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Two John Cage questions -

 
 
Reply Wed 1 Nov, 2006 03:42 pm
Hi,
Can you tell me if John Cage lived on Telegraph Hill in the 60s or 70s?

(or can you tell me how to find out?)

and,

Can you tell me if he ever did a ... music happening where his music was played on the radio and people were to turn their house lights on and off in time to the music?

I think that was supposed to have been in the 60s.

Here's hoping!
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Type: Discussion • Score: 1 • Views: 2,616 • Replies: 20
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hingehead
 
  1  
Reply Wed 1 Nov, 2006 03:57 pm
http://en.wikipedia.org/wiki/John_cage

is a start - check the links at the bottom. Posting this in Music might get a response too.

I always liked Cage's 2.47, I even learnt to play it.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 04:10 pm
Wow, I'm impressed.

Yes, I did Wikipedia before I came here. I also read a couple interviews.
0 Replies
 
hingehead
 
  1  
Reply Wed 1 Nov, 2006 04:44 pm
ConsiderThis wrote:
Wow, I'm impressed.



I screwed up, I meant I learnt to play 4'33" - way to ruin a good joke with a bad memory hinge.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 05:48 pm
hingehead wrote:
ConsiderThis wrote:
Wow, I'm impressed.



I screwed up, I meant I learnt to play 4'33" - way to ruin a good joke with a bad memory hinge.

Okay, but here's the thing... I don't know either piece... so it worked for me.

I don't know his work very well.
0 Replies
 
hingehead
 
  1  
Reply Wed 1 Nov, 2006 06:30 pm
Quote:
John Milton Cage (September 5, 1912 - August 12, 1992) was an American experimental music composer, writer and visual artist. He is most widely known for his 1952 composition 4'33", whose three movements are performed without playing a single note.


Get it? 4'33" is 4 minutes and thirty three seconds of silence. What a crazy dude. I bet the 12 inch club remix was fantastic.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 06:32 pm
hingehead wrote:
Quote:
John Milton Cage (September 5, 1912 - August 12, 1992) was an American experimental music composer, writer and visual artist. He is most widely known for his 1952 composition 4'33", whose three movements are performed without playing a single note.


Get it? 4'33" is 4 minutes and thirty three seconds of silence. What a crazy dude. I bet the 12 inch club remix was fantastic.


ohhhh. I'm abashed.

thanks.

I wish someone would remember whether he ever got people to turn on their lights in relation to his music on the radio....
0 Replies
 
hingehead
 
  1  
Reply Wed 1 Nov, 2006 06:38 pm
It doesn't sound unlike Cage, but I just don't think he was mainstream enough to get played on the radio.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 06:40 pm
Oh, right... the way I heard it, it was a San Francisco station and appealed to people in his neighborhood, which I heard was Telegraph Hill at the time...

how do you think I could find out if he used to live there?
0 Replies
 
djjd62
 
  1  
Reply Wed 1 Nov, 2006 06:53 pm
according to this interview, he was certainly in the area


JH: You weren't in any public works arts projects that were going on at that time?

JC: No. No, that came later. My connection with the WPA was entertaining. I went to San Francisco to the music department, and I'd already worked a good deal in the field of percussion music. I said I wanted a job on the WPA. And they said. "But you're not a musician." And I said, "I deal with sound. Where should I go?" And they said, "Try the recreation department." (laughs) So I did. And I worked with children after school hours in Telegraph Hill. The Italians. The Black kids in another part of town. And the Chinese in Chinatown. And I used to get a splitting headache from the Italian children. I'd bring them instruments to play, and things I had made, and they'd smash them. And I'd always left that session with a headache. But the Chinese people I got along with beautifully. The blacks were so gifted that they had no need of me. But I always remember how well I got along with the Chinese people. The only trouble was that the school was Catholic, and the sisters were not confident that my influence on the children was good. (laughs) So one day one of these tiny children came to me and said, "You're not teaching us anything about counterpoint." (laughs) And they couldn't have even known the word. So then the next thing I knew they were gone.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 07:08 pm
djjd62 wrote:
according to this interview, he was certainly in the area


JH: You weren't in any public works arts projects that were going on at that time?

JC: No. No, that came later. My connection with the WPA was entertaining. I went to San Francisco to the music department, and I'd already worked a good deal in the field of percussion music. I said I wanted a job on the WPA. And they said. "But you're not a musician." And I said, "I deal with sound. Where should I go?" And they said, "Try the recreation department." (laughs) So I did. And I worked with children after school hours in Telegraph Hill. The Italians. The Black kids in another part of town. And the Chinese in Chinatown. And I used to get a splitting headache from the Italian children. I'd bring them instruments to play, and things I had made, and they'd smash them. And I'd always left that session with a headache. But the Chinese people I got along with beautifully. The blacks were so gifted that they had no need of me. But I always remember how well I got along with the Chinese people. The only trouble was that the school was Catholic, and the sisters were not confident that my influence on the children was good. (laughs) So one day one of these tiny children came to me and said, "You're not teaching us anything about counterpoint." (laughs) And they couldn't have even known the word. So then the next thing I knew they were gone.


Hi, Thanks for finding that. I appreciate it.

I read it on Google... I think it's sooner than the time I'm interested in finding out if he lived there (BAD sentence, sorry.)

I heard he had the radio thing in that area in the 60s... round about that time.

I wondered if he might have gone back to the area and lived there...
in the 60s.
0 Replies
 
hingehead
 
  1  
Reply Wed 1 Nov, 2006 07:40 pm
I haven't been able to find a link between telegraph hill and john cage in google scholar or google books....
0 Replies
 
hingehead
 
  1  
Reply Wed 1 Nov, 2006 07:42 pm
The music index online has 1245 John Cage articles - not one mentions Telegraph Hill.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 07:42 pm
Oh.... I don't know either of those reference sources.

Thank you... Smile
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 07:44 pm
hingehead wrote:
The music index online has 1245 John Cage articles - not one mentions Telegraph Hill.

See, here's the thing, Even back then well known people probably didn't publicize where they resided.

Maybe I should also look for Merce Cunningham...
0 Replies
 
hingehead
 
  1  
Reply Wed 1 Nov, 2006 08:02 pm
ConsiderThis wrote:

See, here's the thing, Even back then well known people probably didn't publicize where they resided.

Maybe I should also look for Merce Cunningham...


Aye, but music scholars would have written articles about the Telegraph Hill piece if involved that neighbour playing with their light switches - I should confirm that Music Index Online is published by Harmonie Park Press and contains references
Quote:
Published since 1949 [...] from more than 775 international music periodicals from over 40 countries in 22 languages.

In additon Grove music online has no reference to Telegraph Hill at all.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 08:06 pm
hingehead wrote:
ConsiderThis wrote:

See, here's the thing, Even back then well known people probably didn't publicize where they resided.

Maybe I should also look for Merce Cunningham...


Aye, but music scholars would have written articles about the Telegraph Hill piece if involved that neighbour playing with their light switches - I should confirm that Music Index Online is published by Harmonie Park Press and contains references
Quote:
Published since 1949 [...] from more than 775 international music periodicals from over 40 countries in 22 languages.

In additon Grove music online has no reference to Telegraph Hill at all.

Oh. Oh dear. Oh dear.

Well, I thought he lived on/in Telegraph Hill, but that the piece probably involved Marin, San Francisco... rather than Telegraph Hill alone.

Darn it.

I wonder who did it, then... I know that someone did.
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 08:13 pm
hingehead wrote:

Aye, but music scholars would have written articles about the Telegraph Hill piece if involved that neighbour playing with their light switches - I should confirm that Music Index Online is published by Harmonie Park Press and contains references
Quote:
Published since 1949 [...] from more than 775 international music periodicals from over 40 countries in 22 languages.

In additon Grove music online has no reference to Telegraph Hill at all.


I checked out the sources, but see that it's a membership thing...

Please would you search with San Francisco, rather than Telegraph Hill?
0 Replies
 
hingehead
 
  1  
Reply Wed 1 Nov, 2006 08:52 pm
I tried but no luck.

Try joining the John Cage list and searching their archives or asking the question there.

http://list.mail.virginia.edu/mailman/listinfo/silence
0 Replies
 
ConsiderThis
 
  1  
Reply Wed 1 Nov, 2006 08:55 pm
hingehead wrote:
I tried but no luck.

Try joining the John Cage list and searching their archives or asking the question there.

http://list.mail.virginia.edu/mailman/listinfo/silence


hmmmm.

Okay.

I'll try.

Thank you...
Smile
0 Replies
 
 

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