to get used to hearing gunshots. So much for that.
Admittedly I have not been put through a situation that has caused lasting trauma. What happened to your husband was horrible, and I can understand how that would change his life.
But I don't think ANYONE, even someone who has been in a traumatic situation, can understand what it was like to be directly involved in the 9/11 attacks. Only those who were, in fact, involved.
My point is, it is the attacks that are horrible, not the art. That's what I mean in my above post. It is your husband having a gun put to his head that traumatizes him, not the movies containing hold up scenes (I'm not trying to minimalize his experience at all).
This is just a guy jumping off of a building. That is the art. If he didn't jump off of the building, that wouldn't change the fact that people really DID jump from the WTC, no matter how uncomfortable it makes people feel. The truth is, the networks did not show footage of the people jumping, after a certain point (I did see people falling on Telemundo, it was deeply disturbing). But if people are horrified by this art, well, isn't that the point? Isn't that an honest representation of what 9/11 was, horrifying?
This photo...
won a pulitzer prize, and I find it equally disturbing. Why is this photo revered, and the performance artist scorned?
I guess I'm thinking of this performance art as something similar. All art attempts to render some truth, and in some instances it is more of a replication (like a photograph), sometimes it is abstract. I think of the jumper as someone trying to give a "live action" photograph.
Shindler's List and Life is Beautiful offered some seriously disturbing images, not to mention the history channel, of concentration camps. We respect the publication of these images, and agree that is important not to forget. The Holocaust and September 11th are not quite comparable, I know, but they offer similar examples of traumatizing media.
If it's Stephen Speilberg it must be okay, but not some starving artist, right? He must just be trying to draw attention to himself, he must be completely narcissistic, like all artists, right? If he had a lot of money, and if Newsweek praised him, we would all applaud.