106
   

WA2K Radio is now on the air

 
 
Letty
 
  1  
Reply Thu 1 Feb, 2007 08:40 pm
Well, folks, there is our dj with his all seeing eye and a spooky, spooky song. Hey, Canada. You left out the Yeti. <smile> It is thundering and raining here with white lightning and that should either keep me awake or give me those mares of night.

Regardless, my friends:

Peace in your heart
Peace in your soul
Peace in your head
Good goodnight.

From Letty with love
0 Replies
 
edgarblythe
 
  1  
Reply Thu 1 Feb, 2007 10:18 pm
Devoted To You lyrics
The Everly Brothers

Darlin you can count on me
Til the sun dries up the sea
Until then I'll always be devoted to you

I'll be yours through endless time
I'll adore your charms sublime
Guess by now you know that I'm devoted to you

I'll never hurt you, I'll never lie
I'll never be untrue
I'll never give you reason to cry
I'd be unhappy if you were blue

Through the years my love will grow
Like a river it will flow
It can't die because I'm so devoted to you

I'll never hurt you, I'll never lie
I'll never be untrue
I'll never give you reason to cry
I'd be unhappy if you were blue

Through the years my love will grow
Like a river it will flow
It can't die because I'm so devoted to you
0 Replies
 
djjd62
 
  1  
Reply Fri 2 Feb, 2007 06:04 am
Letty wrote:
Well, folks, there is our dj with his all seeing eye and a spooky, spooky song. Hey, Canada. You left out the Yeti. <smile> It is thundering and raining here with white lightning and that should either keep me awake or give me those mares of night.

Regardless, my friends:

Peace in your heart
Peace in your soul
Peace in your head
Good goodnight.

From Letty with love


forgot to mention that the song is written by a listener of a paranormal radio show called Coast to Coast AM

no yeti, but bigfoot get's a mention, they're related i suspect Very Happy

more info on Coast to Coast can be found here

you can listen to or download UFO Phil's song here

(click on song four "Listening to Coast to Coast")
0 Replies
 
djjd62
 
  1  
Reply Fri 2 Feb, 2007 06:12 am
edgars song made me think of this tune by the stylistics

i have a great cover version by the beautiful south

Stone In Love With You
The Beautiful South

If I could I'd like to be, a great big movie star
Overnight sensation, drive a big expensive car
I would buy you everything your little heart desire
These things I do, 'cause I'm stone in love with you

If I were a business man, I'd sit behind a desk
I'd be so successful, I would scare Wall Street to death
I would hold a meeting for the press to let them know
I did it all, 'cause I'm stone in love with you

I'm just a man, an average man
Doing everything the best I can
But if I could, I'd give the world to you
I'd like to someday be the owner of the first house on the moon
There would be no neighbors, and no population boom
You might say that all I do is dream my life away
I guess it's true, 'cause I'm stone in love with you

I guess it's true, 'cause I'm stone in love with you
I guess it's true, 'cause I'm stone in love with you
0 Replies
 
Letty
 
  1  
Reply Fri 2 Feb, 2007 07:01 am
Good morning, WA2K listeners and contributors. Well, I awakened to a lake this AM, folks, but I don't see any cats nor dogs on my lawn.

edgar, thanks for the song by the brothers. We all enjoyed it, Texas.

dj, I would love to listen to your Coast to Coast music, Canada. Unfortunately my speakers are caput, I'm afraid, but, of course, always love your music by the Beautiful South.

February has been designated Black History month, and I recall so many great vocalists and musicians that we could play to salute the event, but I chose this one by Della Reese:



There's a somebody I'm longing to see
I hope that she turns out to be
Someone who'll watch over me

I'm a little lamb who's lost in a wood
I know I could always be good
To one who'll watch over me

Although I may not be the man
Some girls think of as handsome
But to her heart
I carry the key

Won't you tell her please to put on some speed
Follow my lead, oh how I need
Someone to watch over me

I'm a little lamb who's lost in a wood
I know I could always be good
To one who'll watch over me

Although I may not be the man
Some girls think of as handsome
But to her heart
I carry the key

And this world would be like heaven, if she'd
Follow my lead, oh how I need
Someone to watch over me
Someone to watch over me




There's a somebody I'm longing to see
I hope that she turns out to be
Someone who'll watch over me

I'm a little lamb who's lost in a wood
I know I could always be good
To one who'll watch over me

Although I may not be the man
Some girls think of as handsome
But to her heart
I carry the key

Won't you tell her please to put on some speed
Follow my lead, oh how I need
Someone to watch over me

I'm a little lamb who's lost in a wood
I know I could always be good
To one who'll watch over me

Although I may not be the man
Some girls think of as handsome
But to her heart
I carry the key

And this world would be like heaven, if she'd
Follow my lead, oh how I need
Someone to watch over me
Someone to watch over me
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 2 Feb, 2007 09:26 am
Ayn Rand
From Wikipedia, the free encyclopedia


Born: February 2, 1905
St. Petersburg, Russia
Died: March 6, 1982
New York City

Occupation(s): novelist, philosopher, playwright, screenwriter
Influences: Aristotle, John Locke, Thomas Aquinas, Friedrich Nietzsche, Victor Hugo, Fyodor Dostoyevsky
Influenced: James Clavell, John Hospers, Harry Binswanger, Nathaniel Branden, Anton LaVey, Leonard Peikoff, George Reisman, John Ridpath, Tara Smith, Alan Greenspan, Terry Goodkind, Steve Ditko, Sean D'Anconia

Ayn Rand (first name rhymes with "mine")(IPA: [aɪn ɹænd], February 2 [O.S. January 20] 1905 - March 6, 1982), born Alisa Zinov'yevna Rosenbaum (Russian: Алиса Зиновьевна Розенбаум), was a Russian-born American novelist and philosopher,[1] best known for developing Objectivism and for writing the novels We the Living, The Fountainhead, Atlas Shrugged and the novella Anthem. She was a broadly influential figure in post-WWII America, her work attracting both enthusiastic admiration and scathing denunciations.




Introduction

Rand's writing emphasizes the philosophic concepts of metaphysics (objective reality), epistemology (reason) and ethics (rational egoism). Politically, she was a proponent of laissez-faire capitalism and a staunch defender of individual rights. She believed in government's right to exist only insofar that it protected an individual's right to his life, liberty and property.

Rand argued that individuals must choose their values and actions by reason; that "Man ?- every man ?- is an end in himself, not the means to the ends of others." According to Rand, an individual "must exist for his own sake, neither sacrificing himself to others nor sacrificing others to himself. The pursuit of his own rational self-interest and of his own happiness is the highest moral purpose of his life."

Rand decried the initiation of force and fraud, and believed that government had a responsibility to protect its citizens both from criminal behavior and foreign hostility (economic and military). Some have described her politics as minarchism and libertarianism, though she never used the first term and disavowed any connection to the second.[2]

Rand, a self-described hero-worshiper, stated in the Romantic Manifesto that the goal of her writing was "the projection of an ideal man." In reference to Objectivism, she said the following: "My philosophy, in essence, is the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute." - Ayn Rand, Appendix to Atlas Shrugged


Early life

Childhood and education

Rand was born in Saint Petersburg, Russia, and was the eldest of three daughters (Alisa, Natasha, and Nora)[3] of a Jewish family. Her parents, Zinovny Zacharovich Rosenbaum and Anna Borisovna Rosenbaum, were agnostic and largely non-observant.[4] From an early age, she displayed an interest in literature and films. She started writing screenplays and novels at the age of seven.

Her mother taught her French and subscribed to a magazine featuring stories for boys, where Rand found her first childhood hero: Cyrus Paltons, an Indian army officer in a Rudyard Kipling-style story by Maurice Champagne, called "The Mysterious Valley".[5] Throughout her youth, she read the novels of Sir Walter Scott, Alexandre Dumas and other Romantic writers, and expressed a passionate enthusiasm toward the Romantic movement as a whole. She discovered Victor Hugo at the age of thirteen, and fell deeply in love with his novels. Later, she cited him as her favorite novelist and the greatest novelist of world literature.[6]


St. Petersburg University occupies a group of early 18th-century buildings on the Neva embankment of Vasilievsky Island.Rand was twelve at the time of the Russian revolution of 1917, and her family life was disrupted by the rise of the Bolshevik party. Her father's pharmacy was confiscated by the Soviets, and the family fled to Crimea to recover financially. When Crimea fell to the Bolsheviks in 1921, Rand burned her diary, which contained vitriolic anti-Soviet writings.[5] Rand then returned to St. Petersburg ("Petrograd") to attend university.[7] She studied philosophy and history at the University of Petrograd. Her major literary discoveries were the works of Edmond Rostand, Friedrich Schiller and Fyodor Dostoevsky. She admired Rostand for his richly romantic imagination and Schiller for his grand, heroic scale. She admired Dostoevsky for his sense of drama and his intense moral judgments, but was deeply against his philosophy and his sense of life.[8] She completed a three-year program in the department of Social Pedagogy that included history, philology and law, and received Certificate of Graduation (Diploma No. 1552) on 13 October 1924.[9] She also encountered the philosophical ideas of Nietzsche, and loved his exaltation of the heroic and independent individual who embraced egoism and rejected altruism in Thus Spake Zarathustra, but later rejected his philosophical center of "might is right" when she discovered more of his writings.

Rand continued to write short stories and screenplays. She entered the State Institute for Cinema Arts in 1924 to study screenwriting; in late 1925, however, she was granted a visa to visit American relatives.


Immigration and marriage

In February 1926, she arrived in the United States at the age of 21, entering by ship through New York City, which would ultimately become her home. She was profoundly moved by the city's skyline, later describing it in one of her novels, The Fountainhead: "I would give the greatest sunset in the world for one sight of New York's skyline, the sky over New York and the will of man made visible. What other religion do we need? I feel that if a war came to threaten this, I would throw myself into space, over the city, and protect these buildings with my body."[10]

After a brief stay with her relatives in Chicago, she resolved never to return to the Soviet Union, and set out for Hollywood to become a screenwriter. She then changed her name to Ayn Rand. There is a story told that she named herself after the Remington Rand typewriter, but she began using the name Ayn Rand before the typewriter was first sold. Rand stated her new name was derived from the Cyrillic spelling of her family's name, and the Ayn Rand Institute noted a similarity between the name Rand and the spelling of Rosenbaum in Cyrillic on her college diploma.[11][12] She stated that her first name, 'Ayn,' was an adaptation of the name of a Finnish writer. This may have been the Finnish-Estonian author Aino Kallas, but variations of this name are common in Finnish-speaking regions.

Initially, Rand struggled in Hollywood and took odd jobs to pay her basic living expenses. A chance face-to-face meeting with famed director Cecil B. DeMille led to a job as an extra in his film King of Kings, and subsequent work as a script reader.[13] She also worked as the head of the costume department at RKO Studios.[14]

While working on the film, she intentionally bumped into an aspiring young actor, Frank O'Connor, who caught her eye. The two married on April 15, 1929, and remained married for fifty years, until O'Connor's death in 1979 at the age of 82. In 1931, Rand became a naturalized citizen of the United States; she was fiercely proud of the United States, and in later years said to the graduating class at West Point, "I can say - not as a patriotic bromide, but with full knowledge of the necessary metaphysical, epistemological, ethical, political and aesthetic roots - that the United States of America is the greatest, the noblest and, in its original founding principles, the only moral country in the history of the world."[15]


Fiction

Rand viewed herself equally as a novelist and a philosopher, as she said "(I am) both, and for the same reason." It has been suggested that Rand's practice of presenting her philosophy in fiction and non-fiction books aimed at a general audience, rather than publications in peer-reviewed journals, have encouraged a negative view.[citation needed] Rand's defenders note that she is part of a long tradition of authors who wrote philosophically rich fiction - including Dante, John Milton, Fyodor Dostoevsky and Albert Camus, and that philosophers such as Jean-Paul Sartre presented their philosophies in both fictional and non-fictional forms.

In an article about Rand, that appeared in The Economist in 1991, it is stated that "Rand's novels sell some 300,000 copies a year, exhorting readers to think big about themselves, build big and earn big. New editions of all her books carry postcards for readers who might be inclined to learn more about Objectivism, the author's credo, a blending of free markets, reason and individualism."[16]


Early works

Her first literary success came with the sale of her screenplay Red Pawn in 1932 to Universal Studios: "Von Sternberg later considered it for Dietrich, but Russian scenarios were out of favour and it was ditched."[17] Rand then wrote the play The Night of January 16th in 1934, which was produced on Broadway. The play was a courtroom drama in which a jury chosen from the audience decided the verdict, leading to one of two possible endings.[18]

Rand then published two novels, We the Living (1936), and Anthem (1938): "Rand described We the Living as the most autobiographical of her novels, its theme being the brutality of life under communist rule in Russia."[19] Its harsh anti-communist tone met with mixed reviews in the U.S., where the period of The Great Depression was sometimes known as "The Red Decade" in reference to the highwater mark of sympathy for socialist ideals. Stephen Cox, at The Objectivist Center, observed that We The Living "was published at the height of Russian socialism's popularity among leaders of American opinion. It failed to attract an audience."[20]

Frank O'Connor and Ayn Rand spent the summer of 1937 in Stony Creek, Connecticut, while Frank worked in summer stock theatre,[20] and Ayn planned Anthem, a dystopian vision of a futuristic society where collectivism has triumphed. Anthem did not find a publisher in the United States and was first published in England.


The Fountainhead

Rand's first major professional success came with her best-selling novel The Fountainhead (1943), which she wrote over a period of seven years. The novel was rejected by twelve publishers, who thought it was too intellectual and opposed to the mainstream of American thought. It was finally accepted by the Bobbs-Merrill Company publishing house, thanks mainly to a member of the editorial board, Archibald Ogden, who praised the book in the highest terms ("If this is not the book for you, then I am not the editor for you.") and finally prevailed.[21] Eventually, The Fountainhead was a worldwide success, bringing Rand fame and financial security. In 1949 it was made into a major motion picture. In the sixty years since it was published, Rand's novel has sold six million copies, and continues to sell about 100,000 copies per year.[21]

Following the success of The Fountainhead, Rand wrote screenplays for two movies, Love Letters and You Came Along.


Atlas Shrugged

Rand's magnum opus, Atlas Shrugged, was published in 1957. Due to the success of The Fountainhead, the initial printing was 100,000 copies,[22] and the book went on to become an international bestseller. (The frequent claim[23] that Atlas Shrugged was later found to be the "second most influential book in America, after The Bible,"[24] may be an exaggeration of the findings of one 1991 survey; however, it has been cited in numerous interviews as the book that most influenced the subject.)[25][26]

Atlas Shrugged is often seen as Rand's most extensive statement of Objectivism in any of her works of fiction. In its appendix, she offered this summary:

"My philosophy, in essence, is the concept of man as a heroic being, with his own happiness as the moral purpose of his life, with productive achievement as his noblest activity, and reason as his only absolute."
The theme of Atlas Shrugged is "The role of man's mind in society." Rand upheld the industrialist as one of the most admirable members of any society and fiercely opposed the popular resentment accorded to industrialists. This led her to envision a novel wherein the industrialists of America go on strike and retreat to a mountainous hideaway. The American economy and its society in general slowly start to collapse. The government responds by increasing the already stifling controls on industrial concerns. The novel, which includes elements of mystery and science fiction, deals with issues as wide-ranging as sex, music, medicine, politics and human ability.


Philosophy and the Objectivist movement

Rand's Objectivist philosophy encompasses positions on metaphysics, epistemology, ethics, politics and aesthetics. Along with Nathaniel Branden, his wife Barbara, and others including Alan Greenspan and Leonard Peikoff (jokingly designated "The Collective"), Rand launched the Objectivist movement to promote her philosophy.


Philosophical influences

She was greatly influenced by Aristotle. Some have observed parallels with Nietzsche, and she was vociferously opposed to some of the views of Kant. Rand also claimed to share intellectual lineage with John Locke, who conceptualized the ideas that individuals "own themselves," have a right to the products of their own labor, and have natural rights to life, liberty, the pursuit of happiness and property,[27] and more generally with the philosophies of the Age of Enlightenment and the Age of Reason. She occasionally remarked with approval on specific philosophical positions of, for example, Baruch Spinoza and St. Thomas Aquinas. She seems also to have respected the 20th-century American rationalist Brand Blanshard, who, like Rand, believed that "there has been no period in the past two thousand years when [both reason and rationality] have undergone a bombardment so varied, so competent, so massive and sustained as in the last half-century."[28]


Aristotle

Rand's greatest influence was Aristotle, especially Organon ("Logic"); she considered Aristotle the greatest philosopher.[29] In particular, her philosophy reflects an Aristotelian epistemology and metaphysics - both Aristotle and Rand argued that "there exists an objective reality that is independent of mind and that is capable of being known."[30] Although Rand was ultimately critical of Aristotle's ethics, others have noted her egoistic ethics "is of the eudemonistic type, close to Aristotle's own...a system of guidelines required by human beings to live their lives successfully, to flourish, to survive as 'man qua man.' "[31] Younkins argued "that her philosophy diverges from Aristotle's by considering essences as epistemological and contextual instead of as metaphysical. She envisions Aristotle as a philosophical intuitivist who declared the existence of essences within concretes."[32]


Nietzsche

In her early life, Rand admired the work of Friedrich Nietzsche, and did share "Nietzsche's reverence for human potential and his loathing of Christianity and the philosophy of Immanuel Kant,"[33] but eventually became critical, seeing his philosophy as emphasizing emotion over reason and subjective interpretation of reality over actual reality.[33] There is debate about the extent of the relationship between Rand's views and Nietzsche's, and over what seemed to be an evolution of Rand's view of Nietzsche. Allan Gotthelf, in On Ayn Rand, describes the first edition of We The Living as very sympathetic to Nietzschean ideas. Bjorn Faulkner and Karen Andre, characters from The Night of January 16th, exemplify certain aspects of Nietzsche's views. Ronald Merrill, author of The Ideas of Ayn Rand identified a passage in We the Living that Rand had omitted from the 1959 reprint: "In it, the heroine entertains (though finally rejects) sentiments explicitly attributed to Nietzsche about the justice of sacrificing the weak for the strong."[34] Rand herself denied a close intellectual relationship with Nietzsche and characterized changes in later editions of We the Living as stylistic and grammatical.

The destruction of Gail Wynand in The Fountainhead is an example of her later view, a rejection of Nietzsche, that the great cannot succeed by sacrificing the masses: "her [1934] journals suggest a rejection of traditional false-alternative ethics. Her May 15 entry, for example, identifies the error of Nietzscheans such as Gail Wynand: in trying to achieve power, they use the masses, but at the cost of their ideals and standards, and thus become "a slave to those masses." The independent man, therefore, will not make his success dependent upon the masses."[33] Although Rand disagreed with many of Nietzsche's ideas, the introduction to the 25th anniversary edition of The Fountainhead concludes with Nietzsche's statement, "The noble soul has reverence for itself."


Kant

Her understanding of Kant's views on metaphysics, epistemology, and ethics led Rand to consider him a "monster."Rand was deeply opposed to the philosophy of Immanuel Kant. Their divergence is greatest in metaphysics and epistemology, particularly with regard to Kant's analytic-synthetic dichotomy, rather than the ethics of Kant's well known categorical imperative (her critique of Kant's ethics is directly rooted in Kant's metaphysics and epistemology). Rand and Kant had significantly different theories of concepts, identity and consciousness: In Objectivist epistemology, reason is the highest virtue, and reason and logic can be used to understand objective reality. Kant believed that we cannot have certain knowledge about the true nature of reality ("things-in themselves"), but only of the manner in which we perceive reality. For example, we can know for certain that we are unable to conceive of an object which is not extended - i.e., occupies physical space - but it does not follow that no object that is not extended can exist. Rand believed that if an object has an effect upon the senses, then that effect upon the senses gives us knowledge about the object itself. At the most basic level, it informs us that that object is of a particular character such that when it interacts with one's sense organs it causes a particular sensation, and that is knowledge about a quality of the object itself. It is not in fact clear that Kant would have disagreed with such a weak formulation of realism. In Rand's view, Kant's dichotomy severed rationality and reason from the real world - a betrayal of the very nature of man. In Rand's words,

"I have mentioned in many articles that Kant is the chief destroyer of the modern world... You will find that on every fundamental issue, Kant's philosophy is the exact opposite of Objectivism."[35]

In the final issue of The Objectivist, she further wrote,

"Suppose you met a twisted, tormented young man and... discovered that he was brought up by a man-hating monster who worked systematically to paralyze his mind, destroy his self-confidence, obliterate his capacity for enjoyment and undercut his every attempt to escape... Western civilization is in that young man's position. The monster is Immanuel Kant."[35]

A more complicated difference between Ayn Rand's metaphysics and that of Immanuel Kant is the reality of space, time and number. For Kant, these are merely built into the human mode of perception and are not present in any thing-in-itself. One might hope that the following analogy applies: Color is not present in an object, but is purely a construct of our minds. Yet this is not enough for Kant, because color corresponds to some objective quality (quality of the object) while space, time and number have no such relationship to objectivity. (See Critique of Pure Reason B38-B45.) Rand would most certainly have disagreed with this concept, taking the fact that our faculty of perception has a particular (limited) identity not to be a charge against it, but a demonstration of its objectivity. This is a subtle though not insignificant point of difference that cannot be uncontroversially explicated in a few words.


Founds "The Collective"

In 1950 Rand moved to 120 East 34th Street[36] in New York City, and formed a group with the deliberately ironic name "The Collective," which included future Federal Reserve chairman Alan Greenspan and a young psychology student named Nathan Blumenthal (later Nathaniel Branden), who had been profoundly influenced by The Fountainhead. According to Branden, "I wrote Miss Rand a letter in 1949...[and] I was invited to her home for a personal meeting in March, 1950, a month before I turned twenty."[37]

The group originally started out as informal gathering of friends who met with Rand on weekends at her apartment to discuss philosophy; later the Collective would proceed to play a larger, more formal role, helping edit Atlas Shrugged and promoting Rand's philosophy through the Nathaniel Branden Institute ("the N.B.I.") Many Collective members gave lectures at the NBI and in cities across the United States, while others wrote articles for its sister newsletter, The Objectivist.

After several years, Rand and Branden's friendly relationship blossomed into a romantic affair, despite the fact that both were married at the time. Their spouses were persuaded to accept this affair but it eventually led to Branden's separation from and then divorce of his wife.

Throughout the 1960s and 1970s, Rand developed and promoted her Objectivist philosophy through both her fiction and non-fiction works, and by giving talks at several east-coast universities, largely through the Nathaniel Branden Institute which Branden established to promote her philosophy: "The Objectivist Newsletter, later expanded and renamed simply The Objectivist contained essays by Rand, Branden, and other associates...that analyzed current political events and applied the principles of Objectivism to everyday life."[38] Rand later published some of these in book form.


Political and social views

Rand held that the only moral social system is laissez-faire capitalism. Her political views were strongly individualist and hence anti-statist and anti-Communist. She exalted what she saw as the heroic American values of rational egoism and individualism. As a champion of rationality, Rand also had a strong opposition to mysticism and religion, which she believed helped foster a crippling culture acting against individual human happiness and success. Rand detested many prominent liberal and conservative politicians of her time, including prominent anti-Communists, such as Harry S. Truman, Ronald Reagan, Hubert Humphrey, and Joseph McCarthy.[39] She opposed US involvement in World War I, World War II[40] and the Korean War, although she also strongly denounced pacifism: "When a nation resorts to war, it has some purpose, rightly or wrongly, something to fight for - and the only justifiable purpose is self-defense."[41] She opposed U.S. involvement in the Vietnam War, "If you want to see the ultimate, suicidal extreme of altruism, on an international scale, observe the war in Vietnam - a war in which American soldiers are dying for no purpose whatever,"[41] but also felt that unilateral American withdrawal would be a mistake of appeasement that would embolden communists and the Soviet Union.[40]


Economics

Generally, her political thought is in the tradition of classical liberalism. She expressed qualified enthusiasm for the economic thought of Ludwig von Mises and Henry Hazlitt. The Ludwig von Mises Institute says that "it was largely as a result of Ayn's efforts that the work of von Mises began to reach its potential audience."[42] Later Objectivists, such as Richard Salsman, have claimed that Rand's economic theories are implicitly more supportive of the doctrines of Jean-Baptiste Say, though Rand herself was likely not acquainted with his work.


Gender, sex, and race

Rand's views on gender roles have created some controversy. While her books championed men and women as intellectual equals (for example, Dagny Taggart, the protagonist of Atlas Shrugged was a hands-on railroad executive), she thought that the differences in the physiology of men and women led to fundamental psychological differences that were the source of gender roles. Rand denied endorsing any kind of power difference between men and women, stating that metaphysical dominance in sexual relations refers to the man's role as the prime mover in sex and the necessity of male arousal for sex to occur.[43] According to Rand, "For a woman qua woman, the essence of femininity is hero-worship - the desire to look up to man." (1968)

Rand's theory of sex is implied by her broader ethical and psychological theories. Far from being a debasing animal instinct, she believed that sex is the highest celebration of our greatest values. Sex is a physical response to intellectual and spiritual values - a mechanism for giving concrete expression to values that could otherwise only be experienced in the abstract. In Atlas Shrugged, she writes "Tell me what a man finds sexually attractive and I will tell you his entire philosophy of life. Show me the woman he sleeps with and I will tell you his valuation of himself."[44]

In a Playboy magazine interview, Rand stated that women are not psychologically suited to be President and strongly opposed the modern feminist movement, despite supporting some of its goals.[45] Feminist author Susan Brownmiller called Rand "a traitor to her own sex," while others, including Camille Paglia and the contributors to 1999's Feminist Interpretations of Ayn Rand, have noted Rand's "fiercely independent - and unapologetically sexual" heroines who are unbound by "tradition's chains... [and] who had sex because they wanted to."[34]

In Atlas Shrugged, Rand writes that the "band on the wrist of [Dagny's] naked arm gave her the most feminine of all aspects: the look of being chained." (One must note that this description is from the character Lillian Rearden, whose views certainly are not intended to reflect those of Ayn Rand.) This novel, along with Night of January 16th (1968) and The Fountainhead (1943), features sex scenes with stylized erotic combat that borders on rape. Rand herself noted that what The Fountainhead clearly depicted was "rape by engraved invitation." In a review of a biography of Rand, writer Jenny Turner opined,

"the sex in Rand's novels is extraordinarily violent and fetishistic. In The Fountainhead, the first coupling of the heroes, heralded by whips and rock drills and horseback riding and cracks in marble, is ?'an act of scorn ... not as love, but as defilement' - in other words, a rape. (?'The act of a master taking shameful, contemptuous possession of her was the kind of rapture she had wanted.' In Atlas Shrugged, erotic tension is cleverly increased by having one heroine bound into a plot with lots of spectacularly cruel and handsome men.)[17]

Another source of controversy is Rand's view of homosexuality. According to remarks at the Ford Hall forum at Northeastern University in 1971, Rand's personal view was that homosexuality is "immoral" and "disgusting."[46] Specifically, she stated that "there is a psychological immorality at the root of homosexuality" because "it involves psychological flaws, corruptions, errors, or unfortunate premises."[47] A number of noted current and former Objectivists have been highly critical of Rand for her views on homosexuality.[48] Others, such as Kurt Keefner, have argued that "Rand's views were in line with the views at the time of the general public and the psychiatric community," though he asserts that "she never provided the slightest argument for her position, [...] because she regarded the matter as self-evident, like the woman president issue."[49] In the same appearance, Rand noted, "I do not believe that the government has the right to prohibit [homosexual behavior]. It is the privilege of any individual to use his sex life in whichever way he wants it."[46]

Rand defended the right of businesses to discriminate on the basis of sexual orientation, race, or any other criteria. Rand's defenders argue that her opposition to government intervention to end private discrimination was motivated by her valuing individual rights above civil (due to a rejection of the concept of "collective rights") and therefore her view did not constitute an endorsement of the morality of the prejudice per se. Rand argued that no one's rights are violated by a private individual's or organization's refusal to deal with him, even if the reason is irrational.

Rand did oppose ethnic and racial prejudice on moral grounds, in essays like "Racism" and "Global Balkanization," while still arguing for the right of individuals and businesses to act on such prejudice without government intervention. She wrote, "Racism is the lowest, most crudely primitive form of collectivism... [the notion] that a man is to be judged, not by his own character and actions, but by the characters and actions of a collective of ancestors,"[50] but also opposed governmental remedies for this problem: "Private racism is not a legal, but a moral issue - and can be fought only by private means, such as economic boycott or social ostracism."[51]




HUAC testimony

In 1947, during the Second Red Scare, Rand testified as a "friendly witness" before the House Committee on Un-American Activities.(transcript here) Her testimony regarded the disparity between her personal experiences in the Soviet Union and the fanciful portrayal of it in the 1943 film Song of Russia. Rand argued that the film grossly misrepresented the socioeconomic conditions in the Soviet Union and portrayed life in the USSR as being much better than it actually was. Furthermore, she believed that even if a temporary alliance with the USSR was necessary to defeat the Nazis, the case for this should not have been made by portraying what she believed were falsely positive images of Soviet life:

"If we had good reason, if that is what you believe, all right, then why not tell the truth? Say it is a dictatorship, but we want to be associated with it. Say it is worthwhile being associated with the devil, as Churchill said, in order to defeat another evil which is Hitler. There might be some good argument made for that. But why pretend that Russia was not what it was?"[52]

After the hearings, when Rand was asked about her feelings on the effectiveness of their investigations, she described the process as "futile."[52]

Later years

After a convoluted series of separations, Rand abruptly ended her relationship with both Nathaniel Branden and his wife, Barbara Branden, in 1968 when she learned of Nathaniel Branden's subsequent affair with Patrecia Scott, and refused to have any further dealings with the NBI. She then published a letter in "The Objectivist" announcing her repudiation of Branden for various reasons, including dishonesty, but did not mention their affair or her role in the schism. The two never reconciled, and Branden remained persona non grata in the Objectivist movement.


Visiting lecturer

Rand was a visiting lecturer at several universities, beginning in 1960 when she talked at Yale University, Princeton University and Columbia University. In subsequent years, she went on to lecture at University of Wisconsin, Johns Hopkins University, Harvard University and MIT.[53]

For many years, she gave an annual lecture at the Ford Hall Forum, answering questions from the audience afterward.


Declining health and death

Grave marker of Frank O'Connor and Ayn Rand.In 1973, she was briefly reunited with her youngest sister, Nora, who still lived in the Soviet Union.[38] Although Rand had written 1,200 letters to her family in the Soviet Union, and had attempted to bring them to the United States, she had ceased contacting them in 1937 after reading a notice in the post office that letters from Americans might imperil Russians at risk from Stalinist repression. Rand received a letter from Nora in 1973 and invited her and her husband to America; her sister's views had changed and, to Rand's disappointment, Nora voluntarily returned to the USSR.[54]

Rand underwent surgery for lung cancer in 1974, and conflicts continued in the wake of the break with Branden and the subsequent collapse of the NBI. Many of her closest "Collective" friends began to part ways, and during the late 1970s, her activities within the formal Objectivist movement began to decline, a situation which increased after the death of her husband on November 9, 1979.[55] One of her final projects was work on a television adaptation of Atlas Shrugged. She had also planned to write another novel, To Lorne Dieterling, but had only written "preliminary sketches."[56]

Rand died of heart failure on March 6, 1982 at her 34th Street home in New York City,[57] years after having successfully battled cancer, and was interred in the Kensico Cemetery, Valhalla, New York. Kipling's poem "If" was read at the graveside by David Kelley.[38] [3] Rand's funeral was attended by some of her prominent followers, including Alan Greenspan. A six-foot floral arrangement in the shape of a dollar sign was placed near her casket.[14]


Legacy

Rand's novels continue to be widely sold and read, with more than 22 million books sold (as of 2005), and 500,000 more being sold each year.[58] Following her death, continued conflict within the Objectivist movement led to establishment of independent organizations claiming to be her intellectual heirs. Rand and Objectivism are less well known outside North America, although there are pockets of interest in Europe, Australia, and New Zealand. Her novels are reported to be popular in India[59] and to be gaining an increasingly wider audience in Africa. She also enjoyed some popularity in Israel, through the early work of Moshe Kroy. Generally, her work has had little effect on academic philosophy; her followers have been largely drawn from the non-academic world. However, in recent years there has been notable interest in Ayn Rand's philosophy in academic philosophy. The Anthem Foundation for Objectivist Scholarship offers resources to study Objectivism at the University of Texas at Austin, Ashland University in Ohio, and the University of Pittsburgh. At the University of Pittsburgh, professors James Lennox and Allan Gotthelf head the research. Both scholars are renowned for their illuminations of Aristotle's writings. Ayn Rand in Academia Duke University's professor, Gary Hull, is a member of the Ayn Rand Institute and has lectured courses incorporating Objectivist literature and discussion. Professor Allan Gotthelf also points to certain modern trends in academic philosophy which make philosophers more receptive to Objectivist ideas. Chief among them are the notions of essence and concept as epistemological, developments in virtue theory ethics, and very current projects in normative philosophies of science and logic.


Ayn Rand Institute

In 1985, Leonard Peikoff, a surviving member of "The Collective" and Ayn Rand's designated heir, established "The Ayn Rand Institute: The Center for the Advancement of Objectivism" (ARI). The Institute has since registered the name "Ayn Rand." The Ayn Rand Institute's main goal is to spread Objectivism throughout academia, particularly in humanities departments; it also works to expose high school and college students to Ayn Rand's writings and ideas.


The Objectivist Center and The Atlas Society

Another schism in the movement occurred in 1989, when Objectivist David Kelley wrote "A Question of Sanction," in which he defended his choice to speak to non-Objectivist libertarian groups: "It was a response to an article by Peter Schwartz in The Intellectual Activist, demanding that those who speak to libertarians be ostracized from the movement... observed that Objectivism is not a closed system of belief; and that we might actually learn something by talking to people we disagree with." Kelley's description of the reasons behind the break is disputed by the Ayn Rand Institute.[60] Peikoff, in an article for The Intellectual Activist called "Fact and Value" argued that Objectivism is, indeed, a closed system, and that truth and moral goodness are directly related.[61] Peikoff expelled Kelley from his movement, whereupon Kelley founded The Institute for Objectivist Studies (now known as "The Objectivist Center"). It has since created a division called The Atlas Society, which has its own web site that is focused on attracting Ayn Rand fiction readers, and downplays her role as a philosopher. This division is used for most public outreach efforts, with The Objectivist Center itself used principally for more academic ventures.

Edward Hudgins, a veteran of the Heritage Foundation, the Cato Institute and the Joint Economic Committee of Congress, is now executive director, with Kelley taking the title of Founder and Senior Scholar. The Atlas Society/Objectivist Center also publishes The New Individualist (formerly Navigator) which comes out ten times a year. It has been given a major facelift by editor Robert Bidinotto and it was the first magazine in the U.S. to feature one of the Mohammad cartoons on the cover.


Popular interest

The column "Book Notes" of the New York Times, reported in 1991 that in a survey by the Library of Congress and the Book-of-the-Month Club, when asked what the most influential book in their lives was, Rand's Atlas Shrugged was the second most popular choice. The most popular choice was the Bible.[62]

Neil Peart, the drummer and lyricist of the Canadian progressive rock band Rush, was influenced by Rand's writings, as evidenced by the track "Anthem" from the album Fly By Night (1975) and the title track from the album 2112 (1976). However, such an influence remains vague, and Peart denies being an Objectivist, although in the 1988 book Rush Visions: the Official Biography, author Bill Banasiewicz notes that Peart and Lee bonded over Objectivist theory. Rush also has the distinction of being the only rock group cited in the Journal of Ayn Rand Studies - its Fall 2002 publication of "Rand, Rush and Rock" was then followed with a Rush-dedicated symposium, detailed in its Fall 2003 issue, on such topics as "Rand, Rush, and De-Totalizing the Utopianism of Progressive Rock."

In season four of The Simpsons (the episode "A Streetcar Named Marge"), Maggie is placed in the "Ayn Rand School for Tots," where bottles and pacifiers are banned to encourage developing "the bottle within" and the school's proprietor reads from The Fountainhead Diet.

"The Atlasphere," an online community devoted to admirers of Rand, maintains a blog citing Rand's influence on popular or newsworthy figures who cite the influence of Rand's works on their lives,[63] while "Randex" updates a list of recent media references to Rand or her work.[64]

The forthcoming PC and Xbox 360 game Bioshock takes place in the ruins of a city described as the ultimate capitalistic and individualist paradise. Founded in 1946 by a Soviet expatriate named "Andrew Ryan" (clearly a wordplay on "Ayn Rand"), the city is purportedly an embodiment of the Objectivist ideal, although one that has fallen into ruin.

The 2003 novel Old School by famed author Tobias Wolff contains an episode in which Rand appears as a guest lecturer at the elite New England prep school attended by the main character. The character reads The Fountainhead, analyzes Rand in person, and compares her to the other two writers invited to the school - Robert Frost and Ernest Hemingway - and ultimately discards her philosophy in favor of the more empathetic Hemingway.

Amongst many books recommended for reading in the liner notes of Rise Against's 2006 album The Sufferer and the Witness, The Fountainhead is one of them, in the company of such varied books as Slaughterhouse Five, A People's History of the United States, and Ishmael, as well as several others.


Rand's Work and Academic Philosophy

Rand's work has been mostly ignored by the academic philosophers of the English-speaking world. Few leading research universities consider Rand or Objectivism to be an important philosophical specialty or research area. Many adherents and practitioners of continental philosophy criticize her celebration of self-interest, so there has similarly been little focus on her work in this movement. However, since her death, there has been an increase in academic structures open to study of Ayn Rand's work.

There are fellowships for the study of Ayn Rand's ideas at top-rated[65] academic institutions such as the University of Texas at Austin,[66] Ashland University in Ohio, and the University of Pittsburgh. Courses of the Ayn Rand Institute's Objectivist Academic Center are accredited, so students can obtain university credits for studying Objectivism.[67]
Her supporters are beginning to bring Rand's work into the academic mainstream. For instance, the Ayn Rand Society, founded in 1987, is affiliated with the American Philosophical Association, and has been active in sponsoring seminars.
A major inroad into academic territory is the Journal of Ayn Rand Studies (JARS). It is a scholarly, peer reviewed journal dedicated to the study of Ayn Rand - principally her philosophic work. It is published twice yearly. JARS is nonpartisan and accepts articles that are favorable to or critical of Rand's positions. The stated editorial position is to remain unaligned with any advocacy group, institution or person. "While we publish essays by Objectivists and those influenced by Rand, we are especially interested in publishing scholars who work in traditions outside of Objectivism--including those who are critical of Rand's thought. We promote and encourage scholarly give-and-take among diverse elements of the academy." They utilize a constructive double-blind peer review process and are widely abstracted and indexed and linked.[68]
In a 1999 interview in the Chronicle of Higher Education, Rand scholar Chris Matthew Sciabarra said, "I know they laugh at Rand," while also noting a growing interest in her work in the academic community.[69]

In 2006, Cambridge University Press published a volume on Rand's ethical theory written by ARI-affiliated scholar Tara Smith, a philosophy professor at the University of Texas at Austin. The book is titled Ayn Rand's Normative Ethics: The Virtuous Egoist. Cambridge University, University of Texas at Austin, and University of Pittsburgh have recently established Fellowships for the Study of Objectivism.[70][71] Notre Dame Philosophical Reviews recently published a review of Smith's book by Helen Cullyer of the University of Pittsburgh. The review ends with the following:

"It should be stressed in conclusion that whether one is a fan or a detractor of Ayn Rand, the issues raised by this book are manifold and provocative. This book should force a debate of renewed vigor about what we mean by egoism, whether and how the egoism/altruism dichotomy should be applied within eudaimonistic ethical theories, and what our ethical theories imply about our political outlook. Smith provides us with a version of egoism that will need to be argued against by those who find it distasteful or misguided, rather than simply dismissed." [4]

In addition to the recent publication of Smith's book, the forthcoming issue of The Review of Metaphysics will publish an article by Allan Gotthelf on Rand's theory of concepts. [5] A recent conference at the University of Pittsburgh, "Concept and Objectivity: Knowledge, Science, and Values," featured presentations by Objectivists Onkar Ghate, Allan Gotthelf, James Lennox, and Darryl Wright alongside influential mainstream academics such as A.P. Martinich and Peter Railton. [6]


Student activism

One of the reasons for the prominence of Ayn Rand and Objectivism in the news and popular culture relative to other philosophical theories[72][73][74] may be related to the dozens of student groups dedicated to promoting and studying the philosophy of Objectivism[75][76][77] spread across the U.S., Australia, Canada, Israel, the Netherlands, New Zealand, and Norway.[78] These clubs often present controversial speakers on topics such as abortion, religion, and foreign policy, often allying with controversial conservative (and sometimes liberal) organizations to organize their events. For example the NYU Objectivism Club hosted a joint panel[79] on the Muhammad cartoons that received nationwide coverage for NYU's censorship of the cartoons.[80] There are several dozen speakers sponsored by the Ayn Rand Institute[81] and other organizations, who give nationwide tours each year speaking about Objectivism.

The Ayn Rand Institute has spent more than $5M on educational programs advancing Objectivism, including scholarships and clubs. These clubs often obtain educational materials and speakers from the ARI. The Objectivist Club Association and ObjectivismOnline provide free hosting and organizational resources for Ayn Rand clubs. There are also several conferences organized by various organizations, such as the Objectivist Conferences, which are attended by several hundred "new intellectuals" each summer for two weeks and feature dozens of philosophy courses and presentations of new publications and research.


Criticism

Philosophical criticism

A notable exception to the general lack of attention paid to Rand in philosophy is the essay "On the Randian Argument" by Harvard University philosopher Robert Nozick, which appears in his collection, Socratic Puzzles. Nozick is sympathetic to Rand's political conclusions, but he does not think her arguments justify them. In particular, his essay criticizes her foundational argument in ethics, which claims that one's own life is, for each individual, the only ultimate value because it makes all other values possible. Nozick says that to make this argument sound Rand still needs to explain why someone could not rationally prefer dying and having no values. Thus, he argues, her attempt to defend the morality of selfishness is essentially an instance of begging the question and that her solution to David Hume's famous is-ought problem is unsatisfactory.


Literary criticism

Rand's novels, when they were first published, "received almost unanimously terrible reviews"[17] and were derided by some critics as overly long and repetitive philosophical tracts interspersed with low-quality melodrama.[82] Many of these, including her magnum opus, Atlas Shrugged, became bestsellers due largely to word of mouth.[17] Scholars of English and American literature, with a few exceptions, have largely ignored her work. Rand did, however, receive some positive reviews even from the literary establishment. For example, Lorine Pruette, a New York Times reviewer, wrote that Rand "has written a hymn in praise of the individual," stating that "you will not be able to read this masterful book without thinking through some of the basic concepts of our times."[83]

The most famous review of Atlas Shrugged from a conservative author was written by Whittaker Chambers and appeared in National Review in 1957. It was unrelentingly scathing. Chambers call the book "sophomoric"; and "remarkably silly," and said it "can be called a novel only by devaluing the term." The tone of the book was described as "shrillness without reprieve"[84] The Intellectual Activist published a reply, arguing that Chambers did not actually read the book, as he misspells the names of several major characters and never uses quotations from the novel in his critique. [7] Mimi Gladstein argues Rand's characters are flat and uninteresting, and her heroes implausibly wealthy, intelligent, physically attractive[85] and free of doubt while arrayed against antagonists who are weak, pathetic, full of uncertainty, and lacking in imagination and talent.

Rand herself replied to these literary criticisms (in advance of many of them) with her 1963 essay "The Goal of My Writing," and in essays collected in The Romantic Manifesto: A Philosophy of Literature (2nd rev. ed. 1975), in which she states the goal of her fiction is to project her vision of an ideal man: not man as he is, but man as he might and ought to be. Further, defenders of Rand's novels have noted that many of her heroes are far from flawless, and that not all are wealthy. They note that Rearden, the Wet Nurse, and Fred Kinnan suffer due to either moral flaws or errors in reasoning [8]; further, they point out that not all of the villains in Rand's novels are weak and pathetic: Ellsworth Toohey is portrayed as a masterful communicator, critic, and manipulator, while Robert Stadler is a brilliant scientist.

Literary critic Harold Bloom found Rand's fiction to have enough significance to include her in a critical anthology he edited, American Women Fiction Writers, 1900-1960, Vol. Three, (Chelsea House, 1998).


Cult accusations

Several authors, such as Murray Rothbard who helped define modern libertarianism and anarcho-capitalism,[86] Jeff Walker, author of The Ayn Rand Cult,[87] and Michael Shermer, founder of The Skeptics Society,[88] have accused Objectivism of being a cult.

The Biographical FAQ of the Objectivism Reference Center website discusses these allegations and offer a letter in which Rand replies to a fan who wrote her offering cult-like allegiance by declaring "A blind follower is precisely what my philosophy condemns and what I reject. Objectivism is not a mystic cult".[89]
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 2 Feb, 2007 09:31 am
Stan Getz
From Wikipedia, the free encyclopedia


Stanley Gayetzky (February 2, 1927 in Philadelphia - June 6, 1991 in Malibu, California) was an American jazz musician. He is considered one of the greatest tenor saxophone players of all time. Known as "The Sound" because of his warm, lyrical tone, Getz's prime influence was the wispy, mellow tone of his idol, Lester Young. In 1986, however, Getz said: "I never consciously tried to conceive of what my sound should be..."





Life and work

Born to Russian-Jewish parents and raised in New York City, Getz played a number of instruments before his father bought him his first saxophone at the age of 13. In 1943, he was accepted into Jack Teagarden's band. After playing in various bands (1944 Stan Kenton; 1945 Jimmy Dorsey; 1945-46 Benny Goodman), Getz became known as a soloist in the Woody Herman Band from 1947-49. He scored a hit with his melodic and lyrical solo on Ralph Burns's Early Autumn. With few exceptions, Getz would be a leader on all of his recording sessions after 1950.

Getz became involved with drugs and alcohol while a teenager. He also developed a pack-a-day cigarette habit. In 1954, he was arrested for trying to stick up a pharmacy to get morphine. As he was being processed in the prison ward of Los Angeles City Hospital, his wife - Beverly Byrne, a former vocalist with the Gene Krupa band, whom he married on November 7, 1946 - gave birth to their third child one floor below; they divorced in 1956. Beverly was addicted to heroin, as was Stan, but eventually got clean. Getz married Swedish aristocrat Monica Silfverskiold on November 3, 1956, and they had two children, a daughter Pamela and a son Nicholas. In 1957, a son was born to Inga Torgner. After years of trying to get him clean, Monica, who had gained custody of Stan and Beverly's children, left him; he divorced her in 1987. [1]

In the 1950s, Getz had become popular playing cool jazz with Horace Silver, Johnny Smith, Oscar Peterson, and many others. His first two quintets were notable for their personnel, including Charlie Parker's rhythm section of drummer Roy Haynes, pianist Al Haig and bassist Tommy Potter. In 1958, Getz tried to escape his narcotics addiction by moving to Copenhagen, Denmark.

Returning to America in 1961, Getz became a central figure in the fusion of jazz and Bossa Nova. Along with Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "Samba De Uma Nota Só" (One Note Samba). Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado".

He then recorded with Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The title piece became one of the most well-known latin jazz pieces of all time. Getz/Gilberto won two Grammys (Best Album and Best Single), besting The Beatles' A Hard Day's Night, a victory for Bossa Nova and Brazilian jazz. Other musicians such as Wes Montgomery and Joe Henderson incorporated Brazilian jazz in their work. In 1967, Getz recorded albums with Chick Corea and Stanley Clarke.

After another drug-induced hiatus in Málaga, Spain, Getz resurfaced, playing with electric ensembles into the 1980s, and experimenting with an Echoplex on his saxophone, for which critics vilified him. He eventually discarded fusion and "electric jazz", returning to acoustic jazz. Getz gradually de-emphasized the Bossa Nova, opting for more esoteric and less-mainstream jazz. His only film appearance in the 1980's was in the movie The Exterminator, in which he had a cameo.

Getz had a reputation of being 'difficult' to work with.

He was also widely reputed to be an informer for the police against other addicted musicians.

Getz owned an estate called Shadowbrook in Irvington, New York where he recorded the album Poetry.

Getz died in 1991 of liver cancer. In 1998, The "Stan Getz Media Center and Library" at the Berklee College of Music was dedicated to the memory of the saxophonist through a donation from the Herb Alpert Foundation.


Quotes regarding Getz

"Flawless technique, perfect time, strong melodic sense and more than enough harmonic expertise, fabulous memory, and great ears. Add a superb sense of dynamics, pacing, and format. Top this off with a sound of pure gold and you have Stan Getz". ?- pianist Lou Levy
"Let's face it. We [tenor saxophonists] would all play like him, if we could." ?-John Coltrane
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 2 Feb, 2007 09:35 am
Farrah Fawcett
From Wikipedia, the free encyclopedia

Farrah Fawcett (born Ferrah Leni Fawcett[1] on February 2, 1947) is an American actress. She became a noted pop culture figure and legendary sex symbol of the 1970s, then an iconic actress in the 1980s, changing the cultural landscape of how television actresses appeared on film.





Biography

Early life

Fawcett was born and raised in Corpus Christi, Texas to James William Fawcett-Khan and Pauline Alice Evans. She is the second of 2 daughters. Her older sister, Diane, passed away from lung cancer in 1998. As a child, Farrah displayed a natural athletic ability which her father encouraged. She was raised Roman Catholic, even though her father was Muslim. She attended John J. "Blackjack" Pershing Middle School in Houston, TX, a school which is now the magnet program for fine arts. She attended the University of Texas at Austin and was a member of the Delta Delta Delta sorority.


Career

In 1976, Fawcett played the character of Jill Munroe for one year in the successful TV series Charlie's Angels. That same year, her swimsuit poster sold a still-unrivaled 12 million copies and she became known for her tousled mane, beautiful smile and enviable figure. As settlement to a lawsuit stemming from her early departure, Fawcett appeared six more times as a guest star in seasons three and four. She was replaced on the show by Cheryl Ladd, who portrayed her younger sister on the show.

Fawcett achieved critical praise and her first of three Emmy Award nominations as a serious actress for her role as a battered wife in the 1984 television movie The Burning Bed. She also won acclaim in the stage and movie version of Extremities, in which she played a rape victim who turns the tables on her attacker. She then played a predatory role in another miniseries, Small Sacrifices, receiving a second Emmy nomination. Her third Emmy nomination came in 2004 for her work in The Guardian. Fawcett has been nominated for several others awards as well including the Golden Globe Award and ACE awards.

Fawcett posed in the December 1995 issue of Playboy, which became the best-selling issue of the 1990s, with over 4 million copies sold worldwide. She later posed for the July 1997 issue, which also became a top seller.


Personal life

Fawcett was married to Lee Majors, star of The Six Million Dollar Man, from 1973 to 1982, though the two separated in 1979; during this time, she was known as Farrah Fawcett-Majors. From 1980 to 1997, Fawcett was involved in a committed relationship with her longtime boyfriend, actor Ryan O'Neal; they are still dating, on and off. The relationship produced one child, Redmond, in 1985.

In 1997, she received some negative commentary after giving a less-than-coherent interview on The Late Show with David Letterman. It was speculated that her rambling, incoherent manner was the result of drug abuse. Months later, she explained on the Howard Stern Radio show that her rambling was in fact just her way of joking around with the television host. She also insisted that what looked like random looks across the theater was just her looking and reacting to the fans in the audience.

In the first half of 2006, Fawcett suffered several personal losses including the death of her beloved mother Polly, agent Jay Bernstein, and mentor Aaron Spelling.

In August 2006, Fawcett took part in the Comedy Central Roast of William Shatner, where she appeared to have difficulty telling her jokes, seeming frazzled or incoherent at times. One presenter, Jeffrey Ross asked Betty White to "explain the jokes to Farrah". Farrah is also known as Alex Frost.who is a sex kitten


Cancer

On October 4, 2006, it was revealed that Fawcett has intestinal cancer, and is undergoing treatment for it, including chemotherapy and surgery.[2] Thus, a possible Charlie's Angels reunion would be put on hold.
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 2 Feb, 2007 09:40 am
Christie Brinkley
From Wikipedia, the free encyclopedia


Christie Brinkley (born Christie Lee Hudson on February 2, 1954) is a former American supermodel.




Early life and career

Brinkley was born in Monroe, Michigan, even though she has claimed to have been born and raised in California. Majoring in art and graduating in 1972, Christie attended Palisades High School in Pacific Palisades, California. In the early 1970s, she and her family lived in the Bel Air hills with an English sheep dog named Shakespeare. She was educated at le Lycée Français de Los Angeles and worked in Paris as an entry-level illustrator.

In 1976, she signed a contract with cosmetics giant Cover Girl, which they continued to renew for twenty years, the longest model contract ever.[citation needed] A few years after Cover Girl ended their contract with Brinkley, they again signed her on as a model with ads in magazines and commercials for mature skin products in 2005. She appeared on the cover of three consecutive Sports Illustrated Swimsuit Issues (1979 - 1981).


Personal life

Brinkley had a romantic relationship with Olivier Chandon de Brailles, heir to the Moët-Chandon Champagne fortune. Chandon died in 1983 in an auto racing accident. The two first met in 1982 at Studio 54 in New York City at a party promoting a calendar in which Christie appeared.

Brinkley has been married four times. Her first three marriages were to artist Jean-François Allaux (1973-1981), musician Billy Joel (1985-1994) and developer Richard Taubman (1994-1995). Her fourth husband is Peter Cook, an architect, whom she married in 1996. Brinkley filed for divorce from Cook in the summer of 2006 after news spread that he had cheated on her.

Brinkley has three children: daughter Alexa Ray (b. January 1, 1986) with Joel, son Jack Paris (b. June 2, 1995) with Taubman, and daughter Sailor Lee (b. July 2, 1998) with Cook.

She is a supporter of animal rights and long time PETA member. She has spoken out against the Ringling Brothers Circus on behalf of PETA.


References

The song "Uptown Girl" was written about her by her husband, Billy Joel. It was conceived as Joel wondered aloud how the gorgeous Christie Brinkley could wind up with a guy like him.

The songs "All About Soul," "Blonde Over Blue," "Shameless," and "Christie Lee" were also written by Billy Joel with Christie Brinkley in mind.
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 2 Feb, 2007 09:44 am
HE'S SO MEAN THAT:

1. If you kicked him in the heart, you'd break your toe.
2. He'd steal a dead fly from a blind spider.
3. He's deaf, and never told his barber.
4. You couldn't warm up to him if you were cremated
together.
5. He sends get-well cards to hypochondriacs.
6. He'd cry over your wounds so he could get salt in
them.
7. He has as much use for anyone living as an
undertaker.
8. He applied for a job as a prison warden so he could
put tacks in the electric chair.
9. The only thing he'll share with you willingly is a
communicable disease.
10. He folds his newspaper so the guy next to him on
the bus can only read half the headline.
11. He has a testimonial plaque from Kenneth Starr.
12. He dreamed that he died and the heat woke him up.
13. He takes sparrows, dips them in peroxide, and sells
them as canaries.
14. He'd throw a drowning man both ends of the rope.
15. He knifes you in the back, and then has you arrested
for carrying a weapon.
16. He campaigned for a dry county, got it passed, and
then moved away.
17. He told his children the Easter Bunny got run over
by a car.
18. He was engaged to a girl with a wooden leg, but he
got mad and broke it off.
19. He never hits a man when he's down--he kicks him.
20. He never eats his heart out; he'd starve to death.
21. He'd borrow your pot just to cook your goose.
22. Only gravediggers would enjoy working for him.
23. He gave his wife oysters and a rabbit's foot because
she wanted pearls for her birthday.
24. He had three phones installed so that he could hang
up on more people.
0 Replies
 
Letty
 
  1  
Reply Fri 2 Feb, 2007 10:07 am
Love the mean man observations, hawkman. Hey, folk have you ever know anyone like that guy? Great bio's as well, Boston Bob, but will await our Raggedy to, well, you know, right?

In the interim, here's one played by Stan Getz and sung by Diana Krall:

DIANA KRALL
THE LOOK OF LOVE

The Look of Love

The look of love
Is in your eyes
The look your smile can't disguise
The look of love
Is saying so much more
Than just words could ever say
And what my heart has heard
Well it takes my breath away

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you

You've got the look of love
It's on your face
A look that time can't erase
Be mine tonight
Let this be just the start
Of so many nights like this
Let's take a lover's vow
And then seal it with a kiss

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you
Don't ever go
Don't ever go
I love you so

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you
Don't ever go
Don't ever go
Don't ever go
0 Replies
 
Letty
 
  1  
Reply Fri 2 Feb, 2007 11:24 am
While we await our PA photographer, here's a song dedicated to her and to my parents whose anniversary is today:

Something about you mama that sure gives me the blues
Something about you mama that sure gives me the blues
It ain't your drop stich stockings it ain't your blue buckle shoes
You know pretty mama I'm bound to love you some
You know pretty mama I'm bound to love you some
Cause I've done more for you than anybody ever done you know it baby

Got me a pretty mama got me a bulldog too
Got me a pretty mama got me a bulldog too
My pretty mama don't love me but my bulldog do
[ trumpet - clarinet ]
There's been a groundhog rootin' round my yard at night
There's been a groundhog rootin' round my yard at night
For the way my mama been treatin' me he must be rootin' all right
Lord honey must be rootin' all right
Well I ain't no cheap man don't try to fool no girls
I ain't no cheap man don't try to fool no girls
It's my regular lovin' that gets me by in this world.


Hank Snow
0 Replies
 
dyslexia
 
  1  
Reply Fri 2 Feb, 2007 11:34 am
Varnished weeds in window jars
Tarnished beads on tapestries
Kept in satin boxes are
Reflections of love's memories
Letters from across the seas
Roses dipped in sealing wax

Valentines and maple leaves
Tucked into a paperback
Says she throw them all away
She found someone to love today
Dark with darker moods is he

Not a golden Prince who's come
Through columbines and wizardry
To talk of castles in the sun
Still she'll take a chance and say
She found someone to love today

She see a sorrow in his eyes
Like the angel made of tin
What might happen if she tries
To place another heart in him

In a Bleeker Street cafe
She found someone to love
She found someone to love

She found someone to love today
0 Replies
 
Letty
 
  1  
Reply Fri 2 Feb, 2007 12:11 pm
dys, those lyrics are wonderful. They read like lyric poetry, honey.

Hope our Raggedy is all right, and she is not here because she cannot get in.

In the interim, I found this funny parody on The Pennsylvania Polka, folks.

Strikes out at every task he has begun,
Ave. Pennsylvania yokel.
Picked for his cabinet old boys except one,
Moldy old Cold War jokels.
Don't let his trigger man handle a gun
Or he's likely to maim ya.
His domain is Transylvania,
First he maims then sucks veins till he drains ya.

For his flacking
The mumbler has snared a snick'ring pawn:
Snow is yakking
An Orwell-Wag the Dog lexicon.
On an err spree
Yet they go on obliviously,
Then the clown swigs gin and beer,
The sot's words are not clear.
Shitfaced dimwit combined with daddy's friends.

Passed out every night because he's dead-drunk,
The Pennsylvania yokel.
Pitches he hands us are nothing but bunk. . .
Ari, Scott, Snow, blow-smoke shills,
Noses longer than an elephant's trunk:
Men with mendacious crania.
Each day Dubya is insanier--
Bad combo: mono- and megalomania.

Laughing
0 Replies
 
yitwail
 
  1  
Reply Fri 2 Feb, 2007 12:37 pm
speaking of poetry, here's a great reggae oldie by Eek-a-mouse: Cool

a wa do dem a wa do dem dem dem
a wa do dem a wa do dem dem dem
a me nuh know - a me nuh know-oh-oh
a me nuh know - a me nuh know-oh-oh

me seh me love her fi mi virgin girl
me seh me love her fi mi virgin girl
Jah know, me really love her so
Jah know, me really love her so

me love fe see her way she walk and pose
fancy rose to match her clothes
Jah know, fi mi virgin girl
Jah know, fi mi virgin girl

me love fe see her when her hair fulla pearl
anywhere she go people love her in the world
she don' worship diamond, she don' worship pearl
Jah know, fi mi virgin girl
Jah know, fi mi virgin girl

a wa do dem......

(scatting)

de two a we a walk an' de two a we a talk
she a wear rose an' a me a wear black
we hug up an' pass in a sun shade glass
an' little after that we gaan a Kingston Park, ey

whole heap a people jus' a start to laugh
she too short an' a me too tall
she too short an' a me too tall, ey
a wa do dem......

we tek a walk for a Kingston mall
whole heap a people jus' a start to laugh
because a she too short an' a me too tall
she too short an' a me too tall, ey
a wa do dem......
0 Replies
 
Raggedyaggie
 
  1  
Reply Fri 2 Feb, 2007 12:57 pm
What happened to my pictures? Mad
Well, anyway, I thanked you for the lovely song, Letty, and asked in my post, that went "poof", how you knew I was wearing my blue buckle shoes.

I'll try a picture a little later on, maybe.
0 Replies
 
Letty
 
  1  
Reply Fri 2 Feb, 2007 01:00 pm
Fabulous reggae for a turtle, M.D. Love it, and would you believe this one?

Turtle Island

Indians believed a long time ago
That the world was floating through space
On the back of a turtle, that kept it from sinking
Kept it in a safer place

Turtles were special, and thought to be wise
From the ages that live in their eyes
From the back of their shell,
They would keep us so well
In fact, they would keep us alive

Refrain:
We are the children of Turtle Island
A story that's old and that's new
On Turtle Island, there's a turtle smiling
Carrying the world from you

Turtles can migrate from ocean to ocean
Travel thousands of miles in the sea
Crawl from their shells, and seven years later
Come back to the very same beach

Nobody knows how they remember their way
It's a scientific mystery
Charles Darwin and others became turtle lovers
Because turtles, they felt, held the key

Refrain

Turtles have out-lived the dinosaur kings
With Millenniums stored in their genes
But like so many species on the brink of extinction
We're losing the turtles of the sea

And now the tables are turning,
The story's returning
As mythology mixes with fact
As the fate of the turtle, the fate of the Island
Is now resting on our back

Refrain

Like so many creatures on Turtle Island
The world is depending on you
0 Replies
 
Letty
 
  1  
Reply Fri 2 Feb, 2007 01:21 pm
Raggedy, Thank goodness you appeared. We don't care about the photo's just as long as you were not a victim of legerdemain, gal.

Speaking of which:

Artist: Pilot
Song: Magic

Ho, ho, ho
It's magic, you know
Never believe it's not so
It's magic, you know
Never believe, it's not so

Never been awake
Never seen a day break
Leaning on my pillow in the morning
Lazy day in bed
Music in my head
Crazy music playing in the morning light

Ho, ho, ho
It's magic, you know
Never believe it's not so
It's magic, you know
Never believe, it's not so

I love my sunny day
Dream of far away
Dreaming on my pillow in the morning
Never been awake
Never seen a day break
Leaning on my pillow in the morning light

Ho, ho, ho
It's magic, you know
Never believe it's not so
It's magic, you know
Never believe, it's not so

Ho, ho, ho
It's magic, you know
Never believe it's not so
It's magic, you know
Never believe, it's not so
0 Replies
 
edgarblythe
 
  1  
Reply Fri 2 Feb, 2007 05:50 pm
Sooner or Later (One of Us Must Know)

I didn't mean to treat you so bad
You shouldn't take it so personal
I didn't mean to make you so sad
You just happened to be there, that's all
When I saw you say "goodbye" to your friends and smile
I thought that it was well understood
That you'd be comin' back in a little while
I didn't know that you were sayin' "goodbye" for good

But, sooner or later, one of us must know
You just did what you're supposed to do
Sooner or later, one of us must know
That I really did try to get close to you

I couldn't see what you could show me
Your scarf had kept your mouth well hid
I couldn't see how you could know me
But you said you knew me and I believed you did
When you whispered in my ear
And asked me if I was leavin' with you or her
I didn't realize just what I did hear
I didn't realize how young you were

But, sooner or later, one of us must know
You just did what you're supposed to do
Sooner or later, one of us must know
That I really did try to get close to you

I couldn't see when it started snowin'
Your voice was all that I heard
I couldn't see where we were goin'
But you said you knew an' I took your word
And then you told me later, as I apologized
That you were just kiddin' me, you weren't really from the farm
An' I told you, as you clawed out my eyes
That I never really meant to do you any harm

But, sooner or later, one of us must know
You just did what you're supposed to do
Sooner or later, one of us must know
That I really did try to get close to you




Bob Dylan
0 Replies
 
djjd62
 
  1  
Reply Fri 2 Feb, 2007 05:59 pm
the beautiful south love to do cover songs

they've included a few on their albums, and usually include them as b-sides to singles (odd that phrase since there are no "sides" to a cd)

here's a bee gee's tune they covered

I Started A Joke
The Beautiful South

I started a joke
Which started the whole world crying
Oh had I only seen
That the joke was on me

And I started to cry
Which started the whole world laughing
Oh had I only known
That the joke was on me

I looked at the sky
And holding my hands over my eyes
I fell out of bed
Cursing my head for the things that I said

I finally died
Which started the whole world living
Oh had I only seen that the joke was on me

On me
On me

I finally died
Oh I finally died
I started a joke
Which started the whole world crying

Oh I finally died (repeat above)
0 Replies
 
 

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