106
   

WA2K Radio is now on the air

 
 
Tryagain
 
  1  
Reply Fri 17 Mar, 2006 08:31 am
Special good wishes to all with Irish ancestry on this day. Top o' the morning to ya!


Bruce Springsteen:

BETTER DAYS

Well my soul checked out missing as I sat listening
To the hours and minutes tickin' away
Yeah, just sittin' around waitin' for my life to begin
While it was all just slippin' away.
I'm tired of waitin' for tomorrow to come
Or that train to come roarin' 'round the bend
I got a new suit of clothes a pretty red rose
And a woman I can call my friend

These are better days baby
Yeah there's better days shining through
These are better days baby
Better days with a girl like you

Well I took a piss at fortune's sweet kiss
It's like eatin' caviar and dirt
It's a sad funny ending to find yourself pretending
A rich man in a poor man's shirt
Now my ass was draggin' when from a passin' gypsy wagon
Your heart like a diamond shone
Tonight I'm layin' in your arms carvin' lucky charms
Out of these heard luck bones

These are better days baby
These are better days it's true
These are better days
There's better days shining through

Now a life of leisure and a pirate's treasure
Don't make much for tragedy
But it's a sad man my friend who's livin' in his own skin
And can't stand the company
Every fool's got a reason to feelin' sorry for himself
And turn his heart to stone
Tonight this fool's halfway to heaven and just a mile outta hell
And I feel like I'm comin' home

These are better days baby
There's better days shining through
These are better days
Better days with a girl like you
0 Replies
 
McTag
 
  1  
Reply Fri 17 Mar, 2006 08:39 am
Gosh, yes, it's St Paddy's Day. I had forgotten about that. There will be plenty of drunken revellers in the town today, and deedly-deedly music in the pubs everywhere.
Erin go bragh!

http://news.independent.co.uk/uk/this_britain/article351742.ece
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 08:57 am
Well, there's our Try, listeners in the company of the boss again. Hey, buddy, better days are yet to come.

McTag, I read that earlier. You gotta keep up, Manchester. <smile>

Just put this on jjorge's Irish thread:

http://www.james-joyce-music.com/images/joyce_piano.jpg

Guess who that fellow is on piano. Had something to do with Ulysses, I think.
0 Replies
 
Walter Hinteler
 
  1  
Reply Fri 17 Mar, 2006 09:02 am
Woke up this morning with light in my eyes
And then realized it was still dark outside
It was a light comin'down from the sky
I don't know who or why

Must be those strangers that come every night
Whose saucers shaped light put people up tight
Leave blue green footprints that glow in the dark
I hope they get home all right

Hey Mr.Spaceman, won't you please take me along
I won't do anything wrong
Hey Mr.Spaceman, won't you please take me along
For a ride

Woke up this mornin', I was feeling quite weird
Had flies in my beer, my tooth paste was smeared
I opened my window, they'd written my name
Said: "So long, we'll see you again".

Hey Mr.Spaceman, won't you please take me along
I won't do anything wrong
Hey Mr.Spaceman, won't you please take me along
For a ride

Hey Mr.Spaceman, won't you please take me along
I won't do anything wrong
Hey Mr.Spaceman, won't you please take me along
For a ride
0 Replies
 
Walter Hinteler
 
  1  
Reply Fri 17 Mar, 2006 09:04 am
Oh, James Joyce that is.
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 09:32 am
Well, there's our Try hangin' out with the boss. Hey, buddy. Better days are ahead, right?

Oh, my goodness, listeners, Walter is seeing little green men. Welcome back, Germany. Strange, I watched Kevin Spacey in a movie last evening in which he was an alien. Very sad, incidentally, but as usual, Spacey was excellent. I'll have to check that out later.

Yes, Walter, that was James. Later the poem that he wrote.

Here's a "stranger" song, folks

Sarah Brightman -- Stranger in paradise
Take my hand
I'm a stranger in paradise
All lost in a wonderland
A stranger in paradise
If I stand starry-eyed
That's the danger in paradise
For mortals who stand beside an angel like you

I saw your face ascending
Out of the common place and into the rare
Now somewhere out in space I hang suspended
Until I'm certain that there's a chance that you care


Won't you answer this fervent prayer
Of a stranger in paradise
Don't send me in dark despair
From all that I hunger for
But open your angel's arms
To this stranger in paradise
And tell him that he need be
A stranger no more


Aah-aah-aah


Take my hand
I'm a stranger in paradise
All lost in a wonderland
A stranger in paradise
If I stand starry-eyed
That's the danger in paradise
For mortals who stand beside an angel like you


I saw your face as I ascended
Out of the common place and into the rare
Now somewhere out in space I hang suspended
Until I'm certain that there's a chance that you care


Won't you answer this fervent prayer
Of a stranger in paradise
Don't send me in dark despair
From all that I hunger for
But open your angel's arms
To this stranger in paradise
And tell him that he need be
A stranger no more

Music & lyrics: Robert Wright, George Forrest, Alexander Glasunow, Nikolai A. Rimsky-Korsakoff, Alexarder Borodin, adapted by Frank Peterson, Sarah Brightman
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 09:40 am
and the poem that goes with the piano man:



Gentle Lady, Do Not Sing


Gentle lady, do not sing
Sad songs about the end of love;
Lay aside sadness and sing
How love that passes is enough.

Sing about the long deep sleep
Of lovers that are dead, and how
In the grave all love shall sleep:
Love is aweary now.

Sounds as though that was written for me.
0 Replies
 
McTag
 
  1  
Reply Fri 17 Mar, 2006 09:55 am
You either got, or you haven't got, style
If you got it, it stand out a mile
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 10:09 am
Well, McTag. You definitely "got it", geddit? Razz

"I like your style, say, I think it's wonderful,
I'm always wrong so, how can I tell...."
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 10:14 am
Incidentally, listeners, the name of the movie that I cited earlier was K-Pak.

http://www.imdb.com/title/tt0272152/
0 Replies
 
yitwail
 
  1  
Reply Fri 17 Mar, 2006 12:21 pm
here's one for the Gipper on St. Paddy's Day Smile

Cheer, cheer for old Notre Dame,
Wake up the echoes cheering her name,
Send a volley cheer on high,
Shake down the thunder from the sky.
What though the odds be great or small
Old Notre Dame will win over all,
While her loyal sons are marching
Onward to victory.
0 Replies
 
McTag
 
  1  
Reply Fri 17 Mar, 2006 12:37 pm
McTag wrote:
You either got, or you haven't got, style
If you got it, it stands out a mile


A flower's not a flower if it's wilted
A hat ain't a hat till it's tilted....
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 12:37 pm
Hey, Mr. Turtle. You left out the best part.
"...we never falter; we never fall,
We sober up on wood alcohol...." Razz

Them fighting Irish.
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 12:44 pm
UhOh, Tagger is playing games again. Hmmmm. Let's see

" a flower's not a flower if it's wilted,
A hat ain't a hat til it's tilted..."

That must be some Irish rhyme <smile>
0 Replies
 
Letty
 
  1  
Reply Fri 17 Mar, 2006 01:03 pm
Strange, listeners, that there is a Notre Dame in Indiana, U.S. and one in Paris. How did that happen? French/Irish? <smile>

http://newsinfo.nd.edu/assets/about_notre_dame/BigChurch.jpg
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 17 Mar, 2006 01:03 pm
Nat King Cole
From Wikipedia, the free encyclopedia

Nat "King" Cole (March 17, 1919 - February 15, 1965) was a popular American singer and jazz musician.


Childhood and Chicago

Cole was born Nathaniel Adams Coles in Montgomery, Alabama on March 17, 1919.

Nat's father was a butcher in Montgomery and a deacon in the Baptist church. His family moved to Chicago, Illinois while he was still a child. There, his father became a minister; Nat's mother Perlina was the church organist. She was the only piano teacher he ever had. His first performance, at age 4, was of "Yes, We Have No Bananas". He learned not only jazz and gospel music, but european classical music as well, performing, as he said, "from Johann Sebastian Bach to Rachmaninoff".

The family lived in the Douglas, Chicago in the Bronzeville neighborhood of Chicago, which was famous in the 1920s for its nightlife and jazz clubs. Nat would sneak out of the house and hang outside the clubs, listening to artists such as Louis Armstrong, Earl "Fatha" Hines, and Jimmie Noone. He participated in Walter Dyett's renowned music program at DuSable High School.

Inspired by the playing of Fatha Hines, Cole began his performing career in the mid 1930s while he was still a teenager, and adopted the name Nat Cole (losing the "s" from his last name). His older brother, Eddie Coles, a bassist, soon joined Nat's band and they first recorded in 1936 under Eddie's name. They were also regular performers at clubs. In fact, Nat got his nickname "King" performing at one jazz club, a nickname presumably reinforced by the otherwise-unrelated nursery rhyme about "Old King Cole". Cole also was pianist in a national touring revival of ragtime and Broadway legend Eubie Blake's review, Shuffle Along. When it suddenly failed in Long Beach, California, Cole decided to remain there.

Los Angeles and the King Cole Trio

Nat Cole and three other musicians formed the "King Cole Swingers" in Long Beach and played in a number of local bars before getting a gig on the Long Beach Pike for $90 per week.

Nat married dancer Nadine Robinson, who was also with Shuffle Along, and moved to Los Angeles where he formed the Nat King Cole Trio. The trio consisted of Nat on piano, Oscar Moore on guitar, and Wesley Prince on double bass. The trio played in Los Angeles throughout the late 1930s and recorded many radio transcriptions.

Cole did not achieve widespread popularity until "Sweet Lorraine" in 1940. Although he sang ballads with the trio, he was shy about his voice. While Cole prided himself on his diction, he never considered himself a strong singer. His subdued style, however, contrasted well with the belting approach of most jazz singers.

During World War II, Wesley Prince left the group and Cole replaced him with Johnny Miller. The King Cole Trio signed with the fledgling Capitol Records in 1943 and stayed with the recording company for the rest of Cole's career. By the 1950s, Cole's popularity was so great that the Capitol Records building, on Hollywood and Vine, was sometimes referred to as "The House that Nat Built".

Cole was considered a leading jazz pianist, appearing, for example, in the first Jazz at the Philharmonic concerts. His revolutionary lineup of piano, guitar and bass in the time of the big bands became a popular set up for a jazz trio. It was emulated by many musicians, among them Art Tatum, Ahmad Jamal, Oscar Peterson, Tommy Flanagan , and blues pianists Charles Brown and Ray Charles. He also performed as a pianist on sessions with Lester Young, Red Garland, and Lionel Hampton.


Politics

On August 23, 1956 Nat King Cole spoke at the Republican Convention in the Cow Palace, San Francisco, California.


Singing career

His first mainstream vocal hit was with "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Although hardly a rocker, the song's success proved that an audience for folk-based material existed. It is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.

Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as "The Christmas Song" (1946), "Nature Boy" (1948), "Mona Lisa" (1950), and his signature tune "Unforgettable" (1954). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Nat King Cole Trio Recordings on Capitol, which contained 349 songs on 27 LPs or 18 CDs.

Cole was the first African American to have his own radio program. He repeated that success in the late-1950s with the first truly national television show starring an African-American. In both cases, the programs were ultimately cancelled because sponsors shied away from a black artist. Cole fought racism all his life, refusing to perform in segregated venues. In 1956, he was attacked on stage in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Despite injuries, Cole completed the show but vowed never to perform in the South again.

In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in. Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."

He and his second wife, Maria Ellington, were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children, three adopted. His daughter, Natalie Cole, and his younger brother, Freddie Cole are also singers.

Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues. He also appeared in The Nat King Cole Story.

Nat King Cole, a heavy smoker, died of lung cancer in 1965 and was buried in Forest Lawn Memorial Park in Glendale, California. Cat Ballou, his final film, was released several months later. His funeral was held at St. Victor's Catholic Church in West Hollywood.


Samples

On November 5, 1956, The Nat King Cole Show debuted on NBC-TV. While commentators have often hailed Cole as the first African-American to host a network television show (an honor belonging to Hazel Scott in 1950), the Cole program was the first of its kind hosted by a star of Nat Cole's magnitude. Initially begun as a 15 minute show on Monday night, the show was expanded to a half hour in July 1957. Despite the efforts of NBC as well as many of Cole's industry colleagues (most of whom, such as Ella Fitzgerald and Harry Belafonte, worked for industry scale in order to help the show save money), the Nat King Cole Show was ultimately done in by a lack of national sponsorship (It should be noted that such companies as Rheingold Beer assumed regional sponsorship of the show, but the elusive national sponsor never materialized). The last episode of The Nat King Cole Show aired December 17, 1957. Cole had survived for over a year, and it was he, not NBC, who ultimately decided to pull the plug on the show (NBC as well as Cole himself had been operating at an extreme financial loss). Commenting on the lack of sponsorship his show received, Cole quipped shortly after its demise, "Madison Avenue is afraid of the dark."

http://en.wikipedia.org/wiki/Nat_King_Cole

Mona Lisa :: Nat King Cole

Mona Lisa, Mona Lisa, men have named you
You're so like the lady with the mystic smile
Is it only 'cause you're lonely they have blamed you?
For that Mona Lisa strangeness in your smile?

Do you smile to tempt a lover, Mona Lisa?
Or is this your way to hide a broken heart?
Many dreams have been brought to your doorstep
They just lie there and they die there
Are you warm, are you real, Mona Lisa?
Or just a cold and lonely lovely work of art?

instrumental interlude

Do you smile to tempt a lover, Mona Lisa?
Or is this your way to hide a broken heart?
Many dreams have been brought to your doorstep
They just lie there and they die there
Are you warm, are you real, Mona Lisa?
Or just a cold and lonely lovely work of art?

Mona Lisa, Mona Lisa
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 17 Mar, 2006 01:08 pm
Rudolf Nureyev
From Wikipedia, the free encyclopedia


Rudolf Khametovich Nureyev (Russian spelling Рудольф Хаметович Нуреев, Tatar form Rudolf Xämät ulı Nuriev) (17 March 1938 - 6 January 1993), Russian-born dancer, was one of the greatest male dancers of the 20th century, alongside Vaslav Nijinsky and Mikhail Baryshnikov.

Nureyev was born in a train near Irkutsk, while his mother was travelling across Siberia to Vladivostok, where his father, a Red Army political commissar of Muslim Tatar descent, was stationed. He was raised in a village near Ufa in Soviet Bashkiria. As a child he was encouraged to dance in Bashkir folk performances and his precocity was soon noticed.

Due to the disruption of Soviet cultural life caused by World War II, Nureyev was unable to enroll in a major ballet school until 1955, when he was sent to the Vaganova Choreographic Institute, attached to the Kirov Ballet in Leningrad. Despite his late start, he was soon recognised as the most gifted dancer the school had seen for many years. Already, however, his extremely difficult temperament was evident. In retrospect it seems obvious that his personal problems were mainly due to internal conflict over his sexuality.

Within two years Nureyev was one of Russia's best-known dancers, in a country which revered the ballet and made national heroes of its stars. Soon he enjoyed the rare privilege of travel outside the Soviet Union, when he danced in Vienna at the International Youth Festival. Not long after, for disciplinary reasons, he was told he would not be allowed to go abroad again. He was condemned to tours of the Russian provinces.

In 1961 Nureyev's luck turned. The Kirov's leading male dancer, Konstantin Sergeyev, was injured, and at the last minute Nureyev was chosen to replace him in a performance in Paris. In Paris, his performances electrified audiences and critics. But Nureyev broke the rules about mingling with foreigners, and was told he would be sent home. Realising he would probably not be allowed abroad again, on 17 June at Paris Airport he defected. He did not see Russia again until 1989, when he visited at the special invitation of Mikhail Gorbachev. Despite the distance, Nureyev remained extremely close to his mother, and his first visit back to Russia was to see his dying mother. In 1989 he also returned to his home theater, the Kirov. It was by all accounts a disappointing affair, as Nureyev was past his prime, but he did get to meet up with many of the colleagues he left behind after he defected.

Within a week Nureyev had been signed up by the Grand Ballet du Marquis de Cuevas and was performing The Sleeping Beauty with Nina Vyroubova. Nureyev was an instant celebrity in the west. His dramatic defection, his outstanding skills, and, it must be said, his astonishing good looks, made him an international star. This gave him the power to decide where and with whom he would dance.

Nureyev's defection also gave him the personal freedom he had been denied in the Soviet Union. On a tour of Denmark he met Erik Bruhn, another dancer ten years his senior, who became his lover, his closest friend and his protector (mainly from his own folly) for many years. The relationship was a stormy one, for Nureyev was highly sexually promiscuous. Bruhn was director of the Royal Swedish Ballet from 1967 to 1972 and Artistic Director of the National Ballet of Canada from 1983 until his death in 1986. One of the men that Nureyev is said to have had an affair with was movie star Anthony Perkins.

At the same time Nureyev met Margot Fonteyn, the leader British dancer of her time, with whom he formed a professional partnership and a close friendship. Their first performance together was in Giselle on March 1, 1962. Audiences were shocked by the chemistry between two dancers who on the outside were so different. During the curtain calls, Nureyev dropped to his knees and kissed Fonteyn's hands, an action which cemented their on and offstage bond. She brought him to the Royal Ballet in London, which remained his base during the rest of his dancing career. Together Nureyev and Fonteyn forever transformed such cornerstone ballets as Swan Lake and Giselle. Fonteyn and Nureyev remained close friends even after her retirement. When she was suffering from cancer Nureyev paid many of her medical bills and visited her constantly despite his busy schedule.

Nureyev was immediately in demand by film-makers, and in 1962 he made his screen debut in a film version of Les Sylphides. In 1976 he played Rudolph Valentino in Ken Russell's film, but he had neither the talent nor the temperament for a serious acting career. He branched into modern dance with the Dutch National Ballet in 1968. In 1972 Robert Helpmann invited him to tour Australia with his own production of Don Quixote, his directorial debut.

During the 1970s, Nureyev appeared in several movies and toured the United States in a revival of the Broadway musical The King and I. His guest appearance on the then-struggling television series The Muppet Show is credited for boosting the series to worldwide success. In 1982 he became a naturalized Austrian. In 1983 he was appointed director of the Paris Opera Ballet, where as well as directing he continued to dance and to promote younger dancers. Among the dancers he groomed to stardom were Sylvie Guillem, Isabel Guerin, Manuel Legris, Elisabeth Maurin, Elisabeth Platel, Charles Jude, and Monique Loudieres. Despite advancing illness towards the end of his tenure, he worked tirelessly, staging new versions of old standbys and commissioning some of the most groundbreaking choreographic works of his time.

Nureyev's talent, beauty, and charm caused him to be forgiven many things, but stardom did little to improve his temperament. He was notoriously impulsive and did not have much patience with rules, limitations and hierarchical order. Some saw this as unreliability and rudeness to those he worked with. He mixed with Jacqueline Kennedy Onassis, Mick Jagger and Andy Warhol, and developed a reputation for intolerance of non-celebrities, but he kept up old friendships in and outside the ballet world for decades, being a loyal and generous friend. He was known as extremely generous to many ballerinas, who credit him with helping them during difficult times. In particular, the Canadian ballerina Lynn Seymour says that he often found projects for her even when she was suffering from weight issues and depression and had trouble finding appearances. His interests were widespread and he loved to discuss all kinds of subjects, showing an amazing wealth of knowledge in many fields. By the end of the 1970s he moved into his 40s and faced the inevitable decline of his amazing physical prowess, he unfortunately continued to tackle the big classical roles for far too long, and his rather undistinguished performances in the late 1980s disappointed many of his admirers.

Nureyev's influence on the world of ballet changed especially the perception of male dancers; in his own productions of the classics the male roles got much more choreography than in earlier productions. The second very important influence was his crossing the borders between classical ballet and modern dance by dancing both, although having been trained as a classical dancer. Today it is absolutely normal for dancers to get training in both styles but Nureyev was the one who started this and is was a sensation and even much criticized in his days.

When AIDS appeared in France in about 1982 (as well as everywhere else), Nureyev, like many homosexual men, took little notice. He presumably contracted HIV at some point in the early 1980s. For several years he simply denied that anything was wrong with his health: when, in about 1990, he became undeniably ill, he pretended he had several other ailments. He tried several experimental treatments but they did not stop the inevitable decline of his body. It is believed that some of his closest friends, including Margot Fonteyn, knew about his status but out of loyalty kept it secret. Towards the end of his life, as dancing beame more and more agonizing for him, he dabbled with conducting, at the urging of Fonteyn.

Eventually, however, he had to face the fact that he was dying. He won back the admiration of many of his detractors by his courage during this period. The loss of his looks pained him, but he continued to struggle through public appearances. At his last appearance, at a 1992 production of The Bayadère at the Palais Garnier, Nureyev received an emotional standing ovation from the audience. The French Culture Minister, Jack Lang, presented him with France's highest cultural award, the Chevalier de l'Ordre des Artes et Lettres. He died in Paris, France, a few months later, aged 54.

http://en.wikipedia.org/wiki/Rudolf_Nureyev
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 17 Mar, 2006 01:11 pm
Kurt Russell
From Wikipedia, the free encyclopedia


Kurt Vogel Russell (born March 17, 1951 in Springfield, Massachusetts) is an American actor. He is the son of Louise Crain and Bing Russell, who was a character actor best known as Deputy Clem Foster on Bonanza.


Career

Russell started his film career at the age of ten in an uncredited part in Elvis Presley's It Happened at the World's Fair. At the age of twelve he landed a big part for a juvenile actor: the lead role as the orphan Jaimie in the TV western The Travels of Jaimie McPheeters (1963-1964). Based on the book by Robert Lewis Taylor, this series also starred Dan O'Herlihy, Charles Bronson, and the very young Osmond Brothers.

The young Russell was soon signed to a ten-year contract with the Walt Disney Company, reportedly by Walt Disney himself. He starred in many Disney films, such as Follow Me, Boys! (1966), The Computer Wore Tennis Shoes (1969), and The Strongest Man in the World (1975).

Russell also had a baseball career (Russell's father had been a baseball player for a while). In the early 1970s, Russell played second base for the minor league franchise of the California Angels (now the Los Angeles Angels of Anaheim). He led his league in hitting with a .563 batting average. During a play, he was hit in the shoulder by another player running to second base. The collision tore the rotator cuff in one of Russell's shoulders. The injury forced his retirement from baseball in 1973, and he returned to acting.

Russell was nominated for an Emmy Award for Outstanding Lead Actor in a Limited Series or a Special (1979) for the made-for-television film Elvis. He was nominated for a Golden Globe Award for Best Performance by an Actor in a Supporting Role in a Motion Picture (1984) for Silkwood.


Personal life


Russell married actress Season Hubley, whom he had met on the set of Elvis in 1979 and they had a son, Boston. In 1983, in the middle of his divorce from Hubley, Russell met Goldie Hawn on the set of the film Swing Shift and they've been in a relationship ever since. The couple also filmed 1987's Overboard together. They had a son, Wyatt, in 1986 and Hawn's daughter Kate Hudson considers Russell to be her dad.[1]

Russell is a prominent member of the United States Libertarian Party. He claims that he was often an outcast in Hollywood because of his Libertarian beliefs, and so moved to live in an area outside Aspen, Colorado, where he started to try his hand at writing (he co-wrote Escape from L.A.). In February 2003, Russell and Hawn moved to Vancouver, British Columbia, Canada, so that their son could play hockey.

http://en.wikipedia.org/wiki/Kurt_Russell
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 17 Mar, 2006 01:12 pm
Lesley-Anne Down
From Wikipedia, the free encyclopedia

Lesley-Anne Down (born March 17, 1954 in London) is a British actress.

At the age of ten, Down began modeling and acting in her native Britain. She won several beauty pageants and at the age of 15, she was voted Britain's Most Beautiful Teenager. From 1973 to 1975, Down portrayed Georgina Worsley on the popular British series Upstairs, Downstairs. She went on to star in such films as The Pink Panther Strikes Again, A Little Night Music, and Hanover Street. Down is also well-known for her roles in television movies and miniseries, including North and South and The Hunchback of Notre Dame.

Down portrayed Olivia Richards on the NBC soap opera Sunset Beach from the show's debut in January 1997 until the show's cancellation in December 1999. Her character's name was originally to be Sheila but she was concerned that, because the name had a different meaning in Australian slang, they changed it.

She has played Jacqueline Payne Marone on The Bold and the Beautiful since March 2003. In December 2005, Down began very heated contract talks with the serial, refusing to take a substantial pay cut. She has since renewed her contract with the series for another three years.

Married to third husband cinematographer Don E. FauntLeRoy since 1985, Down is the mother to two sons, Jack and George-Edward, and two stepdaughters, Season and Juliana.

http://en.wikipedia.org/wiki/Lesley-Anne_Down
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 17 Mar, 2006 01:13 pm
A drunken Irishman is driving through the city of Dublin on St. Patty's Day and his car is weaving violently all over the road. An Irish cop pulls him over.

"So," says the cop to the driver, "where have you been?"

"I've been to the pub," slurs the drunk.

"Well," says the cop, "it looks like you've had quite a few."

"I did all right," the drunk says with a smile.

"Did you know," says the cop, standing straight and folding his arms, "that a few intersections back, your wife fell out of your car?"

"Oh, thank Heavens," sighs the man. "For a minute there, I thought I'd gone deaf!
0 Replies
 
 

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WA2K Radio is now on the air, Part 3 - Discussion by edgarblythe
 
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