Georgie Patton didn't like Bill Mauldin, who cordially returned the contempt. Mauldin actually had joined the 45th Division before the war, and so he was with them in North Africa and Italy. Willie and Joe evolved from characters who he had created before he got overseas, and his appeal to the common GI was based on the desire of the publishers of the 45th division newsletter to appeal to a wide circulation in the years
before the war.
This is important, because Mauldin already was infected with the populist type of home-grown socialism common in America in the 1930s before he ever got overseas, and his characters Willie and Joe were "the common man" as seen in the 1930s, such as Steinbeck's characters in
Of Mice and Men and
The Grapes of Wrath.
Both
Up Front and
Back Home were available in the small town library of the little berg in which i grew up. I checked them out, and i read them again and again in the library itself. I know those cartoons inside and out. There is only one cartoon of Patton. It shows a little man seated behind a huge desk in a huge office. That is a subtlety of insult which only the infantryman could really appreciate.
In Patton's Third Army, anyone not actually on the firing line was required to appear in the full uniform, including the tie which was a part of the "class C" uniform at that time. Mauldin showed up in France, and wasn't wearing a tie, got busted for it, and mouthed off about Patton. Patton called him in, and chewed him out. Mauldin drew his cartoon. I cannot assert as an iron-clad truth that Mauldin never drew a cartoon showing Patton kicking a GI--but i think it's bullshit, and i will say that it absolutely does not appear in
Up Front or
Back Home, and it would not even be Mauldin's style.
His most famous cartoon about officers, and one which got him in some mild trouble in Italy, was one in which two officers are looking at what appears to be a beautiful sunset (for as much as one could tell in a black and white cartoon), and one turns to the other and says: "Beautiful . . . do they have something like this for the enlisted men?" By and large, officers don't show up in Mauldin's cartoons, which were focused on the GIs, the "grunts" in the mud and the blood at the front. One of the few other cartoons he drew in which an officer appears shows a GI with his head down, and an officer standing in the open, with his hands behind his back. The GI is saying something to the effect of "Sir, could you stand somewhere else while you're inspiring us? You're drawing fire." Another shows the "sad sack" GIs, Willy and Joe, confronted by an immaculately dressed officer who has apparently upbraided them for being "out of uniform," and Joe is saying: "Them buttons was shot off when i took this town, Sir."
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Here, i've found some images from
Up Front, so that one can get the flavor of Mauldin's style:
Irony was a big part of his humor.
This is more like the image Mauldin usually showed of officers--men as tired, dirty, unshaven and ragged as their men.
I just added this because it's one of my personal favorites.
This is also more typical of how Mauldin portrayed officers.
The officers Mauldin typically portrayed were on the firing line with the men.
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Patton kicking a GI just wouldn't be the Mauldin style. By the way, Patton was reprimanded for slapping a soldier, not for kicking a soldier.