Reply
Thu 26 Apr, 2007 12:18 pm
Can you make your horse dance like this? WONDERFUL!
http://www.glumbert.com/media/dancinghorse
I don't do video on dial-up, it's just too big a pain. However, if this is that Danish boy on the mare, yeah, that was a really incredible performance. (A friend of my Sweetiepie e-mailed a link for the video to her, which is how i saw it.)
Setanta
Yep, Setanta, that's the horse. The most amazing Dressage performance I've ever seen.
BBB
No kidding--and i've known people who not only preformed dressage, but taught people and horses to perform. Two things amazed me more than anything else--that was the careful and delicate manner in which the mare stepped, and what seemed to me to be the obvious pleasure she took in her own performance.
Setanta
The horse and rider were a perfect match.
BBB
I love the "skipping," and how he threw his arms around the horse's neck at the end.
I think it was done with mirrors.
Setanta wrote:[......]. Two things amazed me more than anything else--that was the careful and delicate manner in which the mare stepped, and what seemed to me to be the obvious pleasure she took in her own performance.
That was truly a great performance, but horses are known for loving parade performances. They must also have a great innate sense of rhythm, since military marching bands (of necessity operating without a conductor) are always told, if they miss a note, to get their timing from the horses.
Gus
gustavratzenhofer wrote:I think it was done with mirrors.
What a grump! Go to your room!
BBB :wink:
We went to see the Lipizzaners last year. We had front row seats and it was a real experience.
I remember this very rider in the picture below, he was the captain.
Chai wrote:We went to see the Lipizzaners last year. We had front row seats and it was a real experience.
I remember this very rider in the picture below, he was the captain.
Judging from all those filled seats, Chai, you were very fortunate to procure a ticket.
dressage
(French"training")
Dressage is the systematic and progressive training of riding horses to execute precisely any of a wide range of maneuvers, from the simplest riding gaits to the most intricate and difficult airs and figures of haute école ("high school"). Dressage achieves balance, suppleness, and obedience with the purpose of improving and facilitating the horse's performance of normal tasks. If the advanced training stage is reached, dressage may become an objective in itself. Competitions in dressage are regularly included in the Olympic Games, for individuals from 1912 and for teams from 1928.
Of great importance to dressage is collection, in which the horse's gaits are shortened and raised by bringing the balance rearward to lighten the forehand, thus giving special agility in a limited space. This change is made without sacrificing ability to move freely. The desired result is that the horse will be keen but submissive and support the weight of the rider without undue strain on any set of joints or muscles. The overall objectives are to enable the horse to comply easily and willingly with the demands of the rider and at the same time to improve the horse's pace and bearing.
Dressage is generally divided into elementary training (campagne) and the much more advanced haute école. Elementary training consists of teaching the young horse obedience, balance, and relaxation. Starting with the horse on a longe line, or training rope, and then under the saddle, the horse is taught basic and natural movements, especially on a straight line, with some collection and extension of gaits, half and full halts, backing, and turns. The more capable horses may learn movements on two tracks (moving diagonally to the side and forward), basic figures, and variations of the canter. In haute école, practiced most eminently at the Spanish Riding School of Vienna, the horse's natural movements are developed to the greatest perfection. It moves in almost perfect balance and precision; it walks, trots, and canters in highest collection and extension, all in response to barely perceptible movements of its rider's hands, legs, and weight.
Typical haute école movements include the pirouette, a turn on the haunches in four or five strides at a collected canter; the piaffe, a trot in place; the passage, a very collected, cadenced, high-stepping trot; the levade, in which the horse raises and draws in its forelegs, standing balanced on its bent hind legs; the courvet (courbette), a jump forward at the levade; and the capriole, in which the horse jumps straight upward, with its forelegs drawn in, kicking back with its hind legs horizontal, and lands again in the same spot from which it took off.