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WA2K Radio is now on the air

 
 
Letty
 
  1  
Reply Thu 3 Jan, 2008 07:31 pm
edgar, Love that one, buddy, and I know it. Thanks for the crazy dream, Texas. Big smile.

Ah, honu, What memories that one brings back. Thanks, M.D. and always great to have you with us.

I tried and tried to find the proper lyrics to Cannonball Adderly songs, with no luck, but I bet some clever searcher can come up with them. I was reminded of this great jazz musician, when hbg reminded me of the monkey. Razz

This one is called "Jive Samba",

http://www.youtube.com/watch?v=H6Qxf5D251M&NR=1
0 Replies
 
yitwail
 
  1  
Reply Thu 3 Jan, 2008 08:32 pm
meanwhile, here's the sort of corny tune i can't resist Razz

When you're smiling
When you're smiling
The whole world smiles with you

When you're laughing
Oh, when you're laughing
The sun comes shining through

But when you're crying
You bring on the rain
So stop your sighing
Be happy again
Keep on smiling
'cause when you're smiling
The whole world smiles with you

But when you're crying
You bring on the rain
So stop your sighing
Be happy again
Keep on smiling
'cause when you're smiling
The whole world smiles with you
0 Replies
 
Letty
 
  1  
Reply Thu 3 Jan, 2008 08:39 pm
ah, M.D. I know. Often things seem so trite until you need something to cheer you up, and that one will do fine, big island man.

Time for me to say goodnight. I love this one by K.D. Lang, folks.

Deep in a Dream Lyrics

I dim all the lights
And I sink in my chair
The smoke from my cigarette
Climbs through the air
The walls in my room
Fade away in a gloom
And I'm deep in a dream of you

Smoke makes a stairway
For you to descend
You come to my arms
May this bliss never end
We'll love and move
Just like we used to do
And I'm deep in a dream of you

And from the ceiling
Sweet music comes stealing
We glide through a lover's refrain
You're so appealing
And I'm soon revealing
My love for you over again

A cigarette burns me I wake with a start
My hand doesn't hurt but there's pain in my heart
Awake or asleep every memory I'll keep
Deep in a dream of you.

Goodnight, all.

From Letty with love
0 Replies
 
hebba
 
  1  
Reply Fri 4 Jan, 2008 04:59 am
Thanks for the youtube clip, Letty. Haven´t seen it yet though as this piece of junk I have at home just won´t let me.
Marcos Valle too! I´ve got lots of his albums and heard him live at a splendid gig he gave in Copenhagen. A marvelous composer, musician and singer too.
0 Replies
 
Letty
 
  1  
Reply Fri 4 Jan, 2008 05:19 am
hebba, Great to see you back, buddy. Are you speaking of Marcos Valle of Brazil 66?

Love "One Note Samba", Denmark.

(A.C. Jobim, N. Mendonca)


This is just a little samba, built upon a single note
Other notes are sure to follow but the root is still that note
Now this new note is the consequence of the one we've just been through
As I'm bound to be the unavoidable consequence of you

There's so many people who can talk and talk and talk
And just say nothing or nearly nothing
I have used up all the scale I know and at the end I've come
To nothing I mean nothing

So I come back to my first note as I must come back to you
I will pour into that one note all the love I feel for you
Any one who wants the whole show show do-re-mi-fa-so-la-ci-do
He will find himself with no show better play the note you know.

Good morning, WA2K radio folks. Razz
0 Replies
 
edgarblythe
 
  1  
Reply Fri 4 Jan, 2008 05:55 am
Chop Chop Boom
The Crew Cuts

Chop chop boom
Chop chop boom
Chop chop boom
Chop chop boom

Well now my baby's always singin' that chop chop boom
Man I can't stand it, gonna leave here soon
The confounded noise, I can't take it no more
Gonna get my hat and hit the door

Chop chop boom
Chop chop boom
I had a talk with my baby just to try and find out
Just what that choppin' noise was all about
My baby wouldn't tell me but this she said
You know it always reminds me of an achin' head

Chop chop boom
Chop chop boom
Well now when we go walkin' like two folks should
Just about the time that I am feeling good
She meets a friend she calls a Daisy Mae
They'll get together and you'll hear them say

---- Instrumental Interlude ----

Chop chop boom
Chop chop boom
Chop chop boom
It's so sad on her mind, on her mind all the time

Chop chop boom
I didn't know the lady would take my place
But that was until she met a cat named Ace
Still I didn't know she was doin' me wrong
'Til they started hummin' that song

Chop chop boom
Chop chop boom
Well now my baby's gone
And left me and I think I know why
I'll bet that cat Ace done told her a lie
Now they're goin' on just a-hummin' that tune
And I'm left here with that chop chop boom

Chop chop boom
Chop chop boom
Chop chop boom
Chop Chop
0 Replies
 
Letty
 
  1  
Reply Fri 4 Jan, 2008 06:14 am
Mornin', Texas. Well, edgar, I had to check out The Crew Cuts and came up with this background.

On most informed lists of rock & roll villains, the Crew Cuts would have to rank near the top. They weren't rock & rollers in the first place: their clean-cut harmony glee-club approach was really in the style of early and mid-'50s groups such as the Four Aces, the Four Lads, and the Four Freshmen. The Canadian quartet differed from those acts, however, in their concentration upon covers of songs originally recorded by R&B/doo wop vocal groups. Their cover of the Chords' "Sh-Boom" set the pattern, going to number one in 1954 and setting the stage for their other commercially successful pop treatments of R&B hits by the Penguins, Gene & Eunice, Otis Williams & the Charms, the Robins, the Spaniels, the Nutmegs, and others.
The Toronto foursome already had a Top Ten hit under their belts with their first major label single, "Crazy 'Bout Ya Baby," before tackling "Sh-Boom"; what's more, their first hit had been a group original, not an R&B cover. When the Crew Cuts got a hold of "Sh-Boom," they gave the song a far more standard, pop treatment than the Chords had, complete with big-band type orchestration. Although the original Chords version still became one of the first Top Ten rock & roll hits, the Crew Cuts' cover outsold it by a wide margin, finding a far easier entrance into established radio formats and mainstream audiences.

Well, it seems that today is Marisa Tomei's birthday, and although she was a great hit in My Cousin Vinny, I liked her performance in Untamed Heart with Christain Slater.

Nat Cole's Nature Boy has gotten a lot of air time from different movies, y'all, and it's worth another listen.

There was a boy
A very strange enchanted boy
They say he wandered very far, very far
Over land and sea
A little shy and sad of eye
But very wise was he

And then one day
A magic day he passed my way
And while we spoke of many things
Fools and kings
This he said to me
"the greatest thing you'll ever learn
Is just to love and be loved in return"
0 Replies
 
Raggedyaggie
 
  1  
Reply Fri 4 Jan, 2008 08:18 am
Good morning WA2K.

hmmmm.... Are you sure this is Marisa Tomei's birthday, Letty? I think we wished her a Happy B.D. on December 4. Very Happy

Some entertainment personalities celebrating a B.D. today.

Barbara Rush (actress)(80); Dyan Cannon (actress)(70); Patty Loveless (singer)(50); Julian Sands (actor)(49) and Michael Stipe (singer, R.E.M.)

http://www.cinemotions.net/data/artistes/00/0017/739/1/h200/barbara_rush_1.jpghttp://images.usatoday.com/life/_photos/2004/2004-04/05-dyancannon-inside.jpghttp://img2.timeinc.net/ew/dynamic/imgs/021209/18121__patty_l.jpg
http://www.tvguide.com/images/pgimg/julian-sands1.jpghttp://www.abc.net.au/tv/enoughrope/img/2005/ep6/stipe_01.jpg
0 Replies
 
Letty
 
  1  
Reply Fri 4 Jan, 2008 08:31 am
Oops, Raggedy. I didn't want to let go of 2007. Razz I can see, folks, that it's gonna be one of those days.

Thanks, PA, for the great montage, and I promise to watch my calendar very carefully.

Here's one from The Rapid Eye Movement guy.

(Berry/Buck/Mills/Stipe)
Sheharazade

You say you make her feel all right
She says she wants you, but not tonight

You know the girl is telling lies

You try some magic in her eye



When you not there other guys come sticking around

And when you ask her what's going on

She'll only push you around



Say you don't want to talk about it

She'll tell you stories, she can bet



You know the girl, she's telling lies

You try some magic in her eyes



(chorus)

But when you're not there other guys come sticking around

When you ask her what's going on

She'll only push you around

Put you down



You can say what you want

But she's Sheherazade

And you don't mind

And you call when she calls

You pay the price

You're bound to fall

And all the lies don't matter at all



You say you don't want to talk about it

She'll tell you stories

You can die

You know the girl is telling lies

You try some magic in her eye



(repeat chorus)



You can say what you want

She's Sheherazade
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 4 Jan, 2008 09:16 am
Sterling Holloway
From Wikipedia, the free encyclopedia

Birth name Sterling Price Holloway Jr.
Born January 4, 1905(1905-01-04)

Died November 22, 1992
aged 87

Years active 1926 to 1986

Sterling Price Holloway, Jr. (January 4, 1905 - November 22, 1992) was a character actor who appeared in over 150 films and television shows, as well as a perennial voice actor for the Walt Disney Studios.




Biography

Early Life

Holloway was named after Confederate General Sterling "Pap" Price. He was born in Cedartown, Georgia in 1905. After attending the Georgia Military Academy in College Park, he attended the American Academy of Dramatic Arts in New York. Holloway made his way through the Theater Guild to appear in the first joint venture of Richard Rodgers and Lorenz Hart, Garrick Gaieties, a series of revues in the 1920s. With his light tenor voice, young Holloway made a foray into a professional singing career. He introduced the Rodgers and Hart standard "I'll Take Manhattan" in 1925, and in the 1926 edition of Garrick Gaities where he introduced their "Mountain Greenery" ("... where God paints the scenery").


Career

In 1926, Holloway moved to Hollywood to begin a movie career that was to last for almost fifty years. Though he was one of the busiest character actors in the movies (and an excellent athletic dancer), he soon found his niche as a voice actor. Holloway served in World War II as a member of the Army's Special Services unit. He produced a show for servicemen and toured with it near the front lines in North Africa and Italy.

In 1941, Holloway's unique voice was heard in his first Walt Disney animated film, Dumbo, where he was the voice of "Mr. Stork." He was the voice of the adult "Flower" in Bambi, the narrator of the Antarctic penguin sequence in The Three Caballeros, and the narrator in the Peter and the Wolf sequence of Make Mine Music. He also voiced Kaa in The Jungle Book, Roquefort the mouse in The Aristocats, and the Cheshire cat in Alice in Wonderland. His greatest fame was achieved as the voice of the title character in Disney's Winnie-the-Pooh featurettes, a role that he voiced until his retirement in 1979. Disney honored him as an official Disney legend in 1991. Holloway also voiced the original Cheerios Honey-Nut Bee. His last voice acting credit was as the Narrator in the Moonlighting episode Atomic Shakespeare.


Death

Holloway died in 1992 from a cardiac arrest at age 87.


Radio

He also brought his distinctive voice to radio, where he was heard on such shows as The Railroad Hour, The United States Steel Hour, Suspense and Lux Radio Theater.


Television

Sterling Holloway had a long career as a character actor in live-action films as well, with his memorably comic face, tousled sandy hair and squeaky voice. On TV, he had a recurring role as the lovable Uncle Oscar, an eccentric inventor in the Adventures of Superman series, and also had a recurring role on The Life of Riley. He guest-starred in such TV shows as Circus Boy as a hot air balloonist,The Untouchables, Hazel, The Twilight Zone, Gilligan's Island, The Andy Griffith Show, F-Troop, and Moonlighting (his final appearance on film, narrating a Shakespeare-themed episode). Holloway took on the unlikely role of a Mafia hitman in his last film Thunder and Lightning (1977).

In later years Holloway amassed a major collection of modern art, and was an occasional lecturer on the subject.
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 4 Jan, 2008 09:18 am
Barbara Rush
From Wikipedia, the free encyclopedia

Born January 4, 1927 (1927-01-04) (age 81)
Denver, Colorado, U.S.

Occupation Actress
Spouse(s) Jim Gruzalski (1971-1975)
Warren Cowan (1959-1970) 1 Child
Jeffrey Hunter (1950-1955) 1 Child

Barbara Rush (born January 4, 1927 in Denver, Colorado) is an American stage, film, and television actress.

A student at the University of California, Barbara Rush performed on stage at the Pasadena Playhouse before signing with Paramount Pictures. She made her screen debut in the 1951 movie The Goldbergs and went on to star opposite the likes of James Mason, Marlon Brando, Paul Newman, Richard Burton, and Kirk Douglas. In 1954 she won the Golden Globe Award for "Most Promising Newcomer - Female" for her performance in It Came from Outer Space.

Barbara Rush married actor Jeffrey Hunter in 1950 with whom she had a son, Christopher. They divorced in 1955 and in 1959 she married publicist Warren Cowan. Their daughter, Claudia Cowan, is a journalist with Fox News television channel.

Ms Rush began her career on stage and it has always been a part of her professional life. In 1970, she earned the Sarah Siddons Award for dramatic achievement in Chicago theatre for her leading role in Forty Carats and brought her one-woman play A Woman of Independent Means to Broadway in 1984. She began working on television in the 1950s and during the 1970s became a regular performer in made for TV movies, miniseries, and a variety of other shows including Peyton Place and the soap opera, All My Children. She also portrayed the devious Nora Clavicle in the TV series Batman. She was a regular cast member on the early 1980s soap opera Flamingo Road as Eudora Weldon. Frequently described as the epitome of class, Ms Rush continues to make guest appearances on television as recent as 2005 in the recurring role of Ruth Camden on the series, 7th Heaven.
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 4 Jan, 2008 09:20 am
Dyan Cannon
From Wikipedia, the free encyclopedia

Birth name Samile Diane Friesen
Born January 4, 1937 (1937-01-04) (age 71)
Tacoma, Washington
Spouse(s) Cary Grant (1965-1968)
Stanley Fimberg (1985-1991)
Children Jennifer Grant (b.1966)
Official site http://www.dyancannon.com/
[show]Awards
Golden Globe Awards
Best Supporting Actress - Motion Picture
1979 Heaven Can Wait

Dyan Cannon (born Samille Diane Friesen on January 4, 1937) is a three-time Academy Award-nominated American film and television actress, director, screenwriter, editor, and producer.





Biography

Early life

Cannon was born in Tacoma, Washington, to a Baptist father and a Jewish mother, Claire Portnoy, who had immigrated from Russia.[1]She attended West Seattle High School.


Career

Cannon received two Oscar nominations for Best Supporting Actress, one for Bob & Carol & Ted & Alice (1969) and another for Heaven Can Wait (1978). In addition, she became the first Oscar-nominated actress to be nominated in the Best Short Film, Live Action Category for Number One (1976), a project which Cannon produced, directed, wrote and edited. It was a story about adolescent sexual curiosity. Her most recent work has been as a semi-regular on the cult series Ally McBeal and the short-lived sitcom Three Sisters (2001-2002). In 2005 she appeared in Boynton Beach Club, a movie about aging Floridians who have just lost their spouses.


Personal life

On July 22, 1965, she married Cary Grant, becoming his fourth wife. They had one daughter, Jennifer (born February 26, 1966).[citation needed] They separated within 18 months, with Cannon claiming that Grant spanked her for disobeying him. The divorce, finalized on March 21, 1968, but the custody disputes over their daughter went on for years.[citation needed]

Cannon can often be seen sitting courtside at Los Angeles Lakers games, as she has been a fan of the team for decades. She has become a born-again Christian, although she still considers herself to be of Jewish descent.[1]
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 4 Jan, 2008 09:23 am
Patty Loveless
From Wikipedia, the free encyclopedia



Background information

Birth name Patty Lee Ramey
Born January 4, 1957 (1957-01-04) (age 51)
Origin Pikeville, Kentucky, United States
Genre(s) Country music
Occupation(s) Singer
Years active 1973-present
Label(s) MCA Nashville (1985-1992)
Epic Records/Sony Music (1993-2006)
Independent (2006-present)
Associated
acts The Wilburn Brothers
Website www.pattyloveless.com

Patty Loveless (born Patty Lee Ramey on January 4, 1957 in Pikeville, Kentucky, raised in Elkhorn City, Kentucky and Louisville, Kentucky) is an American country music singer. Loveless rose to stardom thanks to her mix of honky tonk and emotive country ballads. She is a distant cousin of Loretta Lynn and Crystal Gayle.




Early Years

Loveless' interest in music started when she was a young child. Her older sister, Dotty Ramey, was an aspiring country singer in the mid 1960s, and would perform frequently at small clubs in Eastern Kentucky, with her brother Roger Ramey, known as the "Swinging Rameys". Traveling with Dotty and Roger to Fort Knox in 1967, and hearing her sister perform on stage, Patty Ramey decided that she would like to become a performer as well.

When Dotty got married, Patty joined her brother Roger and started singing together at the Lincoln Jamboree and several clubs in Louisville Kentucky, under the name "Singin' Swingin' Rameys".

At age 14 in 1971 traveling with Roger who was a producer with The Porter Wagoner Show, she got to meet Wagoner Show star Dolly Parton (whom Loveless cites as a great influence on her career). At that meeting, Loveless performed one of her self-penned songs, "Sounds of Loneliness." Wagoner was impressed with her talent encouraged Loveless to go back home and finish school although he did invite her to travel with him and Dolly Parton on weekends during the summer.

Loveless and her brother would perform in various clubs. A local radio announcer, Danny King with a country radio station in Louisville was a supporter of the Ramey kids. Whenever there was an opportunity for Loveless to appear on stage, he would call up the Rameys and try to get them a booking.

It was during a 1973 touring Grand Ole Opry show in Louisville Gardens that Bill Anderson, Connie Smith, the Wilburn Brothers, and Jean Shepard was scheduled to appear. However Jean Shepard was caught in a flood, and she wasn't able to make it in. Danny King, sensing an opportunity, gave the Rameys a call. Loveless and her brother Roger appeared for about fifteen minutes on stage.

The Wilburn Brothers listened to Loveless and after her performance asked her if she wanted to come to Nashville and work with their band to replace their female singer. While traveling with the Wilburns, she met her future husband, Terry Lovelace, who was the drummer of the band.

After graduation from High School in Louisville, Kentucky, in 1975 Loveless chose to travel in a small band with Terry Lovelace, whom she married in 1976. (When she began performing professionally, she changed her name from Patty Lovelace to Loveless, so as not to draw any connection to porn actress Linda Lovelace [1].) For the next decade, Loveless performed in relative obscurity in North Carolina.


MCA Years (1985 - 1992)

In early 1985, Loveless' marriage to Terry Lovelace was ending and she contacted her brother Roger to help her get back to Nashville. Roger told her that he could get her a deal with a major record label. Loveless moved back to Nashville, and her brother assisted her in making a five-song demo tape, one of them being a rough cut of her self-penned song "I Did", which Loveless first wrote as a teenager, then later included on her first album.

Roger Ramey then began to spread the word around about her talent. She and her brother disagreed about including "I Did" on the demo tape. Loveless didn't believe the song was good enough, but Roger argued that it would be what got her a contract. Once the demo was finished, Roger started trying to get her a deal. It didn't take very long. He had already decided that MCA/Nashville, was his first choice of labels, being the industry leader at the time. So he went to their offices, without an appointment, hoping to be able to meet someone by chance. Tony Brown wound up being that someone. The receptionist was a friend of Roger Ramey, and she helped him get in to see him. As soon as they met, Roger told him he had the "best girl singer to ever come to Nashville". Tony Brown said he'd give Roger 30 seconds to sell him, and he quickly played the tape of Patty singing "I Did".

Brown listened to the entire five-song tape, and asked Roger to leave it with him so he could play it for some other execs and get back to him. Roger refused and told Brown that he wanted a commitment that day, and if he didn't want her on MCA, he knew another label that did.

Tony Brown agreed to sign Loveless to a short-term, singles-only recording contact. MCA released her first single, "Lonely Days, Lonely Nights" on December 7, 1985, reaching #46 on the Billboard charts.

Other singles followed in 1986, with one of those first recordings being "I Did". When released in April 1986, "I Did" gained a significant amount of airplay, much to the surprise of the executives at MCA.

At this point and with the song doing so well, Loveless was offered an album contract. This gave birth to the self-titled Patty Loveless album, being initially released on October 1, 1986 in a promotional form, with a full release in February, 1987. Several other singles, "Wicked Ways" and "After All", were released from that album, which again, did not do well on the charts but garnered sufficient airplay that Tony Brown decided to sign Loveless to a long-term recording contract.

It was her second album, If My Heart Had Windows, that got Loveless noticed in the country music world. "If My Heart Had Windows" and "A Little Bit in Love" reached the country music top 10. Also, in 1988 Loveless was invited to join the Grand Ole Opry, which put her firmly in Nashville to stay.

While at MCA in the late 1980s, Loveless released three more albums for through 1991, scoring hits with songs such as "Timber, I'm Falling In Love", "Chains", "I'm That Kind of Girl", and "Jealous Bone". She toured endlessly and performed on television frequently. Also during these years, she met and married her second husband Emory Gordy, Jr. in 1989 who co-produced her music.

Although MCA had given her stardom, there was the belief (rightly or wrongly) that the record label did not promote her albums well. At MCA she was forced to compete with Reba McEntire, Trisha Yearwood and Wynonna. Changes in her band, also replacing her brother Roger as her manager did not improve matters. Feeling that she was not a label priority, she left for Epic Records in late 1992.


Sony Nashville Years (1993 - 2006)

With the new recording contract, Loveless headed into the recording studio to record new material. However, nagging problems over the years with her vocal cords turned into emergency surgery in late 1992 to repair burst nodes on her vocal cords, put her new album on the back burner and seriously threatened her career.

On her 36th birthday, Loveless re-entered her professional life by performing at the Grand Ole Opry. She was fully recovered, and in fact many say that her voice had a richer, fuller quality to it. Going back to work in the studio, she released the album Only What I Feel in April and her #1 single "Blame It On Your Heart" which firmly put Loveless back into the spotlight. The release of Only What I Feel gave Patty two CMA nominations for Single of the Year and Video of the Year for "How Can I Help You Say Goodbye". Some critics said that this album with Epic was her personal best.

Perhaps her crowning achievement was that album's follow-up, When Fallen Angels Fly. It won the Country Music Association's Album of the Year award and gave her four Top 10 singles. She followed it up with The Trouble with the Truth in 1996 which gave her Female Vocalist of the Year awards from both the Academy of Country Music and the Country Music Association.

Although she continued to record for Epic throughout the 1990s and into the early 2000s, her commercial momentum slowed down, as neotraditionalist artists like Loveless were eclipsed on country radio by flashier, "hot-to-trot" performers like Shania Twain and Lee Ann Womack; none of the singles released from her 1997 album Long Stretch of Lonesome or 2000's Strong Heart reached the top ten. (The albums themselves continued to do well, however, with Long Stretch reaching # 9, and Strong Heart peaking at #13 on the country albums charts.)

In an effort to control her own destiny, rather than be controlled by country radio, Loveless made an abrupt move away from commercial, country/pop and made a stone-cold bluegrass album in 2001. Mountain Soul was released to numerous critical accolades and sold decently despite a lack of radio support. She used the same bluegrass approach on a Christmas album, Bluegrass & White Snow: A Mountain Christmas, in 2002. On Your Way Home, a return to more commercial oriented country, was released in 2003 to critical acclaim. Though she has not scored a top-forty country single since "On Your Way Home" reached # 29 in 2004, Loveless' albums still do well, usually charting in the country albums top forty, despite the fact that she no longer has the support of mainstream country radio.

In 2005 she released Dreamin' My Dreams. While critical reception was good, it did not fare well commercially. The album debuted and peaked at number 29 on Billboard's country album chart while no song from the album made the singles chart.

In 2006, Loveless sang on albums with Bob Seger and Solomon Burke.


Current Activities

She took all of 2006 and 2007 off of the road to spend more time at home with husband Emory Gordy, though she did a few appearances at the Grand Ole Opry. She has not yet announced if she plans to return to the road in 2008.
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 4 Jan, 2008 09:29 am
Michael Stipe
From Wikipedia, the free encyclopedia



Background information

Birth name John Michael Stipe
Born January 4, 1960 (1960-01-04) (age 48)
Decatur, Georgia, U.S.A.
Genre(s) Pop, Alternative rock
Occupation(s) Singer, Songwriter, Record producer, Movie producer, TV producer, Executive producer
Instrument(s) Vocals, Acoustic guitar, Harmonica
Years active 1980 - Current
Associated
acts R.E.M.
Single Cell
Automatic Baby

John Michael Stipe (born January 4, 1960 in Decatur, Georgia) is the lead singer of the American rock band R.E.M. Stipe has become well-known (and occasionally parodied) for the "mumbling" style of his early career and for his complex, surreal lyrics, as well as his social and political activism. Stipe and the other members of R.E.M. are known as pioneers of alternative rock and are credited with having inspired many of the acts that went on to make up the 1990s' alternative music scene including Nirvana, Pearl Jam and Radiohead.[citation needed]




Career

Stipe met Peter Buck, Bill Berry and Mike Mills in 1980 while studying photography and painting at the University of Georgia. They formed R.E.M. that year and issued their debut single, "Radio Free Europe", on Hib-Tone. The song was a college radio success and the band signed to I.R.S. Records for the release of the Chronic Town EP one year later. Beginning with 1983's Murmur, R.E.M. released a series of critically acclaimed albums with a wide variety of mainstream success. A few hit singles and growing visibility as a social activist eventually made Stipe a star and also earned him a devoted fanbase.

River Phoenix was among his friends, and 1994's Monster had the dedication "For River" in the liner notes. Nirvana's Kurt Cobain was also one of his close friends. According to Stipe, they planned a collaboration project, but did not manage to compose or record anything before Cobain's death. He is also godfather of Kurt Cobain and Courtney Love's daughter, Frances Bean Cobain.[1]

Rock legend Patti Smith has been a great source of inspiration for Stipe. Listening to her debut album Horses when he was 15 made a huge impact on him, and fuelled his creativity. Smith sings the backing vocals on "E-Bow the Letter". Stipe and the other band members are also friendly with the members of Radiohead due in part to Radiohead's stint as the opening act on R.E.M.'s 1995 tour in support of Monster. On Radiohead's 2003 tour, Stipe occasionally sang lead vocals on the song "Lucky". Likewise, Radiohead frontman Thom Yorke credits Stipe as being an integral part in his personal life as he helped him deal with depression issues in the late '90s. Specifically, the title for the Radiohead song "How to Disappear Completely" originates from advice that Stipe gave Yorke.

Stipe was once very close to fellow singer Natalie Merchant and has recorded a few songs with her, including one entitled "Photograph" which appeared on a pro-choice benefit album entitled Born to Choose and they have appeared live with Peter Gabriel singing Gabriel's single "Red Rain".

In 1998, Stipe published a collection called Two Times Intro: On the Road with Patti Smith and worked on Single Cell, a film production company which released several arthouse / indie movies (Velvet Goldmine, starring Ewan McGregor, as well as Being John Malkovich, American Movie in 1999, American Psycho in 2000 and Saved! in 2004). The company as a whole recently purchased the rights to Canadian author Douglas Coupland's All Families are Psychotic and is considering it as a film.

He wrote haiku for a book published by Soft Skull Press called The Haiku Year.

In 2006, Stipe released an EP that comprised six different cover versions of Joseph Arthur's "In The Sun" for the Hurricane Katrina disaster relief fund. One version, recorded in a collaboration with Coldplay's Chris Martin, reached number one on the Canadian Singles Chart.[1]. Also in 2006, Stipe appeared on the song "Broken Promise" on the Placebo release Meds. Continuing his non-R.E.M. work in 2006, Stipe sang the song "L'Hôtel" on the tribute album to Serge Gainsbourg entitled "Monsieur Gainsbourg Revisited" and appeared on the song "Dancing on the Lip of a Volcano" on the New York Dolls album "One Day It Will Please Us to Remember Even This".


Personal life

Rumors that Stipe might be gay, or at least bisexual, began to circulate as soon as R.E.M. became big enough to draw attention. "I felt forced to talk about my sexuality, my queerness, just because I felt like I was being looked on as a coward for not talking about it, and I abhor that," he explained in 1998.[2] "I thought it was dead obvious to everyone all along - I was wearing skirts and mascara in 1981, on-stage and in photo-shoots. All the lyrics I have written, for the most part, with a few exceptions, are really gender unspecific."

Around 1992, rumors that Stipe had contracted HIV began to spread. "I know it bothered Michael's family," Peter Buck said in 1999. "No matter how much you tell your loved ones you're not dying, it's worrying for them to read it in the paper all the time. Still, as you can see, Michael's perfectly healthy. Stronger than I am."[3]

Stipe decided not to make a statement when the rumors began to spread. "This might be really naïve, but my number one reason was - this is incredibly naïve, in retrospect - but I really felt like there are a lot of people who might respect me, for whatever reason, because of the music or just because I'm a celebrity, that think that [the AIDS story] about me might impact them in the way they handle their own private affairs, or in the way they thought about people who were HIV positive or who had AIDS. And, number two, I felt like it was a ludicrous claim and I didn't feel like sinking to kibbles-and-bits journalism to even respond to it. It was spawned from a ridiculous series of little things and I didn't feel like it was worth answering."[4]

According to Stipe, he did not start the rumor and he does not know who did. "Not that I can tell. I wore a hat that said 'White House Stop AIDS'. I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason - whether it's a hat, or the way I carry myself - as being queer-friendly."[4]

In an interview, Stipe said he likes his sexuality being indecipherable. "Yeah. I kind of like gender-*******. We've done it from the beginning. I think the songs should be heard by anybody and not necessarily have a male voice. I have written certain songs from what I consider to be a very female perspective, where the protagonist of the song was, in fact, female. 'Sweetness Follows' is the most recent and obvious example of that. To me, it's a very female song. I like ******* around with that stuff. Blurring the edges a little bit. I don't really like binary thought, no matter where it lands. And I think sexuality is a really slippery thing. I think a lot of people agree with me."

In a 2001 Time interview, Stipe described himself as a "queer artist" and revealed that he had been in a relationship with "an amazing man" for three years at that point.[5] In previous interviews he has described himself as "an equal opportunity lech"[6] and said he doesn't define himself as gay, straight, or bisexual, but that he was attracted to and had relationships with both men and women.[7]

Himself a vegetarian, in the mid 1990s Stipe opened a vegetarian restaurant and juice bar, called Guaranteed, in Athens, Georgia.[8] The restaurant was not successful and the site is now (as of 2007) an ice cream parlor. Although he is not involved in its operation Stipe owns the building housing The Grit, a much more successful vegetarian eatery well-known for attracting both local and touring musicians.
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 4 Jan, 2008 09:38 am
One summer evening during a violent thunderstorm a mother was tucking her son into bed. She was about to turn off the light when he asked with a tremor in his voice "Mommy, will you sleep with me tonight?" The mother smiled and gave him a reassuring hug. "I can't dear" she said "I have to sleep in Daddy's room." A long silence was broken at last by his shaky little voice "The big sissy."
0 Replies
 
Letty
 
  1  
Reply Fri 4 Jan, 2008 10:21 am
Thanks again, Bob, for the great bio's. We do appreciate your time and effort here on our cyber radio, Boston.

Love the funny about the little boy. I bet the kid had another thought about that remark, especially if he though of himself as a sissy.

Here's one by Patty Loveless, and it's one of those "somebody done somebody wrong songs."

There's a picture that I carry
One we made sometime ago
When they ask who's in the picture with me
I say, just someone I used to know

Just someone I used to spend some time with
Just a flame that's lost its glow
I don't tell them, how many nights I cry without you
I say, just someone I used to know

Just someone I used to run around with
Just a friend from long ago
But, I don't tell them, how lost I am without you
I say, just someone I used to know
I say, just someone I used to know
0 Replies
 
hamburger
 
  1  
Reply Fri 4 Jan, 2008 03:34 pm
here is a fine tune for ending the "work week" and starting the "weekend" .
i don't believe it has been set to music yet ... but we can try singing it anyway !
hbg

Quote:
DO NOTHING BUT EAT1

By William Shakespeare (1564-1616)

Do nothing but eat, and make good cheer, And praise God for the merry year ; When flesh is cheap and females dear, And lusty lads roam here and there, So merrily, And ever among so merrily.

Be merry, be merry, my wife has all, For women are shrews, both short and tall: 'Tis merry in hall when beards wag all, And welcome merry Shrove-tide. Be merry, be merry, etc.

A cup of wine that's brisk and fine, And drink unto the leman mine ; And a merry heart lives long-a. Fill the cup and let it come, I'll pledge you a mile to the bottom.


http://www.alljuliuscaesar.bravehost.com/img/shakespeare.jpg
0 Replies
 
Letty
 
  1  
Reply Fri 4 Jan, 2008 03:57 pm
Ah, hbg, I don't think that there is one person here that doesn't love The Bard. That one was full of good cheer, Canada.

SONNET #8

by: William Shakespeare

Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy:
Why lov'st thou that which thou receiv'st not gladly,
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tunèd sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering;
Resembling sire and child and happy mother,
Who, all in one, one pleasing note do sing;
Whose speechless song, being many, seeming one,
Sings this to thee, 'Thou single wilt prove none.

So, folks, let's brush up our Shakespeare. Razz
0 Replies
 
Letty
 
  1  
Reply Fri 4 Jan, 2008 04:02 pm
Cole Porter, y'all.


MOBSTERS:
The girls today in society
Go for classical poetry,
So to win their hearts one must quote with ease
Aeschylus and Euripides.
But the poet of them all
Who will start 'em simply ravin'
Is the poet people call
The bard of Stratford-on-Avon.

Brush up your Shakespeare,
Start quoting him now.
Brush up your Shakespeare
And the women you will wow.
Just declaim a few lines from "Othella"
And they think you're a heckuva fella.
If your blonde won't respond when you flatter 'er
Tell her what Tony told Cleopaterer,
And if still, to be shocked, she pretends well,
Just remind her that "All's Well That Ends Well."
Brush up your Shakespeare
And they'll all kowtow.

Brush up your Shakespeare,
Start quoting him now.
Brush up your Shakespeare
And the women you will wow.
If your goil is a Washington Heights dream
Treat the kid to "A Midsummer Night Dream."
If she fights when her clothes you are mussing,
What are clothes? "Much Ado About Nussing."
If she says your behavior is heinous
Kick her right in the "Coriolanus."
Brush up your Shakespeare
And they'll all kowtow,
And they'll all kowtow,
And they'll all kowtow.

Brush up your Shakespeare,
Start quoting him now.
Brush up your Shakespeare
And the women you will wow.

Brush up your Shakespeare
And they'll all kowtow,
0 Replies
 
hebba
 
  1  
Reply Fri 4 Jan, 2008 04:20 pm
Brasil 66; that was dear Sergio Mendes.
Marcos didn´t have a group as such, but is responsible for "Summer Samba" and "The Face I Love" which I believe are his most well known songs.
0 Replies
 
 

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