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WA2K Radio is now on the air

 
 
edgarblythe
 
  1  
Reply Sat 16 Jun, 2007 04:19 pm
We'll Sing In The Sunshine
by Gale Garnett

We'll sing in the sunshine,
We'll laugh every day,
We'll sing in the sunshine,
Then I'll be on my way.

I will never love you,
The cost of love's too dear.
But though I'll never love you,
I'll stay with you one year.

And we can sing in the sunshine,
We'll laugh everyday,
We'll sing in the sunshine,
Then I'll be on my way.

I'll sing to you each morning,
I'll kiss you every night.
But darlin' don't cling to me,
I'll soon be out of sight.

But we can sing in the sunshine,
We'll laugh everyday,
We'll sing in the sunshine,
Then I'll be on my way.

My daddy he once told me,
"Hey, don't you love you any man.
Just take what they may give you,
And give but what you can."

And you can sing in the sunshine,
You'll laugh everyday,
You'll sing in the sunshine,
Then be on your way.

And when a year has ended,
And I have gone away,
You'll often speak about me,
And this is what you'll say:

We sang in the sunshine,
You know we laughed everyday,
We sang in the sunshine,
Then she went away
0 Replies
 
Victor Murphy
 
  1  
Reply Sat 16 Jun, 2007 04:32 pm
Coal Miners Daughter

Well, I was born a coal miner's daughter
In a cabin on a hill in Butcher Holler
We were poor but we had love
That's the one thing my Daddy made sure of
He shoveled coal to make a poor man's dollar

My daddy worked all night in the Van Lear coal mine
All day long in the field hoeing corn
Mama rocked the baby at night
Read the Bible by a coal oil light
And everything would start all over come break of morn

Daddy loved and raised eight kids on a coal miner's pay
Mama scrubbed our clothes on a washboard every day
I've seen her fingers bleed
To complain there was no need
She'd smile in Mama's understanding way

In the summertime we didn't have shoes to wear
But in the wintertime we'd all get a brand new pair
From a mail-order catalogue, money made by selling a hog
Daddy always seemed to get the money somewhere

I'm proud to be a coal miner's daughter
I remember well, the well where I drew water
The work we done was hard
At night we'd sleep, cause we were tired
I never thought I'd ever leave Butcher Holler

Well a lot of things have changed, since way back when
And it's so good to be back home again
Not much left but the floor
Nothing lives here anymore
Just a memory of a coal miner's daughter
0 Replies
 
Letty
 
  1  
Reply Sat 16 Jun, 2007 04:33 pm
Well, Texas, I know that song and I like it. I'm certain our listeners do as well.

Meanwhile back to the county, here's one that is a teller of tales.

Kenny Rogers

Ev'ryone considered him the coward of the county.
He'd never stood one single time to prove the county wrong.
His mama named him Tommy, the folks just called him yellow,
But something always told me they were reading Tommy wrong.

He was only ten years old when his daddy died in prison.
I looked after Tommy 'cause he was my brother's son.
I still recall the final words my brother said to Tommy:
"Son, my life is over, but yours is just begun.

Promise me, son, not to do the things I've done.
Walk away from trouble if you can.
It won't mean you're weak if you turn the other cheek.
I hope you're old enough to understand:
Son, you don't have to fight to be a man."

There's someone for ev'ryone and Tommy's love was Becky.
In her arms he didn't have to prove he was a man.
One day while he was workin' the Gatlin boys came callin'.
They took turns at Becky.... There was three of them!

Tommy opened up the door and saw his Becky cryin'.
The torn dress, the shattered look was more than he could stand.
He reached above the fireplace and took down his daddy's picture.
As his tears fell on his daddy's face, he heard these words again:

"Promise me, son, not to do the things I've done.
Walk away from trouble if you can.
It won't mean you're weak if you turn the other cheek.
I hope you're old enough to understand:
Son, you don't have to fight to be a man."

The Gatlin boys just laughed at him when he walked into the barroom.
One of them got up and met him halfway 'cross the floor.
When Tommy turned around they said, "Hey look! ol' yellow's leavin'."
But you coulda heard a pin drop when Tommy stopped and blocked the door.

Twenty years of crawlin' was bottled up inside him.
He wasn't holdin' nothin' back; he let 'em have it all.
When Tommy left the barroom not a Gatlin boy was standin'.
He said, "This one's for Becky," as he watched the last one fall.
And I heard him say,

"I promised you, Dad, not to do the things you done.
I walk away from trouble when I can.
Now please don't think I'm weak, I didn't turn the other cheek,
and Papa, I sure hope you understand:
Sometimes you gotta fight when you're a man."

Ev'ryone considered him the coward of the county.
0 Replies
 
Letty
 
  1  
Reply Sat 16 Jun, 2007 04:41 pm
Hey, Victor. Missed your coal mining song, buddy. Loretta Lynn, right?

Here's one to match from Merle Travis.

Come and listen you fellows, so young and so fine,
And seek not your fortune in the dark, dreary mines.
It will form as a habit and seep in your soul,
'Till the stream of your blood is as black as the coal.

CHORUS: It's dark as a dungeon and damp as the dew,
Where danger is double and pleasures are few,
Where the rain never falls and the sun never shines
It's dark as a dungeon way down in the mine.

It's a-many a man I have seen in my day,
Who lived just to labor his whole life away.
Like a fiend with his dope and a drunkard his wine,
A man will have lust for the lure of the mines.

I hope when I'm gone and the ages shall roll,
My body will blacken and turn into coal.
Then I'll look from the door of my heavenly home,
And pity the miner a-diggin' my bones.
0 Replies
 
edgarblythe
 
  1  
Reply Sat 16 Jun, 2007 05:31 pm
Bill Monroe
Blue Moon Of Kentucky

I said blue moon of Kentucky keep on shining
Shine on the one that's gone and left me blue

Blue moon of Kentucky keep on shining shine on the one that's gone and left me blue

It was on one moonlight night with stars shining bright

Whispered on high love said goodbye

Blue moon of Kentucky keep on shining shine on the one that's gone and left me blue

[ brass ]

Blue moon of Kentucky keep on shining

Shine on the one that's gone and left me blue so blue

Blue moon of Kentucky keep on shining shine on the one that's gone and left me blue

It was on one moonlight...
0 Replies
 
Victor Murphy
 
  1  
Reply Sat 16 Jun, 2007 06:25 pm
Back In The Saddle Again-Gene Autry
Back In The Saddle Again--Gene Autry

I'm back in the saddle again
Out where a friend is a friend
Where the longhorn cattle feed
On the lowly gypsum weed
Back in the saddle again

Ridin' the range once more
Totin' my old .44
Where you sleep out every night
And the only law is right
Back in the saddle again

Whoopi-ty-aye-oh
Rockin' to and fro
Back in the saddle again
Whoopi-ty-aye-yay
I go my way
Back in the saddle again

I'm back in the saddle again
Out where a friend is a friend
Where the longhorn cattle feed
On the lowly gypsum weed
Back in the saddle again

Ridin' the range once more
Totin' my old .44
Where you sleep out every night
And the only law is right
Back in the saddle again

Whoopi-ty-aye-oh
Rockin' to and fro
Back in the saddle again
Whoopi-ty-aye-yay
I go my way
Back in the saddle again
0 Replies
 
Letty
 
  1  
Reply Sat 16 Jun, 2007 06:30 pm
Ah, some country and some cowboy. Thanks edgar and Victor.

It is becoming dusk here, and for some reason, listeners, this song fit the sailing mood.

Sail along, silvery moon,
Trail along lover's lane,
Sail along, silvery moon,
To my love again.

In the glow of your light,
Let me see her tonight,
Once again, hold her tight,
Back in lover's lane.

And then the whole world wll seem brighter,
As we stroll hand in hand,
Two blue hearts will be lighhter,
You understand,

Sail along silvery moon,
Trail along lover's lane,
Sail along, silvery moon,
To my love again.
0 Replies
 
Victor Murphy
 
  1  
Reply Sat 16 Jun, 2007 06:55 pm
Tiny Bubbles
Tiny Bubles

Tiny bubbles in the wine,
make me happy, make me feel fine,
tiny bubbles make me warm all over
with a feeling that I'm gonna love you 'til the end of time.

So here's to the golden moon,
and here's to the silver sea,
and mostly here's a toast to you and me

Tiny bubbles in the wine,
make me happy, make me feel fine,
tiny bubbles make me warm all over
with a feeling that I'm gonna love you 'til the end of time.

Tiny bubbles in the wine,
make me happy, make me feel fine,
tiny bubbles make me warm all over
with a feeling that I'm gonna love you 'til the end of time.

With a feeling that I'm gonna love you 'til the end of time.
0 Replies
 
Letty
 
  1  
Reply Sat 16 Jun, 2007 07:14 pm
Ah, Victor, that reminds me of Don Ho. <smile>

Inspired by your song, I thought a little classical might be appropriate.

Lyrics to Chopin's Polonaise in A flat minor

Till the end of time,
Long as stars are in the blue
Long as there's a spring of birds to sing
I'll go on loving you
Till the end of time,
Long as roses bloom in May
My love for you will grow deeper with every passing day

Till the wells run dry and each mountain disappears
I'll be there for you
To care for you through laughter and through tears
So take my heart in sweet surrender and tenderly say
That I'm the one you love and live for till the end of time

Till the wells run dry and each mountain disappears
I'll be there for you
To care for you through laughter and through tears
So take my heart in sweet surrender and tenderly say
That I'm the one you love and live for till the end of time
0 Replies
 
hamburger
 
  1  
Reply Sat 16 Jun, 2007 07:25 pm
letty :
"morgantown" - have stayed there overnight on our way to myrtle beach a few times .
i too was surprised to see that ; must be an OLD SALT living there !
hbg

or A BRISK YOUNG SAILOR !

http://www.williamstout.com/catalogue/album_covers/2girls.jpg

Quote:
A brisk young sailor courted me,
He stole away my liberty,
He won my heart with a free good-will,
He's false, I know, but I love him still.

There is an alehouse in yonder town,
Where my love goes and sits him down,
He takes another girl on his knee,
And don't you think that's a grief to me?

A grief to me! I'll tell you why,
Because she's got more gold than I,
Her gold will waste and her beauty blast,
And she'll become like me at last.

O what a foolish girl was I
To give my heart to a sailor boy,
A sailor boy although he be,
I love him better than he loves me.
0 Replies
 
Letty
 
  1  
Reply Sat 16 Jun, 2007 07:43 pm
Well, hbg, that was a surprise to me as I always thought that Morgantown was in West Virginia. Before the Civil War, it was all one big state anyway.

Love that brisk sailor song, Canada.

What a wonderful surprise to find out that James Joyce was a musician who played piano and sang. I like his poetry, but I never knew about the softer side of Finnegan's Wake.

So, folks, from Finnegan's Rainbow.....

On the day I was born,
Said my father, said he.
I've an an elegant legacy
Waitin' for ye,
'Tis a rhyme for your lips
And a song for your heart,
To sing it whenever
The world falls apart.

Look, look
Look to the rainbow.
Follow it over the hill
And the stream.
Look, look
Look to the rainbow.
Follow the fellow
Who follows a dream.
Follow the fellow,
Follow the fellow,
Follow the fellow
Who follows a dream.

'Twas a sumptuous
To bequeath to a child.
Oh the lure of that song
Kept her feet funnin' wild.
For you never grow old
And you never stand still,
With whippoorwills singin'
Beyond the next hill.

Look, look
Look to the rainbow.
Follow it over the hill
And the stream.
Look, look
Look to the rainbow.
Follow the fellow
Who follows a dream.
Follow the fellow,
Follow the fellow,
Follow the fellow
Who follows a dream.

Goodnight, my friends; to sleep perchance to dream.

From Letty with love
0 Replies
 
panzade
 
  1  
Reply Sat 16 Jun, 2007 07:55 pm
Coward of the county was written by a great song writer from West Virginia named Billy Edd Wheeler.His somg "Coal Tattoo" is a wonderful coal mining song

http://billyeddwheeler.com/billysinging.jpg


Coal Tattoo
(Billy Ed Wheeler)

Travelin' down that coaltown road,
Listen to those rubber tires whine;
Goodbye to Buckeye and White Sycamore,
I'm leavin' you behind.
I've been a coal man all my life
Layin' down track in the hole,
Got a back like an ironwood bent by the wind
Blood veins blue as the coal.

Somebody said "That's a strange tattoo
You have on the side of your head."
I said "That's a blue print, left by the coal
Just a little more and I'd be dead"
And I love the rumble and I love the dark
I love the cool of the slate.
But it's on down the new road lookin' for a job
It's the travelin' and lookin' I hate.

I've stood for the union, walkin' the line,
Fought against the company;
Stood for the U. M. W. of A.
Now who's gonna stand for me?
I got no house and I got no pay,
Just got a worried soul;
And this blue tattoo on the side of my head
Left by the number nine coal.

Someday when I'm dead and gone
To Heaven, the land of my dreams,
I won't have to worry on losin' my job
To bad times 'n big machines.
I ain't gonna pay my money away
For pensions and hospital plans.
I'm gonna pick coal where the blue heavens roll
And sing with the angel bands.
0 Replies
 
hamburger
 
  1  
Reply Sat 16 Jun, 2007 08:32 pm
letty :
it looks as if MORGANTOWN is still in WV - unless it was shoved across the border to VIRGINIA in the meantime Laughing
hbg


Quote:
Morgantown, WV has been recognized as one of the best small cities in the Country. World-class healthcare, recreation, education, and art facilities complement our strong business community. Like our City, this web page is constantly growing and improving. Morgantown is the Home of West Virginia University.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 17 Jun, 2007 05:47 am
Ralph Bellamy
From Wikipedia, the free encyclopedia


Birth name Ralph Rexford Bellamy
Born June 17, 1904
Chicago, Illinois, United States
Died November 29, 1991 age 87
Santa Monica, California, USA

Ralph Rexford Bellamy (June 17, 1904 - November 29, 1991) was a Tony Award-winning American actor with a career spanning sixty-two years.

Bellamy was born in Chicago, Illinois to Lilla Louise Smith, a native of Canada, and Charles Rexford Bellamy.[1] He began his acting career on stage, and by 1927 owned his own theatre company. In 1931 he made his film debut and worked constantly throughout the thirties, establishing himself as a capable supporting actor. Bellamy received the lead role in the 1936 film Straight from the Shoulder. He then received an Academy Award nomination for Best Supporting Actor for his role in The Awful Truth (1937) opposite Irene Dunne and Cary Grant and played a similar part (the naive, aw-shucks boyfriend competing with the sophisticated light-comedy Grant character) in His Girl Friday (1940). He portrayed detective Ellery Queen in a few films during the forties, but as his film career had not progressed, he returned to the stage, where he continued to perform throughout the fifties. Highly regarded within the industry, he served four years as President of Actors' Equity.

Ralph was briefly married to Ethel Smith (organist). From Whatever Became Of [Ethel Smith]....? , Third Series by Richard Lamparski, (c)1970 Crown Publishers, Inc., NYC:

"In 1945 Ethel married Ralph Bellamy, who at the time was appearing on Broadway in State of the Union, and the couple lived in Ethel's Park Vendome apartment. In 1947 Bellamy walked out, stating that he had no intention of paying his wife alimony. Ethel charged abandonment and claimed that he drank heavily, that he was moody, and would lock himself in his room. The organist said her husband became jealous when at their parties she received most of the attention. Bellamy contended that she had advised him to be home fifteen minutes after his final curtain or he would find the door locked."

Bellamy was a regular panelist on the television game show To Tell the Truth during its initial run. He also starred on the TV detective series "Follow that Man."


On the movie set, Sunrise at Campobello (1960), with Eleanor Roosevelt and Greer GarsonOn Broadway he appeared in one of his most famous roles, as Franklin Delano Roosevelt in Sunrise at Campobello. He later starred in the 1960 film version.

On film, he also starred in Rosemary's Baby (1968) as a sweet talking but devilish physician, before turning to television during the seventies. An Emmy Award nomination for the mini-series The Winds of War (1983), in which Bellamy reprised his Sunrise at Campobello role of Franklin Roosevelt, and a role as a conniving billionaire alongside Don Ameche in Trading Places (also 1983) brought him back into the limelight.

In 1984, he was presented with a Life Achievement Award from the Screen Actors Guild, and in 1987 received an Honorary Academy Award "for his unique artistry and his distinguished service to the profession of acting."

Among his later roles was a memorable appearance as a once-brilliant but increasingly forgetful lawyer sadly skewered by the Jimmy Smits character on an episode of L.A. Law.

He continued working regularly and gave his final performance in Pretty Woman (1990).

He died as a result of a lung ailment in Santa Monica, California at the age of 87, and was buried in Forest Lawn - Hollywood Hills Cemetery in Los Angeles.

Bellamy has a star on the Hollywood Walk of Fame at 6542 Hollywood Boulevard.

In a 2007 episode of Boston Legal, footage of a 1957 episode of Studio One was used. The episode featured Bellamy and William Shatner as a father-son duo of lawyers. This was used in the present-day to explain the relationship between's Shatner's Denny Crane character and his father in the show.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 17 Jun, 2007 05:54 am
Barry Manilow
From Wikipedia, the free encyclopedia



Background information

Birth name Barry Alan Pincus
Born June 17, 1943 (age 64)
Origin Brooklyn, New York City
Genre(s) Popular music
Soft rock
Occupation(s) Singer-songwriter, musician, arranger, producer, conductor
Instrument(s) Vocals
Piano
Keyboards
Years active 1973 - present
Label(s) Bell Records
Arista Records
RCA Records
Concord Records

Website http://www.manilow.com/

Barry Manilow is an American singer and songwriter best known for his recordings "I Write the Songs", "Mandy" and "Copacabana".

His career achievements include selling more than 75 million records worldwide. In 1978, five of his albums were on the best-selling charts simultaneously, a feat equalled only by Frank Sinatra and Johnny Mathis. He has achieved a string of Billboard hit singles and multi-platinum albums that have resulted with him being named Radio & Records number one Adult Contemporary artist and winning the American Music Award for Favorite Pop/Rock Male Artist for three consecutive years. Several well-known entertainers have given Manilow their "stamp of approval," such as Sinatra, who was quoted in the 1970s regarding Manilow, "He's next." In 1988, Bob Dylan stopped Manilow at a party, hugged him and said, "Don't stop what you're doing, man. We're all inspired by you." Arsenio Hall cited him as a favorite guest on The Arsenio Hall Show and admonished his audience to give him respect for his work.[1]

As well as producing and arranging albums for other artists, such as Bette Midler, Dionne Warwick and Rosemary Clooney, he has also been responsible for writing songs for musicals and movies.

Since February 2005, he has been the house show at the Las Vegas Hilton.





Early life

Manilow was born Barry Alan Pincus on June 17, 1943[2] in Brooklyn, New York. His parents, Harold and Edna Pincus (who died in 1993 and 1994 respectively [3]) came from a Russian Jewish ancestry.

His parents were divorced when he was two years old, after which he was raised by his mother and maternal grandparents, Joseph and Esther Manilow, in the Williamsburg section of Brooklyn. His grandparents had a strong influence on his life.[4] It was they that encouraged him to take up his first musical instrument, the accordion, a popular instrument in his Jewish and Italian neighborhood.

In 1948, at age five, he recorded "Happy Birthday" in a coin-operated recording booth with his grandfather as a present for his cousin Dennis.[5] Twenty five years later, a sample of this recording, known as "Sing It", served as the opening track on his first album.

When Manilow's mother married again, his stepfather, Willie Murphy, brought with him an extensive collection of jazz and swing records into the house. Manilow listened to these records constantly. He came to idolize conductors and composers such as Harold Arlen, Irving Berlin, Leonard Bernstein, Cole Porter and Nelson Riddle. It was Willie that gave him a piano for his 13th birthday in 1956, the year of his Bar Mitzvah.

At this point, his mother legally changed her surname and Barry's, as well, to her maiden name, "Manilow". Over the next few years, he started to perform locally for small businesses and parties. He graduated from Eastern District High School in 1961.


Career


1960s: Beginnings

Following graduation, Manilow enrolled himself at the New York College of Music and Juilliard, while working in the mailroom at CBS to pay his expenses. While at CBS in 1964, 21-year-old Manilow met Bro Herrod, a director, who asked him to arrange some public domain songs for a musical adaptation of the melodrama, The Drunkard. Instead, he wrote an entire original score.[6] The musical became a success and ran Off-Broadway for eight years at the 13th Street Theatre in New York.[7]

Also in 1964, Manilow married high school sweetheart Susan Deixler. However, his dedication to his musical interests caused tension in the marriage. When he was 22, he sought advice about whether to take up music full-time from a column in Playboy magazine, which published his letter in its December, 1965 issue and recommended that he go "sow your notes".[8] On January 6, 1966, Manilow and Deixler signed the annulment decree she filed after he asked for a divorce.[9]

He earned his money by working as a pianist, producer and arranger. Manilow has said of that time that he played piano for anybody, "If the check cleared, I was there."[citation needed]

Manilow also gained work a commercial jingle writer/singer, [10] an activity that continued well into the 1970s. He penned many jingles that he performed, including Bowlene Toilet Cleaner, State Farm Insurance, Stridex acne cleanser and Band-Aid, amongst others. His singing-only credits included Kentucky Fried Chicken, Pepsi, Jack in the Box, Dr. Pepper, and the famed McDonald's "You Deserve a Break Today" campaign.[11] Manilow won two Clio Awards in 1976 for his work for Tab and Band-Aid.[12]

By 1967, Manilow was the musical director for the WCBS-TV series Callback. He next conducted and arranged for Ed Sullivan's production company, arranging a new theme for The Late Show, along with writing, producing and singing his now-notorious radio and television jingles. At the same time, he and Jeanne Lucas performed as a duo for a two-season run at New York's Upstairs at the Downstairs club.[13]

His association with Bette Midler began at the Continental Baths in New York City[citation needed] accompanying her and other artists from 1970 to 1971. She also chose him to assist in the production of her first two albums The Divine Miss M (1972) and Bette Midler (1973) and act as her musical director on the The Divine Miss M tour.[14] Later, when Manilow had an album of his own released, she allowed him to sing three songs during her intermissions. Altogether, Manilow worked with Midler for four years, from 1971 to 1975.

In 1973, Bell Records released Manilow's first album, Barry Manilow, which contained an eclectic mix of piano-driven pop and guitar-driven rock music. The album included the song which Manilow had composed for the 1972 war drama Parades. On its original release, the album did not achieve chart success.

As a result of a corporate takeover, Bell Records, along with other labels, was merged into a new entity named Arista Records, under the leadership of Clive Davis, who took the opportunity to drop many incumbent artists. However, after seeing Manilow perform as the opening act at a Dionne Warwick concert, he was convinced that he had a winner on his hands, and a mentorship lasting decades resulted.

The partnership began to bear fruit in 1974, with the release of Manilow's second album, Barry Manilow II, on both Bell and Arista, which contained the breakthrough number one hit, "Mandy". Ironically Manilow did not want to record "Mandy" as it was not written by himself - it was included at the insistence of Clive Davis.

After the success of Barry Manilow II, the first Bell release was re-mixed and re-issued as Barry Manilow I.

When Manilow went on his first tour, he included as part of his show "A Very Strange Medley", a sampling some of the commercial jingles he was involved with.

Beginning with Manilow's March 22, 1975 appearance on American Bandstand to promote Barry Manilow II (where he sang "Mandy" and "It's A Miracle"), a productive friendship with Dick Clark started.[15] Numerous appearances by Manilow on Clark's productions of Dick Clark's New Year's Rockin' Eve, singing his original seasonal favorite "It's Just Another New Year's Eve", American Bandstand anniversary shows, American Music Awards performances and his 1985 television movie Copacabana are among their projects together.

"Mandy" was the start of a string of hit singles and albums that lasted through the rest of the 1970s, to the early 1980s, coming from the multi-platinum and multi-hit albums Tryin' to Get the Feeling, This One's for You, Even Now and One Voice.

Despite being a solid songwriter in his own right, Manilow has had great success with songs by others. He did not compose, or receive any composer credit on "Mandy", "Tryin' to Get the Feeling Again", "Weekend in New England", "Looks Like We Made It", "Can't Smile Without You", and "Ready to Take a Chance Again." "I Write The Songs", for example, was written by Bruce Johnston of The Beach Boys. He did, however, co-produce them with Ron Dante and arrange them[citation needed].

Manilow's breakthrough in Britain came with the release of Manilow Magic - The Best Of Barry Manilow also known as Greatest Hits. On its initial release it was accompanied by a large television advertising campaign and the album was only available via mail order on the "Teledisc" label.

In the late 1970s and early 1980s, ABC aired four variety television specials starring and executive produced by Barry Manilow. The Barry Manilow Special with Penny Marshall as his guest premiered on March 2, 1977 to an audience of 37 million. The breakthrough special was nominated for four Emmys and won in the category of "Outstanding Comedy-Variety or Music Special".[16]

The Second Barry Manilow Special in 1978 with Ray Charles as his guest was also nominated for four Emmys.[17]

Manilow's "Ready To Take a Chance Again" and "Copacabana" originated in the film Foul Play.[18] "Ready To Take A Chance Again" was nominated that year for the "Best Original Song".[19] Copacabana would later take the form of a musical television movie starring Manilow and three musical plays.

Home Box Office (HBO) on February 11, 1979, aired a concert from Manilow's sold out dates at the Greek Theatre in Los Angeles, California, which was the first pay-television show to seriously challenge network primetime specials in the ratings. From the same tour in 1978, a one-hour concert special aired in England from Manilow's sold out concert at Royal Albert Hall.

On May 23, 1979, ABC aired The Third Barry Manilow Special with John Denver as his guest. This special was nominated for two Emmy awards and won for "Outstanding Achievement in Choreography".[20] This same year Manilow also produced Dionne Warwick's "comeback" album Dionne. The Arista album was her first to go platinum and spawned "I'll Never Love This Way Again" and "Deja Vu".


1980s: Midlife

The 1980s gave Manilow the Adult Contemporary chart-topping hit songs "The Old Songs", "Somewhere Down The Road" and "Read 'Em And Weep". Manilow continued having high radio airplay throughout the decade.

In England, Manilow had five sold-out performances at the Royal Albert Hall, for which nearly one-half million people vied for the 21,500 available seats. In the United States, he sold out Radio City Music Hall in 1984 for 10 nights and set a box-office sales record of nearly $2 million making him the top draw in the then 52-year history of the Music Hall.[21]

In 1980 his One Voice special, with Dionne Warwick as his guest, was nominated for an Emmy for "Outstanding Achievement in Music Direction".[22]

Also in 1980, a concert from Manilow's sold-out shows at the Wembley Arena was broadcast while he was on his World Tour. Manilow released the self-titled Barry (1980) which was his first album to not reach the top ten in the United States, stopping at #15. The album contained "I Made It Through The Rain" and "Bermuda Triangle". "We Still Have Time" was featured in the 1980 drama Tribute.

The If I Should Love Again album followed in 1981, containing: "The Old Songs", "Let's Hang On" and "Somewhere Down The Road". This was the first of his own albums that Manilow produced without Ron Dante, who had co-produced all the previous albums.

Manilow's sold-out concert at the Pittsburgh Civic Arena in Pittsburgh, Pennsylvania was aired nationally on Showtime, and locally on Philadelphia's now-defunct PRISM (a local sports and movie channel).

In 1982, a concert from his sold out Royal Albert Hall show was broadcast in England. The live album and video Barry Live in Britain also came from his Royal Albert Hall shows.

In August 27, 1983, Manilow performed a landmark open air concert at Blenheim Palace in Britain. It was the first such event ever held at that venue and was attended by a conservative estimate of 40,000 people.

In December 1983, it was reported that Manilow established endowments in the music departments at six major universities in the United States and Canada in areas where he performed during world tours.[23] The endowments were part of a continuing endeavor by Manilow to recognize and encourage new musical talent.[24]

Since the beginning of his own record career, Manilow reluctantly had allowed his albums to be influenced by record executive Clive Davis, but during his midlife years he began to expand his repertoire by exploring his own musical interests. The result was his 1984 collection of original barroom tunes 2:00 AM Paradise Cafe, a jazz/blues album that was recorded in one live take in the studio. In 1984, Showtime aired a documentry of Manilow recording the album with a number of jazz legends, such as Sarah Vaughn and Mel Tormé.

In 1984 and 1985, England aired two one-hour concert specials from his National Exhibition Centre (NEC) concerts.

In 1985 Manilow left Arista Records for RCA Records. There he released the pop album Manilow, and began a phase of international music, as he performed songs and duets in French, Italian, Portuguese and Japanese, among other languages. The Manilow album was a complete about face from the Paradise Cafe album, containing a number of tracks that were of a modern uptempo and synthesized quality. In 1985, Japan aired a concert special Manilow did there where he played "Sakura" on the koto.

In his only lead acting role, he portrayed Tony Starr in a 1985 CBS film based on Copacabana that had Annette O'Toole as Lola Lamarr and Joseph Bologna as Rico. This was the first ever made-for-television musical, and was named one of the top TV specials of the year by TV Guide magazine. Manilow penned all the songs for the movie, with lyrics provided by established collaborators Bruce Sussman and Jack Feldman. RCA records also released a soundtrack album of the movie.

In October 1986, Manilow, along with Bruce Sussman, Tom Scott, and Charlie Fox went to Washington, D.C. for two days of meetings with legislators, including lunch with then Senator Al Gore (D-TN).[25] They were there to lobby against a copyright bill put forward by local television broadcasters that would mandate songwriter-producer source licensing of theme and incidental music on syndicated television show reruns and would disallow use of the blanket license now in effect. The songwriters said without the blanket license, artists would have to individually negotiate up front with producers, without knowing if a series will be a success. The license now pays according to a per-use formula. Manilow said that such a bill would act as a precedent for broadcasters to get rid of the blanket license entirely.[26]

The following year, McGraw-Hill published his autobiography Sweet Life: Adventures on the Way to Paradise which took him about three years to complete. While promoting his autobiography, Manilow defended his music in a telephone interview: "I live in laid-back L.A., but in my heart, I'm an energetic New Yorker and that's what has always come out of my music. I've always been surprised when the critics said I made wimpy, little ballads".[27]

Manilow returned to Arista Records in 1987 with the release of Swing Street. The album contained a mixture of traditional after-dark and techno jazz. It contained "Brooklyn Blues", an autobiographical song for Manilow, and "Hey Mambo" an uptempo Latin style duet with Kid Creole, produced with the help of Emilio Estefan, Jr., the husband of Miami Sound Machine lead singer Gloria Estefan.

In March 1988, CBS aired Manilow's Big Fun on Swing Street special that featured songs and special guests from his Swing Street and 2:00 AM Paradise Cafe albums including Kid Creole and the Coconuts, Phyllis Hyman, Stanley Clarke, Carmen McRae, Tom Scott, Gerry Mulligan, Diane Schuur, Full Swing, and Uncle Festive a band within Manilow's band at the time. The special was nominated for two Emmys in categories of "Outstanding Lighting Direction (Electronic): For a Variety/Music or drama series, a miniseries or a special" and won in the category of "Outstanding Art Direction for a Variety or Music program".[28]

England also aired another NEC one-hour concert special Manilow did while on his Big Fun Tour de Force tour.

In 1988 he performed "Please Don't Be Scared" and "Mandy/Could It Be Magic" at That's What Friends Are For: AIDS Concert '88, a benefit concert for the Warwick Foundation headed by Dionne Warwick and shown on Showtime a couple of years later.

In the 1988 Walt Disney Pictures cartoon movie Oliver & Company Bette Midler's character sung a new Manilow composition called "Perfect Isn't Easy".

The 1989 release of Barry Manilow, which contained "Please Don't Be Scared", "Keep Each Other Warm" and "The One That Got Away", ended Manilow's streak of albums of original self-written material. Except for two songs, the songs were neither written nor arranged by himself and was the beginning of a phase of his recording career consisting of covers and compilations.[29]

In 1989, Manilow put on a show named Barry Manilow at the Gershwin from April 18 to June 10, 1989 where he made 44 appearances.[30] By coincidence, the Gershwin Theatre (formally called the Uris Theatre) was the same one where his first ABC television special was filmed.

A bestselling 90 minute video of the same show that was released the following year as Barry Manilow Live On Broadway. The Showtime one-hour special Barry Manilow SRO On Broadway consisted of edited highlights from this video.

Manilow followed this set of shows with a sold out world tour of the Broadway show.


1990s: Under Cover

In the 1990s, Manilow's album career changed significantly. His recordings switched from him being primarily a singer-songwriter to him being a cover artist. A trend that started with the 1989 release Barry Manilow, continued with his 1990 Christmas LP Because It's Christmas. Consequent "event" albums followed including: Showstoppers, a collection of Broadway songs (1991), Singin' with the Big Bands (1994) and a late 1970s collection Summer of '78,. The decade ended with Manilow recording a tribute to Frank Sinatra Manilow Sings Sinatra (1998) released months after Sinatra's death.

In 1990, Japan aired National Eolia Special: Barry Manilow On Broadway where he sang the title song "Eolia", which was used as a song there in a commercial for an air conditioner company of the same name, as well as other songs from his 1989-1990 Live on Broadway tour.

In the early 1990s, Manilow signed on with Don Bluth to compose the songs with lyricists Jack Feldman and Bruce Sussman for three animated films. He co-wrote the Broadway-style musical scores for Thumbelina (1994) and The Pebble and the Penguin (1995). The third film, entitled Rapunzel, was shelved after the poor performance of Pebble. Manilow was also to be cast as the voice of a cricket. But, it was replaced when he composed the score and wrote two songs with Bruce Sussman for Disney Sing Along Songs: Let's Go To The Circus, and that was the replacement for the shelved project.

On February 19, 1992, Manilow testified before the Subcommittee on Intellectual Property and Judicial Administration House Committee in support of H.R. 3204 The Audio Home Recording Act of 1991.[31] The bill was signed into law on October 28, 1992 by President George H. W. Bush. The Act, an historic compromise between the consumer electronics and music industries, became effective immediately.

In 1993, PBS aired Barry Manilow: The Best of Me, taped at Wembley Arena in England that year, to fundraise. The BBC also played a one-hour version of the same show including "The Best of Me" sung during the concert, a bonus song or "lucky strike extra" as Manilow says, not seen in The Greatest Hits...and then some, the video release of the show.

Manilow branched out in another direction and with longtime lyricist Bruce Sussman launched Copacabana, a musical play based on previous Manilow-related adaptations. They wrote new songs and it ran for two years on the London West End and a tour company formed.

In December 1996, A&E aired Barry Manilow: Live By Request, the first of two Live By Requests he does. The broadcast was A&E's most successful music program, attracting an estimated 2.4 million viewers. The show was also simulcast on the radio. In March 1997, VH-1 aired Barry Manilow: The Summer of '78, a one-hour special of Manilow solo at the piano being interviewed and playing his greatest hits as well as songs from Summer of '78 his latest release at the time.

In another collaboration between Manilow and Sussman they co-wrote the musical Harmony, which previewed October 7 to November 23, 1997 at the La Jolla Playhouse in La Jolla, California.[32] Later in 2003, Harmony was originally scheduled for a tryout run in Philadelphia before going to Broadway, but was cancelled after financial difficulties. After a legal battle with Mark Schwartz, the show's producer, Manilow and Sussman in 2005 won back the rights to the musical.[33] It is currently unknown when the musical will reach Broadway.

On October 23, 1999, NBC aired the two-hour special StarSkates Salute to Barry Manilow taped at the Mandalay Bay Hotel in Las Vegas, Nevada featuring numerous figure skaters performing to Manilow's music. Manilow also performed as well.


2000s: Comeback

In the beginning of the new century Manilow had two specials, Manilow Country and Manilow Live!, taped over two consecutive days at the Tennessee Performing Arts Center in Nashville, Tennessee. On April 11, 2000, The Nashville Network (TNN) aired the two-hour Manilow Country, which featured country stars Trisha Yearwood, Neal McCoy, Deana Carter, Jo Dee Messina, Lorrie Morgan, Kevin Sharp, Lila McCann, Gillian Welch and Jaci Velasquez singing their favorite Manilow hits with a "country" twist. Manilow performed as well. The special was TNN's first high definition broadcast and became one of TNN's highest rated concert specials.

In June 2000, DirectTV aired the two-hour concert special Manilow Live! where Manilow had his band, a 30-piece orchestra, and a choir. This HDTV special documented his most recent concert tour with the greatest hits of his career and was released to video.

In 2000 he also worked with Monica Mancini on her Concord album The Dreams of Johnny Mercer which included seven songs Manilow wrote to Mercer's lyrics.

Meanwhile, Manilow's record contract with Arista Records was not renewed due to new management. He then got a contract at Concord Records, a jazz-oriented label in California, and started work on the long-anticipated concept album, Here at the Mayflower. The album was another eclectic mix of styles, almost entirely composed and produced by Manilow himself.

Whilst at Concord Records, The Barry Manilow Scholarship was awarded for four consecutive years from 2002 to 2005 to the six highest-achieving students to reward excellence in the art and craft of lyric writing. The UCLA Extension course "Writing Lyrics That Succeed and Endure," taught by long time Manilow collaborator Marty Panzer and each student received three additional "master class" advanced sessions as well as a three-hour private, one-on-one session with Mr. Panzer. Scholarship recipients were selected by the instructor based on progress made within the course, lyric writing ability, and the instructor's assessment of real potential in the field of songwriting.[34]

In February 2002, Manilow's recording career bounced back into the charts when Arista released a greatest hits album Ultimate Manilow. On May 18, 2002,

Manilow returned to CBS with Ultimate Manilow his first special at the network since his 1988 Big Fun on Swing Street special. The special was filmed in the Kodak Theatre in Hollywood, California and was nominated for an Emmy in the category of "Outstanding Music Direction".[35]

Produced by Manilow, Bette Midler Sings the Rosemary Clooney Songbook was first released on September 30, 2003. It was the first time that Bette Midler had worked with Barry in more than twenty years. Instantly successful, the album went gold and they worked together again on a 2005 follow-up album entitled Bette Midler Sings the Peggy Lee Songbook.

On December 3, 2003, A&E aired A Barry Manilow Christmas: Live by Request, his second of two concerts for the series. The two-hour special had Manilow taking requests for Christmas songs performed live with a band and an orchestra. Also on the special were guests Cyndi Lauper, Jose Feliciano, and Bette Midler.

2004 saw the release of two albums. These were, consecutively, a live album, 2 Nights Live! (BMG Strategic Marketing Group, 2004), and Scores: Songs from Copacabana & Harmony, an album of Manilow singing his musicals songs were both released in 2004. Scores was the last of Manilow's creative project with the Concord label.

During his third appearance on The Oprah Winfrey Show on September 15, 2004, Winfrey announced that Manilow is one of the most requested guests of all time on her show. On the show he promoted his One Night Live! One Last Time! tour explaining it wouldn't be his last performance, but the last one where he tours six months on the road with trucks and buses, but he will still come to the big cities. On his final tour he played at sold out venues in 22 cities in which he performed for 250,000 fans and promoted his then latest album.

Las Vegas Hilton executives in a press conference with Manilow on December 14, 2004 announced his signing to a long-term engagement as the house show.[36] In March 2006, Manilow's engagement was extended through 2008.[37]

Manilow returned to Arista Records under the guidance of Davis for a new album of cover versions released on January 31, 2006 called The Greatest Songs of the Fifties. Manilow said he was blown away with the idea, which Davis presented to him when he visited his Las Vegas show. "When he suggested this idea to me, I slapped my forehead and said, 'Why hasn't anyone thought of this idea?'" Manilow said. "But of course there is only one Clive Davis. I feel honored and terribly fortunate to be working with him again after all these years. It's like coming home."[38] The album included classic songs from that decade, like "Are You Lonesome Tonight?" and "Unchained Melody". It was an unexpected hit, debuting at number one in the Billboard 200, marking the first time a Manilow album debuted at the top of the album chart as well as the first time a Manilow album has reached number one in 29 years. It was eventually certified Platinum in the U.S., and sold over three million copies worldwide.

In March 2006, PBS aired Barry Manilow: Music and Passion, a Hilton concert taped exclusively for the network's fundraising drive. Manilow was nominated for two Emmys, winning for "Outstanding Individual Performance in a Variety or Music Program".

A sequel album to his best-selling fifties tribute album, The Greatest Songs of the Sixties was released on October 31, 2006 including songs such as "And I Love Her" and "Can't Help Falling in Love". It nearly repeated the success of its predecesor, debuting at #2 in the Billboard 200.

In January 2007, Manilow returned to his hometown of New York City for three shows at Madison Square Garden. One highlight was the showing onscreen of Manilow performing in one of his first television appearances while the "live" Manilow played along onstage.


Newsmaker


Throughout his career, Barry Manilow has made media headlines on various subjects from his health to crashing his Range Rover. Some of his most memorable are highlighted following:

The Quarter Notes BMFC newsletter based in Texas had an interview in 1987 with Edna Manilow, the mother of Barry Manilow, which included her explanation of how her son got a scar on his right cheek by his nose: "How did you notice that? The scar on his cheek here? Well, when he was little, he had a little girlfriend, Elizabeth, and she pushed him and he fell and I didn't pay too much attention to it and then it started infecting - you know, it got an infection, and I had to take him to the hospital and it healed. But it stayed, obviously, you all noticed it. He puts on make-up."[39]

On October 25, 1978, one hour before his scheduled debut at the Olympia Theatre he fractured his ankle.[40] Manilow was rushed to a doctor who taped the injury minutes before he stepped onstage. Manilow insisted on going on and doing his complete show, which included an intricate disco dance in the popular "Copacabana" production number.[41]

In an April 1979 Ladies Home Journal interview, Manilow admitted to experimenting with marijuana, stating he lost the taste for it quickly.[42]

A young woman's letter was published in the syndicated Dear Abby advice column in late 1981 expressing her sincere desire to meet "lonely" Manilow, or actor Burt Reynolds.[43]

On February 4, 1982 Manilow who was bedridden in a Paris hotel with bronchial pneumonia, had been ordered by doctors to cancel a nine-concert European tour.[44] He was ordered to remain in bed for at least a week and would probably return to his Los Angeles home when he was able to travel, said publicist Heidi Ellen Robinson. Manilow became ill in Paris earlier that week after completing a month-long United Kingdom tour.[45]

Manilow sprained his ankle October 6, 1983 on the stage at London's Royal Festival Hall while performing at a sold-out benefit concert before the Prince and Princess of Wales, who hosted the show.[46] Manilow was treated and released from a London hospital.

Manilow made headlines when on December 7, 1986 he underwent emergency oral surgery at the Hospital of the Good Samaritan in Los Angeles to remove a non-cancerous cyst in his upper jaw that exploded.[47] Three days later he was released in good condition from the hospital. During the emergency, he used his friend Elizabeth Taylor's dental surgeon.[48]

On May 13, 1989 Manilow was rushed to Lenox Hill Hospital during intermission at Broadway's Gershwin Theater cancelling the second half of his show. His agent Susan Dubow said he was "feeling fine" after being forced from the Broadway stage because of an adverse reaction to medication prescribed for a stomach ailment. Dubow also added that Manilow was ready to return to the stage to complete the run of his concert show, which was then extended one week to June 3.[49]

In 1989, Manilow made headlines again when he told Us Magazine he was hoping for a dinner invitation from his new Bel-Air neighbors, Ronald and Nancy Reagan, but complains they cramp his style of sunbathing in the nude.[50] "I thought it was pretty hot, but there is Secret Service all over the place. I always know when they are coming home because of all the helicopters. If I am out there sunbathing in the nude, I go, 'S---, the Reagans are coming home.' But, who knows, maybe they will invite me over for dinner one night."[51]

Manilow's personal life caused quite a stir in the late 1980s when an American tabloid claimed he was engaged to porn star Robin Byrd. On a June 22, 1989 appearance on The Tonight Show Starring Johnny Carson, Manilow was asked by Carson about the headline story.[52] He disputed the story telling Carson he is just friends with Byrd and an innocent picture was taken and that there is no truth to them being engaged. After he met Byrd, his band gave him a videotape of Debbie Does Dallas as a present for his birthday. Manilow added to Carson that he can't watch his friend doing that.[53] It turned out to be a publicity stunt by Byrd who used Manilow to gain greater fame.

To help with the aftermath of Hurricane Hugo in 1989 which affected the Charleston, South Carolina area, Manilow held a benefit concert November 12, 1989 at the University of South Carolina's Carolina Coliseum in Columbia, where the $10 tickets sold out in three hours, and asked concertgoers to bring canned food to be donated to residents in disaster areas.[54] Before his concert, Mayor T. Patton Adams named that day "Barry Manilow Day" and Manilow presented the Red Cross and the Salvation Army with checks of $42,500 each.[55]

On February 27, 1992, Manilow was the Master of Ceremonies for friend Elizabeth Taylor's 60th birthday bash at Disneyland in Anaheim, California and sang "I Made It Through the Rain" to Taylor who was accompanied by her eighth husband, Larry Fortensky.[56]

On January 15, 1994, three hours before showtime Manilow abruptly cancelled a concert at the Convention Center in Atlantic City, New Jersey, disappointing thousands of fans who had braved freezing temperatures to see him perform at an Ethnic Pride and Heritage Festival to benefit the Community Foundation of New Jersey as well as United Hospitals Medical Center Foundation and Newark Museum in Newark during the pre-inaugural activities for then New Jersey Governor-elect Christie Whitman. Manilow said in a statement that he was specifically told in writing the concert would be part of a non-partisan event.[57] Donald Trump stepped in and shuffled his entertainment schedule at Trump Plaza and dispatched Paul Anka to substitute for Manilow. The charities went after Manilow for the $200,000 advance he took for the concert which he refunded over a month later.[58] The Trentonian newspaper gave the "Geek of the Week" award to Manilow, and Trump banned him from Atlantic City for a dozen years.

In another headline story, Manilow, on February 8, 1994, sued Los Angeles radio station KBIG (104.3 FM), seeking $13 million in damages and $15 million in punitive damages because their ad was causing irreparable damage to his professional reputation. The ad, a 30-second spot introduced that January 31, suggested that people listen to KBIG because it does not play Manilow's music. The lawsuit, was filed in Orange County Superior Court by Manilow's attorney C. Tucker Cheadle of Hastings, Clayton & Tucker in Los Angeles.[59] Two days later, KBIG/104.3 FM agreed to drop the commercial poking fun at the singer, but a lawyer representing his business interests stopped short of agreeing to withdraw a $28 million lawsuit.[60]

On February 20, 1996, just after noon PT, Manilow wrecked his 1993 Range Rover in a four-vehicle crash on a rain-slick interstate in Los Angeles while heading to his Bel-Air home.[61] No one was injured in the accident. Manilow, who wasn't hurt, stood on the shoulder of Interstate 5 signing autographs and posing for snapshots until an aide showed up and took him home, his spokeswoman Susan Dubow said.[62]

In March 1996, Manilow had Photorefractive keratectomy eye surgery done on one of his eyes.[63] People Weekly, in their June 26, 2000 issue, reported that Manilow had eye surgery done by Los Angeles doctor Robert K. Maloney, but incorrectly stated it was LASIK. Manilow is quoted saying he now connects with the audience instead of "seeing a blur."[64][65] Manilow defended his doctor against comedian Kathy Griffin, who claims Maloney botched her LASIK eye surgery.[66]

In October 1996, it was reported that Manilow sold his gated, two-acre Bel-Air home of 17 years with a recording studio for close to its $2.45 million asking price and was looking to buy another residence in the Los Angeles area. He had multiple offers on the 1950s home of 3,700 square feet with many pathways, a long driveway and city views. It finally went to a local television producer. The nearby Hotel Bel-Air supposedly regularly provided Manilow with room service.[67]

On June 26, 1997, Manilow was diagnosed with bronchitis before a scheduled performance in Austin, Texas, his spokeswoman Susan Dubow said the following day.[68] Four other shows also had to be postponed. Manilow was back on the road that July 8 in Tulsa, Oklahoma. Dubow said this is only the second time in Manilow's career that illness forced him to postpone a performance.[69]

Arizona Court of Appeals Judge Philip Espinosa, in the another notable headline story, sued Manilow over the volume of a December 23, 1993 concert he attended with his wife.[70] The judge said in a lawsuit he has had a constant ringing in his ears and nearly blew his ears out. Espinosa sought unspecified damages, and the trial was set for September 23, 1997. The suit also names Manilow's production company, an Arizona concert promoter and the city of Tucson, which runs the convention center where the concert was held. In July 1997, to settle the suit it was reported that Manilow donated $5,000 to American Tinnitus Association, an ear-disorder association.[71]

On May 22, 1999, Manilow was rushed to a Los Angeles hospital after suffering an adverse reaction to dental surgery. According to Manilow's spokesperson Susan Dubow, he spent two days in the hospital with an infected mouth and then was "resting comfortably at home." Since the initial operation in 1986 when Manilow had a benign tumor removed from the roof of his mouth he has had to have minor dental surgery several times over the years. It was following such a procedure that Manilow's mouth became infected, Dubow explained.[72]

In October 2001, Manilow visited Ground Zero in New York City.[73]

On May 28, 2003, Manilow injured his nose in the middle of night when he awoke disoriented and walked into a wall when he returned to his Palm Springs home after spending two weeks in Malibu working on longtime friend Bette Midler's upcoming Rosemary Clooney tribute album. He passed out for four hours after the accident but was OK, his manager said.[74]

On July 29, 2003, Manilow had a complete upper and lower facelift, which includes the removal of drooping skin from the eyelids and the general tightening of facial skin. Manilow was photographed after the surgery with what looked like a surgical wrap under his chin while leaving a plastic surgeon's office wearing a disguise of dark glasses and a blonde wig in the streets of Beverly Hills, California in an effort to escape without recognition.[75]

On January 31, 2004, Manilow was treated for stress related chest pains during a 24 hour stay at Desert Regional Medical Center. Manilow was in high fibrillation at his home in Palm Springs, California and rushed to the hospital after two days of arbitration in a lawsuit where he was fighting to win back the rights to the original stage musical "Harmony," from producer Mark Schwartz. After a series of tests and procedures where he was diagnosed with an atrial fibrillation, his heart rate returned to normal and doctors allowed him to return home.[76]

Some fans were unhappy that Manilow, through a Platinum Package, began charging his fans $1,000 each to meet him after concert shows for a meet-and-greet, champagne, photo session and front row seats. The money goes to Manilow's foundation and each participant is only allowed to do this one time. They do keep track.[77]

To help in the aftermath of Hurricane Katrina in 2005, Manilow and his fan club in less than 48 hours raised $150,000 for the American Red Cross. The money was raised by Manilow offering to help people triple the impact of donations by every dollar contributed to the Manilow Fund for Health and Hope, the Fund will match it. In addition to dollar-for-dollar, Manilow himself would match the original donation.[78]

Manilow made headlines in June 2006 when Australian officials blasted his music between 9pm until midnight every Friday, Saturday and Sunday to deter gangs of youths from congregating in a residential area late at night.[79] On July 18, 2006, Manilow released a tongue-in-cheek statement saying that the youths might like his music.[80]

On August 29, 2006, Manilow had hip surgery at a Southern California Hospital. According to his press release, he tore the labrum (cartilage) in both hips. When the symptoms of extreme pain and discomfort did not go away following preliminary treatment, an MRI arthogram was performed and the labrum tears were discovered.[81]
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 17 Jun, 2007 05:57 am
Greg Kinnear
From Wikipedia, the free encyclopedia


Born 17 June 1963 (age 43)
Logansport, Indiana
Notable roles Simon Bishop in As Good as It Gets
Richard Hoover in Little Miss Sunshine
David Larrabee in Sabrina
Dick Vermeil in Invincible
Host of Talk Soup
Screen Actors Guild Awards

Best Cast - Motion Picture
2006 Little Miss Sunshine

Greg Kinnear (born June 17, 1963) is an Academy Award nominated American actor and television personality, who rocketed to stardom as the first host of E!'s Talk Soup.







Early life

Greg Kinnear was born on June 17, 1963, in Logansport, Indiana, USA to parents Edward Kinnear, a career diplomat who worked for the US State Department and Suzanne Kinnear, a full-time homemaker. Greg also has two brothers--one named James, Vice President-Investments at Wachovia Securities in Arizona (born in 1957), and one named Steve, a business manager who works for the Billy Graham Training Center in North Carolina (born in 1959). As a child, Greg and his family moved around a lot, from places as far as Beirut, Lebanon to Athens, Greece, and was therefore part of a group sometimes referred to as Foreign Service Brats. While a student at the American Community Schools in Athens, Greece, Greg first ventured into the role of talk show host with his radio show "School Daze With Greg Kinnear."


Career

Returning to the States for a college education, he attended the University of Arizona in Tucson, where he graduated in 1985 with a degree in broadcast journalism. From Arizona he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. Following this job he auditioned to be an MTV VJ, but failed and became a host and on-location reporter for the channel. When that job went under he had bit parts on such television shows as L.A. Law and Life Goes On. Later, he would host a short-lived game show, College Mad House, which was spun-off from the kids' show, Fun House. After that, he would later become the creator, co-executive producer, and host of Best of the Worst which aired from 1990 to 1991. He then received his breakthrough when he became the first host of Talk Soup until 1995, when he left the show for the NBC late-night talk show, Later with Greg Kinnear (1994).

It was also in 1994 that Kinnear had his first big screen role, as a talk show host yet again in the Damon Wayans comedy Blankman. In 1995 he won the part of the David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic Sabrina. He then received the lead role in the 1996 comedy Dear God.

In 1997, Greg was cast in James L. Brooks' blockbuster comedy-drama As Good as It Gets, for which he received an Oscar nomination for Best Supporting Actor. His next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as part of a couple trying to have a baby. The film met with lukewarm reviews and a low box office, but his next film, You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. His next films were Nurse Betty, Loser, and Someone Like You.

In 2002, Kinnear starred in the movie Auto Focus about the life and murder of actor Bob Crane.

In 2006, Kinnear co-starred with Steve Carell in the Oscar-winning comedy-drama Little Miss Sunshine, and with Mark Wahlberg in Invincible, based on the true story of a bartender who tries out for the Philadelphia Eagles football team. He was also seen in Fast Food Nation, playing a fast food executive who finds out some shocking secrets about his company.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 17 Jun, 2007 05:58 am
Mike, Joe and Bob get pulled over by a cop in Alabama.

"OK, boys, do you have any idea how fast you was goin'? You
was goin' so fast that I'm gonna give all y'all tickets. What
are your names?"

Mike looks around and sees a mall nearby. "Uhh.. my name? Well
uhh.. its uh.. Penney. J.C. Penney."

Cop: "OK, JC Penney. Judge gonna rake you over da coals."

The cop moves over to Joe. "What's your name, boy?"

Joe catches on to Mike's plan.

Joe: My name.. is uh. Max. T.J. Max."

cop: Well, Mr. T.J. Max you's in a heap a trouble.

The cop moves to Bob.

Both Joe and Mike are praying that bob catches on because Bob
wasn't the sharpest knife in the drawer.

cop: "And you, boy, gimme your name."

Bob looks around for a minute and says, "My name is Ken."

Mike and Joe give a huge sigh of relief.

cop: Well, Ken, I'll be needin' your last name so's the judge
knows what to have written on your death certificate."

Bob: "Tuckey Fried Chicken."
0 Replies
 
Letty
 
  1  
Reply Sun 17 Jun, 2007 06:24 am
Good morning, WA2K listeners and contributors.

First, allow me to welcome Boston Bob back to our wee studio. We were concerned about you, hawkman, but glad to know that all is well. Thanks again for the bio's and the great humor concerning the good old boys and the traffic cop. It's difficult to discern which one of the four has the greatest impairment.

Will, as usual, await our Raggedy to make her connection to the famous folks.

hbg, the only reason that I know about West Virginia is because it borders Virginia. Razz Seriously, Morgantown is a great part of the mountain state.

Panz, How wonderful to see you back with us. We've missed you, and we also appreciate your background info on Edd Wheeler. Great song, and so true about the miner's problem. The UMW both helped and hurt the average worker, but we won't go into that right now.

Hey, all you dad's out there:

Happy Father's Day.
0 Replies
 
edgarblythe
 
  1  
Reply Sun 17 Jun, 2007 06:55 am
Chuck Berry
Promised Land

I left my home in norfolk virginia,
California on my mind.
Straddled that greyhound, rode him past raleigh,
On across caroline.

Stopped in charlotte and bypassed rock hill,
And we never was a minute late.
We was ninety miles out of atlanta by sundown,
Rollin' 'cross the georgia state.

We had motor trouble it turned into a struggle,
Half way 'cross alabam,
And that 'hound broke down and left us all stranded
In downtown birmingham.

Straight off, I bought me a through train ticket,
Ridin' cross mississippi clean
And I was on that midnight flyer out of birmingham
Smoking into new orleans.

Somebody help me get out of louisiana
Just help me get to houston town.

There's people there who care a little 'bout me
And they won't let the poor boy down.

Sure as you're born, they bought me a silk suit,
Put luggage in my hands,
And I woke up high over albuquerque
On a jet to the promised land.

Workin' on a t-bone steak a la carte
Flying over to the golden state;
The pilot told me in thirteen minutes
We'd be headin' in the terminal gate.

Swing low sweet chariot, come down easy
Taxi to the terminal zone;
Cut your engines, cool your wings,
And let me make it to the telephone.

Los angeles give me norfolk virginia,
Tidewater four ten o nine
Tell the folks back home this is the promised land callin'
And the poor boy's on the line
0 Replies
 
Letty
 
  1  
Reply Sun 17 Jun, 2007 07:40 am
Morning, edgar. I had to take a walk on the wild side to jog my memory about Chuck. Thanks, for the song, Texas. Somehow, in a quick search, I found this one by him, and decided to give it a spin.

Havana moon, Havanna moon
Me all alone with jug of rum
Me stand and wait for boat to come
Is long de night, is quiet de dark
De boat she late, it's twelve o'clock
Me watch de tide easin' in
Is low de moon but high de wind
Havana moon, Havana moon

Me all alone, me open de rum
Is long de wait for boat to come
American girl come back to me
We'll sail away across de sea
We'll dock in New York
De buildin's high
We find a home in de sky
Havana moon, Havana moon

Me still alone, me sip de rum
Me wonder when de boat she come
To bring me love, oh sweet little thing
She rock'n'roll, she dance and sing
She hold me tight, she touch me lips
Me eyes they close, me heart she flip
Havana moon, Havana moon

But still alone me drinkin' de rum
Begin to think de boat no come
American girl she tell a lie
She say "Till then," she mean "Goodbye "
Havana moon, Havana moon

Me lay down alone, was good de rum
Me fall asleep, de boat she come
De girl she look till come de dawn
She weep and cry, return for home
De whistle blow, me open me eyes
Was bright de sun, was blue de sky
Me grab me shoes, me jump and run
Me see de boat head for horizon
Havana moon, is gone de rum

De boat she sail, my love she gone
Havana moon, Havana moon
Havana moon, Havanna moon
0 Replies
 
 

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