Hee, hee, M.D. Love it. Ain't parents demanding? Incidentally that mouse was a foil to Klondike Kat and his name was Savoir Faire and he was everywhere.
So, folks, from Michelle Branch
Turn it inside out so I can see
The part of you that's drifting over me
And when I wake you're never there
But when I sleep you're everywhere
You're everywhere
Just tell me how I got this far
Just tell me why you're here and who you are
'Cause every time I look
you're never there
And every time I sleep
you're always there
'Cause you're everywhere to me
And when I close my eyes it's you I see
You're everything I know
that makes me believe
I'm not alone
I'm not alone
I recognize the way you make me feel
It's hard to think that
you might not be real
I sense it now, the water's getting deep
I try to wash the pain away from me
Away from me
'Cause you're everywhere to me
And when I close my eyes it's you I see
You're everything I know
that makes me believe
I'm not alone
I'm not alone
I am not alone
Whoa, oh, oooh, oh
And when I touch your hand
It's then I understand
The beauty that's within
It's now that we begin
You always light my way
I hope there never comes a day
No matter where I go
I always feel you so
'Cause you're everywhere to me
And when I close my eyes it's you I see
You're everything I know
that makes me believe
I'm not alone
'Cause you're everywhere to me
And when I catch my breath
it's you I breathe
You're everything I know
that makes me believe
I'm not alone
You're in everyone I see
So tell me
Do you see me?
Oops, Victor. We were playing cat and mouse and I missed you, buddy. Yep, that's the cat all right.
And here's one from Hank Snow about the gold rush in the Yukon?
Oh! the gold rush is over so honey bye bye
Stake out your claim now on some other guy
I've wined you and dined you 'til my money is gone
But the gold rush is over and the bum's rush is on
Now when I had the money honey, things were just fine
You spent my money like I was a mine
But now you mistreat me 'cause my money is gone
So gold-diggin' Mama, you can start moving' on
You shoveled out the sweet talk when the pay dirt was big
Now all you shovel out is just a dirty dig
Well, stop digging honey 'cause you're wasting your time
This old gravy train is at the end of the line
(Repeat Chorus)
You've been out prospecting all around on the side
But this old mule now, has had his last ride
So start walkin' woman 'cause your grubstake is gone
The gold rush is over and the bum's rush is on
(Repeat Chorus)
That is he, Victor.
Making a moue at you.
Now here is one, folks, the dys and edgar ought to know.
I ride an old paint, lead an old dam,
Goin' to Montana to throw the houlihan.
Feed 'em in the coulees, and water in the draw,
Tails are all matted and their backs are all raw.
Chorus:
Ride around, little dogies, ride around them slow,
They're fiery and snuffy and a-rarin' to go.
Old Bill Jones had two daughters and a song,
One went to college, and the other went wrong.
His wife got killed in a free-for-all fight,
Still he keeps singin' from mornin' till night.
Chorus:
I've worked in your town, worked on your farm,
And all I got to show is the muscle in my arm,
Blisters on my feet, and the callous on my hand,
And I'm a-goin' to Montana to throw the houlihan.
Chorus:
When I die, take my saddle from the wall,
Put it on my pony, lead him out of his stall.
Tie my bones to his back, turn our faces to the west,
We'll ride the prairie that we loved the best.
Probably performed by every "cowboy" singer
Tonight will be fine
Sometimes I find I get to thinking of the past.
We swore to each other then our love would surely last.
You kept right on loving, I went on a fast,
now I am too thin and your love is too vast.
But I know from your eyes
and I know from your smile
that tonight will be fine,
will be fine, will be fine, will be fine
for a while.
I choose the rooms that I live in with care,
the windows are small and the walls almost bare,
there's only one bed and there's only one prayer;
I listen all night for your step on the stair.
But I know from your eyes
and I know from your smile
that tonight will be fine,
will be fine, will be fine, will be fine
for a while.
Oh, sometimes I see her undressing for me,
she's the soft naked lady love meant her to be
and she's moving her body so brave and so free.
If I've got to remember that's a fine memory.
And I know from her eyes
and I know from her smile
that tonight will be fine,
will be fine, will be fine, will be fine
for a while.
Leonard Cohen
Give that man a golden horseshoe. Wow! How did you know that, Maryland?
Here ya go.
Back in a few to listen to edgar's Leonard, folks
Letty wrote:Give that man a golden horseshoe. Wow! How did you know that, Maryland?
Here ya go.
Back in a few to listen to edgar's Leonard, folks
I Googled the first line of that song and the lyrics came up!
"I ride an old paint, lead an old dam"
Ah, your secret is out, Victor.
edgar, to be honest, I was first introduced to Leonard Cohen when I heard Suzanne. I loved it then and still love it, Texas. Your song sounds like Leonard in love. <smile>
Also like the lyrics to this one, y'all.
The Future -- 1992
The birds they sang
at the break of day
Start again,
I heard them say,
Don't dwell on what
has passed away
or what is yet to be.
The wars they will
be fought again
The holy dove
be caught again
bought and sold
and bought again;
the dove is never free.
Ring the bells that still can ring.
Forget your perfect offering.
There is a crack in everything.
That's how the light gets in.
We asked for signs
the signs were sent:
the birth betrayed,
the marriage spent;
the widowhood
of every government --
signs for all to see.
Can't run no more
with that lawless crowd
while the killers in high places
say their prayers out loud.
But they've summoned up
a thundercloud
They're going to hear from me.
Ring the bells that still can ring.
Forget your perfect offering.
There is a crack in everything.
That's how the light gets in.
You can add up the parts
but you won't have the sum
You can strike up the march,
there is no drum.
Every heart
to love will come
but like a refugee.
Ring the bells that still can ring.
Forget your perfect offering.
There is a crack in everything.
That's how the light gets in.
Press Pound
Rick Moranis
Album: The Agoraphobic Cowboy
This is hard for me to do
But I can't seem to stop myself
I know you said that we were through
And here I am
I'm calling you
Please try to understand
I see myself as your loving man
Whatever it is you think I lack
Let's talk about it
Call me back
Press 1 if you want me
Press 2 if you don't
Press 3 if you'll forgive me
Press 4 if you won't
Press 5 if you doubt me
Press 6 if you trust
Press pound if you love me
Or hang up if you must
I have an unlimited plan
I forward my calls everywhere
I check my voice-mail from the car
Or at the payphone in the bar
I'm wearing a beeper all the time
I carry a portable fax
Instant message me on the train
I get my emails from the plane
Press 1 if you re-married
Press 2 if you're gay
Press 3 if you're dating
That prick from LA
Press 5 if you're screening
Press 6 if you're dead
Press pound if you love me
Or hang up instead
I'm outside your house now
There's not even one light on
Has there been a blackout
I don't know
Is that a police car
I should go
Press 1 to press charges
Press 2 to feel my pain
Press 3 to place an order
Press 4 to restrain
Press 5 for visiting hours
Press 6 for a day pass
Press pound if you love me
You sure look good through the glass
***
Clouds so swift
Rain won't lift
Gate won't close
Railings froze
Get your mind off wintertime
You ain't goin' nowhere
Oo-ee! Ride me high
Tomorrow's the day
My bride's gonna come
Oh no, are we gonna fly
Down in the easy chair!
I don't care
How many letters they sent
Morning came and morning went
Pick up your money
And pack up your tent
You ain't goin' nowhere
Oo-ee! Ride me high
Tomorrow's the day
My bride's gonna come
Oh no, are we gonna fly
Down in the easy chair!
Buy me a flute
And a gun that shoots
Tailgates and substitutes
Strap yourself
To the tree with roots
You ain't goin' nowhere
Oo-ee! Ride me high
Tomorrow's the day
My bride's gonna come
Oh no, are we gonna fly
Down in the easy chair!
Genghis Khan
He could not keep
All his kings
Supplied with sleep
We'll climb that hill no matter how steep
Just as soon as we get the hell up to it
And Everybody says
Whoo-ee! Ride me high
Tomorrow's the day
My bride's gonna come
Oh, no are we gonna fly
Down in the easy chair!
Wow! edgar. I just found out that Rick Moranis is from Toronto, Canada.
Unusual song by him. Thank you, Texas.
dys, I took a peek, as Victor did, and found who did that song, so here's a matching poem.
Elegy
Too proud to die; broken and blind he died
The darkest way, and did not turn away,
A cold kind man brave in his narrow pride
On that darkest day, Oh, forever may
He lie lightly, at last, on the last, crossed
Hill, under the grass, in love, and there grow
Young among the long flocks, and never lie lost
Or still all the numberless days of his death, though
Above all he longed for his mother's breast
Which was rest and dust, and in the kind ground
The darkest justice of death, blind and unblessed.
Let him find no rest but be fathered and found,
I prayed in the crouching room, by his blind bed,
In the muted house, one minute before
Noon, and night, and light. the rivers of the dead
Veined his poor hand I held, and I saw
Through his unseeing eyes to the roots of the sea.
(An old tormented man three-quarters blind,
I am not too proud to cry that He and he
Will never never go out of my mind.
All his bones crying, and poor in all but pain,
Being innocent, he dreaded that he died
Hating his God, but what he was was plain:
An old kind man brave in his burning pride.
The sticks of the house were his; his books he owned.
Even as a baby he had never cried;
Nor did he now, save to his secret wound.
Out of his eyes I saw the last light glide.
Here among the liught of the lording sky
An old man is with me where I go
Walking in the meadows of his son's eye
On whom a world of ills came down like snow.
He cried as he died, fearing at last the spheres'
Last sound, the world going out without a breath:
Too proud to cry, too frail to check the tears,
And caught between two nights, blindness and death.
O deepest wound of all that he should die
On that darkest day. oh, he could hide
The tears out of his eyes, too proud to cry.
Until I die he will not leave my side.
Dylan Thomas
and this is a perfect good night song, folks.
Steppenwolf -Magic Carpet Ride
I like to dream yes, yes,
Right between my sound machine
On a cloud of sound I drift in the night
Any place it goes is right
Goes far, flies near, to the stars away from here
Well, you don't know what we can find
Why don't you come with me little girl
On a magic carpet ride
You don't know what we can see
Why don't you tell your dreams to me
Fantasy will set you free
Close your eyes girl
Look inside girl
Let the sound take you away
Last night I held Aladdin's lamp
And so I wished that I could stay
Before the thing could answer me
Well, someone came and took the lamp away
I looked around, a lousy candle's all I found
Well, you don't know what we can find
Why don't you come with me little girl
On a magic carpet ride
Well, you don't know what we can see
Why don't you tell your dreams to me
Fantasy will set you free
Close your eyes girl
Look inside girl
Let the sound take you away
Goodnight, everyone.
From Letty with love
Everybody`s going out and having fun
Im just a fool for staying home and having none.
I cant get over how she set me free.
Oh, lonesome me.
A bad mistake im making `bout just hangin `round
I know that I should have some fun and paint the town
A lovesick fool is blind and just cant see
oh, lonesome me.
Ill bet shes not like me.
She`s out and fancy free,
Flirting with the boys with all her charms
Top40db: The most accurate lyrics site on the net.
But I still love her so,
And brother don`t you know
Id welcome her right back here in my arms
Well, there must be some way that I can lose these lonesome blues
Forget about the past and find somebody new
I`ve thought of everything from A to Z
Oh, lonesome me.
Well, Ill bet she`s not like me.
She`s out and fancy free,
Flirting with the boys with all her charms
But I still love her so,
And brother don`t you know
Id welcome her right back here in my arms
Well, there must be some way that I can lose these lonesome blues
Forget about the past and find somebody new
I`ve thought of everything from A to Z
Oh, lonesome me.
Oh, lonesome me.
Don Gibson
Good morning WA2K listeners and contributors.
edgar, I know that song, but the recording artist is not familiar to me. Thanks, Texas, for the reminder.
Well, I was surprised, folks, to hear and see the familiar last evening, and it is still just as beautiful as ever.
Phantom Of The Opera - All I Ask Of You Lyrics
No more talk of darkness,
forget these wide-eyed fears;
I'm here, nothing can harm you,
my words will warm and calm you.
Let me be your freedom,
let daylight dry your tears;
I'm here, with you, beside you,
to guard you and to guide you.
Christine
Say you'll love me ev'ry waking moment;
turn my head with talk of summertime.
Say you need me with you now and always;
promise me that all you say is true,
that's all I ask of you.
Raoul
Let me be your shelter,
let me be your light;
you're safe, no one will find you,
your fears are far behind you.
Christine
All I want is freedom,
a world with no more night;
and you, always beside me,
to hold me and to hide me.
Raoul
Then say you'll share with me one love, one lifetime;
let me lead you from you solitude.
Say you need me with you, here beside you,
anywhere you go, let me go too,
that's all I ask of you.
Christine
Say you'll share with me one love, one lifetime.
Say the word and I will follow you.
Together
Share each day with me, each night, each morning.
Christine
Say you love me...
Raoul
You know I do.
Together
Love me, that's all I ask of you.
Anywhere you go let me go too
Love me...
that's all I ask of you.
Michele Lee
From Wikipedia, the free encyclopedia
Birth name Michelle Lee Dusick
Born June 24, 1942 (1942-06-24) (age 64)
Los Angeles, California, USA
Notable roles Karen Cooper Fairgate MacKenzie on
Knots Landing
Michele Lee (born on June 24, 1942) is an Tony and Emmy-nominated American singer, dancer, actress, producer, director and frequent game show panelist of the 1970s. She is best-known for her role as Karen Cooper Fairgate MacKenzie on the 1980s prime-time soap opera, Knots Landing. She also co-starred with Dean Jones in the 1968 Disney cult classic movie, The Love Bug.
Early life
She was born as Michelle Lee Dusick of Jewish heritage in Los Angeles, California, to Jack Dusick, who was a popular makeup artist for MGM Studios during the 1950s and 1960s, and to Sylvia Dusick, who was a stay-at-home mother. She had a younger brother, who's currently a district attorney. When she was in 10th grade at Alexander Hamilton High School, she tried out for a band and served as its lead singer; at the same time, she was very popular with her class and received excellent grades. She graduated from high school in 1960. After graduation, as she began her career in show business, per her parents' wishes, she dropped the name of Dusick, and the extra l of her first name, therefore becoming Michele Lee.
Stage actress
Lee began her career on television in an episode of the late 1950s sitcom The Many Loves of Dobie Gillis. When she was 18, she auditioned for the Broadway play Vintage '60. She soon began appearing in musicals, becoming a star on Broadway at the age of 19 in How to Succeed in Business Without Really Trying in the role of "Rosemary", opposite Robert Morse and the late Rudy Vallee, a role she reprised in the film version. She also appeared in more plays, such as the Los Angeles production of Parade and the Broadway productions of Bravo Giovanni and The Tale of the Allergist's Wife .
Singer
In addition to starring in Broadway plays, she also made guest appearances on a number of variety and game shows, making her debut on an episode of The Danny Kaye Show in 1963. This part led to another guest appearance on an episode of The Carol Burnett Show. As her popularity grew in the late 1960s, she was also a recording artist signed to Columbia Records. Between 1967 & 1968, she recorded 2 separate albums per year. The first album she recorded was A Taste of the Fantastic which was followed by L. David Sloane. She sang mostly in nightclubs and traveled to the famous Persian Room in New York and the Sands Hotel in Las Vegas.
Film and TV work
After she sang and starred in How to Succeed in Business Without Really Trying (1967), she became known for her roles in the films The Love Bug (1968), and The Comic (1969). Lee's movie The Love Bug became the biggest blockbuster movie of 1969. That same year, she starred in a special television production of the Jerome Kern - Otto Harbach musical, Roberta, in which she sang Smoke Gets In Your Eyes. After the birth of her son, she worked infrequently until accepting a role on Broadway in Seesaw, which netted her a Tony Award nomination in 1974. After her mother's death, she stopped working, wanting to spend time with her only son.
Charismatic 1970s actress
In addition to becoming a singer, Lee became one of the most in-demand guest actresses of the 1970s, appearing in an episode of: Marcus Welby, M.D.. The part led to other roles such as: Alias Smith and Jones, Night Gallery, Love, American Style, Fantasy Island, The Love Boat, and Disneyland, in which she reprised her role in the popular 1960s movie, The Love Bug.
Prolific 1960s/1970s game show panelist
Lee's name would proved to be even more prominent by making numerous appearances on several game shows in the 1970s, such as: Hollywood Squares, Match Game, Celebrity Sweepstakes, This Is Your Life, The Movie Game, The $25,000 Pyramid, What's My Line, The Gong Show, Snap Judgment, among many others. She appeared on a pilot of a trashy 1970s game show, Cop-Out that have never been aired.
Television work
Knots Landing
In 1979, Lee accepted an acting job after a three-year sabbatical, the leading role in Knots Landing, a spinoff of the immensely-popular, Dallas. On Knots, Lee was cast as feisty matriarch Karen Fairgate MacKenzie. Her co-stars on the show were familiar character actors Joan Van Ark and Ted Shackelford, who played Karen's best friends and neighbors, Val and Gary Ewing, who had both guest-starred on several episodes of its parent show, Dallas. The first season episodes did not receive high ratings, but CBS continued to support the show and it took off during its second season in 1980, when actress Donna Mills came on to the show as Karen's wicked sister-in-law, Abby Fairgate Cunningham.
Although Lee was having great success, her marriage to actor James Farentino was failing. She and Farentino divorced at around the same time Lee's onscreen husband, Don Murray left the show. Lee thus played a single mother on Knots at the same time she was becoming one in real-life. In 2005, Lee revealed that when her character took off her wedding ring in 1983, after a year of mourning, Lee was taking off her real life wedding band.
After Lee and Farentino divorced in 1983, she met Fred Rappaport at a party. They were married in 1987. During the fall of 1982, her character met M. Patrick "Mack" MacKenzie (Kevin Dobson), who became her television husband a year later. They would continue working together until the end of the series. As one of the leads, Lee became very popular with fans, winning the Soap Opera Digest Award for Lead Actress five times, and being nominated for an Emmy Award in 1982 for "Outstanding Lead Actress in a Drama Series." In 1983, the writers/producers of Knots Landing urged her to do a storyline based on drug dependency. She hated the script, but agreed to do the storyline. Six years later, Lee directed her first episode and continued to do so until the series ended. Lee's co-star Van Ark has publicly praised her directing skills. In 1990, Knots Landing reached a milestone with 300 episodes in the can, being second only to its parent soap, Dallas. During the 12th season, Michele Lee wrote her favorite scene from the series which is known as the "Pollyanna Speech" among fans. In this scene, the character explains how she would like to be a pollyanna, but cannot be due to the world around her.
As Knots moved into the 1990s, its popularity began to wane. The big budget that the series once had was trimmed; in the final season, the higher paid cast members were asked to appear in only 15 of the season's 19 episodes, as the budget constraints had become so that the production company couldn't afford to pay them. Lee refused and appeared in all 19 episodes that season, doing her extra four for union scale. This allowed Lee to appear in all 344 episodes of the series: a record that has not been broken by any other actress in a primetime drama to date.
Van Ark said that prior to shooting the very first episode of Knots Landing with Michele, "On the pilot episode of the show, which was a beach episode, there was a photo of the two of us, running side by side that the step photographer forgot that it always been to me a kind of template for Karen/Val and for Joan/Michele, because we were running side by side, in tandem and in stride, together." Just 14 years later, she revealed that picture on a mug to Michele, before giving it to her on the Knots Landing Block Party, before the series finale aired. Prior to Michele's real-life divorce in 1982, Joan was her caregiver. She said (while confiding in Michele), "I go by her house, pick her up, and she told me, 'On the way out, in the rain, and it rained all that day.' I'll never forget, and I hope I'd helped her that day. I'll never forget, because of all the brave things that she was doing --- I realized it was brave for anyone to make a decision like that." Due to Lee's popularity on the show, she also served as the director of Knots Landing, Joanie said in a congratulating attempt, "When she started to direct the show, because she knew those characters and she knew the show, she was of course seamless and that was wonderful, and we all expected that. Because I think Michele is a director at heart. She sees things virtually, she's got a great eye." In addition, Joanie also said that during Lee's incredible run on Knots, on all the 14 seasons she appeared on the show, "I think that Knots Landing gave Michele a platform. It's like a beautiful piece of timing the way anything and everything it is. It came at a perfect time so that she could incorporate all this energy, multi-talented ability of hers, where it proved to be a moving ground." In late 1998, she along with the rest of her Knots Landing co-stars wanted to congratulate the talented actress on being honored on the Hollywood Walk of Fame. In 2005, when being invited to a 25th Anniversary, entitled: Knots Landing: Together Again, both Lee & Van Ark, looked back at some of the past scenes, including the pillow scene which made Van Ark laughed. In the reunion, Joanie said to Michele of her character's long-running friendship that, "Heart-to-Heart, Val will spill her guts to Karen." When she asked her in the scene about retrieving the babies back to Van Ark's character, "When I got them back, do you remember the scene?," said Joan, "Me coming down the stairs with my hair all wet. And you bring the twins in and there's Lilimae (Julie Harris) getting the door."
After Knots
Knots Landing ended in 1993. Lee has since appeared in many made-for-TV movies, including a biopic of late country star Dottie West and the Knots Landing reunion special, Knots Landing: Back to the Cul-de-Sac. In 1996, she became the first woman to star in, direct, and produce a TV movie for Lifetime, Color Me Perfect. In 1998 Lee portrayed Hollywood novelist Jacqueline Susann in the television biopic Scandalous Me: The Jacqueline Susann Story. In 2004, she returned to feature films in the role of Ben Stiller's mother in Along Came Polly. She guest-starred alongside Chita Rivera in a February 2005 episode of Will & Grace. She and her son relocated to New York.
Private life
In 1963, she met actor James Farentino on the set of the theatrical play, How to Succeed in Business Without Really Trying, and in 1964 they were married. Their son David Farentino was born July 6, 1969. She lost her father Jack Dusick in 1970 from a massive heart attack. In 1976, she lost her mother, Sylvia Dusick.
Nancy Allen
From Wikipedia, the free encyclopedia
Birth name Nancy Anne Allen
Born June 24, 1950 (1950-06-24) (age 56)
New York City
Spouse(s) Brian De Palma (1979-1983)
Craig Shoemaker (1992-1998)
Randy Bailey (1998-2005)
Notable roles Chris Hargensen in Carrie
Anne Lewis in RoboCop
Liz Blake in Dressed to Kill
Nancy Allen (born June 24, 1950) is an American film actress. Her best-known films are Blow Out, Dressed to Kill and the RoboCop trilogy.
Biography
Early life
Nancy was born in New York City, the daughter of a New York City Police Lieutenant from Yonkers, New York.[1] At a young age, she trained for a dancing career at the High School of Performing Arts, and then attended Jose Quintano's School for Young Professionals.
Career
Starting her career in television commercials she gained fame when Brian De Palma, the first of her three husbands, directed her in Blow Out (1981); Dressed to Kill (1980); Home Movies (1979); and in Carrie (1976), where she portrayed antagonistic popular girl Chris Hargensen.
Her film and television career was active between 1973 to 2003. Other credits include a small role opposite Jack Nicholson in The Last Detail (1973), and Robert Zemeckis' first feature film I Wanna Hold Your Hand (1978).
After her divorce from De Palma, her film career went into a noticeable decline, though she did go on to co-star in RoboCop (1987), where she played the title character's durable female partner Anne Lewis. In more recent years she was prone to star in cheap straight to video movies or episodic television, she had a small but notable role in Out of Sight (1988), directed by Steven Soderbergh. She hasn't done anything major since the mid to late-1990s. Her last role to date was a guest starring spot on Law & Order: Special Victims Unit which aired in early December 2003. She was a longtime friend of actress Wendie Jo Sperber (the two starred together in I Wanna Hold Your Hand (1978) and 1941 (1979) and was deeply saddened by her death in 2005, she supported her organization that was a cancer supporting centre.
"Man Laws"
1. Under no circumstances may two men share an umbrella.
2. It is OK for a man to cry ONLY under the following Circumstances:
a) When a heroic dog dies to save its master.
b) The moment Angelina Jolie starts unbuttoning her blouse.
c) After wrecking your boss's car.
d) When she is using her teeth.
3. Any Man who brings a camera to a bachelor party may be legally killed and eaten by his buddies.
4. Unless he murdered someone in your family, you must bail a friend out of jail within 12 hours.
5. If you have known a guy for more than 24 hours, his sister is off limits forever unless you actually marry her.
6. Moaning about the brand of free beer in a friend's fridge is forbidden. However, complain at will if the temperature is unsuitable.
7. No man shall ever be required to buy a birthday present for another man. In fact, even remembering your friend's birthday is strictly optional. At that point, you must celebrate at a strip bar of the birthday boy's choice.
8. On a road trip, the strongest bladder determines pit stops, not the weakest.
9. When stumbling upon other guys watching a sporting event, you may ask the score of the game in progress, but you may never ask who is playing.
10. You may be flatulent in front of a woman only after you have brought her to climax. If you trap her head under the covers for the purpose of flatulent entertainment, she is officially your girlfriend.
11. It is permissible to drink a fruity alcohol drink only when you are sunning on a tropical beach and it is delivered by a topless model and only when it is free.
12. Only in situations of moral and/or physical peril are you allowed to kick another guy in the nuts.
13. Unless you are in prison, never fight naked.
14. Friends do not let friends wear Speedos. Ever. Issue closed.
15. If a man's fly is down, that is his problem. You did not see anything.
16. Women who claim they "love to watch sports" must be treated as spies until they demonstrate knowledge of the game and the ability to drink as much as the other sports watchers.
17. A man in the company of a hot, suggestively dressed woman must remain sober enough to fight.
18. Never hesitate to reach for the last beer or the last slice of pizza, but not both, that is just greedy.
19. If you compliment a guy on his six-pack, you had better be talking about his choice of beer.
20. Never join your girlfriend or wife in discussing a friend of yours, except if she is withholding sex pending your response.
21. Phrases that may NOT be uttered to another man while lifting weights:
a) Yeah, Baby, Push it!
b) C'mon, give me one more! Harder!
c) Another set and we can hit the showers!
22. Never talk to a man in a bathroom unless you are on equal footing: i.e., both urinating, both waiting in line, etc. For all other situations, an almost imperceptible nod is all the conversation you need.
23. It is acceptable for you to drive her car. It is not acceptable for her to drive yours.
24. Thou shalt not buy a car in the colors of brown, pink, lime green, orange or sky blue.
25. The girl who replies to the question, "What do you want for Christmas?" with "If you loved me, you would know what I want!" gets an Xbox. End of story.
26. There is no reason for guys to watch Ice Skating or Men's Gymnastics. Ever.
27. We have all heard about people having guts or balls. However, do you really know the difference between them? In an effort to keep you informed, the definition of each is listed below:
a) "GUTS" is arriving home late after a night out with the guys, being assaulted by your wife with a broom, and having the guts to say, "Are you still cleaning or are you flying somewhere?"
b) "BALLS" is coming home late after a night out with the guys smelling of perfume and beer, lipstick on your collar, slapping your wife on the ass and having the balls to say, "You are next!"
I hope this clears up any confusion,
The International Council of Man laws, Ltd
Well, folks, here's our hawkman back again. Thanks, Boston Bob, for the celeb's background, and allowing us ladies to know the "Man Laws" in advance. Don't think that we would have any problem coming up with a set of our own. <smile>
Hope our pretty pup makes it today, because we all need that face to name thing.
What a surprise to find that I know a certain song by Jeff Beck. Often we don't give the proper credit to a composer, but simply bathe in the lyrics and melody; however, listeners, I like this version of Jeff Beck's "Morning Dew" much better.
Walk me out in the morning dew my honey,
Walk me out in the morning dew today.
I can't walk you out in the morning dew my honey,
I can't walk you out in the morning dew today.
I thought I heard a baby cry this morning,
I thought I heard a baby cry today.
You didn't hear no baby cry this morning,
You didn't hear no baby cry today.
Where have all the people gone my honey,
Where have all the people gone today.
There's no need for you to be worrying about all those people,
You never see those people anyway.
I thought I heard a young man born this morning,
I thought I heard a young man born today,
I thought I heard a young man born this morning,
I can't walk you out in the morning dew today.
Walk me out in the morning dew my honey,
Walk me out in the morning dew today.
I'll walk you out in the morning dew my honey,
I guess it doesn't really matter anyway,
I guess it doesn't matter anyway,
I guess it doesn't matter anyway,
I guess it doesn't matter anyway,
Guess it doesn't matter anyway
The Grateful Dead
