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The most common English version is as follows:

Lullaby and good night, with roses bedight
With lilies o'er spread is baby's wee bed
Lay thee down now and rest, may thy slumber be blessed
Lay thee down now and rest, may thy slumber be blessed.

Lullaby and good night, thy mother's delight
Bright angels beside my darling abide
They will guard thee at rest, thou shalt wake on my breast
They will guard thee at rest, thou shalt wake on my breast

Clarence "Gatemouth" Brown (April 18, 1924 — September 10, 2005[2]) was an American musician from Louisiana and Texas. He is best known for his work as a blues musician, but embraced other styles of music, having "spent his career fighting purism by synthesizing old blues, country, jazz, Cajun music and R&B styles"[1] His work also encompasses rock and roll, rock music, folk, electric blues, and Texas blues.[2]

He was an acclaimed multi-instrumentalist, who played an array of musical instruments such as guitar, fiddle, mandolin, viola as well as harmonica and drums. He won a Grammy Award for Best Traditional Blues Album in 1983 for his album, Alright Again![3] He is regarded as one of the most influential exponents of blues fiddle and has had enormous influence in American fiddle circles.[4]

Brown's two biggest musical influences were Louis Jordan and T-Bone Walker.[

Murray Perahia KBE (born April 19, 1947) is an American concert pianist and conductor.

Murray Perahia was born in the Bronx borough of New York City to a family of Sephardi Jewish origin.[1] According to the biography on his Mozart piano sonatas CD, his first language was Judaeo-Spanish or, Ladino. The family came from Thessaloniki, Greece. His father moved to the United States in 1935.[1]

Perahia began studying the piano at age four with a teacher he says was "very limiting" because she made him play a single piece until it was perfect. He says his musical interests blossomed at age 15 for reasons he can't explain, and he began to practice seriously.[2] At 17, Perahia attended Mannes College, where he studied keyboard, conducting, and composition with his teacher and mentor Mieczysław Horszowski. During the summer, he also attended Marlboro, where he studied with musicians Rudolf Serkin, Alexander Schneider, and Pablo Casals, among others. He played duets for piano four hands with Serkin, who later made Perahia his assistant at the Curtis Institute in Philadelphia, a position he held for over a year.