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bobsmythhawk
 
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Reply Tue 27 Nov, 2007 07:35 am
L. Sprague de Camp
From Wikipedia, the free encyclopedia

Pseudonym: Lyman R. Lyon
Born November 27, 1907(1907-11-27)
New York City, New York
Died November 6, 2000 (aged 92)
Plano, Texas
Occupation Novelist, short story author, essayist, historian
Genres Science fiction, Fantasy, Alternate History, Historical fiction, History
Debut works "Isolinguals"
Influenced Christopher Stasheff, Harry Turtledove, Lin Carter, David Drake
Website http://www.lspraguedecamp.com/

Lyon Sprague de Camp, (November 27, 1907 - November 6, 2000) was an American science fiction and fantasy author. In a writing career spanning fifty years he wrote over one hundred books, including both novels and notable works of nonfiction, such as biographies of other important fantasy authors.





Life


De Camp was born in New York City.

Trained as an aeronautical engineer, De Camp received a Bachelor of Science degree in Aeronautical Engineering from the California Institute of Technology in 1930 and Master of Science degree in Engineering from Stevens Institute of Technology in 1933.

He married Catherine Crook in 1940, with whom he collaborated on numerous works of fiction and nonfiction beginning in the 1960s.


During World War II, de Camp worked at the Philadelphia Naval Yard with fellow authors Isaac Asimov and Robert A. Heinlein. He rose to the rank of Lieutenant Commander in the Naval Reserve.

He was a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of Isaac Asimov's fictional group of mystery solvers the Black Widowers. De Camp himself was the model for the Geoffrey Avalon character.

He was also a member of the Swordsmen and Sorcerers' Guild of America (SAGA), a loose-knit group of Heroic Fantasy authors founded in the 1960s, some of whose works were anthologized in Lin Carter's Flashing Swords! anthologies.

The de Camps moved to Plano, Texas in 1989. De Camp died there on November 6, 2000, seven months after the death of his wife of sixty years, Catherine Crook de Camp. He died on what would have been her birthday, three weeks shy of his own 93rd birthday. His ashes were inurned with those of his wife in Arlington National Cemetery.

De Camp's personal library of about 1,200 books was acquired for auction by Half Price Books in 2005. The collection included books inscribed by fellow writers such as Isaac Asimov and Carl Sagan, as well as de Camp himself.



Works

De Camp was a materialist who wrote works examining society, history, technology and myth. He published numerous short stories, novels, non-fiction works and poems during his long career.

De Camp had the mind of an educator, and a common theme in many of his works is a corrective impulse regarding similar previous works by other authors. A highly rational and logical thinker, he was frequently disturbed by what he regarded as logical lapses and absurdities in others' writings. Thus, his response to Mark Twain's A Connecticut Yankee in King Arthur's Court was to write a similar time travel novel in which the method of time travel was rationalized and the hero's technical expertise both set at a believable level and constrained by the technological limitations of the age. In like fashion he reimagined space opera and planetary romances in his "Viagens Interplanetarias" series, and the prehistoric precursor civilizations characteristic of much heroic fantasy in his "Pusadian series." When he was not debunking literary conventions he was often explaining them, as with the early "Harold Shea" stories co-written with Fletcher Pratt, in which the magical premises behind a number of bodies of myths and legends were accepted as a given but examined and elucidated in terms of their own systems of inherent logic. De Camp's explanatory tendency also carried over into his non-fictional writings.


Science Fiction

De Camp's science fiction is marked by a concern for linguistics and historical forces. His first published story was "The Isolinguals" in the September 1937 issue of Astounding Science Fiction. His most highly regarded works in the genre are his time travel and alternate history stories, including Lest Darkness Fall (1939), "The Wheels of If" (1940), "A Gun for Dinosaur" (1956), "Aristotle and the Gun" (1958) and The Glory That Was (1960) - in the last of which the "time travel" actually turns out to be a tour de force of historical recreation.

His most extended work was his "Viagens Interplanetarias" series, set in a future where Brazil is the dominant power, particularly a subseries of sword and planet novels set on the planet Krishna beginning with The Queen of Zamba. His most influential Viagens novel was the non-Krishna work Rogue Queen, a tale of a hive society undermined by interstellar contact, which was one of the earliest science fiction novels to deal with sexual themes.

De Camp wrote a number of less-known but significant works that explored such topics as racism, which he considered to be more accurately described as ethnocentrism. He pointed out that no scholar comparing the merits of various ethnicities has ever sought to prove that his own ethnicity was inferior to others, a point that is not actually true (see, for example, the idea of the Model Minority).


Fantasy

De Camp was best known for his light fantasy, particularly the "Harold Shea" series and "Gavagan's Bar" series, both written in collaboration with his longtime friend Fletcher Pratt. The pair also wrote a number of stand-alone novels similar in tone to the Harold Shea stories, of which the most highly regarded is Land of Unreason, and de Camp produced a few more on his own.

De Camp was also known for his sword and sorcery, a fantasy genre he was instrumental in reviving through his editorial work on and continuation of Robert E. Howard's "Conan" cycle. He himself wrote three sword and sorcery sequences of note. The early "Pusadian series," composed of the novel The Tritonian Ring and several short stories, is set in an antediluvian era similar to Howard's.

More substantial is the later "Novarian series," of which the core is the Reluctant King trilogy, beginning with The Goblin Tower, de Camp's most accomplished effort in the genre. The trilogy features the adventurer Jorian, ex-king of Xylar. Jorian's world is an alternate reality to which our own serves as an afterlife. Other novels in the sequence include The Fallible Fiend, a satire told from the point of view of a demon, and The Honorable Barbarian, a follow-up to the trilogy featuring Jorian's brother as the hero.

A late third series, composed of The Incorporated Knight and The Pixilated Peeress, is set in the medieval era of another alternate world sharing the geography of our own, but in which a Neapolitan empire filled the role of Rome and no universal religion like Christianity ever arose, leaving its nations split among competing pagan sects. The setting is borrowed in part from Mandeville's Travels.


Historical fiction

De Camp also wrote historical fiction set in the era of classical antiquity from the height of the Persian Empire to the waning of the Hellenistic period, which form a loosely-connected series based on their common setting and occasional cross references. They were also linked by a common focus on the advancement of scientific knowledge, de Camp's chosen protagonists being explorers, artisans, engineers, innovators and practical philosophers rather than famous names from antiquity; these are relegated to secondary roles. The best known of his historical novels is The Dragon of the Ishtar Gate.


Nonfiction

De Camp enjoyed debunking doubtful history and pseudoscientific claims of the supernatural, and to describe how ancient civilizations produced structures and architecture thought by some to be beyond the technologies of their time, such as the Pyramids of Ancient Egypt. Works in this area include Lost Continents, Citadels of Mystery and The Ancient Engineers.

Among his many other wide-ranging non-fiction works were The Great Monkey Trial (about the Scopes Trial), The Ragged Edge of Science, Energy and Power, The Heroic Age of American Invention, The Day of the Dinosaur (which argued, among other things, that evolution took hold after Darwin because of the Victorian interest spurred by recently popularized dinosaur remains, corresponding to legends of dragons), and The Evolution of Naval Weapons (a United States of America government textbook).

The author also wrote pioneering biographies of many key fantasy writers, most as short articles, but two as full-length studies of the prominent but personally flawed authors Robert E. Howard and H. P. Lovecraft. The latter was the first major independent biography of the now-famous horror writer. De Camp's warts and all approach to his subjects has been branded by some fans, particularly those of Lovecraft, as unflattering and unbalanced.


Awards

L. Sprague de Camp was the guest of honor at the 1966 World Science Fiction Convention and won the Nebula Award as a Grandmaster (1978) and the Hugo Award in 1997 for his autobiography, Time and Chance. In 1976, he received the World Science Fiction Society's Gandalf Grand Master award. In 1995, he won the first Sidewise Award for Alternate History Lifetime Achievement Award.
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bobsmythhawk
 
  1  
Reply Tue 27 Nov, 2007 07:37 am
Buffalo Bob Smith
From Wikipedia, the free encyclopedia

Buffalo Bob Smith (born Robert Emil Schmidt November 27, 1917 in Buffalo, New York; died July 30, 1998 in Hendersonville, North Carolina), was the host of the popular children's show Howdy Doody. He attended Masten Park High School.

Buffalo Bob got his start in radio as a singer and musician, appearing on many top shows of the time before becoming nationally known for the Howdy Doody Show.

He had a summer residence in Princeton, Maine as well as owning radio station WQDY in Calais, Maine. He was well liked by locals, and occasionally MC'd local events.

After his retirement, Smith retired to North Carolina becoming a member of Pinecrest Associate Reformed Presbyterian Church (ARP) in Flat Rock, North Carolina.

He died in 1998. [1]
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 27 Nov, 2007 07:57 am
Bruce Lee
From Wikipedia, the free encyclopedia



Chinese name 李小龍 (Traditional)
Chinese name 李小龙 (Simplified)
Birth name Lee Jun-Fan (李振藩)
Born November 27, 1940(1940-11-27)
San Francisco, California
Died July 20, 1973 (aged 32)
Hong Kong
Spouse(s) Linda Emery (1964-1973)
Children Brandon Lee (1965-1993)
Shannon Lee (b.1969)
Official site Bruce Lee Foundation

Bruce Lee (traditional Chinese: 李小龍; simplified Chinese: 李小龙; Pinyin: Lǐ Xiǎolóng; Cantonese Yale: Léih Síulùhng; November 27, 1940 - July 20, 1973) was an American-born martial artist, philosopher, instructor, and martial arts actor widely regarded as the most influential martial artist of the 20th century and a cultural icon.[1] He was the father of deceased actor Brandon Lee and of actress Shannon Lee.

Lee was born in San Francisco, California and raised in Hong Kong. His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, and sparked the first major surge of interest in Chinese martial arts in the West. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong and the rest of the world as well. Lee became an iconic figure particularly to the Chinese, as he portrayed Chinese national pride and Chinese nationalism in his movies.[2] Many see Lee as a model blueprint for acquiring a strong and efficient body and the highest possible level of physical fitness, as well as developing a mastery of martial arts and hand to hand combat skills.




Early life

Jun Fan Lee was born in the hour of the dragon, between 6-8 a.m., in the Year of the Dragon according to the Chinese zodiac calendar, November 27, 1940 at the Chinese Hospital in San Francisco's Chinatown in the United States.[3] His father, Lee Hoi-Chuen (李海泉), was Chinese, and his Catholic mother, Grace (何愛瑜), was of Chinese and German ancestry.[4][5][6][7][8][9] Lee and his parents returned to Hong Kong when he was three months old. He was a citizen of the United States by birth and did not hold any other citizenships.


Education and family

At age 12, Lee entered La Salle College. Then, he attended St. Francis Xavier's College. In 1959, at the age of 18, Lee got into a fight with, and badly beat, a feared Triad gang member's son.[10]His father became concerned about young Bruce's safety, and as a result, he and his wife decided to send Bruce to the United States to live with an old friend of his father's. Lee left with $100 in his pocket and the titles of 1958 Boxing Champion and the Crown Colony Cha Cha Champion of Hong Kong.[3] After living in San Francisco, he moved to Seattle to work for Ruby Chow, another friend of his father's. In 1959, Lee completed his high school education in Seattle and received his diploma from Edison Technical School. He enrolled at the University of Washington as a drama major and took some philosophy classes.[11] It was at the University of Washington that he met his future wife Linda Emery, whom he would marry in 1964.

He had two children with Linda, Brandon Lee (1965-1993) and Shannon Lee (1969-). Brandon, who would also become an actor like his father, died in an accident during the filming of The Crow in 1993. Shannon Lee also became an actress and appeared in some low-budget films since the mid 1990s, but has since quit acting.


Names

Lee's Cantonese given name was Jun Fan (振藩; Mandarin Pinyin: Zhènfán).[12] At his birth, he additionally was given the English name of "Bruce" by a Dr. Mary Glover. Though Mrs. Lee had not initially planned on an English name for the child, she deemed it appropriate and would concur with Dr. Glover's addition.[13] However, his American name was never used within his family until he enrolled in La Salle College (a Hong Kong high school) at the age of 12,[12] and again at another high school (St. Francis Xavier's College in Kowloon), where Lee would come to represent the boxing team in inter-school events.

Lee initially had the birth name Li Yuen Kam[2](李炫金); Mandarin Pinyin: Lǐ Xuànjīn) given to him by his mother, as at the time, Lee's father was away on a Chinese opera tour. This name would later be abandoned because of a conflict with the name of Bruce's grandfather, causing him to be renamed Jun Fan upon his father's return. Also of note is that Bruce Lee was given a feminine name, Sai Fung (細鳳, literally "small phoenix"), which was used throughout his early childhood in keeping with a Chinese custom, traditionally thought to hide a child from evil spirits.

Lee's screen names were respectively Lee Siu Lung (in Cantonese), and Li Xiao Long (in Mandarin) (李小龍; Cantonese pengyam: Ley5 Siu² Long4; Mandarin Pinyin: Lǐ Xiǎolóng) which literally translate to "Lee the Little Dragon" in English. These names were first used by director 袁步雲 of the 1950 Cantonese movie 細路祥, in which Lee would perform. It is possible that the name "Lee Little Dragon" was based on his childhood name of "small dragon", as, in Chinese tradition, the dragon and phoenix come in pairs to represent the male and female genders respectively. The more likely explanation is that he came to be called "Little Dragon" because, according to the Chinese zodiac, he was born in the Year of the Dragon.


Acting career

Lee's father Hoi-Chuen was a famous Cantonese Opera star. Thus, through his father, Bruce was introduced into films at a very young age and appeared in several short black-and-white films as a child. Lee had his first role as a baby who was carried onto the stage. By the time he was 18, he had appeared in twenty films.[3]

While in the United States from 1958-1964, Lee abandoned thoughts of a film career in favor of pursuing martial arts. However, after Lee's high-profile martial arts demonstration at the 1964 Long Beach Karate Tournament, he was seen by some of the nation's most proficient martial artists--as well as the hairdresser of Batman producer William Dozier.[14] Dozier soon invited Lee for an audition, where Lee so impressed the producers with his lightning-fast moves that he earned the role of Kato alongside Van Williams in the TV series The Green Hornet. The show lasted just one season, from 1966 to 1967. Lee would also play Kato in three episodes of the series Batman, produced by the same company as The Green Hornet. This was followed by guest appearances in a host of television series, including Ironside (1967) and Here Come the Brides (1969).

In 1969, Lee made his first major film appearance in Marlowe which was based on one of Raymond Chandler's novels. In the film, Lee's henchman character is hired to intimidate private detective Philip Marlowe (played by James Garner) by smashing up his office with leaping kicks and flashing punches, only to later accidentally jump off a tall building while trying to kick Marlowe off. In 1971, Lee appeared in four episodes of the television series Longstreet as the martial arts instructor of the title character Mike Longstreet (played by James Franciscus). Bruce would later pitch a television series of his own tentatively titled The Warrior. Allegedly, Lee's concept was retooled and renamed Kung Fu, but if so, Warner Bros. gave Lee no credit. The role of the Shaolin monk in the Wild West, known to have been coveted by Bruce, was awarded to non-martial artist David Carradine, purportedly because of the studio's belief that a Chinese leading man would not be embraced by the American public.

Not happy with his supporting roles in the U.S., Lee returned to Hong Kong and was offered a film contract by legendary director Raymond Chow and his production company Golden Harvest. Lee played his first leading role in The Big Boss (1971) which proved an enormous box office success across Asia and catapulted him to stardom. He soon followed up his success with two more huge box office successes: Fist of Fury (1972) and Way of the Dragon (1972). For Way of the Dragon, he took complete control of the film's production as the writer, director, star, and choreographer of the fight scenes. In 1964, at a demonstration in Long Beach, California, Lee had met karate champion Chuck Norris. In Way of the Dragon Lee introduced Norris to moviegoers as his opponent in the final death fight at the Colosseum in Rome, today considered one of Lee's most legendary fight scenes.

In 1973, Lee starred as the lead role in Enter the Dragon (1973), his first film to be produced jointly by Golden Harvest and Warner Bros. This film would skyrocket Lee to fame in the U.S. and Europe. However, only a few months after the film's completion and three weeks before its release, the supremely fit Lee mysteriously died. Enter the Dragon would go on to become one of the year's highest grossing films and cemented Lee as a martial arts legend. It was made for US$850,000 in 1973 (equivalent to $3.74 million adjusted for inflation as if 2005).[15] To date, Enter the Dragon has grossed over $200 million worldwide.[16] The movie sparked a brief fad in the martial-arts epitomized in songs like "Kung Fu Fighting" and TV shows like Kung Fu.

Robert Clouse, the director of Enter the Dragon, attempted to finish Lee's incomplete film Game of Death which Lee was to also write and direct. Lee had shot over forty minutes of footage for Game of Death before shooting was stopped to allow him to work on Enter the Dragon. Kareem Abdul-Jabbar, a student of Bruce Lee, also appeared in the film, which culminates in Lee's character, Billy Lo (clad in the now-famous yellow track suit) taking on the 7'2" basketball player in a climactic fight scene. In a controversial move, Robert Clouse finished the film using a Bruce Lee look-alike and archive footage of Lee from his other films and released it in 1978 with a new storyline and cast. However, the cobbled-together film contained only 15 minutes of actual footage of Lee while the rest had a Lee lookalike, Tai Chung Kim, and Yuen Biao as stunt doubles. The unused footage Lee had filmed was recovered 22 years later and included in the Bruce Lee documentary Bruce Lee: A Warrior's Journey.


Challengers on the set

Bruce Lee's celebrity and martial arts prowess often put him on a collision course with a number of street thugs, stunt men and martial arts extras, all hoping to make a name for themselves. Lee typically defused such challenges without fighting, but felt forced to respond to several persistent individuals.

Bob Wall, USPK karate champion and co-star in Enter the Dragon, recalled a particularly serious encounter that transpired after a film extra kept taunting Lee. The extra yelled that Lee was "a movie star, not a martial artist," that he "wasn't much of a fighter." Lee answered his taunts by asking him to jump down from the wall he was sitting on. Bob Wall described Lee's opponent as "a gang-banger type of guy from Hong Kong," a "damned good martial artist," and observed that he was fast, strong, and bigger than Bruce. [17]

Wall recalled the confrontation in detail:

"This kid was good. He was strong and fast, and he was really trying to punch Bruce's brains in. But Bruce just methodically took him apart."[18]
"Bruce kept moving so well, this kid couldn't touch him...Then all of a sudden, Bruce got him and rammed his ass into the wall and swept him, he proceeded to drop his knee into his opponent's chest, locked his arm out straight, and nailed him in the face repeatedly."[19]
After his victory, Lee gave his opponent lessons on how to improve his fighting skills. His opponent, now impressed, would later say to Lee, "You really are a master of the martial arts."[18]


Hong Kong legacy

There are a number of legacies surrounding Bruce Lee that still exist in Hong Kong culture today. One is that his early 70s interview on the TVB show Enjoy Yourself Tonight cleared the busy streets of Hong Kong as everyone was watching the interview at home.

Another topic is that his moment of birth is often used as a modern cultural proof of the existence of the Four Pillars of Destiny concept, having been born in the year of the dragon and hour of the dragon along with other astrological alignment.


Martial arts training and development

Bruce Lee's first introduction to martial arts was through his father, Lee Hoi Cheun. He learned the fundamentals of Wu style Tai Chi Chuan from his father.[20] Lee's sifu, Wing Chun master Yip Man, was also a colleague and friend of Hong Kong's Wu style Tai Chi Chuan teacher Wu Ta-ch'i.

Lee trained in Wing Chun Gung Fu from age 13-18 under Hong Kong Wing Chun Sifu Yip Man. Lee was introduced to Yip Man in early 1954 by William Cheung, then a live-in student of Yip Man. Like most Chinese martial arts schools at that time, Sifu Yip Man's classes were often taught by the highest ranking students. One of the highest ranking students under Yip Man at the time was Wong Shun-Leung. Wong is thought to have had the largest influence on Bruce's training. Yip Man trained Lee privately after some students refused to train with Lee due to his ancestry.[21]

Bruce was also trained in Western boxing and won the 1958 Boxing Championship match against 3-time champion Gary Elms by knockout in the 3rd round. Before arriving to the finals against Elms, Lee had knocked out 3 straight boxers in the first round.[22] In addition, Bruce learned western fencing techniques from his brother Peter Lee, who was a champion fencer at the time.[23] This multi-faceted exposure to different fighting arts would later play an influence in the creation of the eclectic martial art Jeet Kune Do.


Jun Fan Gung Fu

Lee began teaching martial arts after his arrival in the United States in 1959. Originally trained in Wing Chun Gung Fu, Lee called what he taught Jun Fan Gung Fu. Jun Fan Gung Fu (literally Bruce's Gung Fu), is basically a slightly modified approach to Wing Chun Gung Fu[24]. Lee taught friends he met in Seattle, starting with Judo practitioner Jesse Glover as his first student and who later became his first assistant instructor. Before moving to California, Lee opened his first martial arts school, named the Lee Jun Fan Gung Fu Institute, in Seattle.

Lee also improvised his own kicking method, involving the directness of Wing Chun and the power of Northern Shaolin kung fu. Lee's kicks were delivered very quickly to the target, without "chambering" the leg.


Jeet Kune Do

The Jeet Kune Do Emblem. The Chinese characters around the Taijitu symbol indicate: "Using no way as way" & "Having no limitation as limitation" The arrows represent the endless interaction between yang and yin.[25]Main article: Jeet Kune Do
Jeet Kune Do originated in 1965. A match with Wong Jack Man influenced Lee's philosophy on fighting. Lee believed that the fight had lasted too long and that he had failed to live up to his potential using Wing Chun techniques. He took the view that traditional martial arts techniques were too rigid and formalistic to be practical in scenarios of chaotic street fighting. Lee decided to develop a system with an emphasis on "practicality, flexibility, speed, and efficiency". He started to use different methods of training such as weight training for strength, running for endurance, stretching for flexibility, and many others which he constantly adapted.

Lee emphasized what he called "the style of no style". This consisted of getting rid of a formalized approach which Lee claimed was indicative of traditional styles. Because Lee felt the system he now called Jun Fan Gung Fu was too restrictive, it was transformed to what he would come to describe as Jeet Kune Do or the Way of the Intercepting Fist. It is a term he would later regret because Jeet Kune Do implied specific parameters that styles connotate whereas the idea of his martial art was to exist outside of parameters and limitations.[26]

Bruce Lee certified 3 instructors. Taky Kimura, James Yimm Lee (deceased and no relation to Bruce Lee) and Dan Inosanto are the only instructors certified by Bruce Lee. Dan Inosanto holds the 3rd rank (Instructor) Directly from Bruce Lee in Jeet Kune Do, Jun Fan Gung Fu, and Bruce Lee's Tao of Chinese Gung Fu. Taky Kimura holds a 5th rank in Jun Fan Gung Fu. James Yimm Lee held a 3rd rank in Jun Fan Gung Fu. Ted Wong was never directly certified by Bruce Lee, however Dan Inosanto presented Ted with an honorary Intructorship after Bruce had died. Dan Inosanto is the only living instructor certified by Bruce Lee to teach Jeet Kune Do, as he is the only remaining instructor to be given the 3rd rank diploma. (James Yimm Lee and Taky Kimura hold ranks in Jun Fan Gung Fu, Not Jeet Kune Do; Taky received his 5th rank in Jun Fan Gung Fu after the term Jeet Kune Do existed). Also Bruce gave Dan all three diplomas on the same day, suggesting perhaps that Bruce wanted Dan to be his protege.

James Yimm Lee, a close friend of Bruce Lee, died without certifying additional students. Taky Kimura, to date, has certified one person in Jun Fan Gung Fu: his son and heir Andy Kimura. Dan Inosanto continues to teach and certify select students. Prior to his death, Lee told his then only two living instructors Inosanto and Kimura (James Yimm Lee had died in 1972) to dismantle his schools. Both Taky Kimura and Dan Inosanto were allowed to teach small classes thereafter, under the guideline "keep the numbers low, but the quality high". Bruce also instructed several World Karate Champions including Chuck Norris, Joe Lewis, and Mike Stone. Between all 3 of them, during their training with Bruce they won every Karate Championship in the United States.[27]

As a result of a lawsuit between the estate of Bruce Lee and the Inosanto Academy, the name "Jun Fan Jeet Kune Do" was legally trademarked, and the rights were given solely to the Lee estate. The name is made up of two parts: 'Jun Fan' (Bruce's given Chinese name) and 'Jeet Kune Do' (the Way of the Intercepting Fist).


Jujitsu

At 22 Bruce also met Professor Wally Jay. From Jay, Bruce would receive informal instruction in Jujitsu. The two would have long conversations about theories surrounding the martial arts and grew to be longtime friends[28].


1964 Long Beach International Karate Championships

Bruce Lee's "One inch punch"At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships[29] and performed repetitions of two-finger pushups (using the thumb and the index finger) with feet at approximately a shoulder-width apart. In the same Long Beach event he also performed the "One inch punch".[30] The description of which is as follows: Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately an inch away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though the force of gravity caused his partner to soon after fall onto the floor.

His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", he recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable."[31]


1967 Long Beach International Karate Championships


Bruce Lee also appeared at the 1967 Long Beach International Karate Championships[32] and performed various demonstrations, including the famous "unstoppable punch" with USKA world karate champion Vic Moore. Bruce would announce to Vic Moore that he was going to throw a straight punch to his face, and all he had to do was block it. He would take several steps back and ask if Moore was ready, when Moore nodded in affirmation, Lee would glide towards him until he was within striking range. He would then throw a straight punch directly at Moore's face and stop before impact. In eight attempts, Moore blocked zero punches. [33]


Official Fights


Bruce Lee was not a professional competitor, but he did set his sights upon the goal of being one of the fittest and strongest fighters of the world, and he went through life earnestly attempting to achieve this. Lee researched many arts in his life and used what he found was useful and rejected what he did not. He also made subtle changes where he could if what he found did not fit his specific requirements. He tended to favour techniques where he could best take advantage of his own attributes, be it his phenomenal speed, strength, elusiveness or power. Bruce Lee did say he could have beaten anybody in the world in a real fight. Whether he would have will never be known for sure, but the people who encountered Bruce Lee had absolute faith in Bruce Lee's ability to do what he said he could do.

James Demile a former student of Bruce and a former heavyweight boxing champ of the US Airforce has commented that, "I wouldn't have put a dime on anyone to beat Bruce Lee in a real confrontation. Bruce Lee was the best fighter I ever saw, even to this very day, and not just pound for pound - but against anyone in a real fight." [34]

Dan Inosanto said, "there's no doubt in my mind that if Bruce Lee had gone into pro boxing, he could easily have ranked in the top three in the lightweight division or junior-welterweight division." Birchland, Bob (November), ""The Truth of Boxing: A Critical Look at Bruce Lee's Hand Skills"", Black Belt Magazine: pg. 93, <http://www.blackbeltmag.com>


Lee had boxed in the 1958 Boxing Championships held between twelve Hong Kong schools, a tournament in which he beat the three-time champion from another school (an English boy). (Thomas, Bruce. Bruce Lee: Fighting Spirit. 1994, Frog, Ltd. page 27)


Physical fitness and nutrition

Physical fitness

Bruce Lee felt that many martial artists of his day did not spend enough time on physical conditioning. Bruce included all elements of total fitness--muscular strength, muscular endurance, cardiovascular endurance, and flexibility. He tried traditional bodybuilding techniques to build bulky muscles or mass. However, Lee was careful to admonish that mental and spiritual preparation was fundamental to the success of physical training in martial arts skills. In his book The Tao of Jeet Kune Do, he wrote "Training is one of the most neglected phases of athletics. Too much time is given to the development of skill and too little to the development of the individual for participation." "JKD, ultimately is not a matter of petty techniques but of highly developed spirituality and physique".[35]

The weight training program that Lee used during a stay in Hong Kong in 1965 at only 24 years old placed heavy emphasis on his arms. At that time he could perform bicep curls at a weight of 70 to 80lbs for three sets of eight repetitions, along with other forms of exercises, such as squats, push-ups, reverse curls, concentration curls, French presses, and both wrist curls and reverse wrist curls. [36] The repetitions he performed were 6 to 12 reps (at the time). While this method of training targeted his fast and slow twitch muscles, it later resulted in weight gain or muscle mass, placing Bruce a little over 160 lbs. Bruce Lee was documented as having well over 2,500 books in his own personal library, and eventually concluded that "A stronger muscle, is a bigger muscle", a conclusion he later disputed. However, Bruce forever experimented with his training routines to maximize his physical abilities. He employed many different routines and exercises including skipping, which effectively served his training and bodybuilding purposes.[37]

Lee believed that the abdominal muscles were one of the most important muscle groups for a martial artist, since virtually every movement requires some degree of abdominal work. Perhaps more importantly, the "abs" are like a shell, protecting the ribs and vital organs.

He trained from 7 a.m. to 9 a.m., including stomach, flexibility, and running, and from 11 a.m. to 12 p.m. he would weight train and cycle. A typical exercise for Lee would be to run a distance of two to six miles in 15 to 45 minutes, in which he would vary speed in 3-5 minute intervals. Lee would ride the equivalent of 10 miles in 45 minutes on a stationary bike.[38]

Lee would sometimes exercise with the jumping rope in 800 jumps after cycling. Lee would also do exercises to toughen the skin on his fists, including thrusting his hands into buckets of harsh rocks and gravel. He would do over 500 repetitions of this on a given day. [39]


Nutrition

According to Linda Lee, soon after he moved to the United States, Bruce Lee started to take nutrition seriously and developed an interest in health foods, high-protein drinks and vitamin and mineral supplements. Bruce later realized that in order to achieve a high-performance body, one could not fuel it with a diet of junk food. With the wrong fuel, the body's performance would become sluggish or sloppy. Lee also avoided baked goods, as he believed they contained empty calories. He was not interested in consuming calories which did nothing for his body. Lee's diet included protein drinks; he always tried to consume one or two daily, but discontinued drinking them later on in his life.

Linda recalls Bruce's waist fluctuated between 26 and 28 inches. "He also drank his own juice concoctions made from vegetables and fruits, apples, celery, carrots and so on, prepared in an electric blender".[citation needed] He consumed large amounts of green vegetables, fruits, and fresh milk everyday. Bruce always preferred to eat Chinese or other Asian food because he loved the variety that it had. Bruce also became a heavy advocate of dietary supplements. Some of the well known supplements he consumed included:

Vitamin C
Lecithin granules
Bee pollen
Vitamin E
Rose hips (liquid form)
Wheat germ oil
Natural protein tablets (chocolate flavour)
Acerola - C
B-Folia

Physique

Lee's devotion to fitness gave him a body that was admired even by many of the top names in bodybuilding community. Joe Weider, the founder of Mr. Olympia, described Bruce's physique as "the most defined body I've ever seen!" Many top body building competitors have indicated Bruce as a major influence on their bodybuilding careers including Flex Wheeler, Shawn Ray, Rachel McLish, Lou Ferrigno, Lee Haney, Lenda Murray and 6 time Mr. Olympia Dorian Yates.[40] Arnold Schwarznegger was also influenced by Bruce, and said of his body,

"Bruce Lee had a very--I mean a very defined physique. He had very little body fat. I mean, he probably had one of the lowest body fat counts of any athlete. And I think that's why he looked so believable."[41]
A doctor who knew Lee once claimed that he was "Muscled as a squirrel, and spirited as a horse" and fitter than anyone he had ever seen.[42]

Lee was known to have collected over 140 books in his lifetime on bodybuilding, weight training, physiology and kinesiology. In order to better train specific muscle groups, he also created several original designs of his own training equipment and had his friend George Lee build them to his specifications.[43]


Physical feats

Lee's phenomenal fitness meant he was capable of performing many exceptional physical feats.[44][45][46][47] The following list are the physical feats that are documented and supported by reliable sources.

Lee's striking speed from three feet with his hands down by his side reached "five hundredths" of a second.[48]
Lee could spring a 235lb (107kg) opponent 15 feet (4.6 metres) away with a 1 inch punch.[47]
Lee's combat movements were at times too fast to be captured on film at 24fps, so many scenes were shot in 32fps to put Lee in slow motion. Normally martial arts films are sped up.[49][50][51]
In a speed demonstration, Lee could snatch a dime off a person's open palm before they could close it, and leave a penny behind.[52]
Lee could perform push ups using only his thumbs[40][47]
Lee would hold an elevated v-sit position for 30 minutes or longer.[46]
Lee could throw grains of rice up into the air and then "catch them in mid-flight" using chopsticks.[40]
Lee performed one-hand push-ups using only the thumb and index finger[47][53][40][47]
Lee performed 50 reps of one-arm chin-ups.[54]
From a standing position, Lee could hold a 125lb (57kg) barbell straight out. [46][40]
Lee could break wooden boards 6inches (15cm) thick.[55]
Lee performed a side kick while training with James Coburn and broke a 150-lb (68kg) punching bag[46][56]
Lee could cause a 300-lb (136kg) bag to fly towards and thump the ceiling with a sidekick.[47]
In a move that has been dubbed "Dragon Flag", Lee could perform leg lifts with only his shoulder blades resting on the edge of a bench and suspend his legs and torso perfectly horizontal midair. [57]
Lee could "thrust" his fingers through unopened steel cans of Coca-Cola, at a time before cans were made of the softer aluminum metal.[58]
Lee can use one finger to leave "dramatic" indentations on pine wood.[58]

Philosophy

Although Bruce Lee is best known as a martial artist and actor, Lee majored in philosophy at the University of Washington. Lee himself was well-read and had an extensive library. His own books on martial arts and fighting philosophy are known for their philosophical assertions both inside and outside of martial arts circles. His philosophy often mirrored his fighting beliefs, though he was quick to claim that his martial arts were solely a metaphor for such teachings. His influences include Taoism, Jiddu Krishnamurti, and Buddhism.

The following quotations reflect his fighting philosophy.

"To tell the truth....I could beat anyone in the world." [citation needed]
"If I tell you I'm good, you would probably think I'm boasting. If I tell you I'm no good, you know I'm lying." [citation needed]
"Fighting is not something sought after, yet it is something that seeks you."[citation needed]
"Be formless... shapeless, like water. If you put water into a cup, it becomes the cup. You put water into a bottle; it becomes the bottle. You put it into a teapot; it becomes the teapot. Water can flow, and it can crash. Be like water, my friend..."[59]
"Use only that which works, and take it from any place you can find it."[60]
"The more relaxed the muscles are, the more energy can flow through the body. Using muscular tensions to try to 'do' the punch or attempting to use brute force to knock someone over will only work to opposite effect."[citation needed]
"Mere technical knowledge is only the beginning of Gung Fu. To master it, one must enter into the spirit of it."[citation needed]
"There are lots of guys around the world that are lazy. They have big fat guts. They talk about chi power and things they can do, but don't believe it."[citation needed]
"I'm not a master. I'm a student-master, meaning that I have the knowledge of a master and the expertise of a master, but I'm still learning. So I'm a student-master. I don't believe in the word 'master.' I consider the master as such when they close the casket."[citation needed]
"Do not deny the classical approach, simply as a reaction, or you will have created another pattern and trapped yourself there."[61]
"Jeet Kune Do: it's just a name; don't fuss over it. There's no such thing as a style if you understand the roots of combat."[citation needed]
"Unfortunately, now in boxing people are only allowed to punch. In Judo, people are only allowed to throw. I do not despise these kinds of martial arts. What I mean is, we now find rigid forms which create differences among clans, and the world of martial art is shattered as a result."[citation needed]
"I think the high state of martial art, in application, must have no absolute form. And, to tackle pattern A with pattern B may not be absolutely correct."[citation needed]
"True observation begins when one is devoid of set patterns."[citation needed]
"The other weakness is, when clans are formed, the people of a clan will hold their kind of martial art as the only truth and do not dare to reform or improve it. Thus they are confined in their own tiny little world. Their students become machines which imitate martial art forms."[citation needed]
"Some people are tall; some are short. Some are stout; some are slim. There are various different kinds of people. If all of them learn the same martial art form, then who does it fit?"[citation needed]
"Ultimately, martial art means honestly expressing yourself. It is easy for me to put on a show and be cocky so I can show you some really fancy movement. But to express oneself honestly, not lying to oneself, and to express myself honestly enough; that, my friend, is very hard to do."[citation needed]



Bruce Lee and popular culture

There are a large number of references to Bruce Lee in film, anime, manga, video games and other popular culture.

The anime character Rock Lee in Naruto is modeled after him, and was given his birthday.

Awards and honors

With his ancestral roots coming from Gwan'on in Seundak, Guangdong province of China (廣東順德均安, Guangdong Shunde Jun'An), a street in the village is named after him where his ancestral home is situated. The home is open for public access.
Bruce Lee was named TIME Magazine 's 100 Most Important People of the Century as one of the greatest heroes & icons, as an example of personal improvement through in part physical fitness, and among the most influential martial artists of the twentieth century.[1]
The 1993 film Dragon: The Bruce Lee Story claims to be a slightly fictionalized biographical film about Bruce Lee. However, few scenes are based on reality.
On March 31, 2007 Bruce Lee was named as one of History's 100 Most Influential people, according to a Japanese national survey that was televised on NTV.[62]
In 2001, LMF, a Cantonese hip-hop group in Hong Kong, released a popular song called "1127" as a tribute to Bruce Lee.
In 2003, "Things Asian" wrote an article on the thirtieth anniversary of his death.[63]
In 2004, UFC president Dana White credited Bruce Lee as the "father of mixed martial arts".[64]
In September 2004, a BBC story stated that the Herzegovinian city of Mostar was to honor Lee with a statue on the Spanish Square, as a symbol of solidarity. After many years of war and religious splits, Lee's figure is to commend his work: to successfully bridge culture gaps in the world. The statue, placed in the city park, was unveiled on November 26, 2005 (One day before the unveiling of the statue in Hong Kong, below).[65]
In 2005, Lee was remembered in Hong Kong with a bronze statue to mark his sixty-fifth birthday. The bronze statue, unveiled on November 27, 2005, honored Lee as Chinese film's bright star of the century.[66]
A Bruce Lee theme park with memorial statue and hall has been scheduled to be built in Shunde, China. It is expected to be complete in 2009.[67]
As of 2007, he is still considered by many martial artists and fans as the greatest martial artist of all time.[68]
On April 10, 2007 China's national broadcaster announced it has started filming a 40-part series on martial arts icon Bruce Lee. Xinhua News Agency said China Central Television started shooting "The Legend of Bruce Lee" over the weekend in Shunde in Guangdong province in southern China. Shunde is the ancestral home of Lee, who was born in San Francisco. It said the 50 million yuan (US$6.4 million; €4.8 million) production will also be filmed in Hong Kong and the United States, where Lee studied and launched his acting career. Chen Guokun, who plays Lee, said he has mixed feelings about playing the role of the icon, Xinhua reported. "I'm nervous and also excited, but I will do my best," Chen, who's also known as Chan Kwok-kwan, was quoted as saying. Chen, best known for appearing in the action comedy "Kung Fu Hustle," says Lee has been his role model since he was a child and that he has practiced kung fu for many years. The TV series, which is due to be aired in 2008, the year Beijing hosts the Olympic Games, appears to aimed at highlighting Chinese culture in the run up to the event.[69]

Illness and Death

Bruce Lee was doing dubbing work in Hong Kong on May 10, 1973, for Enter the Dragon at Golden Harvest studios. He collapsed in the bathroom and was rushed to Hong Kong Baptist Hospital. Doctors there that day who treated him said he almost died of cerebral edema.




Death by "misadventure"

Dr. Langford who treated Lee for his first collapse stated after his death that, "There's not a question in my mind that cannabis should have been named as the presumptive cause of death."[70] He also believed that, "Equagesic was not at all involved in Bruce's first collapse."[71] Professor R.D. Teare, who had overseen over 100,000 autopsies, was the top expert assigned to the Lee case. Dr. Teare declared that the presence of cannabis was mere coincidence, and added that it would be "irresponsible and irrational" to say that it might have triggered Lee's death. His conclusion was that the death was caused by an acute cerebral edema due to a reaction to compounds present in the prescription pain killing drug Equagesic. [72] Dr. Peter Wu's preliminary opinion was that the cause of death could have been a reaction to cannabis and Equagesic. Dr. Wu would later back off from this position however:

"Professor Teare was a forensic scientist recommended by Scotland Yard; he was brought in as an expert on cannabis and we can't contradict his testimony. The dosage of cannabis is neither precise nor predictable, but I've never known of anyone dying simply from taking it."[73]
The exact details of Lee's death are controversial. Bruce Lee's iconic status and unusual death at a young age led many people to develop many theories about his death. Such theories about his death included murder involving the Triad society[74] and a supposed curse on Lee and his family. The theory of the curse carried over to Lee's son Brandon Lee, also an actor, who died 20 years after his father in a bizarre accident while filming The Crow at the young age of 28. Like his father's last film, released after his death to gain cult status, Brandon's last film The Crow was also released after his death, completed with the use of computer-generated imagery and a stunt double in the few remaining but critical scenes that Brandon had left unfilmed at his death.


Upon the death of her husband, Linda returned to her home town of Seattle and had Bruce buried at lot 276 of Lakeview Cemetery. His son Brandon was buried beside him. Pallbearers at his funeral on July 31, 1973 included Steve McQueen, James Coburn, Chuck Norris, George Lazenby, Dan Inosanto, Taky Kimura, Peter Chin, and his brother, Robert Lee.


Kowloon City

On August 22, 2007, Fruit Chan announced that he will make a film on Bruce Lee's early years, specifically, the Chinese-language movie, Kowloon City, will be produced by John Woo's producer Terence Chang. The film will be set in 1950s Hong Kong. Chang's credits include "Made in Hong Kong," "Hollywood Hong Kong" and "Durian Durian." Also, Stanley Kwan stated that he was talking with Lee's family to make a movie about the late action movie icon. Further, in April, Chinese state media announced that its national broadcaster started filming a 40-part TV series on Bruce Lee to promote Chinese culture for the 2008 Beijing Summer Olympics.[75]
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 27 Nov, 2007 08:00 am
Eddie Rabbitt
From Wikipedia, the free encyclopedia

Birth name Edward Thomas Rabbitt
Born November 27, 1941(1941-11-27)
Origin East Orange, New Jersey
Died May 7, 1998 (aged 56)
Genre(s) Country music/Pop music
Occupation(s) singer/songwriter
Years active 1974-1998
Label(s) Elektra Records, RCA Records, Capitol Records, Warner Bros. Records, 20th Century Records, Columbia Records
Associated
acts Kenny Rogers, Crystal Gayle, Lynn Anderson, Ronnie Milsap

Eddie Rabbitt (born November 27, 1941 - May 7, 1998) was a country music singer. He enjoyed much pop success in his career, helping develop the crossover-influenced sound in country music during the 1970s and 80s. During his career, he scored 26 number-ones..[[citation needed]]





Rise to success

Rabbitt was born Edward Thomas Rabbitt in Brooklyn, New York, but he was raised in East Orange, New Jersey.[1] In the 1960s, Eddie recorded for 20th Century Records and Columbia Records. In 1968, he moved out to Nashville, where he got his first start as a songwriter. In the beginning, Roy Drusky and George Morgan cut songs he wrote. His biggest success as a songwriter came in 1970, when Elvis Presley recorded his song "Kentucky Rain". The song became one of Presley's biggest hits and marked Rabbit as one of Nashville's leading young songwriters.


The height of his career

Rabbitt signed with Elektra Records in 1974. His first single, "You Get To Me" made the Top 40 that year, and two songs in 1975, "Forgive And Forget" and "I Should Have Married You" nearly made the Top 10, but in 1976, Rabbitt got his first #1 Country hit with the song "Drinkin' My Baby (Off My Mind)". He achieved more recognition with the songs "You Don't Love Me Anymore" and "Every Which Way But Loose" (the title track from the Clint Eastwood movie of the same name).

However, his biggest hits have to be "I Love a Rainy Night" and "Drivin' My Life Away", both hits for him in 1981. These hits are also probably his best-known and signature tunes. In the 1980s, Rabbitt enjoyed further success in music. In 1982, he teamed up with another Country/Pop crossover star, Crystal Gayle, to record the duet "You and I". The duet eventually became a big crossover smash for both of them that same year.

His other #1s include "The Best Year of My Life," "The Wanderer" (a cover of the classic Dion hit), "I Wanna Dance With You," "On Second Thought," and "Both to Each Other (Friends and Lovers)" (a duet with Juice Newton). However, in the late 1980s, his success was starting to fade. His singles didn't crack the Pop Top 40 during this time.

In 1977, he was named Top New Male Vocalist by the Academy of Country Music Awards.

In 1981, he also won an American Music Award for Best Pop Male Vocalist in 1981.

Decline and death

As the 1980s came to an end, Rabbitt moved more and more away from crossover-styled music. His career declined as contemporary artists such as Garth Brooks and Clint Black rose on the country music charts. However he did continue to record and tour. In the 1990s, he recorded very little, in part because of the illness and subsequent death of his young son. After his son died, Rabbitt became active in raising money for organizations that aid sick children.

During his career, Rabbitt scored 26 #1 hits on the country charts and eight Top 40 pop hits. On May 7, 1998, Rabbitt died of lung cancer at the age of 56, and is interred in the Calvary Cemetery in Nashville, Tennessee.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 27 Nov, 2007 08:07 am
Jimi Hendrix
From Wikipedia, the free encyclopedia


Background information

Birth name Johnny Allen Hendrix
Born November 27, 1942(1942-11-27)
Seattle, Washington, USA
Died September 18, 1970 (aged 27)
London, England
Genre(s) Hard rock, blues-rock, acid rock, psychedelic rock
Occupation(s) Vocalist, guitarist, songwriter
Years active 1966 - 1970
Label(s) MCA
Reprise
Track
Polydor
Capitol
Associated
acts The Jimi Hendrix Experience
Gypsy Sun and Rainbows
Band of Gypsys
Website JimiHendrix.com
Notable instrument(s)
Fender Stratocaster
Gibson Flying V
12-string Zemaitis acoustic

Johnny Allen Hendrix (November 27, 1942 - September 18, 1970), better known as Jimi Hendrix, was an American guitarist, singer and songwriter. Hendrix is considered one of the greatest and most influential guitarists in rock music history.[1] After initial success in England, he achieved worldwide fame following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival.

Jimi Hendrix helped pioneer the technique of guitar feedback with overdriven amplifiers, incorporating into his music what was previously an undesirable sound. He built upon the innovations and influences of blues stylists such as B.B. King, Muddy Waters, Albert King, and T-Bone Walker, and derived style from rhythm and blues and soul guitarists Curtis Mayfield, Steve Cropper, and Cornell Dupree, as well as from traditional jazz. Part of Hendrix's flamboyant stage persona may have been inspired by rock pioneer Little Richard, with whom he toured as part of Richard's back-up band, "The Upsetters." Hendrix is also widely thought to be influenced by Pete Townshend of The Who, who performed in London when Hendrix started his career there in 1966. Carlos Santana has also suggested that Hendrix's music may have been influenced by his Native American heritage.[2]

Hendrix strove to combine what he called "earth", a blues, jazz, or funk driven rhythm accompaniment, with "space", the high-pitched psychedelic sounds created by his guitar improvisations. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas; he was one of the first to experiment with stereophonic and phasing effects during recording.

Hendrix was inducted into the Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. His star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut album, Are You Experienced, was inducted into the United States National Recording Preservation Board's National Recording Registry. Rolling Stone named Hendrix number 1 on their list of the 100 Greatest Guitarists of All Time in 2003.[3]





Biography

Early life


Johnny Allen Hendrix (later re-named James Marshall Hendrix) was born on November 27, 1942, in Seattle, Washington, U.S.. Hendrix's parents (James "Al" Hendrix and Lucille Jeter) divorced when he was nine years old, and in 1958 his mother died. He went to live with his Cherokee grandmother because of his unstable household. At age 15, he received his first guitar, an electric to replace the broom stick he would strum like one.[4] Learning quickly, he played in many local bands, playing as far away as Vancouver.[4] Hendrix did not graduate from high school. Hendrix later claimed that he was expelled for holding hands with his white girlfriend, but when questioned later, his principal insisted that it was due to poor grades and frequent absences.

Hendrix got into trouble with the law twice for riding in a stolen car. He was given a choice between spending two years in prison or joining the army. Hendrix chose the latter and enlisted on May 31, 1961. After completing boot camp, he was assigned to the 101st Airborne Division and stationed in Fort Campbell, Kentucky. His commanding officers considered him to be a sub-par soldier: he slept while on duty, had little regard for regulations, required constant supervision, and showed no skill as a marksman. For these reasons, his commanding officers submitted a request that Hendrix be discharged from the military after he had served only one year.[5]


Early career

After his release, Hendrix and army friend Billy Cox moved to nearby Clarksville, Tennessee, where they formed a band called "The King Kasuals". Playing in low-paying gigs at obscure venues, the band eventually moved to Nashville. Playing and sometimes living in the clubs along Jefferson Street, the traditional heart of Nashville's black community and home to a lively rhythm and blues scene, offered a bare sort of existence.[6] In November 1962, Hendrix participated in his first studio session, where his wild but still undeveloped playing found him cut from the soundboard.

For the next three years, Hendrix made a precarious living on the Chitlin Circuit, performing in black-oriented venues throughout the South with both the King Kasuals and in backing bands for various soul, R&B, and blues musicians, including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin Circuit was an important phase of Jimi's career, since the refinement of his style and blues roots occurred there. His work garnered him little fame or profit, and the extremes of racism and poverty that he endured left an indelible mark on his memories of this era.

Frustrated by his experiences in the South, Hendrix decided to try his luck in New York City. Jimi was always inspired by a saying he once heard from his grandmother: "I want to need to have you. First I have to need to want you." In January 1964, he moved to Harlem, where he quickly befriended Lithofayne "Fayne" Pridgeon (who later became his girlfriend) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins quickly became loyal friends who kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the funk anthem "Freedom". Pridgeon, a beautiful Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement during the poorest and most desperate years of his life. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. The win was encouraging, but in general he found breaking into the New York scene difficult.

In 1965, guitar pioneer and producer Les Paul watched Hendrix audition for a nightclub gig in Greenwich Village, NYC, and was awestruck by his performance. An errand forced Les Paul to leave the club before he had the chance to speak with Hendrix. When he returned later to contact and sign Hendrix, Les Paul found that the club owner had turned Hendrix down for being too loud and crazy and that Hendrix had disappeared.[citation needed] That year, Hendrix earned a spot as the new guitarist for the Isley Brothers' band and joined their national tour, which included the southern Chitlin' circuit. Hendrix played his first successful studio session on the two-part Isley Brothers hit "Testify". In Nashville, he left the Isleys to tour with Gorgeous George Odell. In Atlanta, he earned a spot in the backing band of Little Richard, The Upsetters. Although Hendrix idolized Richard, he clashed frequently with the star over tardiness, wardrobe, and, above all, Hendrix's flashy stage antics. For a short while, Hendrix quit and toured with Ike and Tina Turner, but was quickly fired for playing wild guitar solos and returned to Little Richard's band. Months later, he was banished from The Upsetters after missing the tour bus in Washington, D.C.. Around this time he refined his flamboyant guitar stage style, much of which was influenced by Johnny "Guitar" Watson.

In 1965, Hendrix joined a New York-based band, Curtis Knight and the Squires, after meeting Knight in the lobby of a seedy midtown hotel where both men were living at the time. Hendrix then toured for two months with Joey Dee and the Starliters before rejoining the Squires in New York. On October 15, 1965, Hendrix signed a three-year recording contract with entrepreneur Ed Chalpin, receiving $1 and 1% royalty on records with Curtis Knight. While the relationship with Chalpin was short-lived, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The legal dispute was eventually settled. During a brief excursion to Vancouver in 1965, it was reported that Hendrix played in Motown band Bobby Taylor & the Vancouvers with Taylor and Tommy Chong (of Cheech and Chong fame). Chong, however, disputes this ever happened and that any such appearance is a product of Taylor's imagination".[7]

In 1966, Hendrix formed his own band, Jimmy James and The Blue Flames, composed of various friends he would casually meet at Manny's Music Shop, including a 15-year old runaway from California named Randy Wolfe. Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" and the other "Randy Texas". Randy California would later co-found the band Spirit with Ed Cassidy.

Hendrix and his new band quickly gained local attention and played throughout New York City, but their primary spot was a residency at the Cafe Wha? on MacDougal Street in Greenwich Village. During this period, Hendrix met and worked with singer-guitarist Ellen McIlwaine and guitarist Jeff "Skunk" Baxter, who was an employee at Manny's. Hendrix also met Frank Zappa during this time, who is credited as having introduced Hendrix to the newly-invented wah-wah.


The Jimi Hendrix Experience

Early in 1966 at the Cheetah Club on West 21st Street, Linda Keith, the girlfriend of Rolling Stones guitarist Keith Richards, befriended Hendrix and recommended him to Stones manager Andrew Loog Oldham and producer Seymour Stein. Neither man took a liking to Hendrix's music, however, and they both passed. She then referred him to Chas Chandler, who was ending his tenure as bassist in The Animals and looking for talent to manage and produce. Chandler was enamored with the song "Hey Joe" and was convinced that he could create a hit single by remaking it into a rock song.

Impressed with Hendrix's version, Chandler brought him to London and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffery. Chandler then helped Hendrix form a new band, The Jimi Hendrix Experience, with guitarist-turned-bassist Noel Redding and drummer Mitch Mitchell, both British musicians. Shortly before the Experience was formed, Chandler introduced Hendrix to Pete Townshend and to Eric Clapton, who had only recently formed Cream. At Chandler's request, Cream let Hendrix join them on stage for a gig. Hendrix and Clapton remained friends up until Hendrix's death.


UK success

After a number of European club appearances, word of Hendrix spread through the London music community. His showmanship and virtuosity made instant fans of reigning guitar heroes Eric Clapton and Jeff Beck, as well as members of The Beatles and The Who, whose managers signed Hendrix to The Who's record label, Track Records.

Hendrix's first single was a cover of "Hey Joe", crafted after folk-singer Tim Rose's slower revision of the song and adapted to Hendrix's emerging style. Backing the first single was Jimi's first songwriting effort, "Stone Free". Further success came with "Purple Haze" and "The Wind Cries Mary". The three singles were all UK Top 10 hits. Onstage, Hendrix was also making a huge impression with fiery renditions of the B.B. King hit "Rock Me Baby" and an ultra-fast revision of Howlin Wolf's blues classic, "Killing Floor".


Are You Experienced?


The first Jimi Hendrix Experience album, Are You Experienced, was released in the United Kingdom on May 12, 1967. It contained no previous UK singles or any B sides ("Hey Joe/Stone Free", "Purple Haze/51st Anniversary" and "The Wind Cries Mary/Highway Chile"). Only The Beatles' Sgt. Pepper's Lonely Hearts Club Band prevented Are You Experienced from reaching No. 1 on the UK charts.

At this time, the Experience extensively toured the United Kingdom and parts of Europe. This allowed Hendrix to develop his stage presence, which reached a high point on March 31, 1967, when he set his guitar on fire. Later, after causing damage to amplifiers and other stage equipment at his shows, Rank Theatre management warned him to "tone down" his stage act. On June 4 1967, the Experience played their last show in England, at London's Saville Theatre, before heading off to America. The Sgt. Pepper's album had just been released on June 1st and two Beatles (Paul McCartney and George Harrison) were in attendance, along with a roll call of other UK rock stardom: Brian Epstein, Eric Clapton, Spencer Davis, Jack Bruce, and pop singer Lulu. Jimi chose to open the show with his own rendition of "Sgt. Pepper's Lonely Hearts Club Band", crafted minutes before taking the stage, much to McCartney's astonishment and delight.

Months later, Reprise Records released the US version of Are You Experienced with a new cover by Karl Ferris, removing "Red House," "Remember" and "Can You See Me" to make room for the first three UK single A-sides. Where the UK album kicked off with "Foxey Lady", the American one started with "Purple Haze". The UK and US versions both offered a startling introduction to the Jimi Hendrix Experience, and the album was a blueprint for what had become possible on the electric guitar.


US success

Although quite popular in Europe at this time, the Experience had yet to crack America. Their chance came when Paul McCartney recommended the group to the organizers of the Monterey International Pop Festival. This proved to be a great opportunity for Hendrix, not only because of the large audience present at the event, but also because the performances were filmed by D. A. Pennebaker and later shown in movie theaters throughout the country as the concert documentary Monterey Pop, which immortalized Hendrix's iconic burning and smashing of his guitar at the finale of his performance.

Following the festival, the Experience played a short-lived gig as the opening act for pop group The Monkees on their first American tour. The Monkees asked for Hendrix because they were fans, but their mostly teenage audience did not warm to his outlandish stage act and he abruptly quit the tour after a few dates. Chas Chandler later admitted that being "thrown" from The Monkees tour was engineered to gain maximum media impact and publicity for Hendrix. At the time, a story circulated claiming that Hendrix was removed from the tour because of complaints made by the Daughters of the American Revolution that his stage conduct was "lewd and indecent". Australian journalist Lillian Roxon, accompanying the tour, concocted the story. The claim was repeated in Roxon's 1969 Rock Encyclopedia but she later admitted it was fabricated.

Meanwhile in England, Hendrix's wild-man image and musical gimmickry (such as playing the guitar with his teeth and behind his back) continued to bring publicity, but Hendrix was already advancing musically and becoming frustrated by media and audience concentration on his stage tricks and hit singles.

Hendrix adapted the Howlin' Wolf blues classic "Killing Floor" into this wild and fast paced revision, and throughout the first year of his fame these became the first notes concertgoers would hear when witnessing a live Hendrix show. The Monterey performance included an equally lively rendition of the BB King hit "Rock Me Baby", Billy Roberts' "Hey Joe" and the Bob Dylan hit "Like a Rolling Stone". The set ended with Hendrix burning his guitar on stage, then smashing it to bits and tossing pieces out to the audience. The show instantly catapulted Hendrix into US stardom. Today, the charred remnants of Hendrix's psychedelically painted Stratocaster can now be found at the Experience Music Project in Seattle.


Axis: Bold as Love

The Jimi Hendrix Experience's second 1967 album, Axis: Bold as Love continued the style established by Are You Experienced, but showcased a profound sense of melody along with his well-known technical virtuosity with tracks such as "Little Wing" and "If 6 Was 9". The opening track "EXP" featured a stereo effect in which a ruckus of sound emanating from Jimi's guitar appeared to revolve around the listener, fading out into the distance from the right channel, then returning in on the left. It should also be noted that this album marked the first time Jimi recorded the whole album with his guitar tuned down one half-tone, to Eb, which he used exclusively thereafter.

A mishap almost prevented the album's release: Hendrix lost the master tape of side 1 of the LP, leaving it in the back seat of a London taxi. Chas Chandler and engineer Eddie Kramer tried re-mixing it, but couldn't match the lost mix. It was only saved by the discovery that bassist Noel Redding had a copy on tape, which had to be ironed flat as his machine had chewed it up.[8] With the release deadline looming, Hendrix, Chandler, and engineer Eddie Kramer remixed the missing side from the multitracks in an all-night session. Kramer and Hendrix later admitted that they were never entirely happy with the results.

Hendrix was also somewhat disappointed with the album's cover art. Although he appreciated the symbolic design, he had requested cover art that showcased his "Indian" heritage. The British art designers who created the cover assumed that he meant the culture of India, not of Native Americans, and thus created cover art that depicts Hendrix and his Experience bandmates as the Vedic deities Durga and Vishnu, illustrating a photo portrait of their heads by Karl Ferris.

Upon the album's release, the Jimi Hendrix Experience continued to pursue an extremely demanding touring schedule, which involved performing in front of ever-larger audiences. This, combined with the influence of drugs, alcohol, and fatigue, led to a trouble-plagued tour of Scandinavia that culminated with the arrest of Hendrix in Stockholm after trashing his hotel room in a drunken rage.


Electric Ladyland

Hendrix's third recording, a double album, Electric Ladyland (1968), was a departure from previous efforts.

As the album's recording progressed, Chas Chandler became so frustrated with Hendrix's perfectionism and with various friends and hangers-on milling about the studio that he decided to sever his professional relationship with Hendrix. Chandler's professional and musical education was very business-oriented, and it taught him that songs should be recorded in a matter of hours, and written with a view to releasing them as singles. His influence over the Experience's first two albums is clear in light of the facts that very few of the tracks are more than four minutes long, that both albums were recorded in short times, and that most of the songs on both albums conformed to the structure of a typical pop song. However, as Hendrix began developing his own vision and started to assert more control over the artistic process in the studio, Chandler decided to move to other opportunities and ceded overall control to Hendrix. Chandler's departure had a clear impact on the artistic direction that the recording took.


Hendrix began experimenting with different combinations of musicians and instruments, and modern electronic effects. For example, Dave Mason, Chris Wood, and Steve Winwood from the band Traffic, drummer Buddy Miles and former Bob Dylan organist Al Kooper, among others, were all involved in the recording sessions. This was one of the other reasons that Chandler cited as precipitating his departure. He described how Hendrix went from a disciplined recording regimen to an erratic schedule, which often saw him beginning recording sessions in the middle of the night and with any number of hangers-on.

Chandler also expressed exasperation at the number of times Hendrix would insist on re-recording particular tracks; the song "Gypsy Eyes" was reportedly recorded 43 times. This was also frustrating for bassist Noel Redding, who would often leave the studio to calm himself, only to return and find that Hendrix had recorded the bass parts himself during Redding's absence. The effects of these events can clearly be identified in the album's musical style. On a purely superficial level, the tracks no longer conformed to the standard pop song format, often lacked easily identifiable patterns or sections, and would sometimes lack even a recognizable melody. More particularly, however, the themes that the songs addressed, and the music that Hendrix set out to record, went far beyond anything that he had attempted to achieve before.

Electric Ladyland includes a number of compositions and arrangements for which Hendrix is still remembered. These include "Voodoo Child (Slight Return)" as well as Hendrix's rendition of Bob Dylan's "All Along the Watchtower". Hendrix's version was a complete departure from the original, and includes one of the most highly praised guitar arrangements in modern music. It was around this time that Hendrix lived with his girlfriend Kathy Etchingham at her Brook Street home, now the Handel House Museum, in the West End of London.

Throughout the four years of his fame, Hendrix often appeared in impromptu jams with various musicians. A recording exists of Hendrix playing in March 1968 at Steve Paul's Scene Club, in which a rendition of the Beatles' 1966 Revolver album's closing track "Tomorrow Never Knows" is played. The band members remain largely unknown but singer Jim Morrison clearly can be heard contributing a growling, obscenity-laced vocal accompaniment. The band continued to play behind him, and Hendrix can be heard on the tape announcing Morrison's presence and offering him a better microphone. The recording, circulated among Hendrix and Doors collectors, is titled Morrison's Lament. Albums of the recording were sold under various titles (originally Sky High, then Woke Up this Morning and Found Myself Dead), some falsely claiming the presence of Johnny Winter's band. Johnny Winter has denied, several times, being a participant at that jam session.


Breakup of Jimi Hendrix Experience

The Jimi Hendrix Experience performed at London's Royal Albert Hall February 18 and February 24, 1969, two sold-out concerts which became the last British appearance of the band. A Gold and Goldstein-produced film titled "Experience" was also recorded at these two shows, but remains to this day unreleased.

Noel Redding felt increasingly frustrated by the fact that he was not playing his original and favored instrument, the guitar. In 1968, he decided to form his own band "Fat Mattress", which would sometimes open for the Experience (Hendrix would jokingly refer to them as "Thin Pillow"). Redding and Hendrix would begin seeing less and less of each other, which also had an effect in the studio, with Hendrix playing many of the basslines on Electric Ladyland.

Redding was also increasingly uncomfortable with the hysteria surrounding Hendrix's performances. The last Experience concert took place on June 29, 1969 at Barry Fey's Denver Pop Festival, a three-day event held at Denver's Mile High Stadium that was marked by rioting and tear gas. The three bandmates were smuggled out of the venue in the back of a rental truck which was crushed by a mob of fans. The next day, Noel Redding announced that he had quit the Experience.[9]


Legal troubles

Throughout 1969, Hendrix also experienced a number of legal difficulties. First, a contractual dispute arose in relation to an unfavorable agreement Hendrix had entered into with producer Ed Chalpin long before he became successful. The dispute was resolved when the parties agreed that Hendrix would record an album specifically for Chalpin which would be released under his auspices. This was the genesis of the live album entitled Band of Gypsys. Then on May 3, 1969, Hendrix was arrested at Toronto's Pearson International Airport after heroin and hashish were found in his luggage. Hendrix argued in his trial defense that the drugs were slipped into his bag by a fan without his knowledge, and he was acquitted.


Gypsy Sun and Rainbows

After the departure of Noel Redding from the group, Hendrix moved into a rented eight-bedroom mansion near the town of Shokan in upstate New York for the duration of the summer of 1969. Manager Michael Jeffery arranged the stay, with hopes that the respite would produce a new album. To replace Redding as bassist, Hendrix immediately tracked down Billy Cox, his old and trusted Army buddy. The trio of Hendrix, Cox, and Mitch Mitchell fulfilled his last commitment at the time, which was an appearance on The Tonight Show. In an effort to expand his sound beyond the power trio format, Hendrix then added rhythm guitarist Larry Lee (another old friend from his R&B days), and percussionists Juma Sultan and Jerry Velez.

He dubbed the new band Gypsy Sun and Rainbows, although this was never formally announced by management. The cohesion of the group in the relaxed, country atmosphere of the Shokan house inspired fresh material like "Jam Back at the House", "Shokan Sunrise", "Villanova Junction", and the funk driven centerpieces of Hendrix's post-Experience sound: "Message to Love" and "Izabella".

The band did not last long. After the festival they appeared on only one more occasion, in Harlem, New York. Studio recordings of the band can be heard on the MCA Records box set The Jimi Hendrix Experience and on South Saturn Delta.

After the break-up of this band, Hendrix and Cox teamed up with another Hendrix friend, Buddy Miles (formerly with Wilson Pickett and The Electric Flag). They performed a short series of concerts under the name A Band of Gypsys. In 1999, Mitchell and Cox, along with guitarist Gary Serkin, performed some dates as the Gypsy Sun Experience.[10]


Woodstock

Hendrix playing The Star-Spangled Banner, 1969Hendrix's popularity eventually saw him headline the Woodstock music festival on August 18, 1969.

Due to enormous delays caused by bad weather and other logistical problems, Hendrix did not appear on stage until Monday morning, by which time the audience, which had peaked at over 500,000 people, had been reduced to, at most, 180,000, many of whom merely waited to catch a glimpse of Hendrix before leaving. The band was introduced at the festival as The Jimi Hendrix Experience, but Hendrix quickly corrected this to Gypsy Sun and Rainbows and launched into a two hour set (the longest of his career) that was plagued with technical difficulties. Hendrix suffered microphone level and guitar tuning problems, and one of his guitar strings snapped while performing Red House (though he kept playing regardless). Moreover, it was apparent that Jimi's new, much larger band had not rehearsed enough, and at times simply could not keep up with him. Despite this, Hendrix managed to deliver a historic performance, which featured his highly-regarded rendition of the "Star Spangled Banner", a solo improvisation which became a defining moment of the 1960s.

The controversial nature of Hendrix's style is epitomized in the sentiments expressed about his renditions of the "Star Spangled Banner", a tune he played loudly and sharply accompanied by simulated sounds of war (machine guns, bombs and screams) from his guitar. His impressionistic renditions have been described by some as anti-American mockery and by others a generation's statement on the unrest in U.S. society, oddly symbolic of the beauty, spontaneity, and tragedy endemic to Hendrix's life.

Hendrix claimed that he did not intend for his performance of the national anthem to be a political statement, that he simply intended it as a different interpretation of the anthem. When taken to task on the Dick Cavett Show regarding the "unorthodox" nature of his performance of the song at Woodstock, Hendrix replied, "I thought it was beautiful," which was greeted with applause from the audience. His later-career live favorite "Machine Gun" however, was clearly a protest song against war.

Woodstock was not the first time Hendrix played the Star Spangled Banner in concert. It was in fact a setlist staple from fall 1968 through the summer of 1970, and a studio version was released on the 1971 Rainbow Bridge album and later re-released on the 2000 The Jimi Hendrix Experience Box Set.


Band of Gypsys

The Gypsy Sun and Rainbows band was short-lived; after two post-Woodstock shows, some studio time, and an appearance on The Dick Cavett Show, Hendrix disbanded the group, but retained bassist Billy Cox. After attending to the successful defense of his drug possession charges in Toronto, Hendrix added drummer Buddy Miles and formed a new trio: the Band of Gypsys. Rehearsing for ten days at Juggy's sound studio, the group gelled quickly and produced a surprising amount of original material, including the lively "Earth Blues", which featured The Ronettes on background vocals. Four memorable concerts on New Year's Eve 1969-70 at Bill Graham's Fillmore East in New York captured several outstanding pieces, including one of Hendrix's greatest live performances: an explosive 12-minute rendition of his anti-war epic Machine Gun. The release of the Band of Gypsys album--the only official live recording sanctioned by and also produced by Jimi (under the name "Heaven Research") brought to an end the contract and legal battles with Ed Chalpin.

The second and final Band of Gypsys appearance occurred one month later (January 28, 1970) at a twelve-act show in Madison Square Garden dubbed the Winter Festival for Peace. Similar to Woodstock, set delays forced Hendrix to take the stage at an inopportune 3am, only this time he was obviously high on drugs and in no shape to play. He belted out a dismal rendition of "Who Knows" before snapping a vulgar response at a woman who shouted a request for "Foxey Lady". He lasted halfway through a second song, then simply stopped playing, telling the audience: "That's what happens when earth fucks with space?-never forget that". He then sat quietly on the stage until staffers escorted him away. Various explanations have been offered to explain this bizarre scene?-Buddy Miles claimed that manager Michael Jeffery dosed Hendrix with LSD in an effort to sabotage the current band and bring about the return of the Experience lineup; blues legend Johnny Winter said it was Hendrix's girlfriend Devon Wilson who spiked his drink with drugs for unknown reasons.


Cry of Love band

Jeffery's reaction to the botched Band of Gypsys show was swift and firm; he immediately fired Buddy Miles and Billy Cox, then rushed Mitch Mitchell and Noel Redding over from England to begin press for the upcoming tour dates as a reunited Jimi Hendrix Experience. Before the tour began however, Jimi fired Redding from the band and reinstated Billy Cox. Fans refer to this final Hendrix/Cox/Mitchell lineup as the Cry of Love band, named after the tour.

Most of 1970 was spent recording during the week and playing live on the weekends. The "Cry of Love" tour, begun in April at the LA Forum, was structured to accommodate this pattern. Performances on this tour were occasionally uneven in sound quality, but featured Hendrix, Cox, and Mitchell playing new material alongside extended versions of older recordings. The tour included 30 performances and ended at Honolulu, Hawaii on August 1, 1970. A number of these shows were professionally recorded and produced some of Hendrix's most memorable live performances.


Electric Lady Studios

In 1968, Hendrix and Jeffery had invested jointly in the purchase of the Generation Club in Greenwich Village. Their initial plans to reopen the club were scrapped when the pair decided that the investment would serve them much better as a recording studio. The studio fees for the lengthy Electric Ladyland sessions were astronomical, and Jimi was constantly in search of a recording environment that suited him. In August, 1970, Electric Lady Studios was opened in New York. Hendrix was among the first major music artists to own his own recording studio (the Beatles had opened their Apple studios in London in January 1969).[citation needed]

Designed by architect and acoustician John Storyk, the studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in a myriad of colors. It was designed to have a relaxing feel to encourage Jimi's creativity, but at the same time provide a professional recording atmosphere. Engineer Eddie Kramer upheld this by refusing to allow any drug use during session work.

Hendrix spent only four weeks recording in Electric Lady, most of which took place while the final phases of construction were still ongoing. An opening party was held on August 26, following a recording/dubbing session that generated his last studio recorded song, Belly Button Window.[citation needed] He then boarded an Air India flight for London (with Billy Cox in tow), joining Mitch Mitchell to perform at the Isle of Wight Festival.


European tour

The group then commenced on a tour of Europe designed to earn money to repay the studio loans, temper Jimi's mounting back taxes and legal fees, and fund the production of his next album, tentatively titled First Rays of The New Rising Sun. Longing for his new studio and creative outlets, the tour was a requirement by Jeffery that the already restless Hendrix was not eager to perform. Audience demands for the older hits and stage trickery that he had long tired of performing only served to worsen his mood. In Aarhus, Hendrix abandoned his show after only two songs, remarking: "I've been dead a long time".

While on tour in Sweden, Hendrix discovered the music of duo Hansson & Karlsson and became a big fan, recording a cover of their song "Tax Free". His LSD-fueled jam sessions with Swedish drummer-turned-TV-star Janne "Loffe" Carlsson (one half of Hansson & Karlsson), remain a legendary claim to fame in the Scandinavian country.[11]

In the months before Hendrix's death, the British music press claimed that Hendrix had plans to join the band Emerson, Lake & Palmer which were prevented only by his death.[12]

On September 6, 1970, his final concert performance, Hendrix was greeted with some booing and jeering by fans at the Isle of Fehmarn Festival in Germany in a riot-like atmosphere reminiscent of the failed Altamont Festival. Shortly after he left the stage, it went up in flames during the first stage appearance of Ton Steine Scherben. Billy Cox quit the tour and headed home to Memphis, Tennessee, after reportedly being dosed with PCP.

Hendrix retreated to London, where he reached out to Chas Chandler, Eric Burdon, and other friends in a renewed attempt to divorce himself from manager Michael Jeffery. He caught up with Linda Keith, an old flame he still admired, and gave her a brand new black Fender Stratocaster as a token of his appreciation for her discovery efforts years earlier. Included in the guitar case was a stack of letters--all of their mutually written correspondence. Jimi's last public performance was an informal jam at Ronnie Scott's Jazz Club in Soho with Burdon and his latest band, War.

One of Hendrix's last known recordings was the lead guitar part on Old Times Good Times from Stephen Stills' eponymous album (1970), a track recorded at London's Island Studios.


Death

In the early morning hours of September 18, 1970, Jimi Hendrix was found dead in the basement flat of the Samarkand Hotel at 22 Lansdowne Crescent in London. Hendrix died amid circumstances which have never been fully explained. He had spent the night with his German girlfriend, Monika Dannemann, and likely died in bed after drinking wine and taking nine Vesperax sleeping pills, then asphyxiating on his own vomit. For years, Dannemann publicly claimed that Hendrix was alive when placed in the back of the ambulance; however, her comments about that morning were often contradictory and confused, varying from interview to interview. Police and ambulance reports reveal that not only was Hendrix dead when they arrived on the scene, but he had been dead for some time, the apartment's front door was wide open, and the apartment itself empty. A poem written by Hendrix that was found in the apartment has led some to believe that he committed suicide.[citation needed] Following a libel case brought in 1996 by Hendrix's long-term British girlfriend Kathy Etchingham, Monika Dannemann committed suicide, though her later lover, Uli John Roth, has made accusations of foul play[13].

Some reports indicated that the paramedics who escorted Jimi out of the apartment did not support his head and that he was still alive. According to this version of events, he choked on his own vomit and died during the trip to the hospital, because his head and his neck were not supported.[14]

Reports that Hendrix's tapes of the concept album Black Gold had been stolen from the London flat are in fact wrong: the tapes were handed to Mitch Mitchell by Hendrix at the Isle of Wight Festival three weeks prior to his death.[citation needed] Hendrix's Greenwich Village apartment, however, was indeed plundered by an unknown series of vandals who stole numerous personal items, tapes, and countless pages of lyrics and poems, some of which have resurfaced in the hands of collectors or at auctions.[citation needed]

Hendrix's unfinished album was released under a title Cry of Love. The album was well received and peaked at position #3 on US Billboard album chart. However, Mitchell and Kramer who constructed the album were complaining that some tracks were not available to use for them at the time. Cry of Love album is these days replaced in catalogue by an album called First Rays of the New Rising Sun (1997), which includes all those tracks that Mitchell and Kramer had wanted to include on Cry of Love.


Gravesite

The original gravestone of Jimi Hendrix, incorporated into the granite base of his memorial where a large brass statue will someday be installed.Although Hendrix had verbally requested to be buried in England, his body was returned to Seattle and he was interred in Greenwood Memorial Park, Renton, Washington. Al Hendrix created a five-plot family burial site to include himself, his second wife Akayo June, his adopted daughter Janie, and son Leon. The headstone for Jimi contains a drawing of a Stratocaster guitar, though it is depicted as the instrument of a traditional right-handed player. (Hendrix played the instrument left-handed.)

As the popularity of Hendrix and his music grew over the decades following his death, concerns began to mount over fans damaging the adjoining graves at Greenwood, and the growing extended Hendrix family further prompted Al to create an expanded memorial site separate from other burial sites in the park. The memorial was announced in late 1999, but Al's deteriorating health led to delays. He died two months before its scheduled completion in 2002. Later that year, the remains of Jimi Hendrix, his father Al Hendrix, and grandmother Nora Rose Moore Hendrix were moved to the new site.


The memorial gravesite of Jimi Hendrix in Renton, Washington.The memorial is an impressive granite dome supported by three pillars under which Jimi Hendrix is interred. Jimi's autograph is inscribed at the base of each pillar, while two stepped entrances and one ramped entrance provide access to the dome's center where the original Stratocaster adorned headstone has been incorporated into a statue pedestal. A granite sundial complete with brass gnomon adjoins the dome, along with over 50 family plots that surround the central structure, half of which are currently adorned with raised granite headstones.

To date, the memorial remains incomplete: brass accents for the dome and a large brass statue of Hendrix were announced as being under construction in Italy, but since 2002, no information as to the status of the project has been revealed to the public. In addition, a memorial statue of Jimi playing a Stratocaster stands near the corner of Broadway and Pine Streets in Seattle.

In May 2006 Seattle honored the music, artistry and legacy of Jimi Hendrix with the naming of a new park near Seattle's historic Colman School in the heart of the Central District.[15]


Personality

Fashion

Hendrix was well known for his unique sense of fashion, and strived to perfect his hairstyle and wardrobe almost to the point of obsession. A set of hair curlers was one of the few possessions that travelled with him to England upon his discovery in 1966. When his first advance check arrived, Hendrix immediately took to the streets of London in search of clothing at obscure fashion haunts like I Was Lord Kitchener's Valet, where he purchased an ages old British military jacket adorned with tasseled ropes. A traffic warden once ordered him to remove the jacket, citing it as an offense to the Queen.

Many photographs of Hendrix show him wearing various rings, medallions, and brooches, and Hendrix often peppered his attire with pins that professed his support for the hippie movement or his fascination with folk singer Bob Dylan. His only vacation, a two week trip to Morocco with friends Colette Mimram and Deering Howe, deeply affected his sense of art and style, and upon his return Hendrix filled his Greenwich Village apartment with Moroccan art and decor. Mimram and Stella Douglas, the wife of producer Alan Douglas, created some of Hendrix's most memorable attire: a Bowler style derby adorned with either an angled feather or a set of silver bangles, a Trilby hat crowned with a purple scarf and adorned with various brooches, the blue dashikis he wore on the Dick Cavett Show, and the blue on white fringed jacket that he wore at Woodstock.

He had enough of a sense of humor to poke fun at himself, specifically with the song "Purple Haze." A mondegreen had appeared, in which the line "'Scuse me while I kiss the sky" was misheard as "Scuse me while I kiss this guy." It is claimed that, in a few performances, Hendrix deliberately enunciated the line so as to emphasize the mondegreen.[citation needed] A volume of misheard lyrics has been published, with this mondegreen itself as the title, and Hendrix illustrated on the cover, taking the phrase literally.


Politics and racism


Even after achieving worldwide success as a musician, Hendrix could not avoid experiences of racism, which was omnipresent whenever he returned to the Southern United States.

Hendrix was also shunned by much of the black community for playing "white music" and for having white musicians in his band. Weeks after Woodstock, his performance at a Harlem block party became a harrowing experience. Within seconds of arriving at the site, his guitar was stolen from the back seat of his car by two Harlem thugs. When he appeared stageside to watch the early acts with his girlfriend Carmen Borrero (a Puerto-Rican model), the crowd verbally harassed the pair. When he appeared on stage, he was bottled, and had eggs thrown at him from the crowd. After the show, drummer Mitch Mitchell and roadie Eric Barrett were physically assaulted while dismantling their set.

Hendrix was also constantly harassed by various civil rights oriented activist and extremist groups who wished to use his fame to further their own message or cause. The Black Panthers even went as far as posting signs for his appearance at a benefit concert that Hendrix never even knew existed.


Drug use

Hendrix is widely known for and associated with the use of hallucinogenic drugs, most notably LSD. A common opinion is that Jimi's use of LSD was integral in unlocking his creative process. He had never taken hallucinogens until the night he met Linda Keith, but likely experimented with other drugs in years prior. Various forms of sleeping pills and speed fueled his "stop and go" lifestyle throughout his career, and pictures exist of Hendrix smoking marijuana.

Jimi was also notorious among friends and bandmates for becoming angry and violent when he drank alcohol. Kathy Etchingham spoke of an incident that took place in a London pub in which an intoxicated Hendrix beat her with a public telephone handset because he thought she was calling another man on the payphone. Alcohol was also cited as the cause of Hendrix's 1968 rampage that destroyed a Stockholm hotel room and led to his arrest. Musician Paul Caruso's friendship with Hendrix ended in 1970 when Jimi punched him during an alcohol-fueled argument.

The most controversial topic however, concerns his alleged use of heroin. The Hendrix family, along with a portion of his friends and biographers, emphatically maintains that Hendrix was never a heroin user, citing his irrational fear of needles. Known today as trypanophobia, this condition was never medically diagnosed in Hendrix. A toxicology report prepared shortly after his death found no heroin in his body, nor were there any marks from needles. [16]


Legacy

Hendrix synthesized many styles in creating his musical voice and his guitar style was unique, later to be abundantly imitated by others. Despite his hectic touring schedule and notorious perfectionism, he was a prolific recording artist and left behind more than 300 unreleased recordings.

His career and ill-timed death has grouped him with Brian Jones, Janis Joplin, and Jim Morrison as one of contemporary music's tragic "three J's", iconic '60s rock stars that suffered drug-related deaths at age 27 within months of each other, leaving legacies in death that have eclipsed the popularity and influence they experienced during their lifetimes.

Musically, Hendrix did much to further the development of the electric guitar repertoire. He moved the instrument to a higher level, establishing it as a unique sonic source, rather than merely an amplified version of the acoustic guitar. Likewise, his feedback and fuzz-laden soloing moved guitar distortion well beyond mere novelty, incorporating effects pedals and units (most notably the wah-wah pedal) with dramatic results.

Hendrix affected popular music with similar profundity; along with earlier bands such as The Who and Cream, he established a sonically heavy yet technically proficient bent to rock music as a whole, significantly furthering the development of hard rock and paving the way for heavy metal. He took blues to another level. His music has also had a great influence on funk and the development of funk rock especially through the guitarists Ernie Isley of The Isley Brothers and Eddie Hazel of Funkadelic, Prince and Jesse Johnson of The Time. His influence even extends to many hip hop artists, including ?uestlove, Chuck D of Public Enemy, Ice-T (who covered "Hey Joe" with his heavy metal band Body Count), El-P and Wyclef Jean. Miles Davis was also deeply impressed by Hendrix and compared his improvisational skills with those of saxophonist John Coltrane,[17] and Davis would later want guitarists in his bands to emulate Hendrix.[18] Hendrix was ranked number 3 on VH1's 100 Greatest Artists of Hard Rock behind Black Sabbath at the second spot, and Led Zeppelin, ranked number one. Hendrix was ranked number 3 on VH1's list of 100 Best Pop Artists of all time, behind the Rolling Stones and the Beatles. He has been voted by Rolling Stone, Guitar World, and a number of other magazines and polls as the best electric guitarist of all time.

In 1992, Hendrix was awarded the Grammy Lifetime Achievement Award.


Financial legacy

When Al Hendrix died of congestive heart failure in 2002, his will stipulated that Experience Hendrix, LLC was to exist as a trust designed to distribute profits to a list of Hendrix family beneficiaries. Upon his death, it was revealed that Al had signed a revision to his will which removed Jimi's brother Leon Hendrix as a beneficiary. A 2004 probate lawsuit merged Leon's challenge to the will with charges from other Hendrix family beneficiaries that Janie Hendrix was improperly handling the company finances. The suit argued that Janie and a cousin (Robert Hendrix) paid themselves exorbitant salaries and covered their own mortgages and personal expenses from the company's coffers while the beneficiaries went without payment and the Hendrix gravesite in Renton went uncompleted.

Janie and Robert's defense was that the company was not profitable yet, and that their salary and benefits were justified given the work that they put into running the company. Leon charged that Janie bilked Al Hendrix, then old and frail, into signing the revised will, and sought to have the previous will reinstated. The defense argued that Al willingly removed Leon from his will because of Leon's problems with alcohol and gambling. In early 2005, presiding judge Jeffrey Ramsdell handed down a ruling that left the final will intact, but replaced Janie and Robert's role at the financial helm of Experience Hendrix with an independent trustee. To date, the gravesite of Jimi Hendrix remains incomplete.


The Jimi Hendrix Foundation

In 1988, Al and Leon Hendrix commissioned the James (Jimi) Marshall Hendrix Foundation. This foundation is based in Renton, Washington and is devoted to helping people in all plights. When Al Hendrix passed in 2002, he donated the 'likeness' of his son Jimi to the foundation to be used in a non-profit manner to assist people less fortunate. In August, 2006 Jimi Hendrix's long-time best friend James (Jimmy) Williams took helm of the Foundation.


Guitar legacy

Fender Stratocaster

Hendrix owned and used a variety of guitars during his career. His guitar of choice however, and the instrument that became most associated with him, was the Fender Stratocaster, or "Strat". He bought his first Stratocaster in 1965 and thereafter used it almost exclusively for his stage performances and recordings.

Hendrix's emergence coincided with the lifting of post-war import restrictions (imposed in many British Commonwealth countries), which made the instrument much more available, and after its initial popularizers Buddy Holly and Hank B. Marvin, Hendrix arguably did more than any other player to make the Stratocaster the biggest-selling electric guitar in history. Before his arrival in the UK, most top players used Gibson and Rickenbacker models. After Hendrix, many leading guitarists including Jeff Beck, Ritchie Blackmore and Eric Clapton switched to the Stratocaster. Hendrix bought dozens of Strats and gave many away as gifts, including one to ZZ Top guitarist Billy Gibbons, although a former ZZ Top roadie claimed this was one of Gibbons' many made-up stories to the press. Many others were stolen, and a few were destroyed during his notorious guitar-burning finales. One formerly sunburst Strat which was mutilated by Hendrix at the 1968 Miami Pop Festival was given to Frank Zappa by a Hendrix roadie. Zappa had it hanging on a wall in his basement for years. He posed for the cover of Guitar Player Magazine holding this instrument, and recent news and an image of the refurbished instrument are available in the August 2006 issue of Guitar Player. In 1969, Hendrix met film director Edmund Darris in front of the Baby Grand Night Club where Hendrix was to meet with Albert King. Hendrix gave Edmund Darris tips on how to tune cross Spanish and how to play guitar. Edmund Darris went on to become a great guitarist because of this meeting.

The Strat's easy action and narrow neck were also ideally suited to Hendrix's evolving style and enhanced his tremendous dexterity: Hendrix's hands were large enough to fret across all six strings with his thumb, and he could play lead and rhythm parts simultaneously. Another remarkable fact about Hendrix is that he was left-handed, yet used right-handed guitars, playing them upside-down but re-strung for playing left-handed, so that the heavier strings were in their standard position at the top of the neck.[19] He preferred this layout because the tremolo arm and volume and tone controls were more easily accessible above the strings, but it also had an important effect on the sound of his guitar: because of the stagger of the pickups' pole pieces, his lowest string had a bright sound while his highest string had a mellow sound?-the opposite of the Strat's intended design.[20] This effect was exaggerated by the slant of the Strat's bridge pickup.

A new Stratocaster model (with a wide headstock) was launched in late 1968, and as the cohesion of the Experience began to deteriorate, Hendrix wished to vary his playing and his repertoire with this new design. Choosing Stratocasters with a light-tone maple fretboard (giving a "brighter" sound than the "darker" rosewood), he wanted to balance the high-power play with further versatility and velocity, so in early 1969, he opted for heavy-gauge strings which he combined with a tuning lowered a half-step from normal pitch, a technique which he picked up from Albert King in 1966. This enhanced the possibilities offered by the interlaced rhythm and solos during the Olmstead Studios sessions of April 1969. Later on tour, this stringing caused the drawback of more frequent losses in tuning after pushing down (or pulling) the tremolo bar; Hendrix would often ask the audience for a "minute to tune up" several times during the same concert.

In addition to Fender Stratocasters, Hendrix was also photographed playing Fender Jaguars, Gretsch Corvette, Duosonics and Jazzmasters, and Gibson Les Paul Customs and SGs (and in his pre- solo career, he was seen with an Ibanez Rhythm Guitar, very similar to today's Ibanez Jetking[21]). Jimi used a white Gibson SG Custom for his performance on the Dick Cavett show in the summer of 1969, and the Isle of Wight film shows him playing a Gibson Flying V. While Jimi owned a number of Flying Vs throughout his career (included a black model with hand-painted designs by Hendrix), the Flying V used at the Isle of Wight was a unique left-handed guitar. Custom ordered from Gibson, Jimi's example featured gold hardware, a bound fingerboard and "split-diamond" fret markers that were not found on other 60s-era Flying Vs.

On December 4, 2006, one of Hendrix's custom 1968 Fender Stratocaster guitars with a sunburst design was sold at a Christie's auction for USD$168,000.[22]


Amplifiers and effects

Hendrix was a catalyst in the development of modern guitar amplification and guitar effects. His high-energy stage act and the blistering volume at which he played required robust and powerful amplifiers. For the first few months of his touring career he used Vox and Fender amplifiers, but he soon found that they could not stand up to the rigors of an Experience show. Hendrix soon discovered a new range of high-powered guitar amps being made by London audio engineer Jim Marshall and they proved perfect for his needs. Along with the Strat, the Marshall stack and Marshall amplifiers were crucial in shaping his heavily overdriven sound, enabling him to master the creative use of feedback as a musical effect, and his exclusive use of this brand soon made it the most popular amplifier in rock music.

The sound of Hendrix's recordings seemed to have progressively changed from the "sharp edge" of 1966 and 1967 to the warmer sounds of 1969 and 1970. The first two albums were recorded in England with his British-made Marshall amps operating at 240 volts/50 Hertz. He then recorded in the US (beginning in May 1968 on Electric Ladyland), under 110 volts/60 Hertz.[citation needed] The evolution in the Stratocasters used (pre-1968 versus post-1968 models) may have contributed to this change as well. Weather conditions may also have had an effect on his amps: the warm sound of Woodstock contrasts to the "edgy" sound of the Isle of Wight recordings.[disputed]

Hendrix also constantly looked for new guitar effects. He was one of the first guitarists to move past simple gimmickry and to exploit the full expressive possibilities of electronic effects such as the wah-wah pedal. He had a fruitful association with engineer Roger Mayer and made extensive use of several Mayer devices, including the Axis fuzz unit, the Octavia octave doubler, and especially the UniVibe, designed to electronically simulate the modulation effects of the Leslie speaker. He also used an Arbiter Fuzz Face for a time. It should be noted that while Jimi never used an Electro-Harmonix Big Muff, he did try out prototypes before he died and the tone of the pedal was modeled after Hendrix's tone.

The Hendrix sound combined high volume and high power, feedback manipulation, and a range of cutting-edge guitar effects, especially the UniVibe-Octavia combination, which can be heard to full effect on the Band of Gypsys' live version of "Machine Gun." He was also known for his trick playing, which included playing with only his right (fretting) hand, using his teeth or playing behind his back, although he soon grew tired of audience demands to perform these tricks.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 27 Nov, 2007 08:13 am
Mistakes on a resume

These are from actual resumes:

"Personal: I'm married with 9 children. I don't require prescription drugs.

"I am extremely loyal to my present firm, so please don't let them know of my immediate availability."

"Qualifications: I am a man filled with passion and integrity, and I can act on short notice. I'm a class act and do not come cheap."

"I intentionally omitted my salary history. I've made money and lost money. I've been rich and I've been poor. I prefer being rich."

"Note: Please don't misconstrue my 14 jobs as 'job-hopping'. I have never quit a job."

"Number of dependents: 40."

"Marital Status: Often. Children: Various."

RESUME BLOOPERS

"Here are my qualifications for you to overlook."

REASONS FOR LEAVING THE LAST JOB:

"Responsibility makes me nervous."

"They insisted that all employees get to work by 8:45 every morning. Couldn't work under those conditions."

REASONS FOR LEAVING MY LAST JOB:

"Was met with a string of broken promises and lies, as well as cockroaches."

"I was working for my mom until she decided to move."

"The company made me a scapegoat - just like my three previous employers."

JOB RESPONSIBILITIES:

"While I am open to the initial nature of an assignment, I am decidedly disposed that it be so oriented as to at least partially incorporate the experience enjoyed heretofore and that it be configured so as to ultimately lead to the application of more rarefied facets of financial management as the major sphere of responsibility."

"I was proud to win the Gregg Typting Award."

SPECIAL REQUESTS & JOB OBJECTIVES:

"Please call me after 5:30 because I am self-employed and my employer does not know I am looking for another job."

"My goal is to be a meteorologist. But since I have no training in meteorology, I suppose I should try stock brokerage."

"I procrastinate - especially when the task is unpleasant."

PHYSICAL DISABILITIES:

"Minor allergies to house cats and Mongolian sheep."

PERSONAL INTERESTS:

"Donating blood. 14 gallons so far."

SMALL TYPOS THAT CAN CHANGE THE MEANING:

"Education: College, August 1880-May 1984."

"Work Experience: Dealing with customers' conflicts that arouse."

"Develop and recommend an annual operating expense fudget."

"I'm a rabid typist."

"Instrumental in ruining entire operation for a Midwest chain operation."
0 Replies
 
Letty
 
  1  
Reply Tue 27 Nov, 2007 08:25 am
Good morning, WA2K listeners and contributors.

We are delighted that edgar carried the "strange" theme through this morning. Thanks, Texas, for "Love with the Proper Stranger."

Once again we appreciate Bio Bob's celeb info. Love the resume funnies, hawkman, especially the one about the allergic reaction to Mongolian sheep.

Thinking about Lady Day today, folks. What a sad story for such a talented lady. Her epilogue song.


What good is the scheming, the planning and dreaming
That comes with each new love affair
The dreams that we cherish, so often might perish
And leaves you with castles in air

When you're alone, who cares for starlit skies
When you're alone, the magic moonlight dies
At break of dawn, there is no sunrise
When your lover has gone

What lonely hours, the evening shadows bring
What lonely hours, with memories lingering
Like faded flowers, life can't mean anything
When your lover has gone

I am certain that our pup will trot in later so until then we shall wait before further comment.
0 Replies
 
Raggedyaggie
 
  1  
Reply Tue 27 Nov, 2007 10:22 am
Good morning WA2K.

And it is a good morning. The all night rain has finally stopped and I believe I see a ray of sunshine peeking in my window. The Pittsburgh Steelers sloshed in a field of mush last night after a half hour delay due to lightning and won by three points, 3-0, the lowest score ever in a Monday night football game. The announcer said he thought they sprayed part of the ruts in the turf with kitty litter. Can you believe that? I can. Laughing

Today's celebs:

L. Sprague de Camp; Buffalo Bob Smith; Bruce Lee; Eddie Rabbitt (I didn't know he wrote Kentucky Rain. I love the way Elvis sings that song. Eddie's life was sad.) and Jimi Hendrix

http://www.scifiworld.cz/images/article_230303020356_img.jpghttp://www.jrwhipple.com/wow/images/howdydoody.jpg
http://www.bruce-lee.com/bruce-lee-picture-large.jpghttp://static.rateyourmusic.com/album_images/s83347.jpg
http://www.murashev.com/dmdl/assets/artists/34.jpg
0 Replies
 
Letty
 
  1  
Reply Tue 27 Nov, 2007 12:03 pm
Hey, Raggedy. You're a Monday night footballer? Wow! who would have thought it, folks. Well, I must admit a score of 3-0 is unusual. Hooray for your team, PA., and may they forever reign in the rain with help from kitty litter. Razz

Thanks again, puppy, for the great collage. I notice that Bruce Lee is a stand out today, and what a surprise to find out that he had a brother named Robert. Hmmm, we may have a common ancestry.

Music and lyrics by Robert Lee

(The Ballad of Bruce Lee)

At the dawning of the morning, on the hour of the dragon,
High atop the hills of San Francisco, life's greatest legend was born.

CHORUS
Into this world came a little dragon, Bruce Lee,
His hands and feet fast, powerful and mighty,
It was easy for him to win the world's acclaim,
For he was strong and his will untamed.

In his search for reality, he found the tools of JKD,
Many hours he would spend a day, trying to find some better ways.

CHORUS
Into this world came a little dragon, Bruce Lee,
His hands and feet fast, powerful and mighty,
It was easy for him to win the world's acclaim,
For he was strong and his will untamed.

Few people know what was left to me, his poems, arts and his philosophy,
But like a flash of lightning now he's gone, but I know his memory will live on.

CHORUS
Into this world came a little dragon, Bruce Lee,
His hands and feet fast, powerful and mighty,
It was easy for him to win the world's acclaim,
For he was strong and his will untamed.
0 Replies
 
Letty
 
  1  
Reply Tue 27 Nov, 2007 05:14 pm
I had to smile at the Bear's sophisticated French humor, folks, because I was just reading a news item about Johnny Depp.

Johnny Depp may want to change that "Wino Forever" tattoo on his arm to "Vino Forever." Britain's Sunday Express says the swoon-worthy megastar just purchased a vineyard in Provence, France, as a "token of his love" for Vanessa Paradis, his amour of about a decade and the mother of his two children. The grape grove, which is said to be located not far from the press-shy family's estate, is supposedly Johnny's way of congratulating his warbler wife on finishing her new album.

http://farm1.static.flickr.com/162/370662151_67feab6e85_o.jpg

Bliss by Vanessa

Bliss
Dear smoky room
Stardust in the eyes
Anything will rise
Our bellys bloomed
Sunset red fly toes
Haunted mind
Where I go there it goes
Your soul within mine
I'm a book in my dreams
See what I love you means
Far for the ground
Below the sky
No way around
Is where we hide
Between the sound
Before the light
My love and I live in never to be found

The music plays
Greatest overtimes
Candles burned down
For paper planes
Nothing is everything
Details too
You're the thrills for my wings
I'm flying for you
I'm a book in my dreams
See how I love
You feels

Far for the ground
Below the sky
No way around
Is where we hide
Between the sound
Before the light
My love and I live in never to be found


Falling into your nest
I call it bliss
For the best and less and the rest
Nothing is quite like it use to be

Deep down inside of me
I'm done searching for myself
Since you're flowing in my rains

Far for the ground
Below the sky
No way around
Is where we hide
Between the sound
Before the light
My love and I live in never to be found


Below the sky
No way around
Is where we hide
Between the sound
Before the light
My love and I live in never to be found
0 Replies
 
hebba
 
  1  
Reply Wed 28 Nov, 2007 05:56 am
Purchased a vineyard eh? A fine way to use one´s hard earned money.
Letty, did you read a humble apology somewhere?
From someone who´s still feeling rather ashamed about it all?
0 Replies
 
edgarblythe
 
  1  
Reply Wed 28 Nov, 2007 06:10 am
Fine and Dandy
Arden & Ohman Orchestra

Gee, it's all fine and dandy
Sugar Candy when I'm with you
Then I only see the sunny side
Even trouble has it's funny side
When you're gone Sugar Candy
I get lonesome, I get blue
When you're handy, It's fine and dandy
But when you're gone what can I do
0 Replies
 
Letty
 
  1  
Reply Wed 28 Nov, 2007 06:14 am
Good morning, WA2K folks.

Ah, yes, hebba. I just read it on your lovely wood sculpture forum. No need to apologize, but I would like to thank you for keeping our cyber radio on the air.

Anyone remember this song? I recall when I was a kid running through fields of buttercups that somehow managed to push their way through the remnants of snow. This song enjoyed a resurgence during the late 1990's

Build Me Up Buttercup

Why do you build me up
(Build me up)
Buttercup, baby, just to let me down
(Let me down)
And mess me around
And then worst of all
(Worst of all)
you never call, baby
When you say you will
(Say you will)
But I love you still
I need you
(I need you)
More than anyone, darlin'
You know that I have from the start
So build me up
(Build me up)
Buttercup, don't break my heart

"I'll be over at ten", you told me time and again
But you're late, I wait around and then
I went to the door, I can't take any more
It's not you, you let me down again

(Hey, hey, hey!) Baby, baby, try to find
(Hey, hey, hey!) A little time and I'll make you mine
(Hey, hey, hey!) I'll be home
I'll be beside the phone waiting for you
Ooo-oo-ooo, ooo-oo-ooo
0 Replies
 
Letty
 
  1  
Reply Wed 28 Nov, 2007 06:30 am
Oops, edgar. Missed your "sunny side", but it did remind me of O Brother Where Art Thou.

Ah, the comedy and the tragedy of life, folks.

http://widget.bigoo.ws/linktrade/creatives/1/dramafaces.gif

Once more, we think of songs of the depression.

There's a dark & a troubled side of life
There's a bright, there's a sunny side, too
Tho' we meet with the darkness and strife
The sunny side we also may view

Keep on the sunny side, always on the sunny side,
Keep on the sunny side of life
It will help us ev'ry day, it will brighten all the way
If we'll keep on the sunny side of life

The storm and its fury broke today,
Crushing hopes that we cherish so dear;
Clouds and storms will, in time, pass away
The sun again will shine bright and clear.
Let us greet with the song of hope each day
Tho' the moment be cloudy or fair
Let us trust in our Saviour away
Who keepeth everyone in His care.

My older sister remembers singing that little hymn in Sunday school.
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 28 Nov, 2007 09:05 am
Hope Lange
From Wikipedia, the free encyclopedia

Birth name Hope Elise Ross Lange
Born November 28, 1933(1933-11-28)
Redding, Connecticut
Died December 19, 2003 (aged 70)
Santa Monica, California

Hope Elise Ross Lange (November 28, 1933 - December 19, 2003) was an American stage, film, and television actress.





Biography

Early life

Lange was born into a theatrical family in Redding Ridge, Connecticut. Her father, John George Lange, was a musician and the music arranger for Florenz Ziegfeld and conductor for Henry Cohen. Her mother, Minnette (née Buddecke), was an actress before becoming a restaurant owner.[1] Following her father's passing, she worked as a waitress in her mother's Greenwich Village restaurant. She sometimes walked the dog of former First Lady, Eleanor Roosevelt, who had a nearby apartment. When her photo appeared in the newspaper, she received an offer to work as a New York City advertising model.


Career

In 1943, Lange made her Broadway debut in The Patriots. She began working in television in the 1950s, and came to prominence in her first film role, in Bus Stop with Marilyn Monroe and Don Murray, whom she married on April 14, 1956. As a result of favorable reviews, she landed a major role in the then-risqué 1957 film, Peyton Place. Her strong performance earned her a nomination for a Golden Globe Award and another for the Academy Award for Best Supporting Actress. She starred from 1968 to 1970 in the popular TV series, The Ghost and Mrs. Muir for which she earned two Emmy Awards and a Golden Globe Award nomination. This success was followed by three seasons on The New Dick Van Dyke Show. In 1977, she returned to the Broadway stage where her acting career had originally begun. She also played the wife of Charles Bronson in the original Death Wish.


Personal life

Divorced from Don Murray in 1961, she left acting after her October 19, 1963 marriage to producer-director Alan J. Pakula, whom she divorced in 1971. In 1986, she married theatrical producer Charles Hollerith, with whom she remained the rest of her life. She died on December 19, 2003, at St. John's Hospital in Santa Monica, California, as a result of an ischemic colitis infection at the age of 70.

Lange had two children with Don Murray: actor Christopher Murray and photographer Patricia Murray.

In 1972, she also dated Frank Sinatra. She also had a long-term relationship with actor Glenn Ford, but they never married.
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 28 Nov, 2007 09:09 am
Ed Harris
From Wikipedia, the free encyclopedia



Birth name Edward Allen Harris
Born November 28, 1950 (1950-11-28) (age 57)
Tenafly, New Jersey
Spouse(s) Amy Madigan (1983-)
[show]Awards
Golden Globe Awards
Best Supporting Actor - Motion Picture
1999 The Truman Show
Screen Actors Guild Awards
Best Supporting Actor - Motion Picture
1995 Apollo 13

Edward Allen Harris (born November 28, 1950) is an Academy Award-nominated American actor, known for his performances in The Right Stuff, The Abyss, Apollo 13, Pollock, and The Truman Show, among many others.





Biography

Early & personal life

Harris was born in Tenafly, New Jersey, the son of Margaret, a travel agent, and Robert L. Harris, who sang with the Fred Waring chorus and worked at the bookstore of the Art Institute of Chicago.[1] He has an older brother, Robert, and a younger brother, Spencer. Harris was raised in a middle class Presbyterian family.[2] He graduated from Tenafly High School in 1969, where he played on the football team, serving as the team's captain in his senior year.[3][4] He was a star athlete in high school and competed in athletics at Columbia University in 1969. Two years later his family moved to Oklahoma and he followed after having discovered his interest in acting in various theater plays. He enrolled at the University of Oklahoma to study drama. After several successful roles in the local theater, he moved to Los Angeles, California, and enrolled at the California Institute of the Arts.

Harris has been married to actress Amy Madigan since 1983. They have a daughter named Lily.


Career

Harris's first important film role was in Borderline with Charles Bronson. In Knightriders he played a motorcycle stunt rider in a role modeled after that of King Arthur. In 1983, he became a star, playing NASA astronaut John Glenn in The Right Stuff; in 1995 he was nominated for the Academy Award for Best Supporting Actor for his portrayal of NASA mission director Gene Kranz, in the film Apollo 13. Further Oscar nominations arrived in 1999, 2001 and 2003, for The Truman Show, Pollock and The Hours, respectively. More recently, he appeared as a vengeful mobster in David Cronenberg's A History of Violence. He also had a role alongside Casey Affleck and Morgan Freeman in Gone, Baby, Gone, directed by actor Ben Affleck.

Harris has shown interest in directing. He made his debut in 2000 with Pollock, as well as directing various plays. Harris has also starred in television adaptations of Riders of the Purple Sage (1996) and Empire Falls (2005).

Harris also has an active stage acting career. Most notably, he starred in the production of Neil LaBute's one-man play Wrecks at the Public Theater in New York City.Wrecks premiered at the Everyman Theater in Cork, Ireland and then in the US at the Public Theater in New York. Harris has been nominated for several major awards for this role.
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 28 Nov, 2007 09:19 am
Anna Nicole Smith
From Wikipedia, the free encyclopedia

Birth name Vickie Lynn Hogan
Born November 28, 1967(1967-11-28)
Houston, Texas, U.S.A.
Died February 08, 2007 (aged 39)
Seminole Hard Rock Hotel,
Hollywood, Florida, U.S.A.
Other name(s) Vickie Lynn Hogan
Vickie Lynn Marshall
Anna Nicole
Vickie Smith
Vicki Smith
Occupation model, actress, spokeswoman
Spouse(s) Billy Smith (1985?-1993)
J. Howard Marshall II (1994?-1995)
Partner(s) Howard K Stern (2002?-2007)
Children Daniel Wayne Smith
Dannielynn Marshall
Official site http://www.annanicole.com

Vickie Lynn Marshall (November 28, 1967 - February 8, 2007), better known under the stage name of Anna Nicole Smith,[1] was an American sex symbol, model, actress, celebrity, and spokeswoman. Her highly publicized marriage to oil business executive and billionaire J. Howard Marshall, 63 years her senior, resulted in speculation that she married the octogenarian for his money, which she denied. Following his death, she began a lengthy legal battle over a share of his estate; her case, Marshall v. Marshall, reached the U.S. Supreme Court on a question of federal jurisdiction.

Born and raised in Texas, Smith dropped out of high school and first married at the age of 17. She first gained popularity in Playboy, becoming the 1993 Playmate of the Year. She modeled for clothing companies, including Guess jeans. She starred in her own reality TV show, The Anna Nicole Show. In the months before her death, she was the focus of renewed press coverage surrounding the death of her son, Daniel Smith.




Early life

Born Vickie Lynn Hogan in Houston, Texas,[2] Anna Nicole was the only child of Donald Eugene Hogan (born July 12, 1947) and Virgie Mae Tabers (born July 12, 1951),[3] who married on February 22, 1967.[2] Her father then left the family; he and Virgie divorced on November 4, 1969. Virgie's oldest child, Anna Nicole's half-brother, is David Luther Tacker, Jr. (born 1966).[2] Anna Nicole was raised by her mother and aunt, Elaine (Todd) Tabers, wife of Virgie's brother, Melvin Tabers.

Virgie, who worked as a law enforcement officer in Houston for 28 years, subsequently married Donald R. Hart in 1971.[4] Their child was Donald Ray Hart, Jr. (born 1972).[2] After Virgie married Donald Hart, Anna Nicole changed her name from Vickie Hogan to Nikki Hart.[5] Virgie and Donald Hart divorced in 1983. Virgie then married Joe D. Thompson (1987, divorced 1991), James T. Sanders (1996, died 1996), and James H. Arthur (2000).

Anna Nicole's father Donald married Wanda Faye Atkinson in 1970 and had the following children: Donna Hogan (born 1971), Donald Ray Hogan (born 1973), and Amy Hogan (born 1975).[6][2] Donald and Wanda were divorced in 1978.[7] Donald married Carolyn S. Vandver in 1996.

Anna Nicole attended Durkee Elementary School and Aldine Intermediate School in Houston. When she was in the 9th grade, she was sent to live with her mother's younger sister, Kay Beall, in Mexia, Texas.[8] At Mexia High School, Anna Nicole failed her freshman year and later quit school during her sophomore year.[9]

While working as a waitress at Jim's Krispy Fried Chicken in Mexia, Anna Nicole met Billy Wayne Smith, who was a cook at the restaurant. The couple married April 4, 1985;[10] she was 17 and he was 16. The next year, she gave birth to their son, Daniel Wayne Smith. She and Billy separated in 1987 and she moved to Houston with one-year-old Daniel. They were officially divorced February 3, 1993, in Houston.[11]

Initially, Anna Nicole found employment at Wal-Mart, then as a waitress at Red Lobster. She then became an exotic dancer, and in 1991, began taking modeling and voice lessons. In October of that year, she saw an ad in the newspaper to audition for Playboy magazine.[12]



Smith's career took off after she was chosen by Hugh Hefner to appear on the cover of the March 1992 issue of Playboy, where she is listed as Vickie Smith, wearing a low-cut evening gown.[13] Smith said she planned to be "the next Marilyn Monroe".[14] Becoming one of Playboy's most popular models, Smith was heavier and larger than the typical Playboy model.[15] Smith was chosen to be the 1993 Playmate of the Year. By the time of her PMOY pictorial, she had settled on the name Anna Nicole Smith.

Smith secured a contract to replace supermodel Claudia Schiffer in the Guess jeans ad campaign in a series of sultry black and white photographs. Guess capitalized on Smith's strong resemblance to sex symbol Jayne Mansfield and put her in Jayne-inspired photo sessions. In 1993, before Christmas, she modeled for the Swedish clothing company Hennes & Mauritz H&M. She was dressed in underwear and arranged in seductive poses. She appeared on big posters in Sweden and Norway.

A photograph of Smith was used by New York magazine on the cover of its August 22, 1994 issue titled White Trash Nation. In the photo, she appears squatting in a short skirt and cowboy boots as she eats chips. In October 1994, Smith's lawyer initiated a $5,000,000 lawsuit against the magazine claiming unauthorized use of her photo and that the article had damaged her reputation. Her lawyer said that Smith was told she was being photographed to embody the "all-American-woman look", and that they wanted glamor shots. He further stated that the picture used was taken for fun during a break.[16]


Marriage to Marshall

While performing at Gigi's, a Houston strip club, in October 1991, Smith met elderly oil billionaire J. Howard Marshall and they began a relationship. During their two-year relationship, he reportedly lavished gifts on her and asked her to marry him several times.[17] She divorced her husband Billy on February 3, 1993, in Houston.[18] On June 27, 1994, Smith, 26, and Marshall, 89, married in Houston.[19] This resulted in a great deal of gossip about her marrying him for his money.[20] Though she reportedly never lived with him,[21] Smith maintained that she loved her husband, and age did not matter to her. Thirteen months after his marriage to Smith, Marshall died on August 4, 1995, in Houston.


Inheritance court cases

Within weeks of J. Howard Marshall's death, Smith and her husband's son, E. Pierce Marshall, battled over her claim for half of her late husband's US$1.6 billion estate. She temporarily joined forces with J. Howard's other son, James Howard Marshall III, whom the elder Howard had disowned. Howard III claimed J. Howard orally promised him a portion of his estate; like Smith, Howard III was also left out of J. Howard's will.[22] The case has gone on for more than a decade, producing a highly publicized court battle in Texas and several judicial decisions that have gone both for and against Smith in that time.[23]

In 1996, Smith filed for bankruptcy in California as a result of a $850,000 judgment against her for sexual harassment of an employee. As any money potentially due to her from the Marshall estate was part of her potential assets, the bankruptcy court involved itself in the matter.[24]

Smith claimed J. Howard orally promised her half of his estate if she married him. In September 2000, a Los Angeles bankruptcy judge awarded her $449,754,134. In July 2001, Houston judge Mike Wood affirmed the jury findings in the probate case by ruling that Smith was entitled to nothing and ordered Smith to pay over $1 million in fees and expenses to Pierce's legal team. The conflict between the Texas probate court and California bankruptcy court judgments forced the matter into federal court.[25]

In March 2002, a federal judge vacated the California bankruptcy court's ruling and issued a new ruling but reduced the award to $88 million. In December 2004, a three-judge panel of the U.S. 9th Circuit Court of Appeals reversed the March 2002 decision, affirming the Texas Probate jury findings that no misconduct had occurred, Smith was not one of J. Howard Marshall's heirs and that the federal courts lacked jurisdiction to overrule the probate decisions of a Texas state court.[26]

The U.S. Supreme Court decided in September 2005 to hear the appeal of that decision. The Bush administration subsequently directed the Solicitor General to intercede on Smith's behalf out of an interest to expand federal court jurisdiction over state probate disputes.[27] After months of waiting, Smith and her stepson Pierce learned of the Supreme Court's decision on May 1, 2006. The justices unanimously decided in favor of Smith; Justice Ruth Bader Ginsburg wrote the majority opinion. The decision did not give Smith a portion of her husband's estate, but affirmed her right to pursue a share of it in federal court.[28] On June 20, 2006, E. Pierce Marshall died at age 67 from an "aggressive infection". His widow, Elaine T. Marshall, now represents his estate.[29] The case has been remanded to the 9th Circuit to adjudicate the remaining appellate issues not previously resolved.

Further information: Marshall v. Marshall
After Anna's death the New York Times reported that the case over the Marshall fortune "is likely to continue in the name of Ms. Smith's infant daughter."[30]


Film and television career

Smith as Carrie Wisk in SkyscraperAlthough her film appearances in The Hudsucker Proxy and Naked Gun 33⅓: The Final Insult were highly publicized in 1994, little was done to further Smith's acting career. Her first starring role was as Colette Dubois, a retired spy seeking revenge for the murder of her husband, in the action/thriller To the Limit (1995).

Smith next starred in the action/thriller Skyscraper (1997), which she also produced, as a helicopter pilot, Carrie Wisk,[31] who lands on a high rise building and, upon learning it has been taken over by terrorists, becomes engaged in a deadly fight to save hostages.

Both films, and Smith's performances in them, were critically panned. During the course of the litigation over her late husband's estate, her career stalled. Her legal battle, her increasing weight, and her reportedly bizarre behavior made her regular fodder for late night television comedians.


In 2002, she debuted in her own reality TV series on the E! cable network, The Anna Nicole Show.[32] The series focused on her personal and private life in the manner of other reality shows, such as the ratings hit The Osbournes. One of the recurring guests on the show was interior designer Bobby Trendy of West Hollywood, CA, who often feuded with lawyer Howard K. Stern.

The debut of the The Anna Nicole Show was the highest rated series on the network, but critics blasted it and ratings dropped with each successive week. However, it achieved a cult status among some, particularly college fraternities.[14] The show was canceled in February 2004 due to "creative differences," but has retained some life in reruns and on DVD releases.

Smith's next appearance on the big screen was as herself in Wasabi Tuna (2003), about a group of friends who kidnap her dog, Sugar-Pie, on Halloween. She appeared as herself again in Be Cool (2005), a crime/comedy about the film and music industries that stars John Travolta, Uma Thurman and The Rock. In Illegal Aliens she stars as "Lucy", which she also produced, a sci-fi/comedy about beautiful space aliens saving the earth from evil.[33]

A film biography of Anna Nicole Smith's life is now in the works. The movie will document Smith's rise from exotic dancer to her reality-show-diet-spokesmodel-stardom (from her late teens until her February 2007 death at age 39). Willa Ford will star as Anna in the film.[34]


Smith as spokesperson

Anna Nicole Smith and Howard K. Stern on red carpet for the Australian MTV Video Music Awards 2005.In an interview on Late Night with Conan O'Brien, Smith was asked what her "Playmate diet" consisted of. She instantly replied, "fried chicken". In October 2003, she became a spokesperson for TrimSpa, which helped her lose a reported 69 lb (31 kg).[35]

In November 2004, she appeared at the American Music Awards to introduce a musical performance and attracted attention because of her slurred speech and behavior. During her live appearance, she threw her arms up and exclaimed, "Like my body?".[36] Smith murmured other comments and alluded to TrimSpa. The incident became comic material for presenters throughout the rest of the program.[37]

The following day, her appearance was featured in the media. Tabloids speculated that Smith was under the influence of pills or some other controlled substance. Her representatives explained that she was in pain due to a series of grueling workouts.

In March 2005, at the first MTV Australia Video Music Awards in Sydney's Luna Park, she spoofed Janet Jackson's wardrobe malfunction by pulling down her dress to reveal both breasts, each covered with the MTV logo.[38]

Smith has also been featured in advertisements for the animal rights group PETA. Spoofing Marilyn Monroe's "Diamonds Are a Girl's Best Friend" segment in Gentlemen Prefer Blondes, a 2004 ad states "Gentlemen prefer fur-free blondes."[39] Due to her support of the anti-fur movement, in particular her criticism of Canadian seal hunting, PETA began a petition in memory of Smith to the Canadian Prime Minister Stephen Harper to end the annual tradition.[40] In another ad the following year, Smith posed with her dogs in a campaign against Iams dog food for their alleged cruelty to animals, as well as the manufacturer Proctor and Gamble, and sister company Eukanuba.[41]


Personal life

Birth of daughter

Smith announced on June 1, 2006, in a video clip posted on her official website that she was pregnant. "Let me stop all the rumors," she said, while floating on an inflatable raft in a swimming pool. "Yes, I am pregnant. I'm happy, I'm very, very happy about it. Everything's goin' really, really good and I'll be checking in and out periodically on the web, and I'll let you see me as I'm growing."[42]

Though her announcement did not provide any details, in an interview with Larry King on CNN's Larry King Live after her daughter's birth and her son's death, Smith's longtime personal attorney Howard K. Stern said that he and Smith had been in a secret relationship for "a very long time" and due to the timing o the pregnancy, was confident that he was the father of the baby.[43] Her ex-boyfriend, entertainment photojournalist Larry Birkhead, steadfastly maintained that he was the baby's father and filed a lawsuit to establish paternity.[44] Smith's daughter, Dannielynn Hope Marshall Stern, was born September 7, 2006, at Doctors Hospital in Nassau, Bahamas. The Bahamian birth certificate records the father as Howard K. Stern.[45]

A judge in the United States ordered that DNA tests be performed to determine the biological father of Dannielynn. Following Smith's death, Debra Opri, the lawyer of Larry Birkhead, asked for an emergency DNA sample to be taken from the corpse. Smith's lawyer, Ron Rale objected strongly to this request.[46] The request was denied by a judge, instead ordering Smith's body preserved until February 20.[47]

According to a story published in the New York Daily News, Donna Hogan, Smith's younger half-sister, has said that the model froze the sperm of her second husband, Marshall, prior to his death. The newspaper says Hogan wrote in her unpublished manuscript about her sister, entitled Train Wreck, that "To her family, she hinted that she had used the old man's frozen sperm, and would be giving birth to Howard Marshall's child".[48] However, the publisher of Hogan's book described the newspaper's claims as a hoax.[49] On February 9, 2007, Zsa Zsa Gabor's husband Frédéric Prinz von Anhalt said that he had a decade-long affair with Smith and could potentially be the father of her infant girl, Dannielynn.[50] Alexander Denk, a former bodyguard for Anna Nicole Smith, reportedly told the tabloid television program Extra that he had an affair with his former employer, and that it was possible he could be Dannielynn's father.[51] Mark Hatten aka Mark "Hollywood" Hatten also came forward to claim that he is the father of Anna Nicole Smith's little girl, Dannielynn.

After Smith's death, TMZ.com reported that Smith had been given a prescription for methadone under a false name while she was in her eighth month of pregnancy.[52] The Medical Board of California launched a review into the matter; the prescribing doctor, Sandeep Kapoor, said his treatment was "sound and appropriate."[53]

On April 10, 2007, a Bahamanian judge ruled Larry Birkhead, a former boyfriend, as the father of Dannielynn.[54] DNA tests had established Birkhead as the father, with 99.99% certainty. Commenting on the revelation, Birkhead stated, "I hate to be the one to tell you this but, I told you so. I'm the father...My baby's going to be coming home pretty soon."[55] Birkhead subsequently applied for an amended birth certificate listing him as the father, which paved the way for him to obtain a passport for the baby and him to leave for the United State. Howard K. Stern did not contest the DNA results or the ruling.[56] Subsequent to the ruling, Birkhead returned to the United State with the baby.[57] Virgie Arthur's appeal of the ruling was later denied and she was ordered to pay costs.[58]


Death of son

Smith's 20-year-old son, Daniel Smith, died on September 10, 2006 in his mother's hospital room while visiting her and his newborn sister.[59] After the coroner labeled the death "reserved," Smith hired forensic pathologist Cyril Wecht to perform a second autopsy.[60]

His death certificate was issued on September 21, 2006, so that he could be buried.[61] While Smith remained in the Bahamas with Dannielynn and Stern, Daniel's family in the United States, including his father, Billy Smith, gathered with friends on October 7, 2006, in Mexia, Texas, for a memorial service. Daniel was buried at Lake View Cemetery on New Providence, Bahamas, on October 19, 2006, almost six weeks after his death.[62] According to Howard K. Stern, Smith's long-time companion, she was devastated over her son's death. "Anna and Daniel were inseparable. Daniel was without question the most important person in Anna's life," Stern told Circuit Judge Larry Seidlin during his testimony in the legal battle after the model's death. "At Daniel's funeral, she had them open the coffin and tried to climb inside. She said that 'if Daniel has to be buried, I want to be buried with him,' Stern testified. "She was ready to go down with him."[63] Howard K. Stern revealed that "Anna saw herself as both mother and father to Daniel. From the time I met her, everything was for Daniel. I would say that physically, she died last week, but in a lot of ways, emotionally she died when Daniel died," he added.[64][65]

Dr. Wecht announced on Larry King Live that the autopy he performed showed that Daniel died from a lethal combination of Zoloft, Lexapro and methadone. Although he explained that methadone is used in the treatment of heroin and morphine addiction, Wecht said he had no information to make any conclusion why Daniel was using the drug. On February 8, 2007, Wecht said on Fox News that he still had no information about how Daniel obtained methadone.


Commitment ceremony with Stern

On September 28, 2006, Smith and Howard K. Stern exchanged vows and rings in an informal commitment ceremony aboard the 41-foot catamaran Margaritaville off the coast of the Bahamas. She wore a white dress and carried a bouquet of red roses, while he wore a black dress suit with white shirt. Although they pledged their love and made a commitment to be there for one another before a Baptist minister, no marriage certificate was issued and the ceremony is not legally binding.[66]

After the ceremony, they landed on the island of Sandy Kay where they had a party and celebrated with champagne and apple cider that had been brought over for the occasion by sailboat.[21]

Regarding the questionable timing of the ceremony, Smith's attorney in Nassau, stated, "They needed a little adrenaline boost because things have been so hectic and devastating in their life recently,"[67] The photos of their ceremony were sold through Getty Images to People Magazine for around $1,000,000.[68]


Residency in the Bahamas

Anna Nicole Smith and Howard K. Stern were reportedly staying in the Bahamas to avoid paternity testing of her daughter in the United States.[69] In late 2006, Smith was granted permanent resident status in the Bahamas by Immigration Minister Shane Gibson. On February 11, 2007, newspaper photographs were published showing Smith lying clothed in bed in an embrace with Gibson.[70] Opposition politicians in the Bahamas accused the minister of improper behavior.[71] Gibson resigned as a result of the controversy and claimed that the photos, taken by Stern, were innocent.[72]

The basis of Smith's permanent residency status was the claim that she owned a $900,000 mansion, which she said was given to her by a former boyfriend, real estate developer G. Ben Thompson of South Carolina. Thompson asserted that he loaned Smith the finances to purchase the property, but that she failed to repay the loan, and was attempting to regain control of the property.[73] Thompson sued to evict Smith from the property in Bahama Court, and received a default judgment against her when she failed to respond to the eviction, or appear in court on November 28, 2006.[74] Ford Shelley, son-in-law of G. Ben Thompson, claimed that methadone was found in Anna's bedroom refrigerator while the mansion was being reclaimed.[75] A photograph provided by TMZ shows a large bottle of methadone along with vials of injectable cyanocobalamin in her refrigerator.[76]


Death and funeral

On February 8, 2007, Smith was found unresponsive in room 607 at the Seminole Hard Rock Hotel and Casino in Hollywood, Florida. According to Seminole Police Chief Charlie Tiger, at 1:38 p.m. (18:38 UTC) Smith's friend and bodyguard, Maurice "Big Moe" Brighthaupt, who was a trained paramedic,[77] called the hotel front desk from her sixth floor room. The front desk in turn called security, who then called 911. At 1:45 p.m. the bodyguard administered CPR before she was rushed to Memorial Regional Hospital at 2:10 p.m and pronounced DOA at 2:49 p.m.

A phone call was released to the public on February 13, 2007 involving Seminole police and the local 911 operators, saying:

We need assistance to Room 607 at the Hard Rock. It's in reference to a white female. She's not breathing and not responsive...actually, it's Anna Nicole Smith.[78][79]

After Smith's death, various legal battles began regarding: the will, the paternity of her daughter, and her final resting place, which resulted in the delay of her burial. Smith was finally buried March 2, 2007 at Nassau's Lakeview Memorial Gardens and Mausoleum in a plot adjacent to her son, Daniel. Daniel's father reportedly wants his son exhumed and reburied in his home state of Texas.

After a seven week investigation led by Broward County Medical Examiner and Forensic Pathologist Dr. Joshua Perper in combination with the Seminole police and several independent forensic pathologists and toxicologists, Dr. Perper announced that Smith died of "combined drug intoxication" with the sleeping medication chloral hydrate as the "major component."[80] No illegal drugs were found in her system. The official report states that her death was not considered to be due to homicide, suicide, or natural causes.[81] The full investigative report has been made public and can be found online.[82] Additionally, an official copy of the autopsy report was publicly released on March 26, 2007 and can be found online.[83]

Ultimately her death was ruled an accidental drug overdose of the sedative chloral hydrate that became increasingly lethal when combined with other prescription drugs in her system, specifically 4 benzodiazepines: Klonopin (Clonazepam), Ativan (Lorazepam), Serax (Oxazepam), and Valium (Diazepam). Furthermore, she had taken Benadryl (Diphenhydramine) and Topamax (Toprimate), an anticonvulsant GABA agonist, which likely contributed to the sedative effect of chloral hydrate and the benzodiazepines.[84] Although the individual levels of any of the benzodiazepines in her system would not have been sufficient to cause death, their combination with a high dose of chloral hydrate led to her overdose. The autopsy report indicates that chloral hydrate was the "toxic/lethal" drug, but it is difficult to know if chloral hydrate ingestion would have killed her alone, since Dr. Perper indicated (in the March 26 press conference) that she had built up a tolerance to the drug and took more than the average person. He indicated that she took about 3 tablespoons, whereas the normal dosage is between 1 and 2 teaspoons. Despite rumors of methadone use due to its involvement in her son's death, Dr. Perper only found methadone in her bile, indicating that it could only have been ingested 2-3 days prior to her death and was not a contributing factor.[85] The autopsy report indicates that abscesses of buttocks (presumably from prior injections of vitamin B12 (cyanocobalamin) and human growth hormone), and viral enteritis were contributory causes of death. Tests for influenza A and B were negative.[86]

It was reported that 8 of the 11 drugs in Anna Nicole Smith's system, including the chloral hydrate, were prescribed to Howard K. Stern, not Anna Nicole. Additionally, two of the medicines were written for Alex Katz and one was written for Anna Nicole's friend and psychiatrist, Dr. Khristine Eroshevitz. Dr. Perper acknowledged that all 11 prescriptions were written by Dr. Eroshevitz herself.[87]

Anna Nicole's will, drawn up in April 2001, named her son Daniel as the sole beneficiary of her estate, specifically excluded other children, and named Howard K. Stern as the executor. It indicated personal property valued at $10,000 and real property valued at $1.8 million (with a $1.1 million mortgage) at the time of death. A petition to probate Smith's will was filed in Los Angeles County Superior Court. The petition to probate lists Larry Birkhead as a party with interest to Anna's estate.[88]
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 28 Nov, 2007 09:21 am
A new guy in town walks into a bar and reads a sign that hangs over the bar... FREE BEER! FREE BEER FOR THE PERSON WHO CAN PASS THE TEST! So the guy asks the bartender what the test is.

Bartender replies "Well, first you have to drink that whole gallon of pepper tequila, the WHOLE thing at once and you can't make a face while doing it. Second, there's a 'gator out back with a sore tooth...you have to remove it with your bare hands. Third, there's a woman up-stairs who's never had an orgasm. You gotta make things right for her." The guy says, "Well, as much as I would love free beer, I won't do it. You have to be nuts to drink a gallon of pepper tequila and then get crazier from there.

Well, as time goes on and the man drinks a few, he asks, "Wherez zat teeqeelah?"

He grabs the gallon of tequilla with both hands, and downs it with a big slurp and tears streaming down his face. Next, he staggers out back and soon all the people inside hear the most frightening roaring and thumping, then silence. The man staggers back into the bar, his shirt ripped and big scratches all over his body.

"Now" he says "Where's that woman with the sore tooth?"
0 Replies
 
Letty
 
  1  
Reply Wed 28 Nov, 2007 10:14 am
Heh, heh! Loved the funny about the TEST, hawkman. (doesn't our Raggedy have a sore tooth? Razz )

Thanks again for the great background on the celebs. I noticed that Ed Harris did a movie about Jackson Pollack, so the featured art of the day will be by him.

The She Wolf

http://z.about.com/d/gonyc/1/0/f/F/moma-26.JPG

I think, folks, we are learning to appreciate abstracts. For more information, about Mr. Pollack, see here.

Jackson Pollack
0 Replies
 
Letty
 
  1  
Reply Wed 28 Nov, 2007 12:07 pm
Incidentally, folks. Today is Bi-Polar, Jr.'s birthday. Drop by and salute that young man.

Bear cub
0 Replies
 
 

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