fungotheclown wrote:I've found that it helps if I move on stage, and that timing is very, very important. I've also found that longer routines of continuous, connected material tends to do better than an equivalent amount of unconnected material. Any other ideas?
longer routines of continuous, connected material...
Sometimes. I've seen a lot of comics go on too long or say more than was necessary. If it's funny, they'll get where you are going. Horrible to have to listen to four or five more things on the same subject when one has already jumped ahead to the punch line in their own mind and gets the whole concept.