106
   

WA2K Radio is now on the air

 
 
dyslexia
 
  1  
Reply Tue 20 Sep, 2005 11:49 am
Sugar magnolia, blossoms blooming, heads all empty and I don't care,
Saw my baby down by the river, knew she'd have to come up soon for air.

Sweet blossom come on, under the willow, we can have high times if you'll abide
We can discover the wonders of nature, rolling in the rushes down by the riverside.

She's got everything delightful, she's got everything I need,
Takes the wheel when I'm seeing double, pays my ticket when I speed

She comes skimmin' through rays of violet, she can wade in a drop of dew,
She don't come and I don't follow, waits backstage while I sing to you.

Well, she can dance a cajun rhythm, jump like a willys in four wheel drive.
She's a summer love for spring, fall and winter. she can make happy any man alive.

Sugar magnolia, ringing that bluebell, caught up in sunlight, come on out singing
I'll walk you in the sunshine, come on honey, come along with me.

She's got everything delightful, she's got everything I need,
A breeze in the pines and the sun and bright moonlight, lazing in the sunshine yes
Indeed.

Sometimes when the cuckoo's crying, when the moon is half way down,
Sometimes when the night is dying, I take me out and I wander around, I wander
'round.

Sunshine, daydream, walking in the tall trees, going where the wind goes
Blooming like a red rose, breathing more freely,
Ride our singin', I'll walk you in the morning sunshine
Sunshine, daydream. sunshine, daydream. walking in the sunshine.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 20 Sep, 2005 12:00 pm
Four married guys go fishing. After an hour,
the following conversation took place:
First guy: "You have no idea what I had to do to be able
to come out fishing this weekend. I had to promise my wife
that I will paint every room in our house next weekend."
Second guy: "That's nothing, I had to promise my wife
that I will build her a new deck for the pool."
Third guy: "Man, you both have it easy! I had to promise
my wife that I will remodel the kitchen for her."
They continue to fish when they realize that the fourth guy
has not said a word. So they asked him, "You haven't said
anything about what you had to do to be able to come
fishing this weekend. What's the deal?"
Fourth guy: "I just set my alarm for 5:30 am. When it went off,
I shut off my alarm, gave the wife a nudge and said,
"Fishing or sex?" and she said, "Wear sun-block."
0 Replies
 
Letty
 
  1  
Reply Tue 20 Sep, 2005 12:01 pm
quicksilver--rainbows--magnolias. Lovely combination of music, dys.

I think many of us here need to be reminded that music is a picture painted in well chosen works. Thanks, cowboy.
0 Replies
 
Letty
 
  1  
Reply Tue 20 Sep, 2005 12:15 pm
Oh, my gawd, Bob. That is hilarious. Thanks for the laugh, Boston.

Yes, things are running smoother in our studio right now, and a bit rougher in my little corner of Florida, because the rains are singing a wet water song. Well, if there is such a thing as heavy water, I guess there can be a term called dry water, right?
0 Replies
 
colorbook
 
  1  
Reply Tue 20 Sep, 2005 12:33 pm
***************


Rainbow Connection

Why are there so many songs about rainbows,
And what's on the other side?
Rainbows are visions, but only illusions,
And rainbows have nothing to hide.

So we've been told and some choose to believe it,
I know they're wrong, wait and see.
Someday we'll find it, the rainbow connection,
The lovers, the dreamers and me.

Who said that every wish would be heard and answered,
When wished on the morning star?
Somebody thought of that, and someone believed it,
And look what it's done so far.

What's so amazing that keeps us stargazing
And what do we think we might see?
Someday we'll find it, the rainbow connection,
The lovers, the dreamers, and me.

All of us under its spell,
We know that it's probably magic ...
Have you been half asleep? And have you heard voices?
I've heard them calling my name.

Is this the sweet sound that calls the young sailors?
The voice might be one and the same.
I've heard it too many times to ignore it,
It's something that I'm supposed to be ...

Someday we'll find it, the rainbow connection,
The lovers, the dreamers, and me ....

(Music by Paul Williams
sung by Kermit the Frog [Jim Henson])

***************
0 Replies
 
Letty
 
  1  
Reply Tue 20 Sep, 2005 03:08 pm
Ah, colorbook, that is one of the all time favorities of people who understand quite clearly, Kermit's allusion. Thanks, gal.

The bit of news from the world of writers is right in step with your avatar, colorbook:

T.S. Eliot letters and poems sold for $438,000 1 hour, 49 minutes ago



LONDON (Reuters) - A series of largely unpublished letters from T.S. Eliot and a first edition of The Waste Land poem inscribed by the author sold for nearly $438,000 at auction on Tuesday.


The lots included sets of letters from Eliot to his godson Tom Faber and Tom's mother Enid. Tom Faber, who died in 2004, was Eliot's first godchild and the son of his friend and publisher Geoffrey Faber.

A series of 50 typed letters sent to Tom were signed "Uncle Tom" and revealed a humorous side to the poet.

In one letter he wrote "I should like to put you in touch with Mr Mandlebaum of New York, who is writing a thesis on the Dynamics of Audience-Response to the Cocktail Party. This is called Sociology and is an American disease."

The sale included a first edition of Eliot's classic poem The Waste Land, inscribed by the poet, sold for 32,400 pounds. With the letters and other inscribed first editions the collections totaled 242,652 pounds.

American-born Thomas Stearns Eliot spent much of his life in Britain as a poet, playwright and publisher with an austere reputation, based on his royalist, conservative, High Anglican church views.

Born in St Louis, Missouri, in 1888, Eliot moved to London in 1914, where he worked as a teacher and a bank clerk. He died in 1965.

Apart from his modernist poems, he published "Old Possum's Book of Practical Cats," a children's work on which Andrew Lloyd Webber's hit musical "Cats" is based.
0 Replies
 
Letty
 
  1  
Reply Tue 20 Sep, 2005 03:10 pm
and, listeners, a brief exceprt from the musical, Cats, based on T.S.'s book:

MALE CHORUS:
In the whole of St. James's the smartest of names is
The name of this Brummell of cats
And we're all of us proud to be nodded or bowed to
By Bustopher Jones in white spats

BUSTOPHER:
My visits are occasional to the senior educational
And it is against the rules
For any one cat to belong both to that
And the Joint Superior Schools

For a similar reason, when game is in season




I'm found, not at Fox's, but Blimp's
I am frequently seen at the gay Stage and Screen
Which is famous for winkles and shrimps

In the season of venison I give my Benison
To the Pothunter's succulent bones
And just before noon's not a moment too soon
To drop in for a drink at the Drones

When I'm seen in a hurry there's probably curry
At the Siamese or at the Glutton
If I look full of gloom then
I've lunched at the Tomb
On cabbage, rice pudding and mutton

FULL CHORUS:
In the whole of St. James's the smartest of names is
The name of this Brummell of cats
And we're all of us proud to be nodded or bowed to
By Bustopher Jones in white,
Bustopher Jones in white,
Bustopher Jones in white spats

JENNYANYDOTS:
So much in this way passes Bustopher's day
At one club or another he's found
It can be no surprise that under our eyes
He has grown unmistakably round
He's a twenty-five pounder

BUSTOPHER:
Or I am a bounder

JENNYANYDOTS:
And he's putting on weight every day

BUSTOPHER:
But I'm so well preserved because I've observed
All my life a routine and I'd say
I am still in my prime, I shall last out my time

JENNYANYDOTS:
That's the word from this stoutest of cats

CHORUS:
It must and it shall be spring in Pall Mall
While Bustopher Jones wears white,
Bustopher Jones wears white,
Bustopher Jones wears white spats
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 20 Sep, 2005 05:13 pm
87 year old Ed is sitting at the bar of his local
Senior Citizens Dance Club when in walks Mary.
"What a beauty," he says to himself. Then he can't
believe his luck when she walks over and starts
chatting to him. It was love at first site for
both of them. After dating for only a few weeks, they
decide to get married.
On their wedding night, they consummate their marriage
with a long and passionate sexy romp. As soon as it
ends, Mary notices that Ed is very quiet and still.
She then realizes that her new husband has died just
as he reached his climax.
At Ed's funeral, one of Mary's friends comes over to
her and says, "I was so shocked to hear the news,
Mary. Whatever happened?"
"Nothing much," Mary replies, "he came and he went."
0 Replies
 
Letty
 
  1  
Reply Tue 20 Sep, 2005 05:31 pm
Laughing My word, Bob, and that, of course, means that T.S. Eliot was correct.


"In the room the women "come and go"
Talking of Michelangelo."

We are being really bad tonight, listeners, but I think it has been done before, right?
0 Replies
 
djjd62
 
  1  
Reply Tue 20 Sep, 2005 06:26 pm
It's All Been Done
Barenaked Ladies

I met you
Before the fall of Rome
And I begged you
To let me take you home
You were wrong
I was right
You said goodbye
I said good night

It's all been done
It's all been done
It's all been done before

I knew you
Before the West was won
And I heard you say
The past was much more fun
You go your way
I'll go mine
And I'll see you
Next time

It's all been done
It's all been done
It's all been done before

And if I put my fingers here
And if I say "I love you dear"
And if I play the same three chords
Will you just yawn and say

It's all been done
It's all been done
It's all been done before

Alone and bored
On a thirtieth century night
Will I see you
On The Price Is Right?
Will I cry?
Will I smile
As you run
Down the aisle?

It's all been done
It's all been done
It's all been done before
0 Replies
 
Letty
 
  1  
Reply Tue 20 Sep, 2005 06:50 pm
Hey, Canada. Great song, and so true.

Just who was it that originally said, " I stood on the shoulders of giants."?

Time for a little remembering tonight, listeners:



Now That I Have Everything Lyrics
Artist: They Might Be Giants





The mirror on the wall
Won't talk to me at all
Now that I have everything
The place inside the frame
Just doesn't look the same
Now that I have everything

I wasn't always so fortunate
But I knew what I had to do
To be well-to-do
And it had to do
With the things I had to do

And I don't want anything
I don't want anything
Now that I have everything
I can't tell things apart
I don't know where they start
Now there's everything don't remind me of yesterday

Put down that surfboard, no, please don't say
All the things I think I know that you're about to say
"Everything is everything," is what you're just about to say





There was a program, sort of an inquiry
Into what would be
Just the thing for me
If it came to be
I would have to wait and see

And I don't want anything
I don't want anything
Now that I have everything
I can't tell things apart
I don't know where they start
Now that I have everything

And the mirror on the wall
Won't talk to me at all
Now that I have everything
The place inside the frame
Just doesn't look the same
Now there's everything don't remind me of yesterday
Now there's everything don't remind me of yesterday
Now there's everything don't remind me of yesterday (Babool Babool)
Now there's everything don't remind me of yesterday (Babool Babool)
Now there's everything don't remind me of yesterday (Babool Babool)
Now there's everything don't remind me of yesterday (Babool Babool)
Now there's everything don't remind me of yesterday (Babool Babool)
Now there's everything don't remind me of yesterday (Babool Babool)
Now there's everything don't remind me of yesterday (Babool Babool)
Now there's everything don't remind me of yesterday (Babool Babool)
Babool Babool
0 Replies
 
djjd62
 
  1  
Reply Tue 20 Sep, 2005 07:03 pm
love they might be giants, so delightfully strange


King Of Birds
R.E.M.

A thumbnail sketch, a jeweler's stone
A mean idea to call my own
Old man don't lay so still you're not yet young
There's time to teach, point to point,
Point observation, children carry reservations
Standing on the shoulders of giants, leaves me cold, leaves me cold
A mean idea to call my own, a hundred million birds fly

Singer sing me a given, singer sing me a song
Standing on the shoulders of giants everybody's looking on
(Old man don't lay so still you're not yet young,
There's time to teach, point to point,
Point observation, children carry reservations)
Standing on the shoulders of giants leaves me cold
A mean idea to call my own, a hundred million birds fly away, away, away

I am king of all I see, my kingdom for a voice
Old man don't lay so still, you're not yet young
There's time to teach, point to point
Point observation, children carry reservations
Standing on the shoulders of giants, leaves me cold, leaves me cold
A mean idea to call my own, a hundred million birds fly away, away, away

Everybody hit the ground, everybody hit the ground
Everybody hit the ground, everybody hit the ground
Everybody hit the ground, everybody hit the ground
Everybody hit the ground, everybody hit the ground
0 Replies
 
colorbook
 
  1  
Reply Tue 20 Sep, 2005 07:14 pm
Shiny Happy People
R.E.M.

Shiny happy people laughing
Meet me in the crowd
People people
Throw your love around
Love me love me
Take it into town
Happy happy
Put it in the ground
Where the flowers grow
Gold and silver shine

Shiny happy people holding hands
Shiny happy people laughing

Everyone around love them, love them
Put it in your hands
Take it take it
There's no time to cry
Happy happy
Put it in your heart
Where tomorrow shines
Gold and silver shine

Shiny happy people holding hands
Shiny happy people laughing
0 Replies
 
djjd62
 
  1  
Reply Tue 20 Sep, 2005 07:15 pm
some oddities from they might be giants

Ana Ng

Make a hole with a gun perpendicular
To the name of this town in a desk-top globe
Exit wound in a foreign nation
Showing the home of the one this was written for
My apartment looks upside down from there
Water spirals the wrong way out the sink
And her voice is a backwards record
It's like a whirlpool and it never ends

Ana Ng and I are getting old
And we still haven't walked in the glow of each other's majestic presence
Listen Ana hear my words
They're the ones you would think I would say if there was a me for you

All alone at the '64 World's Fair
Eighty dolls yelling "Small girl after all"
Who was at the Dupont Pavilion?
Why was the bench still warm? Who had been there?
Or the time when the storm tangled up the wire
To the horn on the pole at the bus depot
And in back of the edge of hearing
These are the words that the voice was repeating:

Ana Ng and I are getting old
And we still haven't walked in the glow of each other's majestic presence
Listen Ana hear my words
They're the ones you would think I would say if there was a me for you

When I was driving once I saw this painted on a bridge:
"I don't want the world, I just want your half"

They don't need me here, and I know you're there (don't need me)
Where the world goes by like the humid air (world goes by)
And it sticks like a broken record
Everything sticks like a broken record
Everything sticks until it goes away (it goes home)
And the truth is, we don't know anything (don't know)

Ana Ng and I are getting old
And we still haven't walked in the glow of each other's majestic presence
Listen Ana hear my words
They're the ones you would think I would say if there was a me for you

Ana Ng and I are getting old
And we still haven't walked in the glow of each other's majestic presence
Listen Ana hear my words
They're the ones you would think I would say if there was a me for you

Ana Ng and I are getting old
And we still haven't walked in the glow of each other's majestic presence
Listen Ana hear my words
They're the ones you would think I would say if there was a me for you


Experimental Film

The color of infinity
Inside an empty glass
I'm squinting my eye
And turning off and on and on
and off the light

It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film

Yeah!
You're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's

I already know the ending
It's the part that makes your face implode
I don't know what makes your face implode
But that's the way the movie ends

And in my experimental film
Which nobody knows about but which
I'm still figuring out your face implode
At my experimental film

Yeah!
You're all gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's

The color of infinity
Inside an empty glass
It's for this experimental film
Which nobody knows about and which
I'm still figuring out what's going to go
In my experimental film

Yeah!
You're all gonna be in this experimental film
And even though I can't explain it
I already know how great it's gonna--
Yeah, you're gonna be in this experimental film
And even though I can't explain it
I already know how great it--
Even though I can't explain it
I already know how great it's...


Dead

I returned a bag of groceries
Accidently taken off the shelf
Before the expiration date
I came back as a bag of groceries
Accidently taken off the shelf
Before the date stamped on myself

Did a large procession wave their (Did a)
Torches as my head fell in the basket, (large pro-)
And was everybody dancing on the casket? (cession dance?)

Now it's over I'm dead and I haven't done anything that I want (now it's over)
Or, I'm still alive and there's nothing I want to do

I will never say the word
"Procrastinate" again; I'll never
See myself in the mirror with my eyes closed
I didn't apologize for
When I was eight and I made my younger brother
Have to be my personal slave

Did a large procession wave their (Did a)
Torches as my head fell in the basket, (large pro-)
And was everybody dancing on the casket? (cession dance?)

Now it's over I'm dead and I haven't done anything that I want (now it's over)
Or, I'm still alive and there's nothing I want to do

(So) So I won't
(Sit) sit at home
(And) anymore
(And) and you won't
(And) see my head in
(And) the window
(And) and I won't
(And) be around
(And) ever anymore
(And) and I'll be up there on the wall at the store

I returned a bag of groceries
Accidently taken off the shelf
Before the expiration date
I came back as a bag of groceries
Accidently taken off the shelf
Before the date stamped on myself

Did a large procession wave their (Did a)
Torches as my head fell in the basket, (large pro-)
And was everybody dancing on the casket? (cession dance?)

Now it's over I'm dead and I haven't done anything that I want (now it's over)
Or, I'm still alive and there's nothing I want to do

Now it's over I'm dead and I haven't done anything that I want (now it's over)
Or, I'm still alive and there's nothing I want to do


The End of the Tour

There's a girl with a crown and a scepter
Who's on WLSD
And she says that the scene isn't what it's been
And she's thinking of going home
That it's old and it's totally over now
And it's old and it's over, it's over now
And it's over, it's over, it's over now
I can see myself

At the end of the tour
When the road disappears
If there's any more people around
When the tour runs aground
And if you're still around
Then we'll meet at the end of the tour
The engagements are booked through the end of the world
So we'll meet at the end of the tour

Never to part since the day we met
Out on Interstate 91
I was bent metal you were a flaming wreck
When we kissed at the overpass
I was sailing along with the people
Driving themselves to distraction inside me
Then came a knock on the door which was odd
And the picture abruptly changed

At the end of the tour
When the road disappears
If there's any more people around
When the tour runs aground
And if you're still around
Then we'll meet at the end of the tour
The engagements are booked through the end of the world
So we'll meet at the end of the tour

This was the vehicle these were the people
You opened the door and expelled all the people
This was the vehicle these were the people
You opened the door and expelled all the people
This was the vehicle these were the people
You let them go

At the end of the tour
When the road disappears
If there's any more people around
When the tour runs aground
And if you're still around
Then we'll meet at the end of the tour
The engagements are booked through the end of the world
So we'll meet at the end of the tour
And we're never gonna tour again
No, we're never gonna tour again


Where Your Eyes Don't Go

Where your eyes don't go a filthy scarecrow waves its broomstick arms
And does a parody of each unconscious thing you do
When you turn around to look it's gone behind you
On its face it's wearing your confused expression
Where your eyes don't go

Where your eyes don't go a part of you is hovering
It's a nightmare that you'll never be discovering
You're free to come and go or talk like Kurtis Blow
But there's a pair of eyes in back of your head

Every jumbled pile of person has a thinking part that wonders
What the part that isn't thinking isn't thinking of
Should you worry when the skullhead is in front of you
Or is it worse because it's always waiting where your eyes don't go?

Where your eyes don't go a part of you is hovering
It's a nightmare that you'll never be discovering
You're free to come and go or talk like Kurtis Blow
But there's a pair of eyes in back of your head

Where your eyes don't go a filthy scarecrow waves its broomstick arms
And does a parody of each unconscious thing you do
When you turn around to look it's gone behind you
On its face it's wearing your confused expression
Where your eyes don't go


I've Got a Match

Get out of the car
Put down the phone
Take off that stupid looking hat you wear
I'm going to die if you touch me one more time
Well I guess that I'm going to die no matter what

Love people are there
The smell of love is everywhere
You think it's always sensitive and good
You think that I want to be understood
I've got a match
Your embrace and my collapse

Beat up the cat if you need someone else on the mat
I put a rock in the coffee in your coffee mug
Which one of us is the one that we can't trust?
You say that I think it's you but I don't agree with that

Love people are there
The smell of love is everywhere
You think it's always sensitive and good
You think that I want to be understood
I've got a match
Your embrace and my collapse
even when we get along
I've got a match
Your embrace and my collapse

Love people are there
The smell of love is everywhere
Why can't you be sensitive and good
Why don't you want to be understood
I've got a match
Your embrace and my collapse
I've got a match
Your embrace and my collapse
0 Replies
 
Letty
 
  1  
Reply Tue 20 Sep, 2005 08:11 pm
ah, colorbook and dj. Those R.E.M songs were just the thing I needed to get heavy lids. <smile>

I hope our European friends are back with us tomorrow. We missed Walter and McTag today.

Well, folks, I did get to watch Supernatural, and let's just hope I am not visited by night's of mare.

Hope edgar is "well" in Texas; we miss him, too.

Goodnight, my friends.

From Letty with love.
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 21 Sep, 2005 02:18 am
And once in great while there's good news........


Reuters
New York skyscrapers dim lights to save birds

Tue Sep 20, 2:06 PM ET

NEW YORK (Reuters) - The city that never sleeps will darken the lights of the famed Manhattan skyline after midnight to help save migrating birds.


New York civic leaders on Tuesday said the lights of buildings above the 40th floor will be turned off after midnight in the fall and spring migration seasons to save birds.

Since 1997, more than 4,000 migratory birds have been killed or injured from colliding into skyscrapers, bird experts said.

"New York City is this nexus of ancient migratory flyways, and the parks have become these havens for these birds, but ... the buildings with their light draw birds to them, sort of like moths to a flame," NYC Audubon Director E.J. McAdams said at a news conference.

McAdams was joined by city officials and real estate groups in promoting "Lights Out New York." One building group leader said he expected 100 percent compliance, and another said he expected around 95 percent of its members to participate.

"There's no reason why we can't do this little effort to help our environment. Just because the lights are out does not mean that energy will not be flowing in New York City 24 hours a day," Real Estate Board of New York President Steve Spinola said.

The program was modeled after others in Chicago and Toronto. For those who would lament the dimming of New York's famed skyline, New York officials said it would only occur a few months a year and save energy.

"This is recognizing that beyond architectural beauty, natural beauty is something that can't be replaced. Once these bird species go extinct they're not coming back," Parks Commissioner Adrian Benepe said.
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 21 Sep, 2005 02:38 am
H. G. Wells
From Wikipedia, the free encyclopedia.


Herbert George Wells (September 21, 1866 - August 13, 1946) was a British writer best known for his science fiction novels such as The War of the Worlds and The Time Machine.


Biography

Early life

Herbert George was the fourth and last son born at 58 The High Street, Bromley to Joseph Wells, a former domestic gardener and at the time shopkeeper and cricketer and his wife Sarah Neal, a former domestic servant and occasional housekeeper. Both parents were members of the working class, but aspired to lower-middle-classness. An inheritance allowed them to purchase a china shop, which, after they had bought it, they realized would never be a paying propostion. The stock was old and worn out, the location poor. They managed to earn a meagre income, but little of it came from the shop. Joseph sold cricket bats and balls and other equipment at the matches he played at, and received an unsteady amount of money from the matches, for in those days there were no professional cricketers, and payment for skilled bowlers and batters came from passing the hat afterwards, or from small honoraria from the clubs where matches were played.

A defining incident of young Herbert George's life is said to be an accident he had in 1874 when he was eight years old. The accident left him for a time bedridden with a broken leg. To pass the time, he started reading and soon became devoted to the other worlds and lives to which books gave him access; it also stimulated his desire to write. Later that year he entered the Commercial Academy of Thomas Morley, a Scotsman, who had founded the school in 1849, when an earlier one at which he had taught went bankrupt. The teaching was erratic, the curriculum mostly focused, Wells said later, on producing copper-plate handwriting and doing the sort of sums useful to tradesmen. Wells continued at Morley's Academy until 1880. But in 1877 another accident had affected his life. This time it had happened to his father, leaving Joseph Wells with a fractured thigh. The accident effectively put an end to Joseph's career as a cricketer, and his earnings as a shopkeeper were not enough to compensate for the loss.

No longer able to support themselves financially, they instead sought to place their boys as apprentices to various professions. At the time it was a usual method for young employees to learn their trade working under a more experienced employer. In time they should be able to practise their trade for themselves. From 1881 to 1883 Herbert George had an unhappy apprenticeship as a draper at the Southsea Drapery Emporium. His experiences were later used as inspiration for his novel Kipps, which described the life of a draper's apprentice as well as being a critique of the world's distribution of wealth.

Wells' mother and father had never got along with one another particularly well (she was a pious Protestant, he a hen-pecked freethinker), and when she went back to work as a ladies maid (at Uppark, a country house) one of the conditions of work was that she would not have space for husband or children; thereafter, she and Joseph lived separate lives, though they never divorced and neither ever developed any other liaison. Herbert George not only failed at being a draper, he failed at several other apprenticeships, and each time he would arrive at Uppark - "the bad shilling back again!" as he said - and stay there until a fresh start could be arranged for him. Fortunately for Wells, Uppark had a magnificent library in which he immersed himself.


Teacher

In 1883 his employer dismissed him, claiming to be dissatisfied with him. The young man was reportedly not displeased with this ending to his apprenticeship. Later that year, he became a teacher at Midhurst Grammar school, until he won a scholarship to the Normal School of Science (later the Royal College of Science, now part of Imperial College) in London, studying biology under T. H. Huxley. As an alumnus, he later helped to set up the Royal College of Science Association, of which he became the first president in 1909. Herbert George studied in his new school until 1887 with an allowance of 21 shillings a week thanks to his scholarship.

He soon entered the Debating Society of his school. These years mark the beginning of his interest in a possible reformation of society. At first approaching the subject through studying The Republic by Plato, he soon turned to his contemporary ideas of socialism as expressed by the recently formed Fabian Society. He was also among the founders of "The Science School Journal", a school magazine which allowed him to express his views on literature and society. The school year 1886-1887 became the last year of his studies. Having previously successfully passed his exams in both biology and physics, his lack of interest in geology resulted in his failure to pass and the loss of his scholarship.

Herbert George was left without a source of income for a while. His aunt Mary, a cousin of his father, invited him to stay with her for a while, so at least he did not face the problem of housing. During his stay with his aunt, he grew interested in her daughter, Isabel.


Marriage and liaisons

In 1891 Wells married his cousin Isabel Mary Wells, but left her in 1894 for one of his students, Amy Catherine, whom he married in 1895. He had two sons by Amy: George Philip in 1901 and Frank Richard in 1903.1

During his marriage to Amy, Wells had liaisons with a number of women, including American birth control activist Margaret Sanger.2 He had a daughter with writer Amber Reeves in 19091 and in 1914, a son, Anthony West, by novelist and feminist Rebecca West, 26 years his junior.3 In spite of Amy Catherine's knowledge of some of these affairs, she remained married to Wells until her death in 1927.1

"I was never a great amorist," Wells wrote in An Experiment in Autobiography (1934), "though I have loved several people very deeply."


Game designer

Seeking a more structured way to play war games, H.G. Wells wrote Floor Games (1911) followed by Little Wars (1913). Little Wars is recognised today as the first recreational wargame and Wells is regarded by gamers and hobbyists as "the Father of Miniature Wargaming."


Writer

Wells' first bestseller was Anticipations, published in 1901. Perhaps his most explicitly futuristic work, it bore the subtitle "An Experiment in Prophecy" when originally serialised in a magazine. The book is interesting both for its hits (trains and cars resulting in the dispersion of population from cities to suburbs; moral restrictions declining as men and women seek greater sexual freedom) and its misses ("my imagination refuses to see any sort of submarine doing anything but suffocate its crew and founder at sea"). He also visualized the elimination of all non-white people to make way for the utopian future ("And how will the New Republic treat the inferior races? ... I take it they will have to go").


His early novels, called "scientific romances", invented a number of themes now classic in science fiction in such works as The Time Machine, The Invisible Man, and The War of the Worlds (which have all been made into films) and are often thought of as being influenced by the works of Jules Verne. He also wrote other, non-fantastic novels which have received critical acclaim, including the satire on Edwardian advertising Tono-Bungay and Kipps.

Though not a science-fiction novel, radioactive decay plays a small but consequential role in Tono-Bungay. It plays a much larger role in The World Set Free (1914). This book contains what is surely his biggest prophetic "hit." Scientists of the day were well aware that the natural decay of radium releases energy at a slow rate for thousands of years. The rate of release is too slow to have practical utility, but the total amount released is huge. Wells' novel revolves around an (unspecified) invention that accelerates the process of radioactive decay, producing bombs that explode with no more than the force of ordinary high explosive?- but which "continue to explode" for days on end. "Nothing could have been more obvious to the people of the earlier twentieth century," he wrote, "than the rapidity with which war was becoming impossible... [but] they did not see it until the atomic bombs burst in their fumbling hands." Leó Szilárd acknowledged that the book inspired him to theorise the nuclear chain reaction.

Wells also wrote nonfiction. His classic two-volume work The Outline of History (1920) set a new standard and direction for popularised scholarship. Many other authors followed with 'Outlines' of their own in other subjects. Wells followed it in 1922 by a much shorter popular work, A Short History of the World. The 'Outlines' became sufficiently common for James Thurber to parody the trend in his humorous essay An Outline of Scientists.

From quite early in his career, he sought a better way to organise society, and wrote a number of Utopian novels. Usually starting with the world rushing to catastrophe, until people realise a better way of living: whether by mysterious gases from a comet causing people to behave rationally (In the Days of the Comet), or a world council of scientists taking over, as in The Shape of Things to Come (1933), which he later adapted for the 1936 Alexander Korda film, Things to Come. This depicted, all too accurately, the impending World War, with cities being destroyed by aerial bombs.


Wells contemplates the ideas of Nature vs Nurture and questions humanity in books like The Island of Dr. Moreau. Not all his scientific romances ended in a happy Utopia, as the dystopian When the Sleeper Awakes shows. The Island of Dr. Moreau is even darker. The narrator, having been trapped on an island of animals vivisected (unsuccessfully) into human beings, eventually returns to England; like Gulliver on his return from the Houyhnhnms he finds himself unable to shake off the perceptions of his fellow humans as barely civilised beasts, slowly reverting back to their animal natures.

He called his political views socialist, and with his fondness for Utopia, he was at first quite sympathetic to Lenin's attempts at reconstructing the shattered Russian economy, as his account of a visit (Russia in the Shadows 1920) shows. But he grew disillusioned at the doctrinal rigidity of the Bolsheviks, and after meeting Stalin grew convinced the whole enterprise had gone horribly wrong.4

Wells also wrote the preface for the first edition of W. N. P. Barbellion's diaries, The Journal of a Disappointed Man, published in 1919. Since Barbellion was the real author's pen-name, many reviewers believed Wells to have been the true author of the Journal; Wells always denied this, despite being full of praise for the diaries, but the rumours persisted until Barbellion's death later that year.

In 1927, Florence Deeks sued Wells for plagiarism, claiming that he had stolen much of the content of The Outline of History from a work she had submitted to Macmillan & Sons, his North American publisher, but who held onto the manuscript for eight months before rejecting it. Despite numerous similarities in phrasing and factual errors, the court found Wells not guilty.

In 1938, he published a collection of essays on the future organisation of knowledge and education, titled World Brain, including the essay The Idea of a Permanent World Encyclopaedia.

Near the end of the Second World War Allied forces discovered that the SS had compiled lists of intellectuals and politicians slated for immediate liquidation upon the invasion of England in the abandoned Operation Sea Lion. The name "H.G. Wells" appeared high on the list for the "crime" of being a socialist.

In his later years, he grew increasingly pessimistic about the prospects for humanity (mostly because of the Second World War) as the title of his last book, Mind at the End of its Tether suggests. His later books are often thought to do more preaching than storytelling or lack the energy and invention of his earlier works. One critic complained: "He sold his birthright for a pot of message".

His last words were, "I'm all right".


Legacy

In his lifetime and after his death, Wells was considered a prominent socialist thinker. In his book The Road to Serfdom, Friedrich Hayek, one of the twentieth century's most famous proponents of laissez faire capitalism, held up Wells in particular as an example of the idealist intellectuals who believed in "the most comprehensive central planning" and could "at the same time, write an ardent defence of the rights of man".6 In later years, however, Wells image has shifted and he is now thought of simply as one of the pioneers of science fiction; Newt Gingrich, former Speaker of the House and staunch Republican, praised Wells in his book To Renew America, writing "Our generation is still seeking its Jules Verne or H.G. Wells to dazzle our imaginations with hope and optimism".7
[edit]

Appearances in other contexts

H. G. Wells appears as a character in the Doctor Who serial Timelash.

He also appears as a character in the novel and motion picture Time After Time, where he chases Jack The Ripper after the latter stole his time machine and escaped to 1979 San Francisco.

He also appears as a character in multiple episodes of Lois and Clark: The New Adventures of Superman.

The novel The Time Ships, by British author Stephen Baxter, was designated by the Wells estate as an authorised sequel to The Time Machine, marking the centenary of its publication, and features characters, situations and technobabble from several of Wells' stories, as well as a representation of Wells (unnamed, and referred to as 'my friend, the Author').

http://en.wikipedia.org/wiki/H._G._Wells
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bobsmythhawk
 
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Reply Wed 21 Sep, 2005 02:47 am
Chuck Jones
From Wikipedia, the free encyclopedia.

Charles Martin "Chuck" Jones (September 21, 1912-February 22, 2002) was an American animator, cartoon artist, screenwriter, producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Brothers cartoon studio. He directed many of the classic short animated cartoons starring Bugs Bunny, Daffy Duck, the Road Runner & Wile E. Coyote, Pepe Le Pew, and the other Warners characters, including the memorable What's Opera, Doc? (1957) and Duck Amuck (1952) (both later inducted into the National Film Registry), establishing himself as an important innovator and storyteller.



Biography

Early Life

Jones was born in Spokane, Washington, and later moved with his parents and three siblings to the Los Angeles, California area. In his autobiography, Chuck Amuck, Jones credits his artistic bent to circumstances surrounding his father, who was an unsuccessful businessman in California in the 1920s. His father, Jones recounts, would start every new business venture by purchasing new stationery and new pencils with the company name on them. When the business failed, his father would turn the useless stationery and pencils over to his children. Armed with an endless supply of high-quality paper and pencils, the children drew constantly. Jones and several of his siblings went on to artistic careers. After graduating from Chouinard Art Institute, Jones held a number of low-ranking jobs in the animation industry, including washing cels at the Ub Iwerks studio and assistant animating at the Walter Lantz studio. While at Iwerks, he met a cel painter named Dorothy Webster, who would later become his wife.


Warner Bros.

Jones joined Leon Schlesinger Productions, the independent studio that produced Looney Tunes and Merrie Melodies for Warner Bros., in 1933 as an assistant animator. During the late 1930s, he worked under directors Tex Avery and Bob Clampett, becoming a director (or "supervisor", the original title for an animation director in the studio) himself in 1938 when Frank Tashlin left the studio. Jones' first cartoon was The Night Watchman, which featured a cute kitten who would later evolve into Sniffles the mouse.

Many of Jones' cartoons of the 1930s and early 1940s were lavishly animated, but audiences and fellow Termite Terrace staff members found them lacking in genuine humor. Often slow-moving and overbearing with "cuteness", Jones' early cartoons were an attempt to follow in the footsteps of Walt Disney's shorts (especially with such cartoons as Tom Thumb in Trouble and the Sniffles cartoons). Jones finally broke away from both his traditional cuteness, and traditional animation conventions as well, with the cartoon The Dover Boys in 1942. Jones credits this cartoon as the film where he "learned how to be funny." The Dover Boys is also one of the first uses of Stylized animation in American film, breaking away from the more realistic animation styles influenced by the Disney Studio. This was also the period where Jones created many of his lesser-known characters, including Charlie Dog, Hubie and Bertie, and The Three Bears. Despite their relative obscurity today, the shorts starring these characters represent some of Jones' earliest work that was strictly intended to be funny.

During the World War II years, Jones worked closely with Theodore Geisel (better known as Dr. Seuss) to create the Private Snafu series of Army educational cartoons. Private Snafu comically educated soldiers on topics like spies and laziness in a more risque way than general audiences would have been used to at the time. Jones would later collaborate with Seuss on a number of adaptations of Seuss' books to animated form, most importantly How the Grinch Stole Christmas in 1966.


Jones hit his stride in the late 1940s, and continued to make his best-regarded works through the 1950s. Jones-created characters from this period includes Claude Cat, Marc Antony and Pussyfoot, Charlie Dog, Michigan J. Frog and his three most popular creations, Pepe LePew, and the Road Runner and Wile E. Coyote. The Road Runner cartoons, in addition to the cartoons that are considered his masterpieces, Duck Amuck, One Froggy Evening, and What's Opera, Doc? are today hailed by critics as some of the best cartoons ever made.

The staff of the Jones unit was as important to the success of these cartoons as Jones himself. Key members included layout artist/background designer/co-director Maurice Noble, writer Michael Maltese, animator and co-director Abe Levitow, and animator Ken Harris.

Jones remained at Warners throughout the 1950s, except for a brief period in 1953 when Warners closed the animation studio. During this interim, Jones found employment at the Walt Disney studio, where he did four months of uncredited work on Sleeping Beauty (1959).

In the early 1960s, Jones and his wife Dorothy wrote the screenplay for the animated feature Gay Purr-ee. the finished film would feature the voices of Judy Garland, Robert Goulet and Red Buttons as cats in Paris, France. The feature was produced by UPA, and Jones moonlit to work on the film, since he had an exclusive contract with Warner Bros. UPA completed the film and made it available for distribution in 1962; it was picked up by Warner Bros, who found out Jones had violated his contract and fired him from the company.


Jones on His Own

With business partner Les Goldman, Jones started an independent animation studio, Sib Tower 12 Productions, bringing on most of his unit from Warner Bros, including Maurice Noble and Michael Maltese. In 1963, Metro-Goldwyn-Mayer contracted with Sib Tower 12 to have Jones and his staff produce new Tom and Jerry cartoons. His animated short film The Dot and the Line: A Romance in Higher Mathematics won the 1965 Oscar for Best Animated Short.

As the Tom and Jerry series wound down (it would be discontinued in 1967), Jones moved on to television. In 1966, produced and directed the TV special How the Grinch Stole Christmas, featuring the voice (and facial features) of Boris Karloff. In 1967, Sib Tower 12 was absorbed by MGM and was renamed MGM Animation Visual Arts. Jones continued to work on TV specials such as Horton Hears A Who! (1970), but his main focus during this time was the feature film The Phantom Tollbooth, which did lukewarm business when MGM released it in 1970.

In the 1970s, Jones left MGM started a new production company, Chuck Jones Productions. His most notable work during this period was three animated TV adaptations of short stories from Rudyard Kipling's The Jungle Book: Mowgli's Brothers, The White Seal and Rikki-Tikki-Tavi.


Later Years

Like many modern cartoon legends, Chuck Jones never retired: he was an active artist and cartoonist up until his last weeks. Through the 1980s and 1990s (and until 2002) Jones was painting cartoon and parody art, sold through animation galleries by his daughter's company, Linda Jones Enterprises. He was also creating new cartoons for the Internet based on his new character, "Thomas Timberwolf". Jones was not a fan of much contemporary animation, terming most of it, especially television cartoons such as those of Hanna-Barbera, "illustrated radio."

Jones' intellectualism, writing ability, and capacity for self-analysis made him an historical authority as well as a major contributor to the development of the animation genre throughout the 20th century.

On February 22, 2002, Chuck Jones passed away at the age of 89.


Influence and critical perception

Jones is considered by many to be a master of characterization and timing. His best works are noted for depicting a refinement of character to the point that a single eyebrow wiggle could be a major gag as opposed to the wild, frenetic style usually associated with cartoons, and those of Warner Bros. in particular. Like Walt Disney, Jones wanted animation to gain respect from the film and art communities, and often undertook special animation projects reflecting such, including What's Opera Doc, The Dot and the Line, and the 1944 political film Hell-Bent for Re-Election, a campaign film for Franklin D. Roosevelt that he directed for UPA.

In his later years, Jones became the most vocal alumnus of the Termite Terrace studio, frequently giving lectures, seminars, and working to educate newcomers in the animation field. Many of his principles, therefore, found their way back into the mainstream animation consciousness, and can be seen in films such as Cats Don't Dance, The Emperor's New Groove, and Lilo & Stitch.

Jones had a penchant for cuteness in his earliest days as is visible in his cartoons featuring Sniffles the Mouse. Other Warners directors, particularly Tex Avery and Robert Clampett, considered "cute" to be a four letter word. By request of producer Leon Schlesinger, Jones changed his style, and began making zanier pictures such as Waikiki Wabbit and Hare Conditioned. After Avery, Clampett, and Schlesinger left the studio, Jones gradually reincorporated elements of the slow pace, sentimentality and cuteness of his previous work with characters like Marc Anthony & Pussyfoot and the young Ralph Phillips. His versions of the characters he worked with often showcased a more infantile look than other interpretations, with larger eyes and eyelashes. This is especially apparent in his Tom and Jerry films, some of which are considered the weakest in the canon.

Jones, like the rest of his Termite Terrace associates after the departure of Schlesinger, has been criticized for using repetitive plots, most obvious in the Pepe Le Pew and Road Runner cartoons. It must be noted, however, that many of these films were originally issued to theatres years apart, and the repetitious factor was often done at the request of the producers, management, or theatre owners. Also, series like the Road Runner were set up as exercises in exploring the same situation in different ways. Jones had a set list of rules as to what could and could not occur in a Road Runner cartoon, and stated that it was not what happened that was important in the films, but how it happened.

Chuck Jones' reinvention of certain characters is also a controversial subject. He reimagined the wacky, Clampett-esque hero Daffy Duck as a greedy, sneaky antagonist with a slow-burning temper; and he relegated hapless star Porky Pig to being a sidekick or audience-aware observer of the action. Jones also created a series of films in which he used Friz Freleng's Sylvester in the context of a real cat. Like all the Warners directors, his Bugs Bunny characterization is unique to his films: Jones' Bugs never attacks unless attacked, unlike Avery's and Clampett's bombastic rabbits.

http://en.wikipedia.org/wiki/Chuck_Jones
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bobsmythhawk
 
  1  
Reply Wed 21 Sep, 2005 02:53 am
Stephen King
From Wikipedia, the free encyclopedia.



Stephen King

Stephen Edwin King (born September 21, 1947) is an American author best known for horror novels. King's books are extremely popular: among the best-selling books ever.

King's stories frequently involve an unremarkable protagonist?-middle-class families, children, and often writers?-being submerged into increasingly horrifying circumstances. He also produces more typical literary work, including the novellas The Body and Rita Hayworth and Shawshank Redemption (later adapted as the movies Stand by Me and The Shawshank Redemption, respectively), as well as The Green Mile. King evinces a thorough knowledge of the horror genre, as shown in his nonfiction book Danse Macabre, which chronicles several decades of notable works in both literature and cinema.

Biography

Stephen King was born in Portland, Maine to Donald and Ruth Pillsbury King. When Stephen was two years old, his father (born David Spansky) deserted his family and Ruth raised Stephen and his adopted older brother David by herself, sometimes under great financial strain. The family moved to Ruth's home town of Durham, Maine but also spent brief periods in Fort Wayne, Indiana and Stratford, Connecticut. King attended Durham Elementary School and then nearby Lisbon High School.

Stephen King has been writing since an early age. When in school, he wrote stories based on movies he'd seen recently and sold them to his friends. This was not popular among his teachers, and he was forced to return his profits when this was discovered.

The stories were copied using a mimeo machine that his brother David used to copy David's newspaper, "Dave's Rag", which he self-published. "Dave's Rag" was about local events, and Stephen would often contribute. At around the age of thirteen, Stephen discovered a box of his father's old books at his aunt's house, mainly horror and science fiction. He was immediately hooked on these genres.

From 1966 to 1970, King studied English at the University of Maine at Orono. There, King wrote a column, "King's Garbage Truck", in the university magazine. He also met Tabitha Spruce there and they married in 1971. King took on odd jobs to pay for his studies. One of them was at an industrial laundry, from which he drew material for the short story "The Mangler". The campus period in his life is readily evident in the second part of Hearts in Atlantis.

After finishing his university studies with a Bachelor of Arts in English and obtaining a certificate to teach high school, King took a job as an English teacher at Hampden Academy in Hampden, Maine. During this time he and his family lived in a trailer. Making ends meet was sometimes difficult, and the money that came from short stories, published mainly in men's magazines, was very useful. King also developed a drinking problem which stayed with him for over a decade.

During this period, King began a number of novels. One of them told the story of a young girl with psychic powers. Frustrated, he threw it into the trash. Later, he discovered that Tabitha had rescued it; she encouraged him to finish it as Carrie. He sent it to Doubleday and more or less forgot about it. Some time later, he received an offer to buy it with a $2,500 advance (not a large advance for a novel, even at that time). Shortly after, the value of Carrie was realized with the paperback rights being sold for $400,000. Before the book was published his mother died of uterine cancer, in February 1974.

In On Writing, King admits that at this time he was consistently drunk and that he was an alcoholic for well over a decade. He states that he'd based the alcoholic father in The Shining on himself, though he didn't admit that for several years.

Shortly after the publication of The Tommyknockers, King's family and friends finally intervened, dumping his trash on the rug in front of him to show him the evidence of his own addictions: beer cans, cigarette butts, grams of cocaine, Xanax, Valium, NyQuil. He sought help, and quit all forms of drugs and alcohol in the late 1980s.

King fans will note that the relative wealth of King's characters has risen through the decades, but not as precipitously as King's wealth itself: his earliest works (Carrie, The Shining, as well as much of the work in Night Shift) dealt with working-class families struggling from paycheck to paycheck in minimum-wage jobs; his late-80s work involved middle-class people like teachers and authors; his late 90s work sometimes dealt with airplane pilots, writers and others who can frequently afford a second home. All throughout, his work has remained immensely popular.

Car accident
Spoiler warning: Plot or ending details follow.

In the summer of 1999, King was in the middle of On Writing: A Memoir of the Craft; he'd finished the memoir section and had abandoned the book for nearly eighteen months, unsure of how to proceed or whether to bother. King reports that it was the first book that he'd abandoned since writing The Stand decades earlier. He had just decided to continue the book. On June 17, he had written up a list of questions that he was frequently asked about writing, as well as some that he wished he would be asked about it; on June 18, he had written four pages of the section on writing. On June 19, he was taking a walk after driving his son to the airport, intending to return home to go see The General's Daughter with his family. As he walked up a hill, a Dodge van crested the top on the shoulder of the road and hit him, throwing him about 14 feet (4.2 m) in the air. Bryan Smith was the driver of the van. King barely missed the driver's side support post in the van and also barely missed a spread of rocks on the ground near where he landed, either of which would likely have killed him or put him in a permanent coma. Unable to get up, King was rushed to a local hospital, which reported that they could not treat him. He was then flown to another hospital; in the helicopter he suffered a collapsed lung. In addition to the collapsed lung, King suffered a leg broken in at least nine places, a split knee, a broken right hip, four broken ribs, and a spine chipped in eight places. Coincidentally, that same year King had written most of From a Buick 8, in which one of the characters dies in an automobile accident, but King says that he "tried not to make too much of it."

King was released from the hospital after three weeks, then went through half a dozen surgeries on his leg and the accompanying physical therapy. In July 1999, he continued On Writing, though his hip was still shattered and he could sit for barely forty minutes at a stretch before the pain became intolerable. Over time his condition improved. It was reported that Mr. King forgave the driver and actually purchased the van in question for $1,500 (and later had it crushed and disposed to avoid its reappearance on eBay).

The accident, and subsequent hospitilization served as an inspiration for the pilot episode of King's ABC mini-series-turned-full-series, Kingdom Hospital.

King has appeared in his Dark Tower series. King incorporated his accident into the final novel, in which the hero Roland Deschain and his friends try to stop King from being fatally injured by the van. In the story, Roland hypnotized both King and the driver in order to make them forget his appearence.


Writing style

In King's nonfiction book, On Writing: A Memoir of the Craft, King discusses his writing style at great length and depth. King believes that, generally speaking, good stories cannot be called consciously and should not be plotted out beforehand but are better served by focusing on a single "seed" of a story and letting the story grow itself from there. King often begins a story with no idea how the story will end. He mentions in the Dark Tower series that half way through its lengthy writing period, nearly 30 years, King received a letter from a woman with cancer who asked how the book would end as she would unlikely live long enough to hear it. He stated that he didn't know. King believes strongly in this style, stating that all of his better books came from freewriting.

He is known for his great detail to continuity and inside references; many stories that may seem unrelated are often linked by secondary characters, fictional towns, or off-hand references to events in previous books. Taken as a whole, King's work (which he claims is centered around his "Dark Tower" magnum opus) creates a remarkable history that stretches from present day all the way back to the beginning of time (with a unique creation myth).

King's books are also filled with references to American history and American culture, particularly the darker, more fearful side of these. These references are generally spun into the stories of characters, often explaining their fears. Recurrent references include crime, war (especially the Vietnam War), and racism.

King is also known for his folksy, informal narration, often referring to his fans as "Constant Readers" or "friends and neighbors." He uses this style to contrast with the often gory or scary content of many of his stories.

King has a very simple formula for learning to write well: Read four hours a day and write four hours a day. If you cannot find the time for that, he says, you cannot expect to become a good writer.

King also has a simple definition for talent in writing: "If you wrote something for which someone sent you a check, if you cashed the check and it didn't bounce, and if you then paid the light bill with the money, I consider you talented" (from "Everything You Need to Know About Writing Successfully - in Ten Minutes").

Shortly after his accident, King wrote the first draft of the book "Dreamcatcher" with a notebook and a Waterman fountain pen, "the world's finest word processor". However, he normally uses an Apple PowerBook computer.


King's recent years

In 1994, King won an O. Henry Award for his short story, "The Man in the Black Suit", and in 2003 King was honored with the Lifetime Achievement Award by the National Book Awards. There was an uproar in the literary community with King being the choice.

"He is a man who writes what used to be called penny dreadfuls. That they could believe that there is any literary value there or any aesthetic accomplishment or signs of an inventive human intelligence is simply a testimony to their own idiocy." -Harold Bloom, a Yale professor.

Others in the writing community expressed their contempt for the literary elite's attitude. Orson Scott Card wrote "Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder (former CEO of Simon & Schuster) really means is that it is not the literature preferred by the academic-literary elite."


Stephen King has also written six books under the pseudonym Richard Bachman. King staged a mock funeral for Bachman after the pseudonym was made public, which in turn inspired the book The Dark Half, in which a novelist stages the burial of his horror author pseudonym after having a "serious" novel published, only to find that his alter ego does not want to leave quite so easily.

King also wrote one short story under the name John Swithen - "The Fifth Quarter".

King used to play guitar in the band Rock Bottom Remainders but has not joined them on stage for some years. The band's members include: Dave Barry; Ridley Pearson; Scott Turow; Amy Tan; James McBride; Mitch Albom; Roy Blount Jr.; Matt Groening; Kathi Kamen Goldmark; and Greg Iles.

King is also a lifelong fan of the Boston Red Sox, and is frequently found at both home and away baseball games. In 1999 he wrote the book "The Girl Who Loved Tom Gordon", which involved former Red Sox team member Tom Gordon as a major character. He recently co-wrote a book with Stewart O'Nan chronicling their roller coaster reaction to the Red Sox's 2004 season, culminating in their winning the 2004 American League Championship Series and World Series. It is titled Faithful.

Since 2003 King has provided his take on pop culture in a column appearing on the back page of Entertainment Weekly, usually every third week.


Family

Stephen King lives in Bangor, Maine with his wife Tabitha King, who is also a novelist. They also own a house in the Western Lakes District of Maine. He spends winter seasons in an oceanfront mansion located off the Gulf of Mexico in Nokomis, Florida. Their three children, Naomi Rachel, Joe Hill (who appeared in the film Creepshow), and Owen Phillip (now engaged), are grown and living on their own. Owen's first collection of stories, We're All in This Together: A Novella and Stories was published in 2005. The Kings are now grandparents.

Naomi shared a "ceremony of union" with her partner and theology professor, Thandeka, at a Unitarian Universalist Assembly in 2000 in Tennessee.


Other Writers

Due to their immense popularity, King is often compared to Dean Koontz, and some fans often state their wishes for them to jointly write a book.

Both writers have declared the impossibility of this, and it primarily had to do with King's habit of making life miserable for his characters, and Koontz's habit of always creating a vague but happy ending.

King has written two connected novels with acclaimed horror novelist Peter Straub, The Talisman and Black House. King has indicated he and Straub will likely write the third and concluding book in this series, the tale of Jack Sawyer, but has set no timeline for its completion.

King also wrote the non-fiction book, Faithful with novelist, and fellow Red Sox fanatic, Stewart O'Nan.


Popular Culture

King has been portrayed twice on the television show Family Guy. In one episode, the character of Brian runs over a person with a truck. Brian stops and says, "Oh, my God! Are you Stephen King?" to which the man replies, "No, I'm Dean Koontz." Brian gets back into his truck and drives backwards, running over Koontz again.

In the second portrayal, King's editor is shown asking King for a summary for his 304th novel. King invents a story on the spot about a couple who are attacked by a lamp monster, then grabs the lamp from the editor's desk and waves it around making strange noises. The editor sighs, "You're not even trying anymore, are you?" and then says, "When can I have it?"

King has also been portrayed in The Simpsons. In the episode "Insane Clown Poppy", at a book fair, Marge asks King if he has been writing any new science fiction. King says no: "I'm working on a biography of Benjamin Franklin. He's a fascinating man. He discovered electricity, and used it to torture small animals and green mountain men. And that key he tied to the end of a kite? It opened the gates of Hell!" Marge asks him to contact her when he gets back to horror, and he writes a note to himself: "Call Marge, re: horror."

http://en.wikipedia.org/wiki/Stephen_King
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bobsmythhawk
 
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Reply Wed 21 Sep, 2005 03:02 am
Faith Hill
From Wikipedia, the free encyclopedia.


Audrey Faith Perry, later known as Faith Hill (born September 21, 1967 in Jackson, Mississippi), is an American country singer, known for her commercial success as well as her much-publicized marriage to country singer Tim McGraw.
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Early life

Hill was raised in Star, Mississippi and began singing at a very early age. After graduating high school, Hill went to college briefly before dropping out and moving to Nashville in an attempt at starting a singing career.

Faith is adopted and met her biological mother in the early 1990s. She was married to a music executive named Dan Hill from 1988 to 1994. Working as a secretary in a music publishing company, Hill's singing was noticed as she sang to herself one day. She soon signed to Warner Brothers Records.


Country success

Hill's debut album was Take Me As I Am (1993); sales were strong, buoyed by the chart success of "Wild One". a version of Janis Joplin's "Piece of My Heart", also went to the top of the country charts. She was delayed in the recording of her second album by surgery on her vocal cords. It Matters to Me finally appeared in 1995 and was another success, with the title track becoming her fourth #1 country single.

Hill began seeing country singer Tim McGraw. When he proposed marriage to her in one of his tour trailers, he had to go perform right then, so she took a permanent marker and wrote her answer on the mirror. Hill began touring with McGraw and married him on October 6, 1996. The couple has three children together: Gracie Katherine, Maggie Elizabeth and Audrey Caroline.

Pop crossover

Hill's 1998 album, Faith, moved her closer towards a mainstream, pop-oriented sound, which lost her many of her longtime fans. "This Kiss" became a #1 country hit, and went to #7 on the pop charts.

Hill's fame grew rapidly as she signed an endorsement deal with CoverGirl makeup and released Breathe, an even more successful pop hit that became one of the biggest albums of 2000. The title track "Breathe" was the #1 pop airplay song that year and has become Hill's signature song; especially notable is the power and control she shows in her lower register during the song. "The Way You Love Me" hit the top ten as well. The album won Hill three Grammy Awards including Best Country Album.

By the holidays she had contributed "Where Are You Christmas?" to the movie How the Grinch Stole Christmas and the following summer she recorded the Diane Warren penned "There You'll Be" for the Pearl Harbor soundtrack.

In 2002, Hill released Cry. Though the album debuted at #1 on Billboard magazine's pop and country album charts, its singles (including the title track, written and originally performed by Angie Aparo) received much less radio airplay than her previous smashes. In fact, country radio pretty much ignored the songs, considering them "too pop". The album did win one Grammy Award.

In the summer of 2004, Faith Hill co-starred with Nicole Kidman and Matthew Broderick in director Frank Oz's remake of the 1975 thriller The Stepford Wives.

She references this sojourn in Hollywood as well as the chilly reception of Cry in the 2005 country release "Mississippi Girl", the first single from her back-to-roots album Fireflies. It worked, as the song restored her to the top of the country charts. She performed this song along with "Breathe" and "Piece of My Heart" at the Live 8 concert in Rome on July 2, 2005, where McGraw also performed.

http://en.wikipedia.org/wiki/Faith_Hill


FAITH HILL
"Wild One"

They said change your clothes
She said no I won't
They said comb your hair
She said some kids don't
And her parents dreams went up in smoke

They said you can't leave
She said yes I will
They said don't see him
She said his name is Bill
She's on a roll and it's all uphill

She's a wild one
With an angel's face
She's a woman-child
In a state of grace
When she was 3 years old on her daddy's knee
He said you can be anything you want to be
She's a wild one
Runnin' free

She loves Rock and Roll
They said it's Satan's tongue
She thinks they're too old
They think she's too young
And the battle lines are clearly drawn

She's a wild one
With an angel's face
She's a woman-child
In a state of grace
When she was 3 years old on her daddy's knee
He said you can be anything you want to be
She's a wild one
Runnin' free

She has future plans and dreams at night
When they tell her life is hard she says that's alright

She's a wild one
With an angel's face
She's a woman-child
In a state of grace
When she was 3 years old on her daddy's knee
He said you can be anything you want to be
She's a wild one
Runnin' free
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