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WA2K Radio is now on the air

 
 
edgarblythe
 
  1  
Reply Wed 18 Jan, 2006 09:32 pm
Joey

Born in Red Hook, Brooklyn, in the year of who knows when
Opened up his eyes to the tune of an accordion
Always on the outside of whatever side there was
When they asked him why it had to be that way, "Well," he answered, "just because."

Larry was the oldest, Joey was next to last.
They called Joe "Crazy," the baby they called "Kid Blast."
Some say they lived off gambling and runnin' numbers too.
It always seemed they got caught between the mob and the men in blue.

Joey, Joey,
King of the streets, child of clay.
Joey, Joey,
What made them want to come and blow you away?

There was talk they killed their rivals, but the truth was far from that
No one ever knew for sure where they were really at.
When they tried to strangle Larry, Joey almost hit the roof.
He went out that night to seek revenge, thinkin' he was bulletproof.

The war broke out at the break of dawn, it emptied out the streets
Joey and his brothers suffered terrible defeats
Till they ventured out behind the lines and took five prisoners.
They stashed them away in a basement, called them amateurs.

The hostages were tremblin' when they heard a man exclaim,
"Let's blow this place to kingdom come, let Con Edison take the blame."
But Joey stepped up, he raised his hand, said, "We're not those kind of men.
It's peace and quiet that we need to go back to work again."

Joey, Joey,
King of the streets, child of clay.
Joey, Joey,
What made them want to come and blow you away?

The police department hounded him, they called him Mr. Smith
They got him on conspiracy, they were never sure who with.
"What time is it?" said the judge to Joey when they met
"Five to ten," said Joey. The judge says, "That's exactly what you get."

He did ten years in Attica, reading Nietzsche and Wilhelm Reich
They threw him in the hole one time for tryin' to stop a strike.
His closest friends were black men 'cause they seemed to understand
What it's like to be in society with a shackle on your hand.

When they let him out in '71 he'd lost a little weight
But he dressed like Jimmy Cagney and I swear he did look great.
He tried to find the way back into the life he left behind
To the boss he said, "I have returned and now I want what's mine."

Joey, Joey,
King of the streets, child of clay.
Joey, Joey,
Why did they have to come and blow you away?

It was true that in his later years he would not carry a gun
"I'm around too many children," he'd say, "they should never know of one."
Yet he walked right into the clubhouse of his lifelong deadly foe,
Emptied out the register, said, "Tell 'em it was Crazy Joe."

One day they blew him down in a clam bar in New York
He could see it comin' through the door as he lifted up his fork.
He pushed the table over to protect his family
Then he staggered out into the streets of Little Italy.

Joey, Joey,
King of the streets, child of clay.
Joey, Joey,
What made them want to come and blow you away?

Sister Jacqueline and Carmela and mother Mary all did weep.
I heard his best friend Frankie say, "He ain't dead, he's just asleep."
Then I saw the old man's limousine head back towards the grave
I guess he had to say one last goodbye to the son that he could not save.

The sun turned cold over President Street and the town of Brooklyn mourned
They said a mass in the old church near the house where he was born.
And someday if God's in heaven overlookin' His preserve
I know the men that shot him down will get what they deserve.

Joey, Joey,
King of the streets, child of clay.
Joey, Joey,
What made them want to come and blow you away?

Bob Dylan
0 Replies
 
yitwail
 
  1  
Reply Wed 18 Jan, 2006 11:17 pm
for edgar & his brother, belated congrats!

here's a tune performed by many: Ella, Sarah, and Ray to name three:

A B C D E F G
I never learned to spell,
At least not well.

1 2 3 4 5 6 7
I never learned to count,
A great amount.

But my busy mind is burning to use what learning I've got,
I won't waste any time,
I'll strike while the iron is hot.

If they asked me, I could write a book
About the way you walk, and whisper, and look.
I could write a preface
On how we met
So the world would never forget.

And the simple secret of the plot
Is just to tell them that I love you a lot.
And the world discovers
As my book ends,
How to make two lovers
Of friends.

[Instrumental]

And the simple secret of the plot
Is just to tell them that I love you a lot.
And the world discovers
As my book ends,
How to make two lovers
Of friends.
0 Replies
 
McTag
 
  1  
Reply Thu 19 Jan, 2006 01:58 am
Time for another song quiz for the listeners

Which song does this line come from?

I've been this way since 1956

[winner to post the complete lyrics of the song in question to claim his/her prize]
0 Replies
 
Francis
 
  1  
Reply Thu 19 Jan, 2006 02:04 am
I've not been this way since 1956, but...

I didn't know if it was day or night
I started kissin' everything in sight
But when I kissed a cop at Thirty-Fourth and Vine
He broke my little bottle of love potion number nine
0 Replies
 
McTag
 
  1  
Reply Thu 19 Jan, 2006 02:20 am
Well, that wasn't too difficult, was it. mon ami francais?

I love that stuff:

Take out the papers and the trash
Or you don't get no spending cash
Get all that garbage out of sight
Or you don't go out Friday night

(Yakkity Yak- Don't talk back)

Just finish cleaning up your room
Let's see the dust fly with that broom
And tell your hoodlum friends outside
You ain't got time to go for a ride....
0 Replies
 
Letty
 
  1  
Reply Thu 19 Jan, 2006 03:52 am
Good morning, WA2K radio listeners and contributors. A groggy Letty signing in. Hey, McTag. I know every bit of that song, so before I forget it:

Love Potion No. 9

You know the gypsy with the gold capped tooth,
The one that everyone calls Madam Ruth.
She lives on the corner of 49th and Vine,
And sells her little bottles of Love potion no.9
I told her that I'd been on outs with chics.
I been that way since 1956,
She said I'll fix you up the very first time,
What you need,(something) is love potion no. 9.


Bridge:
She jumped down and turned around and gave me a wink.
She said I'm gonna mix it up right here in the sink
It smelled like turpentine and looked like india ink.
I held my nose I closed my eyes.
I took a drink.

It started working right away, alright.
I started kissing everything in sight,
But when I kissed a cop down on 49th and vine.
He broke my little bottle of...............
Love potion no. 9.

All done in a minor key.

My friend, Bill wrote the chart for that and sang it.

Now where is Letty's prize?

Coffee time, folks.
0 Replies
 
Letty
 
  1  
Reply Thu 19 Jan, 2006 04:07 am
hamburger, Just what is a gandy dancer? Thanks, buddy for that unusual song.

Yit, our piano player thought that song was great because of the line:

".....our book ends...." as it had a double meaning. Love it! Thanks, Mr. Turtle.

Folks, what would the day be without a Bob Dylan song from our edgar. Incidentally, Texas. All salutes are honest and straight from the heart.
0 Replies
 
Letty
 
  1  
Reply Thu 19 Jan, 2006 04:39 am
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:14 am
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:19 am
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:21 am
Paul Cézanne
From Wikipedia, the free encyclopedia.


Paul Cézanne (January 19, 1839-October 22, 1906) was a French painter who represented the bridge from impressionism to cubism.

Considered the father of modern art, Paul Cézanne's work shows his need for formal design, geometrical composition and balance. His work often tied the foreground and background together to create patterns. By using colour planes and geometric patterns, Cézanne created paintings with a sense of three dimensions.


Life and work

One of the greatest painters of the nineteenth century, and certainly one of the most influential artists on the development of art in the twentieth, Paul Cézanne was born in Aix-en-Provence on 19 January 1839, and went to school there. From 1859 to 1861 he studied law in Aix, and continued his early love of art, taking drawing lessons. Against the objections of his father, he pursued his artistic development and left for Paris with his close friend Émile Zola in 1861. Gradually, his father reconciled to his course of life and supported him in it. He later received a large inheritance, on which he could continue living a comfortable life.

In Paris, he met Camille Pissarro and other impressionists. Pissarro was to influence Cézanne's painting over the years and they often painted together.

Cézanne's early work is often concerned with the figure in the landscape, and comprises many paintings of groups of large, heavy figures, imaginitively painted. Later in his career he became far more interested in working from direct observation and gradually developed a light, airy painting that was to influence the impressionists enormously. In Cezanne's work we see a development of a solidified, almost architectural style of painting, in which the visual field is broken down into small, often very regular brushstrokes that build up the image in planes and areas of colour. His famous words, "I want to make of impressionism something solid and lasting like the art in the museums", seem to indicate that his struggle was to develop a hitherto unknown authenticity of observation of the seen world by the most accurate method of representing it in paint that he could find, and this, for him, involved breaking the surface of the painting into small, often repetitive strokes of the brush. He structurally ordered whatever he perceived into simple forms and colour planes to create the most telling image of his subjects. His geometric essentialisation of forms was to influence Pablo Picasso's, George Braque's, and Juan Gris' cubism very profoundly. In fact when one examines closely the cubist paintings together with Cezanne's later works, it is immediately clear that a direct link exists between the two.

His paintings were in the first exhibition of the Salon des Refusés in 1863, which displayed works not accepted by the jury of the official Paris Salon. The Paris Salon rejected Cézanne's submissions every year from 1864 to 1869.

He exhibited little in his lifetime and worked in increasing artistic isolation, remaining in the south of France far from Paris. He concentrated on a few subjects: still lifes, studies of bathers, and especially the Mont Sainte-Victoire, of which he painted innumerable views.


To early 20th-century modernists, Cézanne was the founder of modern painting. Pablo Picasso called him "the father of us all".

Cézanne and Zola disagreed, and never reconciled, over Zola's fictionalized depiction of Cézanne in the novel L'Oeuvre (The Masterpiece, 1886).

In 1906, Cézanne collapsed while painting outdoors during a thunderstorm. One week later, on October 22, he died of pneumonia.

On May 10, 1999, Cézanne's painting Rideau, cruchon et compotier sold for $60.5 million, the fourth-highest price paid for a painting up to that time.

http://en.wikipedia.org/wiki/Paul_Cezanne
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:23 am
Guy Madison
From Wikipedia, the free encyclopedia.


Guy Madison (January 19, 1922 - February 6, 1996) was an American film and television actor.

He was born Robert Ozell Mosely in Bakersfield, California. He attended Bakersfield Junior College for two years and then worked briefly as a telephone lineman before joining the United States Coast Guard in 1942. In 1944, while visiting Hollywood on leave from the Coast Guard, his boyish good looks were spotted by a talent scout from David O. Selznick's office and he was immediately cast in a bit part in Selznick's Since You Went Away. Following the film's release in 1944, the studio received thousands of letters from fans wanting to know more about him.

He was signed by RKO Pictures in 1946 and began appearing in romantic comedies and dramas but his wooden acting style hurt his chances of advancing in films. In 1951, television came to the rescue of his fleeting career when he was cast in The Adventures of Wild Bill Hickok, which ran for six years.

Following his television series, he appeared in several more films, mostly westerns, before leaving for Europe, where he found greater success in spaghetti westerns.

He was married to actresses Gail Russell (1949-1954) and Sheilia Connolly (1961-1963). Both marriages ended in divorce. He has four children - three daughters and one son.

Guy Madison died in 1996 and was buried in the Palm Springs Mortuary & Mausoleum in Palm Springs, California.

http://en.wikipedia.org/wiki/Guy_Madison
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:24 am
Jean Stapleton
From Wikipedia, the free encyclopedia.


Jean Stapleton (born Jeanne Murray on January 19, 1923 in New York City) is an American actress.

She may be best known for her portrayal of the long-suffering, yet devoted wife and mother Edith Bunker on the popular and groundbreaking 1970s sitcom All in the Family, and occasionally in the sequel Archie Bunker's Place. Her awards for the show include three Emmys and three Golden Globes.

She began her New York career Off-Broadway in American Gothic. She has been featured on Broadway in several famous musicals (Damn Yankees, Bells Are Ringing, Juno) and in many other stage productions.

She has also acted in made-for-TV movies and feature films such as Klute, which starred Jane Fonda and Donald Sutherland, and Cold Turkey, which starred Bob Newhart. She also had a recurring role on TV's Scarecrow and Mrs. King as an English spy. Stapleton appeared in the 1999 movie You've Got Mail. She played Birdie Conrad, a friend of Meg Ryan's character's mother.

Her husband, William H. Putch, by whom she had 2 children, actor/writer/director John Putch and actress Pamela Putch, died in 1983. She had been dating comic actor Howard Morton until he died of a stroke in 1997.

Stapleton is not related to Maureen Stapleton; she acquired her professional name of Jean Stapleton as so many other actors have done, by using her mother's maiden name. Jean Stapleton has numerous relatives in show business, including actress cousin, Betty Jane Watson (born in 1921), who appeared on Winner Take All (1951).

http://en.wikipedia.org/wiki/Jean_Stapleton
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:27 am
Tippi Hedren
From Wikipedia, the free encyclopedia.


Nathalie "Tippi" Hedren (born January 19, 1930 in New Ulm, Minnesota) is an American actress. She was discovered by Alfred Hitchcock who saw her while she was doing a diet drink commercial. He was looking for an actress who looked like Grace Kelly. Hedren appeared in The Birds and Marnie for Hitchcock.

Tippi Hedren is the mother of actress Melanie Griffith. Active in animal causes, she was sometimes billed as 'Tippi' Hedren in her early acting career.


Early life

Hedren was born of a Swedish father and a German-Norwegian mother. Her father gave her the moniker "Tippi" even though her birth name is Nathalie Hedren. "My father thought Nathalie was a little bit much for a brand new baby," Hedren remembered at a 2004 screening of The Birds. Tippi comes from the Swedish nickname "Tupsa," or "sweetheart."

As a teenager, Hedren took part in department store fashion shows. Her parents relocated to California while she was still a student in high school. As soon as she had her 18th birthday, she bought a ticket to New York and started her professional modeling career. Within a year she made her movie debut as one of the Petty Girls in the musical comedy The Petty Girl (1950), although in interviews she refers to The Birds as her first film. While in New York, she met and married her first husband, Peter Griffith, in 1952. 1

The Birds in retrospect

At a packed house in Lancaster, California's Antelope Valley Independent Film Festival Cinema Series screening of The Birds on September 28, 2004, Hedren recounted her film career and her big acting break to a spellbound audience for almost an hour. "I said, 'Well, who is this person? Who is interested?'... Nobody would tell me who it was." Of course, it was Alfred Hitchcock, who soon announced that Hedren was his new lead actress.

She remembered the work (on location at Bodega Bay) as being dangerous and taxing. During the filming of the last attack scene, Hedren became exhausted to the point of sitting down on the middle of the set and crying. A week's rest was ordered by a doctor at that time of completing the film. "For a first film, it was a lot of work," Hedren mused. Her performance brought her a Golden Globe as Most Promising Newcomer. 2


Hedren and Hitchcock

Hitchcock's plan to mold her image went so far as insisting that her name should be printed only in single quotes -- 'Tippi' -- yet for the most part, journalists ignored the press releases with this curious dictum by the director. Strained by Hitchcock's controlling manner, Hedren declined further work with him after Marnie in 1964. "It grew to be impossible. He was a very controlling type of person, and I guess I'm not about to be controlled." Ending their professional relationship on a sour note, she remarked "He said, 'Well, I'll ruin your career.' And he did." Producers who wished to hire Hedren for acting roles had to go through Hitchcock, who would inform them that "she isn't available." 3

Her career after Hitchcock and Shambala Preserve

After the two for Hitchcock, she went on to make 40 films between 1967 and 2005. After Marnie, she next appeared in Charlie Chaplin's last film, A Countess from Hong Kong (1967). In 1981, she produced her own film, Roar, a grueling, five-year project starring dozens of African lions. "This was probably one of the most dangerous films that Hollywood has ever seen," remarked the actress. "It's amazing no one was killed." During the production of Roar, both Hedren and her husband at the time, Noel Marshall, were attacked by lions, and Jan de Bont, the director of photography, was scalped.

Roar directly led to the establishment of Hedren's Shambala Preserve, located in Acton, California between the Antelope Valley and the Santa Clarita Valley just north of Los Angeles. Shambala, an animal rescue preserve, houses (and has housed) the animals that appeared in Roar. Hedren lives on the site and conducts monthly tours of Shambala for the public. The preserve also houses many birds, according to Hedren. When asked about this point by an audience member, she replied, "I love birds. No, I like 'em. I do. I hate to tell you that. It spoils the whole story." 4

http://en.wikipedia.org/wiki/Tippi_Hedren
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:31 am
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 19 Jan, 2006 05:38 am
Dolly Parton
From Wikipedia, the free encyclopedia.


Dolly Parton (born January 19, 1946) is an American country singer, songwriter, composer, author and actress.

She was born Dolly Rebecca Parton in Sevierville, Tennessee, the fourth of twelve children born to Robert Lee Parton and Avie Lee Owens, and grew up "dirt poor" in a rustic one-room cabin in the Smoky Mountains, also described as a "run-down farm" near Locust Ridge. Her siblings are Willadeene Parton (a poet), David Parton, Denver Parton, Bobby Parton, Stella Parton (a singer), Cassie Parton, Larry Parton (who died shortly after birth), Randy Parton (a singer), twins Floyd Parton (a songwriter) and Freida Parton, and Rachel Dennison (an actress).

Parton was raised Assembly of God, a Pentecostal denomination, and music was a very large part of her church experience. She once told an interviewer that her grandfather was a Pentecostal "Holy Roller" preacher and today, when appearing in live concerts, she frequently performs spiritual songs. Parton, however, professes no denomination, claiming to be only Christian while adding that she believes that all Earth's peoples are God's children.

She began her entertainment career as a child, singing on local radio and television in East Tennessee. At age 12 she was appearing on Knoxville TV, and at 13 she was recording on a small label and appearing at the Grand Ole Opry in Nashville. When she graduated from high school in 1964 she moved to Nashville, taking many traditional folkloric elements and popular music from East Tennessee with her.

On May 30, 1966, at the age of 20, she married Carl Dean, who ran an asphalt-paving business (whom she met upon her first day in Nashville two years earlier), in Ringgold, Georgia. She has remained with Dean, who has always shunned publicity and stayed in the background to an extraordinary degree, refusing to accompany his wife to almost every public appearance she has made since their marriage. Her extramarital relationships have been the subject of tabloid speculation for decades, with her heterosexuality often being questioned. When asked once, "Do you love women?" she replied "Yes, my mother was a woman."

Early career

Parton's initial success came as a songwriter, with her songs being covered by Kitty Wells, Hank Williams, Jr., Skeeter Davis, and a number of others. She signed with Monument Records in late 1965, where she was initially pitched as a bubblegum pop singer, resulting in just one chart single, "Happy, Happy Birthday Baby," which went to No. 108 pop in 1965. After a series of additional pop singles that failed to chart, label executives decided to allow her to sing country music after the success of her composition "Put It Off Until Tomorrow" as recorded by Bill Phillips. With Parton singing uncredited harmony on the single, Phillips' version of her song went to No. 6 on the country charts in 1966. Her first country single, "Dumb Blonde" (one of the few songs she recorded during this period that she herself did not write), reached No. 24 country 1967, followed later the same year with "Something Fishy," which went to No. 17. The two songs anchored her first full-length album, Hello I'm Dolly, that same year. (She had previously contributed vocals to a compilation album, Hits Made Famous by Country Queens, in late 1963 on the now defnct Somerset label.)
7

Late in that same year, Parton was asked to join the weekly syndicated country music TV program hosted by Porter Wagoner, replacing Norma Jean (singer) who was semi-retiring. She also signed with RCA Records, Wagoner's label, during this period, where she would remain for the next two decades. Wagoner and Parton immediately began a hugely successful career as a vocal duet in addition to their solo work and their first single together, a cover of Tom Paxton's "The Last Thing on My Mind," reached the top ten on the U.S. country charts in late 1967, and was the first of over a dozen duet singles to chart for them during the next several years.

Parton is a hugely successful songwriter, having begun by writing country songs with strong elements of folk music in them based upon her upbringing in humble mountain surroundings. Her songs "Coat of Many Colors" and "Jolene" have become classics in the field, as have a number of others. As a composer, she is also regarded as one of country music's most gifted storytellers, with many of her narrative songs based on persons and events from her childhood.

She stayed with the Wagoner show and continued to record duets with him for seven years, then made a break to become a solo artist. In 1974, her song "I Will Always Love You" was released and went to #1 on the country charts, though the single did not "crossover" to the pop charts (as "Jolene" had done). Around the same time, Elvis Presley indicated that he wanted to cover the song. Parton was interested until Presley's manager, Colonel Tom Parker, told her that she would have to sign over half of the publishing rights if Elvis recorded the song (as was the standard procedure for songs Elvis recorded). Parton refused and that decision is credited with helping make her many millions of dollars in royalties from the song over the years.

During the mid-1970s, Parton had her eyes set on expanding her audience base. The first step towards meeting this goal was her attempt a variety show, Dolly. Even though it had high ratings, the show lasted merely one season, with Parton asking out of her contract due to the stress it was causing her vocal chords.


Breakout

Despite originally being typecast in many circles as a "Country and Western" singer, Parton later had even greater commercial success as a pop singer and actress. Her 1977 album "Here You Come Again" was her first million-seller, and the title track became her first top-ten single on the pop charts; many of her subsequent singles charted on both pop and country charts simultaneously. Her albums during this period were more tightly produced and were designed specifically for pop/crossover success.


In 1980, Jane Fonda decided Parton was a perfect candidate for her upcoming film, 9 to 5. She was looking for a brassy Southern woman for a supporting role and felt the singer was perfect. Parton was signed, and went on to steal the notices and score a major hit with the title song.

She wrote and performed "9 to 5" which earned her an Academy Award nomination for Best Original Song. She received a Golden Globe nomination for Best Original Song - Motion Picture. And she won two Grammy Awards, for Best Female Country Vocal Performance and Best Country Song. It reached #1 on the Billboard Hot 100 and was also #78 on American Film Institute's 100 years, 100 songs.

She also received Golden Globe nominations for Best Motion Picture Actress - Musical/Comedy and New Star of the Year in a Motion Picture - Female.

Parton's other films include The Best Little Whorehouse in Texas (1982), for which she received another Golden Globe nomination, and Steel Magnolias.

In 1982, she recorded a second version of "I Will Always Love You" for The Best Little Whorehouse in Texas; the second version proved to be another #1 country hit and also managed to reach the pop charts, going to #53 in the United States.

In 1986, she was inducted into the Nashville Songwriters Hall of Fame.

The following year, along with Emmylou Harris and Linda Ronstadt, she released the decade-in-the-making Trio album to critical acclaim (a second collaboration, "Trio II", would be released in 1999). Also in 1987, Parton switched record labels, moving from RCA to Columbia Records, and took a second stab at her own TV variety show, also titled Dolly, which lasted only one season. Ratings started strong but quickly fell.


Parton has also done voice work for animation, playing herself in the TV series Alvin & the Chipmunks (episode: Urban Chipmunk) (1987) and her voice role as Katrina Eloise "Murph" Murphy in The Magic School Bus (episode: The Family Holiday Special) (1994).

Standing at an even 5 feet tall (152 cm), Parton's physical trademark is her large breasts; her petite dimensions elsewhere accentuate her large bosom. She has often mocked this reputation with quips such as "I would have burned my bra in the 60s, but it would have taken the fire department three days to put it out," or "The reason I have a small waist and small feet is that nothing grows well in the shade." In 1994, she told Vogue magazine that her measurements were 40-20-36. [1] And she has publicly denied the often-reported allegation that her chest is insured for $600,000.

In 1992, "I Will Always Love You" was performed by Whitney Houston on The Bodyguard soundtrack. Houston's version became the best-selling hit ever written and performed by a female vocalist, with worldwide sales of 12,000,000. As Parton owned the song, she raked in huge profits from Houston's cover. The song was also covered by music legend Kenny Rogers on his 1997 album "Always and Forever," which sold over 4 million copies worldwide, as well as by Leanne Rimes. Melissa Etheridge covered the song on a tribute album to Parton.

In 1993, she teamed up with fellow country music queens Loretta Lynn and Tammy Wynette to record the Honky Tonk Angels album.

Parton's last lead role in a theatrical film was in 1992's Straight Talk, opposite James Woods. She played the plainspoken host of a radio program that has people phoning-in with problems. The film, while not a blockbuster, did respectably well upon its release. She later played an overprotective mother in Frank McKlusky, C.I. with Dave Sheridan, Cameron Richardson, and Randy Quaid.

After Parton (in common with many other performers of her generation) was dropped from country radio stations' playlists in the mid-1990s, she rediscovered her roots by recording a series of critically acclaimed bluegrass albums, beginning with "The Grass is Blue" (1999) and "Little Sparrow" (2001), both of which won Grammy Awards. Her 2002 album "Halos and Horns" included a bluegrass version of the Led Zeppelin classic Stairway to Heaven. In 2005, Parton released Those Were The Days, her interpretation of hits from the folk-rock era of the late 1960s through early 1970s. The CD featured such classics as John Lennon's "Imagine," Cat Stevens' "Were Do The Children Play," Tommy James' "Chrimson & Clover," and the folk classic "Where Have All The Flowers Gone", as well as the title track.

Business

Parton invested much of her earnings into business ventures in her native East Tennessee, notably Pigeon Forge, which includes a theme park named Dollywood and a dinner show called Dolly Parton's Dixie Stampede. The area is a thriving tourist attraction, drawing visitors from large parts of the Southeastern and Midwestern United States. This region of the U.S., like most areas of Appalachia, has suffered economically for decades; Parton's business investment there allow her to put something back into the community where she was born and raised.

She also owns Sandollar Productions, a film and television production company, which produced the Fox TV Show "Babes" and Buffy the Vampire Slayer and the features "Father of the Bride I & II", , "Straight Talk", "Sabrina" and Academy Award-winning (for Best Documentary) Common Threads: Stories From The Quilt amongst other shows. Sanddollar is co-owned by Sandy Gallin, former manager and openly gay long-time friend of Dolly's.


She has reportedly turned down several offers to pose for Playboy magazine and similar publications; however, she jokes that she told Playboy she would pose naked -- on her 100th birthday. Russ Meyer wanted to make movies about her breasts. Although she has admitted over the years to having a great deal of cosmetic surgery, it wasn't until 2002 that she admitted to having breast implants. However, she says she didn't get them until she lost a great deal of weight in the mid-1980s, because as a result of the weight loss she had lost a great deal of now-famous bosom. [2]

Parton, alongside Johnny Cash, is one of the few country stars to be admired and acclaimed by fans from all walks of life. She said that she has long admired the look of some outcasts from society (such as prostitutes, whose long fingernails and big blonde wigs inspired her). She is an icon in the gay community, and is often portrayed by drag queens. She has said that if she were not born a woman, she would be a drag-queen.

Her music of the late 1990s and beyond has moved towards bluegrass and more traditional folk styles, resulting in a second wind of critical and commercial success.


In Concert

Parton toured extensively from the late 1960's until the early 1990's. Since the early 1990's, Parton's concert appearances were primarily limited to one weekend a year at her Dollywood theme park benefiting her Dollywood Foundation. After a decade long absence from touring, Parton decided to hit the road in 2002 with an 18 city, intimate club tour to promote the "Halos & Horns" CD. The House of Blues Entertainment Inc. produced show sold out all of its U.S. and European dates (her first in two decades). In 2004, she returned to mid-sized stadium venues in 36 cities in the US and Canada with her "Hello I'm Dolly" tour, a glitzier, more elaborate stage show than 2 years earlier. With nearly 140,000 tickets sold, the "Hello I'm Dolly" tour was the 10th-biggest country tour of the year and grossed more than $6 million. In late 2005 Parton completed a 40 city tour with "The Vinatage Tour" promoting her new album, Those Were The Days.

Honors

[3]

Parton is perhaps the most-honored female country performer of all time. She holds 25 U.S. gold, platinum and multi-platinum honors from the RIAA. She has seen 24 songs reach No. 1 on the Billboard country charts, a record for a female artist. She has 41 career top 10 country albums, a record for any artist, and 110 career charted singles over the past 40 years. All inclusive sales of singles, albums, hit's collections, paid digital downloads and compilation usage during Parton's career have reportedly reached 100 million records around the world.

She has received seven Grammy Awards and a total of 42 Grammy nominations. In the American Music Awards, she has taken home the AMA trophy three times but seen 18 nominations. At the Country Music Association, she has received 10 awards and 42 nominations. At the Academy of Country Music, she has been given five awards and 36 nominations. She has been nominated for both an Academy Award and an Emmy Award. She has received four Golden Globe nominations.

She has a star on the Hollywood Walk of Fame for Recording at 6712 Hollywood Boulevard in Hollywood, awarded in 1984; a star on the Nashville Star Walk for Grammy winners; and a bronze sculpture on the courthouse lawn in Sevierville, Tennessee.

She was inducted into the Grand Ole Opry in 1969. In 1986, she was named one of Ms. Magazine's Women of the Year. She was given an honorary doctorate from Carson-Newman College in 1990.

In 1999, Parton received country music's highest honor, induction into the Country Music Hall of Fame. This was followed by induction into the National Academy of Popular Music/Songwriters Hall of Fame in 2001.

She was honored in 2003 with a tribute album called "Just Because I'm a Woman." The artists who recorded versions of Dolly's songs included Melissa Etheridge ("I Will Always Love You"), Alison Krauss ("9 to 5"), Shania Twain ("Coat of Many Colors"), Me'Shell NdegéOcello ("Two Doors Down"), Norah Jones ("The Grass is Blue"), and Sinéad O'Connor ("Dagger Through the Heart").

Parton was awarded the Living Legend medal by the U.S. Library of Congress on April 14, 2004, for her contributions to the cultural heritage of the United States. This was followed in 2005 with the National Medal of Arts, the highest honor given by the U.S. government for excellence in the arts.

Her efforts to preserve the bald eagle through the American Eagle Foundation's sanctuary at Dollywood earned her the Partnership Award from the U.S. Fish and Wildlife Service in 2003. And her national literacy program, Dolly Parton's Imagination Library, has resulted in her receiving the Association of American Publishers' AAP Honors in 2000, Good Housekeeping's Seal of Approval in 2001 (the first time the seal had been given to a person), the American Association of School Administrators' Galaxy Award in 2002, Chasing Rainbows Award from the National State Teachers of the Year in 2002, and Child and Family Advocacy Award from the Parents As Teachers National Center in 2003. The program distributes more than 2.5 million free books to children annually across more than 40 states.

She is one of only five solo women (others include Reba McEntire, Barbara Mandrell, Shania Twain, and Loretta Lynn), to win the Country Music Association's highest honor, "Entertainer Of The Year"


http://en.wikipedia.org/wiki/Dolly_Parton


9 To 5 :: Dolly Parton

Tumble outta bed
And stumble to the kitchen
Pour myself a cup of ambition
Yawnin' and stretchin' and try to come to life

Jump in the shower
And the blood starts pumpin'
Out on the streets
The traffic starts jumpin'
With folks like me on the job from 9 to 5

Workin' 9 to 5
What a way to make a livin'
Barely gettin' by
It's all takin'
And no givin'
They just use your mind
And they never give you credit
It's enough to drive you
Crazy if you let it

9 to 5, for service and devotion
You would think that I
Would deserve a fair promotion
Want to move ahead
But the boss won't seem to let me
I swear sometimes that man is out to get me
Mmmmm...

They let your dream
Just a' watch 'em shatter
You're just a step
On the boss man's ladder
But you got dream he'll never take away

In the same boat
With a lot of your friends
Waitin' for the day
Your ship 'll come in
And the tide's gonna turn
An' it's all gonna roll you away

Workin' 9 to 5
What a way to make a livin'
Barely gettin' by
It's all takin'
And no givin'
They just use your mind
And you never get the credit
It's enough to drive you
Crazy if you let it

9 to 5, yeah, they got you where they want you
There's a better life
And you think about it don't you
It's a rich man's game
No matter what they call it
And you spend your life
Putting money in his wallet

Workin' 9 to 5
What a way to make a livin'
Barely gettin' by
It's all takin'
And no givin'
They just use you mind
And they never give you credit
It's enough to drive you
Crazy if you love it

9 to 5, yeah, they got you where they want you
There's a better life
And you think about it don't you
It's a rich man's game
No matter what they call it
And you spend your life
Putting money in his wallet
0 Replies
 
McTag
 
  1  
Reply Thu 19 Jan, 2006 06:15 am
The competition prize is withheld, Miss L out there in Florida, while the ajudicators decide whether an alternative lyric is acceptable to the trustees. I refer, of course, to the substitution of the line "It started working right away, all right", for the traditionally accepted "I didn't know if it was day or night"

We will let you know of our decision in due course.

In the meantime, I'll sing you another verse of my song...

Just you put on your coat and hat
And get yourself to the laundry-mat
And when you're finished doing that
Bring in the dog and put out the cat

Yakkity-Yak (don't talk back!)
0 Replies
 
edgarblythe
 
  1  
Reply Thu 19 Jan, 2006 07:02 am
Just you put on your coat and hat
And walk yourself to the sunny side of the street
0 Replies
 
Francis
 
  1  
Reply Thu 19 Jan, 2006 07:03 am
Congratulations, Edgar, for the book!
0 Replies
 
dyslexia
 
  1  
Reply Thu 19 Jan, 2006 07:45 am
another Pete Townshend tune;

I was just thirty-four years old and I was still wandering in a haze
I was wondering why everyone I met seemed like they were
Lost in a maze

I don't know why I thought I should have some kind of
Divine right to the blues
It's sympathy not tears people need when they're the
Front page sad news.

The incense burned away and the stench began to rise
And lovers now estranged avoided catching each others' eyes

And girls who lost their children cursed the men who fit the coil
And men not fit for marriage took their refuge in the oil
No one respects the flame quite like the fool who's badly burned
From all this you'd imagine that there must be something learned

Slit skirts, Jeanie never wears those slit skirts
I don't ever wear no ripped shirts
Can't pretend that growing older never hurts.

Knee pants, Jeanie never wears no knee pants
Have to be so drunk to try a new dance
So afraid of every new romance

Slit skirts, slit skirt
Jeanie isn't wearing those slit skirts, slit skirt
She wouldn't dare in those slit skirts, slit skirt
Wouldn't be seen dead in no slit skirt

Slit skirts, slit skirt
Jeanie isn't wearing those slit skirts, slit skirt
She wouldn't dare in those slit skirts, slit skirt
Wouldn't be seen dead in no slit skirt

Romance, romance, why aren't we thinking up romance?
Why can't we drink it up true heart romance
Just need a brief new romance

Let me tell you some more about myself, you know I'm sitting at home just now.
The big events of the day are passed and the late TV shows have come around.
I'm number one in the home team, but I still feel unfulfilled.
A silent voice in her broken heart complaining that I'm unskilled.

And I know that when she thinks of me, she thinks of me as him,
But, unlike me, she don't work off her frustration in the gym.

Recriminations fester and the past can never change
A woman's expectations run from both ends of the range

Once she walked with untamed lovers' face between her legs
Now he's cooled and stifled and it's she who has to beg

Slit skirts, Jeanie never wears those slit skirts
And I don't ever wear no ripped shirts
Can't pretend that growing older never hurts

Knee pants, Jeanie never wears no knee pants
We have to be so drunk to try a new dance
So afraid of every new romance

Slit skirts, slit skirt
Jeanie isn't wearing those slit skirts, slit skirt
She wouldn't dare in those slit skirts, slit skirt
Wouldn't be seen dead in no slit skirt

Slit skirts, slit skirt
Jeanie isn't wearing those slit skirts, slit skirt
She wouldn't dare in those slit skirts, slit skirt
Wouldn't be seen dead in no slit skirt

Romance, romance, why aren't we thinking up romance?
Why can't we drink it up true heart romance
Just need a brief new romance
0 Replies
 
 

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