@dlowan,
dlowan wrote:I wonder if we even rated a stereotype in the US before that?
Yeah, but before it was the whole
Waltzing Matilda, tough guys on the sheep station,
The Sundowners stereotype (if you're familiar with that film, which was made in about 1960). There had arisen, though, in the 1980s a stereotype based on
Mad Max (which initially became a cult classic on late night movie programs, having largely flopped in the theaters). The whole Hogan thing was an attempt to exploit the sudden new popularity of things Australian, although i doubt that he became more popular than Gibson and the Mad Max franchise. It was responsible, though for a flourishing of the Australian indy film industry, which got attention they might not have gotten had Mad Max not been so popular world wide. It did well in theaters outside the U.S., and when it became popular on late night teevee, American film release companies hurried to put it in the theaters, but it wasn't successful, because so many people had already seen it on teevee, or had bought the video.
Road Warrior and
Beyond Thunderdome did well on the big screen in the U.S., though--so much so that some idiot decided it would be a good idea to cast Mel Gibson as Fletcher Christian. As Mencken observed, no one ever went broke underestimating the taste of the American public.
The success of Mad Max made it possible for films like
Breaker Morant to get serious attention abroad. Unfortunately, though, although Mad Max was a more successful franchise product (i've heard they're making another one), the Paul Hogan thing became the basis for the current shallow American stereotype--which i'm sure you know is not held by all Americans, just the one's who consider television a source of serious culture.