Reply
Sat 11 Nov, 2006 12:37 am
Chapter One-New Arrivals
Night had fallen at last, a night so unmistakably formidable that hardly any living object capable of moving dared stir within the brooding darkness. All but one courageous lone owl was silent, its mournful cries only intensifying the overwhelming sense of foreboding that hung palpably in the still air. A pale sliver of moon, without the aid of stars and obscured by frail wisps of gray clouds that remained from the day that had passed not long before, attempted feebly to shed its milky beams and provide relief from the oppressive gloom, but to no avail.
Below, in the vast forest, a distinct rustling from within the tangle of undergrowth could be heard. Because of the stillness, the movement could be easily detected. Startled, numerous forest dwellers scurried up the sketetal trunks of nearby trees, desperate to flee from these unexpected beings who had intruded upon their realm. For they had received unwelcome visitors at this time of night before, so the deliberate exercising of wariness and caution had become a habit to them.
Three inconspicuous figures, cloaked to match the night itself, emerged soundlessly from the nearest thicket, seemingly oblivious to the countless pairs of unmoving eyes fixated upon them. Even the owl had ceased its sorrowful song as it gazed upon these new and peculiar arrivals.
If they had noticed the sudden hush upon their entry, the travelers bore no indication of it. They moved with a purposeful haste, slinking stealthily in the shadows that the abundant vegetation provided. Unlike the other inhabitants of the forest, they were grateful for the deepening darkness on such a dismal night, for it rewarded them with the utmost secrecy necessary to carry out their task.
They maneuvered through the dense foliage in a single-file fashion, a leader with two companions trailing doggedly in its wake. The one that paved the way for its two followers clutched a small parcel to it's side swaddled in cords of dark cloth, concealing the curves and contours of its shape so that its contents remained unrecognizable.
Besides this, many other precautions had been taken. Nothing could afford to be overlooked. Each traveler's hood was wide enough to hide their heads from view. Like the mouth of a gaping cavern, their faces took refuge within the additional fabric, decreasing the likelihood that they would be recognized. The garments worn underneath their flowing cloaks had been carefully chosen, blending into their cloaks and the darkness pressing in around them, meant to lend the desired effect of them being invisible. To all but the most scrutinizing of eyes, it would appear as though nothing but slender, indistinct shadows had passed them by. And that's just what the three travelers had intended.
Agile and swift of foot despite its burden, the leader of the trio sped determinedly through the constant, inevitable obstacles sprouting every few feet on the forest floor. Guided by its companion, the second cloaked figures footsteps thudded into an identical rhythm to its leader's. Slim and gangly but far from clumsy, it towered far above its comrade's shoulders. Bringing up the rear was a stout third profile, it's stocky legs relentlessly moving to keep up with the frenzied pace.
Though at least an hour or so had easily passed judging by the position of the moon in the night sky, the travelers continued on their tireless pursuit, refusing to yield to the temptation of a brief rest. Treading lightly beneath the endless intricate tapestries of light formed by the shadows of the interwoven branches towering above them, they pressed onward, evading the dreaded feeling of fatigue for the moment.
But an hour later as they reached the forest's edge, they could no longer avoid it. It had caught up to them. Weariness weighed heavily upon their limbs and exhaustion was most likely etched upon their hidden faces. Even the leader, who up until now had been unfazed, had fallen victim to fatigues feared embrace as well. Half-heartedly with all its strength drained, it moved sluggishly and with a willingness that seemed to be diminishing with every second that passed.
The trees and foliage had thinned to the dismay of the travelers, for the luxury of cover they had enjoyed was now vanishing rapidly. Clearings and small spaces within the undergrowth became more frequent as they entered into the final lag of their journey. The forest, so massive that the sheer size of it was incomprehensible, was coming to an end.
As they exited from this exotic labyrinth of trees and shrubbery, they were greeted by a landscape entirely foreign. A few sparse trees dotted the land, but they by no means possessed the grandeur and majestic quality that their towering brethren had. They were merely shadows of them, invoking neither the awe nor the disbelief that their relations had. In fact, the three travelers hardly noticed them, passing them by without so much as a sidelong glance.
The terrain that they were now treading along had also noticeably changed. It was rugged, with hills rising interminably into the distance. As they neared their first obstacle, a single solitary hill that preceded all the rest, it rose upon its haunches and blotted out all else in their sight. Only after much exertion and toil when they had reached its top, were they able to see what the hill had prevented them from seeing before.
Far ahead of them the innumerable hills vanished from within sight, shrouded in a sudden mist. However, something else, because of its sheer size, was clearly visible.
It was a mountain, daunting and impregnable, with sloping sides of massive rock leading up to a craggy, imposing peak. The three companions drew involuntary breaths as they gazed upon this colossal slab of rock. The hills and all else at its feet appeared shrewd and unthreatening in comparison, mere mockeries of its impressive stature.
Descending the first hill at an alarmingly faster rate than the speed that they had ascended during the climb up, they stumbled into a narrow valley between two undulating hills. A stream, so small that it was nearly unnoticeable, wound snake-like at the valley's base. If not for the travelers' keen sense of hearing, listening to the almost inaudible trickling of the water over pebbles and stones, they might have easily passed it by.
The travelers, using it as their guide, followed its curving path to the heart of the broad valley, where it suddenly came to a halt at the foot of a gully. Boulders surrounded the narrow ravine, and each of the travelers gratefully took the liberty of using them as seats. Exhausted, their breathing rapid and irregular, each of them waited for their thudding hearts to slow down to normal before choosing their next course or action.
Finally, the shortest and stockiest of the three gathered enough courage to speak.
"So, what is it we do now?" it asked in a low, gravelly voice.
"Now," the leader with the parcel responded, "we wait."
"Good," the shorter one grumbled back. "I could do with a little rest."
The leader placed the bundle gingerly upon a nearby boulder and then, with experienced fingers, deftly extracted a second package from within the voluminous folds of its cloak. It was miniature in comparison with the first, yet it was held with the same measured caution and carefulness. But it was also held warily and uncertainly, as if its contents contained something more menacing.
The leader's fingers gently caressed the soft velvet wrapping that encased the unknown object. Then, delicately taking the corners of the cloth in its hands, it unwrapped it.
This is only a small portion of chapter one, but I'd like to know if you like it so far.
You are very talented! Totally AWESOME!
Thank you!

I'll post more soon, once I get some more replies.
I think it's really well written.
I read your question about why people haven't read it or commented on it. Fantasy just isn't my cup of tea- so I skipped over it when I saw in the title of the topic that it was part of what will be a fantasy novel.
I did just read it, and I think you're a talented writer. I particularly enjoyed your descriptions.
I'm sure there are a lot of other people on the forum who are fantasy fans. I'm sure they will enjoy it.
OK, time to be brutally honest in a critique. That's why you're here, right?
If I were to pick this up in the fantasy section of a book store and read the first paragraph I would put it down and not read any more. Fantasy isn't Faulkner. Your sentences are too long and your voice too passive.
Fantasy is all about action. The reader is looking for escape,
and excitement. Most fantasy is wread by teenage boys.
an example of passive voice-
Quote:All but one courageous lone owl was silent, its mournful cries only intensifying the overwhelming sense of foreboding that hung palpably in the still air.
A quick rewrite.
One courageous owl broke the silence. Its mournful cries intensified the sense of forboding that hung palpably in the still air.
Nothing was really changed but the voice is now an active voice. Read your quote and my rewrite aloud.
Watch your constant usage of adverbs. Some of them just seem clumsy and unnecessary, "unmistakably formidable".
Quote:Three inconspicuous figures, cloaked to match the night itself, emerged soundlessly from the nearest thicket,
Keep your verbs near your nouns to keep the action flowing. Three "figures emerged" is better than the clause stuck before the verb. Put the description at the end or in another sentence.
Quote:Finally, the shortest and stockiest of the three gathered enough courage to speak.
"So, what is it we do now?" it asked in a low, gravelly voice.
"Now," the leader with the parcel responded, "we wait."
"Good," the shorter one grumbled back. "I could do with a little rest."
This was good. A good active voice here. Although I wonder why you used "it" instead of he or she. "It" seems to be foreshadowing that the creatures aren't human. No need to let the reader know that until you are ready to describe what they are. Keep some surprises for the reader.
My suggestion is to try a rewrite that contains no word ending in "ing".
I'm with parados. sentences too long and over/unnecesary use of descriptive words.
Quote:Far ahead of them the innumerable hills vanished from within sight, shrouded in a sudden mist
Far ahead the hills dissapeared into a forboding mist.
Perhaps........ "a wall of mist"
or ........far ahead innumerable hills, shrouded in a sudden mist, vanished.
There you go booklovr - two really good critiques from guys who read fantasy (or at least know what it's supposed to be like).
I always zero in on description in a piece - I loved the way your stream "undulated between the hills"- that's the sentence that had the most impact on me out of the whole excerpt - but I couldn't begin to tell you what the story might end up being about, and if it's not about humans without supernatural powers - you've pretty much lost me as a potential reader. I'm not sure why I'm so closeminded about fantasy. Maybe it has something to do with my inability to suspend disbelief. Or maybe I've lost that need for adventure.
Anyway, I was reminded of something I read recently that applies here, in view of the differences in the critiques you got, based on gender. I read somewhere that women, as writers and when they speak, tend to use many more descriptors (such as shape and size, and especially colors) than men. And when men use colors, they tend to use the short basic words like brown, tan, red, while women will use words like sienna, ecru and vermillion.
Women tend to appreciate a more thorough description so they can build a picture, and a setting, while as Parados and dadpad said, men are more interested in the action and adventure. I guess it makes sense. Men are programmed to be the hunter gatherers while women are programmed for hearth and home.
It'd be interesting to know whether you're a man or a women, because obviously you're writing affects men and women differently. But whichever, I think you're good with words- better than a lot of people, even among those who try to write. Good luck with your novel.
Thank you all very much with your quick responses.
As to your inquiry, I am a woman (that feels kind of awkward to say; I never refer to myself as a woman, mostly just as a girl or female).
And about the use of 'it' instead of genders....That was done purposefully because I don't want to reveal these character's genders until later on in the story. I understand that this might give you the impression that they are creatures rather than people, and I apologize for making you assume that.
Will there be bestiality at any point in the story?
Maybe if one of the peripheral participants engaged in a quick tryst with a goat?
Since his character would be fairly insignificant you could quickly write him out of the novel.
"Trogdor saw Ipsil dismounting the goat and quickly sent an arrow through the air. The arrow penetrated Ipsil's neck and killed him instantly. The goat fled into the forest as Trogdor and the rest of the band began to dig a hole in which to dispose of the corpse of the animal invader."
Then, you could move on, having inserted the necessary bestiality.
I'll watch for it.
So far this story has scared the bejesus out of me. I'm crawling under the covers now to think good thoughts of nice things...
I wrote a fantasy novel one time, spent years at it, and was turned down by dozens of publishers because, in their words, "Lacks originality" and "Are you kidding me?"
The novel was about some dwarves who have this ring with tremendous power. "One ring to rule them all" was how I described it.
They eventually end up in a dark land and the lead character, who I called "Grodo", throws the ring into this volcano.
The last sentence was, "And the three of them headed home, happy and full of desire."
booklovr wrote:Thank you all very much with your quick responses.
As to your inquiry, I am a woman (that feels kind of awkward to say; I never refer to myself as a woman, mostly just as a girl or female).
And about the use of 'it' instead of genders....That was done purposefully because I don't want to reveal these character's genders until later on in the story. I understand that this might give you the impression that they are creatures rather than people, and I apologize for making you assume that.
Then don't use pronouns at all. Try descriptions. "The hulking one", "The smallest one," "The leader" etc. You can even use the conversation to introduce more descriptions about the characters.
"A voice emanated from the gold trimmed cloak as the short one spoke,"
Aidan had a good point about the differences between men and women and but don't feel you have to get rid of all descriptions or refrain from all long sentences. I happen to be rereading Deerslayer by James Fenimore Cooper at the moment. (It was a free ebook I downloaded for my Palm. Easy to always have a book to read then.) I first read it at 10 or 12. In some ways it is targeted toward the same audience as fantasy even though the style might be considered arcane or quaint by most today.
One of the first paragraphs is -
Quote:Centuries of summer suns had warmed the tops of the same noble oaks
and pines, sending their heats even to the tenacious roots, when
voices were heard calling to each other, in the depths of a forest,
of which the leafy surface lay bathed in the brilliant light of a
cloudless day in June, while the trunks of the trees rose in gloomy
grandeur in the shades beneath. The calls were in different tones,
evidently proceeding from two men who had lost their way, and
were searching in different directions for their path. At length
a shout proclaimed success, and presently a man of gigantic mould
broke out of the tangled labyrinth of a small swamp, emerging into
an opening that appeared to have been formed partly by the ravages
of the wind, and partly by those of fire. This little area, which
afforded a good view of the sky, although it was pretty well filled
with dead trees, lay on the side of one of the high hills, or low
mountains, into which nearly the whole surface of the adjacent
country was broken.
http://www.gutenberg.org/dirs/etext02/dslyr12.txt (a plug for gutenberg and their attempt to put many free books online.)
I'm sorry. Could you define the word "bestiality" for me, please? I'm afraid I am quite ignorant of its meaning.
It is human sexual association with animals, and, when used properly in a novel, can be a beautiful thing.
Think of the the minotaur, centaur, and mermaid, to name a few.
How do such creatures exist? Correct! The sexual grappling of man and beast produces such progeny.
Now perhaps you understand my insistence on your inclusion of bestiality in your novel.
All of Gus' children are half man half goat.
I have one child who has flippers and the head of a turtle.
But that is for another time.
I don't think descriptive writing is as much of the problem as the complexity of the sentence structures. Descriptive writing is entertaining and helps me get emersed within the storyline.
Overuse of the word "the" is also a problem. Take a look at it. In many cases the word "the" can be eliminated or replaced with another word. It is especially prevelent in the second half of the writing sample.
Like me, you tend to cram too many thought sequences into one sentence. Simplify the structure a bit. If I have to work so hard at understanding what you are saying, it isn't entertainment. Too many "the's" and I start snoozing. It isn't the vocabulary, it's the sentence structure. Someone mentioned passive writing. That too.
Writing is all about hooks. The first page of each chapter needs a hook to nurture the reader's interest and keep the story moving along. Each paragraph needs a hook to justify the inclusion of that paragraph in the storyline.
I've read your writing sample twice and still can't really say what the book is about. I start to lose interest about halfway through and my mind wanders. Go to the bait shop and put some more hooks into it to catch your reader's attention in that spot.