TCM just finished showing the 1934 production of The Merry Widow with Maurice Chevalier and Jeannette MacDonald. It was shot in both English and French. There are no known copies of the French version extant. It had been so long since I'd seen it that I was afraid it may have lost it's charm. It hadn't.
From the film:
Maurice Chevalier - Girls, Girls, Girls! Song Lyrics
Refrain 1
Though our country will never make war
We've a reason that's worth marching for
Not for battle our banner unfurls
But for girls, girls, girls, girls, girls.
When we're marching we never retreat
For we're charging a foe that is sweet!
But we're caught in the swirls
Of the enemy's curls
And surrender to girls, girls, girls.
Reprise
Verse (Not heard in the film)
Ruby lips taste like claret
When they're pressing close to mine.
What a flavor!
I compare it to that oldest vintage wine.
I don't need a book of verses
Or a jug beneath the bough,
And my memory rehearses
Not a moment so sweet as now.
Refrain 2
Let us gaze in the wine while it's wet.
Let's do things that we'll live to regret.
Let me dance till the restaurant whirls
With the girls, girls, girls, girls, girls!
When there's wine and there's women and song
It is wrong not to do something wrong!
When you do something wrong,
You must do something right,
And I'm doing all right tonight.
MGM.
Released November 2, 1934.
Directed by Ernst Lubitsch.
Produced [uncredited] by Irving Thalberg and Ernst Lubitsch.
110 minutes. (Current running time: 103 or 99 minutes. See "Censorship Cuts" below)
French version: Filmed simultaneously in English and French versions. See La Veuve Joyeuse.
American TV title: The Lady Dances (to avoid confusion with the 1952 Lana Turner version).
Based on the operetta Die Lustige Witwe with music by Franz Lehar, book and lyrics by victor Leon and Leo Stein. Screenplay: Samson Raphaelson and Ernest Vajda. Contributions to script: Ernst Lubitsch and Lorenz Hart. New Lyrics: Lorenz Hart and Gus Kahn. Photographer: Oliver T. Marsh. Art Direction: Cedric Gibbons and Frederic Hope. Sets: Edwin B. Willis and Gabriel Scognamille. Editor: Frances Marsh. Assistant Directors: Joseph Newman, Joe Lefert. Costumes: Ali Hubert. Miss MacDonald's Gowns: Adrian. Sound: Douglas Shearer. Musical Adaptation: Herbert Stothart. Orchestrations: Charles Maxwell, Paul Marquardt, and Leonid Raab. Dance director: Albertina Rasch. MacDonald's Waltz Instructor: Bob Spencer.
Lehar's operetta premiered in Vienna on December 30, 1905. It opened in New York on October 21, 1907 at the New Amsterdam Theatre, produced by Henry W. Savage and starring Ethel Jackson and Donald Brian.
More on The Merry Widow operetta
The Merry Widow was filmed four times in the United States. In 1912 there was a one-reel version starring Wallace Reid and Alma Rubens for Reliance Majestic. The famed Erich von Stroheim silent in 1925 starred Mae Murray and John Gilbert. Both these two versions and the 1934 MGM film were photographed by the very talented Oliver T. Marsh, brother of the great silent actress Mae Marsh. MGM remade The Merry Widow in 1952 in Technicolor, with Fernando Lamas as Danilo and Lana Turner as a nonsinging widow from America. Joseph Pasternak produced and Curtis Bernhardt directed. Una Merkel, who had played the queen in the 1934 version, appeared as Miss Turner's companion.
The trailer for the 1934 film version is a visual and historical delight. It contains footage of Franz Lehar himself wielding a baton and begins with an entrancing shot of Danilo and Sonia waltzing atop a spinning earth against a star-studded sky. In a companion promotional short, Happy Days Are Here Again, Franz Lehar addresses American audiences in English: "I greet you on the thirtieth anniversary of my Merry Widow!"
http://www.dandugan.com/maytime/f-merryw.html