JLNobody wrote:Gala, doesn't it seem that Pollack's later work had very little "evolutionary potential"? Where could he go from there?
I got to thinking about your phrase "very little evolutionary potential" as applied to Pollock's drip paintings, and thought the Pollock painting I posted here showed a possible avenue of evolution for Pollock. What is unique about this painting is the thinness and the suggestion of human figures, intentional or not. Pollock may have eventually exhausted the potential for the complex, thickly applied paint, and totally abstract painting, but on the other hand, there was always the possibility of contraction to thinness and the suggestion of representation.
I can't help but think of how the symphonies of Mahler, became larger and larger in terms of length, orchestration, scope, and complexity, but with the suggestion in his "Das Lied Von Der Erde" (situated between sym. nos. 8 and 9) of a movement toward more simplicity. The last movement or song, "Der Abschied" is exquisitely thin in orchestration with moments consisting of nothing but the contralto, a single-note drone by the double basses, and an intermittent gong. Of course Mahler went back to the hugeness in the 9th and 10th, but had Mahler lived another 20 years, I see no reason why he wouldn't have considered a contraction toward more simplicity.
Of course Pollock was no Mahler, but who knows what the future brings. I also think of biological extinction events (contractions) that occurred several times in history where very large percentages of species were wiped out only to allow other avenues of evolution, such as the "glorious accident" of 65 millions years ago that allowed for the eventual rise of the primates.