106
   

WA2K Radio is now on the air

 
 
Letty
 
  1  
Reply Mon 18 Jun, 2007 04:55 am
Well, edgar, it's much easier to sing than The Star Spangled Banner. We should have kept that in poetic form.

What a surprise to find out the Francis Scott Key and F. Scott Fitzgerald were related.

Been searching all morning for the songs of Jimmy Smith, folks, and what a surprise to find out that he and Kenny Burrell did stuff together.

Love this one by guitarist Kenny.

Here's That Rainy Day

Maybe
I should have saved
Those leftover dreams
Funny
But here's that rainy day
Here's that rainy day
They told me about
And I laughed at the thought
That it might turn out this way
Where is that worn out wish
That I threw aside
After it brought my love so near
Funny how love becomes
A cold rainy day
Funny
That rainy day is here

It's funny
How love becomes
A cold rainy day
Funny
That rainy day is here

Great chord changes on that one, listeners.
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 05:40 am
Jeanette MacDonald
From Wikipedia, the free encyclopedia



Birth name Jeanette Anna MacDonald
Born June 18, 1903
Philadelphia, Pennsylvania, USA
Died January 14, 1965
Houston, Texas, USA

Jeanette MacDonald (June 18, 1903 - January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (Love Me Tonight, The Merry Widow) and Nelson Eddy (Naughty Marietta, Rose Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, two nominated for Best Picture Oscars, and recorded extensively, earning three Gold Records. She later appeared in grand opera, concerts, radio, and television. MacDonald was one of most influential sopranos of the 20th century, introducing grand opera to movie-going audiences and inspiring a generation of singers.





Early Years

Jeanette Anna MacDonald was born June 18 1903 at her family's Philadelphia home at 5123 Arch Street. She was the youngest of the three daughters of Daniel and Anna Wright MacDonald. At an early age, the fledgling prima donna graduated from tap dancing in front of the mirror to dancing lessons with Al White, and from imitating her mother's opera records to singing lessons with Wassil Leps. She eagerly performed at church and school functions, and began touring in kiddie shows.


Broadway

In November of 1919, MacDonald joined her older sister, Blossom, in New York and landed a job in the chorus of Ned Wayburn's The Demi-Tasse Revue, a musical entertainment presented between films at the Capital Theatre on Broadway. (This revue introduced George Gershwin's song "Swanee.") In 1920 she appeared in two musicals, Jerome Kern's Night Boat, as a chorus replacement, and Irene, on the road, as the second female lead. (Future film star Irene Dunne played the title role during part of the tour.) In 1921, MacDonald played in Tangerine, as one of the "Six Wives." In 1922, MacDonald was a featured singer in a Greenwich Village revue, Fantastic Fricassee. Good press notices brought her a role in The Magic Ring (1923). MacDonald played the second female lead in this long-running musical which starred the famous Mitzi [Hajos]. In 1925, MacDonald again had the second female lead opposite Queenie Smith in Tip Toes, a George Gershwin hit show. The following year found her still in a second female lead in Bubblin' Over (1926), a musical version of Brewster's Millions. MacDonald finally landed the starring role in Yes, Yes, Yvette (1927). Planned as a sequel to producer H.H. Frazee's No, No, Nanette, the show toured extensively but failed to please the critics when it arrived on Broadway. MacDonald also played the lead in her next two plays: Sunny Days (1928), her first show for producers Lee and J.J. Shubert, for which she received rave reviews, and Angela (1928), which the critics panned. Her last play was Boom Boom (1929), with her name above the title. (The cast included young Archie Leach, who later changed his name to Cary Grant.)

While MacDonald was appearing in Angela, film star Richard Dix spotted her and had her screen-tested for his film Nothing but the Truth. But the Shuberts wouldn't let her out of her contract to appear in the film, which starred Dix and Helen Kane, the "Boop-boop-a-doop girl." In 1929, famed film director Ernst Lubitsch was looking through old screen tests of Broadway performers and spotted MacDonald. He cast her as the leading lady in his first sound film, The Love Parade, which starred the continental sensation Maurice Chevalier. Fortunately, both she and this first of her 29 feature films were enormous hits.


Motion Pictures

The Paramount Years

In the first rush of sound films, 1929-30, MacDonald starred in 6 films, the first 4 for Paramount Studios. Her first was The Love Parade (1929), directed by Lubitsch and co-starring Chevalier, a landmark of early sound films. The film received a Best Picture nomination. MacDonald's first recordings were two hits from the score: "Dream Lover" and "March of the Grenadiers." The Vagabond King (1930), was a lavish 2-strip Technicolor film version of Rudolf Friml's hit 1925 operetta. Broadway star Dennis King reprised his role as 15th-century French poet François Villon and MacDonald was Princess Katherine. She sang "Some Day" and "Only a Rose." U.C.L.A. own the only known color print of this production. Paramount on Parade (1930) was a Paramount all-star revue. All studios issued similar mammoth sound revues to introduce their formerly silent stars, now talking and singing, to the public. MacDonald's footage singing a duet of "Come Back to Sorrento" with Nino Martini was cut from the release print. Let's Go Native (1930), was a desert island comedy directed by Leo McCarey, co-starring Jack Oakie and Kay Francis. Monte Carlo (1930) was another highly regarded Lubitsch classic, with British musical star Jack Buchanan as a count who disguises himself as a hairdresser to woo a scatterbrained countess (Macdonald). MacDonald introduced "Beyond the Blue Horizon" which she recorded three times during her career.

In hopes of producing her own films, MacDonald went to United Artists to make The Lottery Bride (1930). Despite music by Rudolf Friml, it was one of the glut of really bad musicals that turned the public against the genre. MacDonald next signed a 3-picture deal with Fox. Oh, for a Man! (1930) was more successful; MacDonald portrays a temperamental opera singer who sings Wagner's "Liebestod" and falls for an Irish burglar played by Reginald Denny. Don't Bet on Women (1931) is a non-musical drawing room comedy in which playboy Edmund Lowe bets his happily married friend Roland Young that he can seduce Young's wife (MacDonald). Annabelle's Affairs (1931), was a delightful farce with MacDonald as a sophisticated New York playgirl who doesn't recognize her own miner husband, played by Victor MacLaglen, when he turns up 5 years later. Highly praised by reviewers at the time, only one reel survives of this film.

MacDonald took a break from Hollywood in 1931 to embark on a European concert tour. She returned to Paramount the following year for two films with Maurice Chevalier: One Hour with You (1932), directed by both George Cukor and Ernst Lubitsch. This film was simultaneously filmed in French with the same stars but a French supporting cast. Currently, there is no known surviving print of Une Heure près de toi ("One Hour Near You"). Rouben Mamoulian directed Love Me Tonight (1932), considered by many film critics and writers to be the ultimate film musical. Co-starring Chevalier as a humble tailor in love with Princess Jeanette, much of the story is told in sung dialogue. Richard Rodgers and Lorenz Hart wrote the original score, which included the standards "Mimi," "Lover," and "Isn't It Romantic?"


The MGM / Nelson Eddy Years

In 1933, MacDonald left again for Europe and while there, signed with MGM. Studio head Louis B. Mayer lured MacDonald to MGM where her first film was The Cat and the Fiddle (1933), a Jerome Kern Broadway hit. Her co-star was Ramon Novarro (Ben Hur), who was being eased out of the system by Mayer due to personal scandals. The plot about unmarried lovers shacking up just barely slipped through the new censorship guidelines; despite a Technicolor finale the film was not a huge success. In The Merry Widow (1934), director Ernst Lubitsch reunited Maurice Chevalier and MacDonald in a lavish and superb version of the classic 1905 Franz Lehár operetta. The film was highly regarded by critics and operetta lovers in major U.S. cities and Europe, but failed to generate much income outside urban areas. It had a huge budget, partially because it was filmed simultaneously in French, with a French supporting cast and some minor plot changes. (The French version is less politically satirical.) Identical sets and costumes were used for La Veuve Joyeuse, with each scene filmed twice, first in one language, then the other.

Naughty Marietta (1935), directed by W.S. Van Dyke, was MacDonald's first film in which she teamed with newcomer baritone Nelson Eddy. It was a huge hit. Victor Herbert's 1910 score, with songs like "Ah, Sweet Mystery of Life," "I'm Falling in Love with Someone," "'Neath the Southern Moon," "Tramp, Tramp, Tramp," and "Italian Street Song," enjoyed renewed popularity. The film won an Oscar for sound recording and received an Oscar nomination for Best Picture. It was voted one of the Ten Best Pictures of 1935 by the New York film critics, was awarded the Photoplay Gold Medal Award as Best Picture of 1935 (beating out Mutiny on the Bounty, which won the Oscar), and, in 2004, was selected to the National Registry of Films. MacDonald earned Gold Records for "Ah, Sweet Mystery of Life" and "Italian Street Song."

The following year, MacDonald starred in two of the highest-grossing films of that year. In Rose Marie (1936), she and Nelson Eddy sang Rudolf Friml's "Indian Love Call" to each other in the Canadian wilderness (actually filmed at Lake Tahoe). Eddy's definitive portrayal of the steadfast Mountie became a popular icon. When the Canadian Mounties temporarily retired their distinctive hat in 1970, photos of Eddy in his Rose Marie uniform appeared in thousands of U.S. newspapers. MacDonald plays a haughty opera diva who learns her kid brother (James Stewart) has killed a Mountie and is hiding in the northern woods; Eddy is the Mountie sent to capture him. San Francisco (1936), was also directed by W.S. Van Dyke. In this tale of the 1906 San Francisco earthquake, MacDonald played a hopeful opera singer opposite Clark Gable as the he-man proprietor of a Barbary Coast gambling joint, and Spencer Tracy as his boyhood chum who gives the moral messages. The earthquake footage is considered exemplary even today. The title song by Bronislau Kaper and Gus Kahn remains popular today and is the official song of the city. Oscar nominations included Best Picture, Best Actor (Spencer Tracy), Best Director, Best Original Story (Robert Hopkins), Best Assistant Director (Joseph Newman). On the "Ten Best" lists of the New York Film Critics and Film Daily. Winner of Photoplay's Gold Medal Award, 1936.

In the summer of 1936, filming began on Maytime, co-starring Nelson Eddy, Frank Morgan and Paul Lukas, produced by Irving Thalberg. After Thalberg's untimely death in September, the production was shut down and the half-finished film was scrapped. A new script was filmed with a different storyline and supporting actors (including John Barrymore). The 'second' Maytime (1937), was the top-grossing film worldwide of the year and is regarded as one of the best film musicals of the 1930s. "Will You Remember" by Sigmund Romberg brought MacDonald another Gold Record. Maytime's powerful climactic scene still draws gasps of horror when the film plays in theaters today.

The Firefly (1937), was MacDonald's first solo-starring film at MGM with her name alone above the title. With real-life Americans rushing to fight in the ongoing revolution in Spain, this historical vehicle was constructed around a previous revolution in Napoleanic times. Rudolf Friml's 1912 stage score was borrowed and a new song, "The Donkey Serenade," added. MacDonald's co-star was Allan Jones. The MacDonald-Eddy team had split after MacDonald's engagement and marriage to Gene Raymond, but neither of their solo films grossed as much as the team films and by the fall of 1937, MGM was barraged with outraged fan mail. The Girl of the Golden West (1938) was the result, but the two stars had little screen time together and the main song, "Obey Your Heart," was never sung as a duet. The film had an original score by Sigmund Romberg and reused the popular David Belasco stage plot (also employed by opera composer Giacomo Puccini for La Fanciulla del West.


Mayer had promised MacDonald the studio's first Technicolor feature and he delivered with Sweethearts (1938), co-starring Eddy. In contrast to the previous film, the co-stars were relaxed onscreen and singing frequently together. This box office smash hit integrated Victor Herbert's 1913 stage score into a modern backstage story scripted by Dorothy Parker. MacDonald and Eddy played a husband and wife Broadway musical comedy team who are offered a Hollywood contract. Sweethearts won the Photoplay Gold Medal Award as Best Picture of the Year.

After MacDonald suffered a miscarriage (Eddy's child) during the filming of Sweethearts (according to the book Sweethearts by Sharon Rich, page 237), Mayer dropped plans for the team to co-star in Let Freedom Ring, a vehicle first announced for them in 1935. Eddy made that film solo while MacDonald and Lew Ayres (Young Dr. Kildare) co-starred in Broadway Serenade (1939). They played a contemporary musical couple who clash when her career flourishes while his flounders. MacDonald's performance was subdued (Eddy married Ann Franklin during the filming) and choreographer Busby Berkeley, just hired away from Warner Bros., was called upon to tack on a bizarre, over-the-top finale in a vain effort to improve the film.

Following Broadway Serenade, MacDonald left Hollywood on a concert tour and refused to re-sign her MGM contract. Eddy starred in a second solo film, Balalaika while MacDonald's manager was summoned from London to help her renogotiate. After initially insisting she film Smilin' Through with James Stewart and Robert Taylor, MacDonald finally relented and agreed to film The New Moon (1940) with Eddy. New Moon proved one of MacDonald's most popular films. Composer Sigmund Romberg's 1927 Broadway hit provided the plot and the songs: "Lover, Come Back to Me," "One Kiss," and "Wanting You," plus Eddy's rousing "Stout Hearted Men." This was followed by Bitter Sweet (1940), a Technicolor film version of Noël Coward's 1929 stage operetta.

Smilin' Through (1941) was MacDonald's next Technicolor project. This 1919 stage play had been filmed a number of times. Its theme of reunion with deceased loved ones was enormously popular after the devastation of World War I, and MGM reasoned that it should resonate with filmgoers during World War II. MacDonald played a dual role?-Moonyean, a Victorian girl accidentally murdered by a jealous lover, and Kathleen, her niece, who falls in love with the son of the murderer. The original co-stars, James Stewart and Robert Taylor, dropped out to help in the military effort and were replaced by Brian Aherne and Gene Raymond. Public domain music was used.

I Married an Angel (1942), was adapted from the sophisticated Rodgers & Hart stage musical about an angel who loses her wings on her wedding night. The script by Anita Loos suffered serious censorship cuts during filming that made the result less successful. MacDonald sang "Spring Is Here" and the title song. It was the final film made by the team of MacDonald and Eddy. After a falling-out with Mayer, Eddy bought out his MGM contract (with one film left to make) and went to Universal, where he signed a million-dollar, two-picture deal. MacDonald remained for one last film, Cairo (1942), a cheaply-budgeted spy comedy co-starring Robert Young (Father Knows Best) and Ethel Waters, who played MacDonald's singing maid.


The Final Years

MacDonald followed Eddy to Universal, where they were scheduled to make one film together after he finished Phantom of the Opera (1943). Macdonald marked time by appearing as herself in Follow the Boys (1944), an all-star extravaganza about Hollywood stars entertaining the troops. The more than 40 guest stars included Marlene Dietrich, W.C. Fields, Sophie Tucker and Orson Welles. MacDonald is shown during an actual concert singing "Beyond the Blue Horizon," and in a studio-filmed sequence singing "I'll See You in My Dreams" to a blinded soldier.

After MacDonald and Eddy left MGM in 1942, they appeared frequently on radio together while planning several unrealized films that would have reunited them onscreen. Eddy was upset at how his first film turned out at Universal so their joint project at that studio fell through. They next sought independent financing for team projects like East Wind and Crescent Carnival, a book optioned by MacDonald. Other thwarted projects were The Rosary, a 1910 best seller (which Nelson Eddy pitched for a team comeback at MGM), The Desert Song and a remake of The Vagabond King, plus two movie treatments written by Eddy, "Timothy Waits for Love" and "All Stars Don't Spangle." In 1954 Eddy pulled out of yet another proposed team film to be made in England when he learned MacDonald was investing her own funds. He had invested in 1944's Knickerbocker Holiday, and had lost money.

MacDonald returned solo to MGM after 5 years off the screen for two films. Three Daring Daughters (1948), co-starred José Iturbi as her love interest. Jeanette plays a divorcée whose lively daughters (Jane Powell, Ann E. Todd, and Elinor Donahue) keep trying to get her back with her ex, while she has secretly remarried. "The Dickey Bird" song made the Hit Parade. The Sun Comes Up (1949), teamed two of MGM's most successful female stars, Jeanette MacDonald and Lassie, in a melodramatic enlargement of a touching short story by Marjorie Kinnan Rawlings. MacDonald played a widow who has also lost her son, but warms to orphan Claude Jarman Jr. (of The Yearling fame). It was her final film.

An annual poll of film exhibitors listed Jeanette MacDonald as one of the ten top box-office draws of 1936, and many of her films were among the top 20 moneymakers of the years they were released. During her 39-year career, Jeanette MacDonald earned two stars in the Hollywood Walk of Fame (for films and recordings) and planted her diminutive feet in the wet cement in front of Grauman's Chinese Theater.


Concerts

Starting in 1931 and continuing through the 1950s, MacDonald did regular concert tours between films. Her first European tour was in 1931, where she sang in both France and England. Her first American concert tour was in 1939, immediately after the completion of Broadway Serenade and Nelson Eddy's marriage. After that she, like him, did frequent U.S. tours between films. She sang several times at the Hollywood Bowl and Carnegie Hall.

When America joined World War II in 1942, MacDonald was one of the founders of the Army Emergency Relief and raised funds on concert tours. She auctioned off encores for donations and raised over $100,000 for the troops. President Roosevelt, who considered MacDonald and Eddy two of his favorite film stars, awarded her a medal. She also did command performances at the White House for both Presidents Harry Truman and Dwight Eisenhower.


Recordings

MacDonald recorded more than 90 songs during her career, working exclusively for RCA-Victor in the United States. She also did some early recordings for HMV in England and France while she was there on a concert tour in 1931. She earned three Gold Records, one for an LP album that she did with Nelson Eddy in 1957.

Critic J. Peter Bergman writes of her work: "Whether singing the sophisticated, brittle, and edgy songs from her Paramount films with Chevalier or the romantic exercises from her MGM operettas, Jeanette could always be relied upon to provide a mini-masterpiece. There was no need to see her to be aware of her facial expressions. They were present in her voice. You can still see them now, listening to her recordings. Even if you've never seen a filmed moment, her smile can be heard. Likewise her frown. When she rolls her eyes, it is there in her voice. Her expressive vocal gestures are far more French and much more seductive than her Philadelphia upbringing would lead us to expect."[citation needed]


Opera

Unlike Nelson Eddy, who came from grand opera to film, MacDonald in the 1940s yearned to reinvent herself in grand opera. She began training for this goal with Lotte Lehman, one of the leading opera divas of the day.

"When Jeanette MacDonald approached me for coaching lessons," wrote famous diva Lotte Lehmann, "I was really curious how a glamorous movie star, certainly spoiled by the adoration of a limitless world, would be able to devote herself to another, a higher level of art. I had the surprise of my life. There couldn't have been a more diligent, a more serious, a more pliable person than Jeanette. The lessons which I had started with a kind of suspicious curiosity, turned out to be sheer delight for me. She studied Marguerite with me?-and lieder. These were the ones which astounded me most. I am quite sure that Jeanette would have developed into a serious and successful lieder singer if time would have allowed it." (Sweethearts, page 329)

MacDonald made her opera debut singing Juliette in Roméo et Juliette in Montreal at His Majesty's Theatre (5/8 & 5/10/43), quickly repeating the role in Quebec City (5/12/43) Ottawa and Toronto. Her American debut with the Chicago Lyric Opera (11/4/44, repeated 11/11 and 11/15) was in the same role. She also sang Marguerite in Faust with the Chicago Lyric Opera. In November 1945, she did two more performances of Roméo et Juliette and one of Faust in Chicago, and two Fausts for the Cincinnati opera. On December 12 1951, she did one performance of Faust with the Philadelphia Grand Opera (Academy of Music}.

Claudia Cassidy, A well-known critic from Chicago, wrote in the Chicago Tribune: "Her Juliet [sic] is breathtakingly beautiful to the eye and dulcet to the ear." (Sweethearts, page 330). The same critic reviewed Faust: "From where I sit at the opera, Jeanette MacDonald has turned out to be one of the welcome surprises of the season...her Marguerite was better than her Juliet...beautifully sung with purity of line and tone, a good trill, and a Gallic inflection that understood Gounod's phrasing....You felt if Faust must sell his soul to the devil, at least this time he got his money's worth." (Nelson Eddy: The Opera Years, page 177)


Radio & TV

MacDonald's extensive radio career may have begun on a radio broadcast of the Publix Hour, 9/28/29. She was on the Academy Awards ceremony broadcast in 1931. She hosted her own radio show, Vicks Open House, from September 1937 to March 1938, for which she received $5,000 a week. However, the time demands of doing a weekly live radio show while filming, touring in concerts and making records proved enormously difficult, and after fainting on-air during one show, she decided not to renew her radio contract with Vicks at the end of the 26-week season. Thereafter, she stuck to guest appearances.

MacDonald appeared in condensed radio versions of many of her films on programs like Cecil B. DeMille's Lux Radio Theater, usually with Nelson Eddy, and the Railroad Hour which starred Gordon MacRae. These included The Merry Widow, Naughty Marietta, Rose Marie, Maytime, Sweethearts, Bitter Sweet, Smilin' Through, and The Sun Comes Up, plus other operettas and musicals like Victor Herbert's Mlle Modiste, Irene, The Student Prince, Tonight or Never with Melvyn Douglas, A Song for Clotilda, The Gift of the Magi, and Apple Blossoms. Other radio shows included The Prudential Family Hour, Screen Guild Playhouse and The Voice of Firestone which featured the top opera and concert singers of the time. In 1953, MacDonald sang "The National Anthem" at the inauguration of President Eisenhower, which was broadcast on both radio and TV.

MacDonald sang frequently with Nelson Eddy during the mid 1940s on several Lux Radio Theater and The Screen Guild Theater productions of their films together. She also appeared as his guest several times on his various radio shows such as The Electric Hour and The Kraft Music Hall. He was also a surprise guest when she hosted a war bonds program called Guest Star, and they sang on other WWII victory shows together. The majority of her radio work in the mid to late 1940s was with Eddy. Her 1948 Hollywood Bowl concert was also broadcast over the air, in which she used Eddy's longtime accompanist, Theodore Paxson.

MacDonald appeared on early TV, most frequently as a singing guest star. She sang on The Voice of Firestone on 11/13/50. On 11/12/52, she was the subject of Ralph Edwards' This Is Your Life. Nelson Eddy appeared as a voice from her past, singing the song he sang at her wedding to Gene Raymond. His surprise appearance brought her to tears.

On 2/2/56, she starred in Prima Donna, a TV pilot for her own series, written for her by her husband, Gene Raymond. The initial show featured guest stars Leo Durocher and Larraine Day, but it failed to find a slot.

On Playhouse 90 (3/28/57), she played Charley's real aunt to Art Carney's impersonation in "Charley's Aunt."


War Work

After the United States entered World War II in December 1941, MacDonald continued to sing in concerts and on radio, and much of her time was devoted to war work. She was one of the founders of the Women's Voluntary Services and was active with the Army Emergency Relief. She raised over $100,000 for them with benefit concerts throughout the country in the fall of 1943, for which FDR awarded her a medal. She did extensive free concerts for the military through the U.S.O, and after each of her regular "civilian" concert, she would auction off encores and donated the money to wartime charities. She was surprised to find that the song she was most often asked to sing was "Ave Maria." When she was home in Hollywood, she held open house at her home, Twin Gables, on Sunday afternoons for G.I.s. On one occasion, at the request of Lt. Ronald Reagan, she was singing for a large group of men in San Francisco who were due to ship out to the fierce fighting in the South Pacific. She closed with "The Battle Hymn of the Republic," and 20,000 voices spontaneously joined in.


Musical Theatre

In the mid-1950s, MacDonald toured in summer stock productions of Bitter Sweet and The King and I. She opened in Bitter Sweet at the Iroquois Amphitheater, Louisville, Kentucky, on July 19 1954. Her production of The King and I opened August 20 1956 at the Starlight Theatre (Kansas City). While performing there, she collapsed. Officially it was heat prostration but in fact it was a heart seizure. She began limiting her appearances and a reprisal of Bitter Sweet in 1959 was her last professional appearance.

MacDonald and her husband, Gene Raymond, toured in Ferenc Molnár's The Guardsman. The production opened at the Erlanger Theater, Buffalo, New York on January 25 1951 and played in 23 northeastern and midwestern cities until June 2 1951. Due to lackluster response, the leading role of "The Actress" was changed to "The Singer" to allow MacDonald to add some songs. While this pleased her fans, the show still closed before reaching Broadway.

MacDonald also made a few nightclub appearances. She sang and danced at the Sands and the Sahara in Las Vegas in 1953, the Coconut Grove in Los Angeles in 1954, and again at the Sahara in 1957, but she never felt entirely comfortable in the smoky atmosphere.


Marriage

On June 16 1937, Jeanette MacDonald married blond film actor (and Nelson Eddy lookalike) Gene Raymond in a traditional ceremony at Wilshire Methodist Church in Los Angeles. Her bridesmaids included Ginger Rogers and Fay Wray. Raymond was also a songwriter, and MacDonald introduced two of his songs in her concerts. In addition to the TV pilot "Prima Donna" that Raymond wrote for her, they also did a few radio shows together and toured in The Guardsman on stage. The couple showed off their New York residence in a live TV interview on Edward R. Murrow's Person to Person (10/3/58). But even with their infrequent attempts to work together, including the film Smilin' Though, the public was indifferent to them as a team as evidenced by only fair box office receipts. According to published books including Sweethearts by Sharon Rich and The Golden Girls Of MGM by Jane Ellen Wayne, Gene Raymond engaged in numerous affairs with men and their marriage was problematic. MacDonald addressed this issue in her unpublished autobiography (now published in a facsimile edition; see Controversy section). Gene's fans have always disputed these claims.


Death

MacDonald suffered in her later years with heart trouble. She worsened in 1963 and underwent an arterial transplant at Methodist Hospital in Houston, Texas. Nelson Eddy, in Australia on a nightclub tour, pleaded illness and returned to the States at word of MacDonald's surgery. After the operation she developed pleurisy and was hospitalized for two-and-a-half months. Her friends kept the news from the press until just before her release. Her large home was sold and she moved into a Los Angeles apartment that would not require so much of her energies. Gene Raymond had the adjoining apartment.

She was again stricken in 1964. Nelson Eddy was with her when she was admitted to UCLA Medical Center, where on Christmas Eve she was operated on for abdominal adhesions. She was able to go home for New Year's, but in mid-January husband Raymond flew her back to Houston. It was hoped that pioneer heart surgeon Dr. Michael DeBakey, who had recently operated successfully on the Duke of Windsor, could perform the same miracle for her. She checked in on January 12, and a program of intravenous feedings was begun to build her up for possible surgery. MacDonald died two days later on January 14, at 4:32 pm, with her husband at her bedside.

Jeanette Anna MacDonald was interred on January 18 1965 in a crypt at Forest Lawn Memorial Park in Glendale, California. Nelson Eddy, who told Jack Parr on "The Tonight Show" that "I love her," broke down when interviewed by the press the evening of her death. He survived MacDonald by two years.

A decade after MacDonald's death in 1965, Gene Raymond remarried. His second wife, a Canadian heiress, was the former Mrs. Bentley Hees. Her first name was, coincidentally, Nelson. "Nels," as she was called, died in 1995. Gene followed her on May 3 1998 and was laid to rest next to Jeanette MacDonald at Forest Lawn, Glendale, California.


Controversy

A controversy exists concerning the private lives of Jeanette MacDonald and Nelson Eddy. In the biography Sweethearts by Sharon Rich (revised edition, 2001), ISBN 0-9711998-1-7, the author presents the two stars as having a lengthy off-screen relationship that began before MacDonald dated Gene Raymond and lasted, with a few breaks, until her death. Rich was a close friend of MacDonald's older sister, actress Blossom Rock. Another biography, "Hollywood Diva" by Edward Baron Turk (1998 hardback;2000, paper edition), ISBN 0-520-21202-9 (hardback), ISBN 0-520-22539/533 (paper), denies there was any such affair. An erroneous rumor has been floated that "Hollywood Diva" is an "authorized" biography. Turk states that this was not the case, that he was the only MacDonald biographer to have interviewed Gene Raymond at length; but that neither Raymond nor anyone else vetted the book.

In MacDonald's autobiography (the 1960 typewritten manuscript published as a facsimile edition in 2004), ISBN 0-9711998-8-4, MacDonald writes: "I remember seeing Nelson for the first time and thinking he fulfilled most of my requirements in a man." (page 260) She later mentions an "attraction Nelson and I might have had for each other" prior to marrying Raymond (page 267) and also devotes several pages to marital problems immediately after her honeymoon (pages 337-99, 344) and again in the post-war years (pages 400, 412-22, 428, 431-33).


Epilogue

An editorial tribute to MacDonald in the San Diego Evening Tribune perhaps said it best: "Songs like ?'Rose Marie' and ?'Indian Love Call' espoused no great causes. There was no profound social, economic or political significance to be extracted from Maytime or Sweethearts. That was part of their appeal. They simply hinted that love and beauty and honor, however ethereal, had value and meaning...and that anyone could, for a moment at least, taste something of the ?'Sweet Mystery of Life.'"
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 05:43 am
E. G. Marshall
From Wikipedia, the free encyclopedia


Born June 18, 1914
Owatonna, Minnesota
Died August 24, 1998
Bedford, New York

E. G. Marshall (June 18, 1914 - August 24, 1998) was a two-time Emmy Award-winning American actor who co-starred in the 1957 movie 12 Angry Men. Two of his better known TV roles are those of lawyer, Lawrence Preston on The Defenders in the 1960s, and as neurosurgeon, Dr. David Craig on The Bold Ones: The New Doctors in the 1970s.




Biography

Early life

Marshall was born Everett Eugene Grunz[1] in Owatonna, Minnesota to Charles G. Grunz and Hazel Irene Cobb. He never divulged fully what 'E.G' stood for, telling most people it stood for "Everybody's Guess". It was thought to mean "Everett Eugene Grunz" or "Edda Gunnar Marshall".


Career

Marshall was the original host of the popular nightly radio drama The CBS Radio Mystery Theater (or CBSRMT), which ran on CBS radio affiliate stations across the United States between 1974 and 1982. CBSRMT was an ambitious and sustained attempt to revive the great drama of old-time radio. Each episode began with the ominous sound of a creaking door, slowly opening to invite listeners in for the evening's adventure. At the end of each show, the door would swing shut, with Marshall signing off, "Until next time, pleasant... dre-e-eams?" Marshall hosted the program for the first seven years. Failing health forced his departure in 1981, and he was replaced by actress Tammy Grimes for the final season.

Marshall also found fame playing in other television and film roles, usually as an authoritative figure. One of his best known television roles was as defense lawyer Lawrence Preston in the series The Defenders, which lasted from 1961 to 1965. He and future Brady Bunch star Robert Reed portrayed a father and son who worked in a law firm. This role garnered him two Emmy wins-one in 1962 and one in 1963. He also earned more prominence as dedicated neurosurgeon, Dr. Benjamin Craig, in The Bold Ones series, from 1969 to 1973, featuring unfamiliar actors David Hartman and John Saxon. Marshall reprised the role of Lawrence Preston for a 1997 Showtime television movie based on The Defenders called The Defenders: Payback. It featured the elder Preston and his descendants taking on legal cases in the 1990s. (Reed did not appear in the revival since he died in 1992. The movie acknowledged this absence by mentioning that Reed's character had died.) There was a second movie and plans for a series. The series was aborted after his death.


Personal life & death

Marshall was married three times. He had seven children in total, whose names include Sam, Jed, Sarah, Jill, and Degen.

He died of lung cancer in Bedford, New York, on August 24, 1998, at age 84. His grave is in the Middle Patent Rural Cemetery, located in the hamlet of Banksville, a part of the Town of North Castle, New York.
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 05:47 am
Sammy Cahn
From Wikipedia, the free encyclopedia

Sammy Cahn (June 18, 1913 - January 15, 1993) was an award-winning American lyricist, songwriter and musician, best known for his romantic lyrics to tin pan alley and Broadway songs, as recorded by Frank Sinatra, Doris Day and many others. He played the piano and violin.




Biography

Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Jewish immigrants from Poland.[1] He was married twice: first to vocalist and former Goldwyn girl Gloria Delson in 1945, with whom he had two children, and later to Virginia Basile in 1970. He changed his last name from Cohen to Kahn to avoid confusion with comic and MGM actor Sammy Cohen and again from Kahn to Cahn to avoid confusion with lyricist Gus Kahn.

He described the beginnings of his career thusly:

Lyric writing has always been a thrilling adventure for me, and something I've done with the kind of ease that only comes with joy! From the beginning the fates have conspired to help my career. Lou Levy, the eminent music publisher, lived around the corner and we met the day I was leaving my first music publisher's office. This led to a partnership that has lasted many years. Lou and I wrote "Rhythm is our business", material for Jimmy Lunceford's orchestra, which became my first ASCAP copyright. I'd been churning out "special lyrics" for special occasions for years and this helped facilitate my tremendous speed with lyric writing. Many might have written these lyrics better?-but none faster! Glen Gray and Tommy Dorsey became regular customers and through Tommy came the enduring and perhaps most satisfying relationship of my lyric writing career - Frank Sinatra.[2]

Cahn became a member of the Songwriters Hall of Fame in 1972. He later took over the presidency of that organization from his friend Johnny Mercer when Mercer became ill.[3]

He died in 1993 at the age of 79 in Los Angeles, California. He was interred in the Westwood Village Memorial Park Cemetery.


Music

He wrote lyrics for many songs, including:

Academy Award winners:
1954 - "Three Coins in the Fountain" (music by Jule Styne) introduced by Frank Sinatra in the film Three Coins in the Fountain.
1957 - "All the Way" (music by James Van Heusen) introduced by Frank Sinatra in the film The Joker Is Wild.
1959 - "High Hopes" (music by James Van Heusen) introduced by Frank Sinatra and Eddie Hodges in the film A Hole in the Head.
1963 - "Call Me Irresponsible" (music by James Van Heusen) introduced by Jackie Gleason in the film Papa's Delicate Condition.
Academy Award nominees:
1942 - "I've Heard That Song Before" (music by Jule Styne) from the film Youth on Parade.
1944 - "I'll Walk Alone" (music by Jule Styne) from the film Follow the Boys.
1945 - "Anywhere" (music by Jule Styne) from the film Tonight and Every Night.
1945 - "I Fall in Love Too Easily" (music by Jule Styne) introduced by Frank Sinatra in the film Anchors Aweigh.
1948 - "It's Magic" (music by Jule Styne) introduced by Doris Day in the film Romance on the High Seas.
1949 - "It's a Great Feeling" (music by Jule Styne) introduced by Doris Day in the film It's a Great Feeling.
1950 - "Be My Love" (music by Nicholas Brodszky) introduced by Mario Lanza and Kathryn Grayson in the film The Toast of New Orleans.
1951 - "Wonder Why" (music by Nicholas Brodszky) introduced by Jane Powell and Vic Damone in the film Rich, Young and Pretty.
1952 - "Because You're Mine" (music by Nicholas Brodszky) introduced by Mario Lanza in the film Because You're Mine.
1955 - "I'll Never Stop Loving You" (music by Nicholas Brodszky) introduced by Doris Day in the film Love Me or Leave Me.
1955 - "The Tender Trap" (music by James Van Heusen) introduced by Frank Sinatra in the film The Tender Trap.
Other well-known songs:
"Bei Mir Bist du Schoen" (English version, with Saul Chaplin)
"Come Dance With Me" (with Jimmy Van Heusen)
"Come Fly with Me" (with James Van Heusen)
"Day By Day" (with Paul Weston and Axel Stordahl)
"Five Minutes More" (with Jule Styne)
"Guess I'll Hang My Tears Out to Dry" (with Jule Styne)
"I'll Never Stop Loving You" (with Nicholas Brodzsky)
"I Should Care" (with Paul Weston and Axel Stordahl)
"I Still Get Jealous" (with Jule Styne)
"It's Been a Long, Long Time" (with Jule Styne)
"Let It Snow, Let It Snow, Let It Snow" (with Jule Styne)
"Love and Marriage" (with James Van Heusen)
"Papa, Won't You Dance With Me" (with Jule Styne)
"Please Be Kind" (with Saul Chaplin)
"Rhythm Is Our Business" (with Saul Chaplin)
"Saturday Night Is the Loneliest Night of the Week" (with Jule Styne)
"Teach Me Tonight" (with Gene DePaul)
"The Things We Did Last Summer" (with Jule Styne)
"The Secret of Christmas" (with James Van Heusen)
"Time After Time" (with Jule Styne)
"Until the Real Thing Comes Along" (with Saul Chaplin)
Over the course of his career, he was nominated for 23 Academy Awards, five Golden Globes, and an Emmy.

Broadway musicals

1947 - High Button Shoes music by Jule Styne
1965 - Skyscraper music by James Van Heusen
1966 - Walking Happy music by James Van Heusen
1970 - Look To The Lilies music by Jule Styne

Married... with Children

Cahn wrote the lyrics to "Love and Marriage," which was used as the theme song from the FOX TV show Married... with Children. The song originally debuted in a 1955 television production of Our Town, and won an Emmy Award in 1956.


Oz

Cahn contributed lyrics for two otherwise unrelated films about the Land of Oz, Journey Back to Oz (1971) and The Wizard of Oz (1982). The former were composed with James Van Heusen, the latter with Allen Byrns, Joe Hisaishi, and Yuichiro Oda.
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 05:51 am
Richard Boone
From Wikipedia, the free encyclopedia


Richard Allen Boone (June 18, 1917, Los Angeles, California - January 10, 1981) was an American actor who starred in over 50 films and was notable for his roles in Westerns. Most famously, he was the star of Have Gun, Will Travel.





Biography

Boone, a direct descendant of a brother of frontiersman Daniel Boone, and was the middle child of a well-to-do corporate lawyer. He left Stanford University prior to graduation and tried his hand at oil-rigging, bartending, painting and writing before joining the Navy in 1941. Boone served as an aviation ordnance man and saw combat on three ships in the South Pacific during World War II.

After the war he used the G.I. Bill to study acting with the Actor's Studio in New York. Serious and methodical, Boone debuted on Broadway in 1947 in the play "Medea", as well as "Macbeth" (1948) and "The Man" (1950).

In 1950, Boone made his screen debut as a Marine in Halls of Montezuma. He starred in three movies with John Wayne: The Alamo as Sam Houston, Big Jake and The Shootist.

From 1954 to 1956, Richard Boone became a familiar face when he appeared weekly as the star of Medic, receiving an Emmy nomination for Best Actor Starring in a Regular Series in 1955.

However, it was his second television show, "Have Gun, Will Travel," in which Boone became a national star with his role of Paladin. The show ran from 1957 to 1963 with Boone receiving two more Emmy nominations (1959, 1960).

During the 1960s Boone appeared regularly on other television programs. He did stints as both a guest panelist and as one of the What's My Line? Mystery Guests on the popular Sunday Night CBS-TV quiz show. On his visits to that show, he talked with host John Charles Daly about their days working together on the TV show The Front Page.

Boone also had his own anthology television show, The Richard Boone Show. Even though it only aired from 1963 to 1964, he received his fourth Emmy nomination in 1964. Along with The Danny Kaye Show and The Dick Van Dyke Show, The Richard Boone Show won a Golden Globe for Best Show in 1964.


The six foot, two inch (1.88 m) Boone continued to star in many more movies, commonly as villains, with his pock-marked face, tobacco-fuelled bass voice and sullen demeanor a gift to directors of his most notable films, The Raid (1954), Man Without a Star (1955 King Vidor), The Tall T (1957 Budd Boetticher), The Alamo (1960 John Wayne), The War Lord (1965 Franklin Schaffner), Hombre (1967 Martin Ritt), The Arrangement (1968 Elia Kazan) and The Shootist (1976 Don Seigel).

He directed the final scenes of The Night of the Following Day (1968) at the insistence of star Marlon Brando, as Brando could no longer tolerate what he considered to be the incompetence of director Hubert Cornfield. The film is generally considered the nadir of Brando's career, though it didn't hurt Boone, who as usual, was cast as the heavy.

He starred as Hec Ramsey (a turn-of-the-20th-century Western-style detective who preferred to use his brain instead of his gun) in the TV series of the same name in the early 1970s. Boone returned to The Neighbourhood Playhouse in New York ?- where he had once studied acting ?- to teach it, in the mid-1970s.

He was married three times: to Jane Hopper (1937 - 1940), Mimi Kelly (1949 - 1950), and Claire McAloon (1951), by whom he had a son, Peter.

In 1965, he came third in the Laurel Award for Best Action Performance ?- Sean Connery won first place with Goldfinger and Burt Lancaster won second place with The Train.

In his final role, he played Commodore Matthew Perry in Bushido Blade. He died soon afterward of throat cancer in St. Augustine, Florida. His ashes were scattered in the ocean off Hawaii.
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 05:53 am
Ian Carmichael
From Wikipedia, the free encyclopedia


Ian Carmichael OBE (born 18 June 1920) is an English film, stage, television and radio actor.

Carmichael was born in Hull, Yorkshire. He was educated at Scarborough College and Bromsgrove School. He acted in Betrayed (1954) at the side of Clark Gable and Lana Turner. He made his name playing the sheltered innocent in a world of crooks and shirkers in a series of classic films for the Boulting Brothers, including Private's Progress (1956), Brothers in Law (1957) and I'm All Right Jack (1959), as well as similar films for other producers like School for Scoundrels (1960). He also appeared in the Pride segment of The Magnificent Seven Deadly Sins.

During the 1960s and 1970s, he enjoyed success in television, including the sitcom, Bachelor Father, based on the story of a real-life bachelor who took on several foster children. On television he enjoyed great popularity as Bertie Wooster, opposite Dennis Price as Jeeves, in several series of The World of Wooster, based on the works of P. G. Wodehouse. In later years, he was heard on BBC radio as Galahad Threepwood, another Wodehouse creation. In the 1970s, he memorably played Lord Peter Wimsey in several drama series based on the mystery novels by Dorothy L. Sayers. He appeared on television, notably in the ITV series, The Royal as the Hospital Secretary T.J. Middleditch (2003-2006). In 1999, he appeared in the BBC mini series Wives and Daughters. He was awarded an OBE in the 2003 New Year's Honours List.


Personal life

Ian Carmichael has been married twice:

Pym McLean (1943-1983); two daughters Lee and Sally.
Kate Fenton (1992-present), novelist.
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 06:08 am
Paul McCartney
From Wikipedia, the free encyclopedia



Background information

Birth name James Paul McCartney
Also known as Paul
Born 18 June 1942 (1942-06-18) (age 65)
Liverpool, England
Genre(s) Pop-rock
Rock & roll
Classical music
Ambient music
Occupation(s) Singer, songwriter, musician, artist, activist
Instrument(s) Bass Guitar, Piano, Organ, Guitar, Drums, Percussion, Ukelele, Sitar, Mandolin, Melodica
Years active 1957 - present
Label(s) Hear Music
Parlophone Records
Capitol Records
Apple Records
CBS Records
EMI Music Group
Associated
acts The Beatles
Wings
The Fireman
Website http://www.paulmccartney.com

Sir James Paul McCartney, MBE (born 18 June 1942) is an iconic Academy Award- and Grammy Award-winning English singer, songwriter and multi-instrumentalist who first gained worldwide fame as one of the founding members of The Beatles. McCartney and John Lennon formed one of the most influential and successful songwriting partnerships and "wrote some of the most popular music in rock and roll history."[1] On leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his wife, Linda McCartney. He has worked on film scores, classical music, and ambient/electronic music; released a large catalogue of songs as a solo artist; and taken part in projects to help international charities.

McCartney is listed in Guinness World Records as the most successful musician and composer in popular-music history, with 60 gold discs and sales of 100 million singles.[2] His song "Yesterday" is listed as the most covered song in history and has been played more than 7,000,000 times on American television and radio.[3] Wings' 1977 single "Mull of Kintyre" became the first single to sell more than two million copies in the UK, and remained the UK's top seller until surpassed, in 1984, by Band Aid's "Do They Know It's Christmas?", whose participants included McCartney.

His company MPL Communications owns the copyrights to more than three thousand songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. Aside from his musical work, McCartney is a painter and an advocate for animal rights, vegetarianism, and music education; he is active in campaigns against landmines, seal culls and Third World debt. McCartney was appointed a Member of the Order of the British Empire (MBE) in 1965, and was knighted in 1997.




Early years: 1942-1957

James Paul McCartney was born in Walton General Hospital, in Liverpool, England, where his mother, Mary, had worked as a nursing sister in the maternity ward.[4] He has one brother, Michael, born 7 January 1944.[5] McCartney was baptised Roman Catholic but was raised non-denominationally: his mother was Roman Catholic, and his father, James "Jim" McCartney, was a Protestant turned agnostic.[5] Like many from Liverpool, McCartney is of Irish heritage.[6] His maternal grandfather, Owen Mohin/Mohan, was born in 1880 in Tullynamalrow, County Monaghan, Ireland, and married Mary Theresa Danher (from Toxteth, Liverpool) in 1905.[5]

In 1947, at age five, he began at Stockton Wood Road Primary school; he attended the Joseph Williams Junior School, and passed the 11-plus exam in 1953. Of the 90 children that took the exam, only three others passed, gaining all four places at the Liverpool Institute.[7] On the bus to the Institute, he met George Harrison, who lived nearby.[8] Passing the exam meant that McCartney and Harrison did not have to go to a secondary modern school, which most pupils attended until they were eligible to work. It also meant that Grammar school pupils had to find new friends?-such was the division between the school systems.[9].

In 1955, the McCartney family moved to 20 Forthlin Road (in Allerton), which is now owned by The National Trust.[10] Mary McCartney rode a bicycle to houses where she was needed as a midwife, and McCartney's earliest memory is of her leaving when it was snowing heavily.[11] On 31 October 1956, when McCartney was 14, while he was away at boy scout camp, Mary McCartney (who was a heavy smoker) died of an embolism after a mastectomy operation to stop the spread of her breast cancer.[12] The early loss of his mother later connected McCartney with John Lennon, whose mother, Julia, died when Lennon was 17.[13]

McCartney's father was a trumpet player and pianist, who had led "Jim Mac's Jazz Band" in the 1920s, and encouraged his two sons to be musical.[14] Jim had an upright piano in the front room that he bought from Harry Epstein's store, and McCartney's grandfather, Joe McCartney, played an E-flat tuba.[15][16] Jim McCartney used to point out the different instruments in songs on the radio, and often took Paul to local brass band concerts.[16] After the death of his wife, Mary, Jim McCartney gave Paul a nickel-plated trumpet, but when skiffle music became popular, McCartney swapped the trumpet for a £15 Framus Zenith (model 17) acoustic guitar.[17][18]

McCartney, being left-handed, found the Zenith impossible to play. He then saw a poster advertising Slim Whitman and realised that Whitman played left-handed, with his guitar strung the opposite way to a right-handed player.[18][19] McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and also played his father's Framus Spanish guitar when writing early songs with John Lennon.[20] He later started playing piano and wrote "When I'm Sixty-Four".[21] His father advised him to take some music lessons, which he did. But McCartney realised that he preferred to learn 'by ear' and never paid attention in music classes.[21][22]


1957-1960: The Quarrymen and the Silver Beatles


The fifteen-year-old McCartney met Lennon and the Quarrymen at the Woolton (St. Peter's church hall) fête on 6 July 1957.[23] At the start of their friendship Lennon's Aunt Mimi disapproved of McCartney because he was, she said, "working class", and called McCartney, "John's little friend".[24] McCartney's father told his son that Lennon would get him "into trouble", although he later allowed The Quarrymen to rehearse in the front room at 20 Forthlin Road.[25][26]

McCartney formed a close working relationship with Lennon and they collaborated on many songs. He convinced Lennon to allow Harrison to join the Quarrymen after Lennon's initial reluctance (because of Harrison's young age) when Lennon heard Harrison play at a rehearsal in March 1958.[27] Harrison joined the group as lead guitarist, followed by Lennon's art school friend, Stuart Sutcliffe, on bass, with whom McCartney later bickered regarding Sutcliffe's musical ability.[28][29] By May 1960, they had tried several new names, including the Silver Beetles (and played a tour with Johnny Gentle, in Scotland). The Beatles changed the name of the group for their performances in Hamburg, in August 1960.[30][31]


1960-1970: The Beatles

The Beatles were managed by Allan Williams?-starting in May 1960?-and he booked them into Bruno Koschmider's Indra club in Hamburg. McCartney's father was reluctant to let the teenage Paul go to Hamburg until Paul pointed out that he would earn two pounds and ten shillings per day. As this was more than he earned himself, Jim finally agreed.[32]

The Beatles first played at the Indra club, sleeping in small, dirty rooms in the Bambi Kino, and then moved (after the closure of the Indra) to the larger Kaiserkeller.[33] In October 1960, they left Koschmider's club and worked at the "Top Ten Club", which was run by Peter Eckhorn.[34][35] When McCartney and Pete Best went back to the Bambi Kino to get their belongings they found it in almost total darkness. As a snub to Koschmider, they found a condom, attached it to a nail on the concrete wall of their room, and set fire to it. There was no real damage, but Koschmider reported them for attempted arson. McCartney and Best spent three hours in a local jail and were deported, as was George Harrison, for working under the legal age limit.[36] Lennon's work permit was revoked a few days later and he went home by train, but Sutcliffe had a cold and stayed in Hamburg, and then flew home.[37]

The group reunited in December 1960, and on 21 March 1961, played their first of many concerts at Liverpool's Cavern club.[38][39] McCartney realised that other Liverpool bands were playing the same cover songs, which prompted him and Lennon to write more original material.[40] The Beatles returned to Hamburg in April 1961, and recorded "My Bonnie" with Tony Sheridan.[41] Sutcliffe left the band after the end of their contract, so Paul reluctantly took over bass.[42] He first played a 'Rosetti Solid 7' bass upside-down, but later bought a left-handed Höfner.[43][44] On 1 October 1961, McCartney went with Lennon (who paid for the trip) to Paris for two weeks.[45]

The Beatles were first seen by Brian Epstein at the Cavern club on 9 November 1961, and he later signed them to a management contract.[46] The Beatles' road manager, Neil Aspinall, drove them to London on 31 December 1961, where they auditioned the next day, but were rejected by Decca Records.[47] In April 1962, they went back to Hamburg to play at the Star-Club, and learned of Stuart Sutcliffe's death a few hours before they arrived.[48] The Beatles were ready to sign a record contract on 9 May 1962, with Parlophone Records?-after having been rejected by many record companies?-but Epstein sacked Pete Best before they signed the contract.[49] "Love Me Do" was released on 5 October 1962, featuring McCartney singing solo on the chorus line.[50]

All Lennon-McCartney songs on the first pressing of Please Please Me album (recorded in one day on 11 February 1963)[51] as well as the "Please Please Me" single, "From Me to You", and its B-side, "Thank You Girl", are credited to "McCartney-Lennon", but this was later changed to "Lennon-McCartney".[52] They usually needed an hour or two to finish a song, which were written in hotel rooms after a concert, at Wimpole Street, at Cavendish Avenue, or at Kenwood (John Lennon's house).[53] McCartney also wrote songs for other artists, such as Billy J. Kramer, Cilla Black, Badfinger, and Mary Hopkin -and most notably he wrote two hit songs for the group Peter & Gordon-launching their career. One song, "World Without Love", became a #1 hit in the U.K. & U.S. (Peter was the brother of Jane Asher, McCartney's girlfriend at the time)[54]

Lennon, Harrison, and Starr lived in large houses in the 'stockbroker belt' of southern England,[55] but McCartney continued to live in central London: in Jane Asher's parents' house, and then at 7 Cavendish Avenue, St John's Wood, near the Abbey Road Studios.[55] It was at Cavendish Avenue that McCartney bought his first Old English Sheepdog, Martha, which inspired the song "Martha My Dear".[56]


McCartney often went to nightclubs alone, which offered 'dining and dancing until 4.00 a.m.' and featured cabaret acts.[57] McCartney would get preferential treatment everywhere he went, which he readily accepted.[58] He even once accepted an offer from a policeman to be allowed to park McCartney's car.[57] He later visited gambling clubs after 4.00am, such as 'The Curzon House', and often saw Brian Epstein there.[59] The Ad Lib club (above the Prince Charles Theatre at 7 Leicester Place) was later opened for the emerging 'Rock and Roll' crowd of musicians, and tolerated their unusual lifestyle.[60] After the Ad Lib fell out of favour, McCartney moved on to the Scotch of St James, at 13 Masons Yard.[61] He also frequented The Bag O'Nails club at 8 Kingly Street in Soho, London, where he met Linda Eastman.[62]

The Beatles stopped touring after their last concert at Candlestick Park, San Francisco, on 29 August 1966. The other three Beatles had often talked about stopping touring, but after the Candlestick Park concert, and after having played so many concerts where they could not be heard, McCartney finally agreed that they should stop playing live concerts.[63]


"Let It Be" album cover.McCartney was the first to be involved in a musical project outside of the group, when he composed the score for the film The Family Way in 1966. The soundtrack was later released as an album (also called The Family Way), and won the Ivor Novello Award for 'Best Instrumental Theme', ahead of acclaimed jazz musician Mike Turner. McCartney wrote songs for and produced other artists, including Mary Hopkin, Badfinger, and the Bonzo Dog Band, and in 1966, he was asked by Kenneth Tynan to write the songs for the National Theatre's production of As You Like It by William Shakespeare (starring Laurence Olivier) but declined.[64]

McCartney later attempted to convince Lennon, Harrison and Starr to return to the stage, and when they had a meeting to sign a new contract with Capitol Records, McCartney suggested "Going back to our roots", to which Lennon replied, "I think you're mad!"[65] Although Lennon had quit the group in September 1969, and Harrison and Starkey had temporarily left the group at various times, McCartney was the one who publicly announced The Beatles' breakup on 10 April 1970?-one week before releasing his first solo album, McCartney.[66] The album included a press release inside with a self-written interview stating McCartney's hopes about the future. The Beatles' partnership was legally dissolved after McCartney filed a lawsuit on 31 December 1970.[67]


1970s: Paul McCartney (solo) and Wings

McCartney released his debut solo album, McCartney, in April 1970. He insisted that his wife should be involved in his musical career so that they would not be apart when he was on tour.[68] McCartney's second solo album, Ram (1971) was credited to both Paul and Linda McCartney. In August of that year McCartney formed Wings with guitarist Denny Laine and drummer Denny Seiwell (although membership in Wings would change several times during its life) and released their debut album, Wild Life. In 1972, Wings started an unplanned tour of British universities and small European venues.[69] In February of that year, they released a single called "Give Ireland Back to the Irish",[70] which was banned by the BBC.[71] Wings then embarked on the 26-date Wings Over Europe Tour.

Wings' 1973 album Red Rose Speedway spawned the band's first #1 in America, "My Love".[72] On 16 April, McCartney starred in a TV variety show called James Paul McCartney.[73] The band released Band on the Run,[74] which won two Grammy Awards[75] and is Wings' most lauded work. In October 1972, McCartney recorded the theme song for the James Bond film Live and Let Die.[69] In 1973, Wings released the single "Jet",[76] and in 1974, "Band on the Run" (the song) and "Junior's Farm".[77] A jam session ?- with Lennon and McCartney ?- was recorded in California, in 1974, and released on the bootleg A Toot and a Snore in '74. Through 1975 and 1976, Wings embarked on the ambitious Wings Over the World tour, which was released as Wings Over America.

Also in 1976, McCartney marked Buddy Holly Week in London with a celebrity party on what would have been Holly's 40th birthday. McCartney, a lifelong fan of Holly's music, acquired the publishing rights to the Buddy Holly catalogue. McCartney also bought the rights to the off-Broadway musical Grease which was later adapted into a feature film.

During a break from Wings in 1977, McCartney released the album Thrillington, an orchestral re-make of the earlier Ram album which had been recorded pre-Wings. McCartney issued the album under the pseudonym Percy "Thrills" Thrillington.

Later in 1977, Wings released "Mull of Kintyre". It stayed at #1 in the UK for nine weeks, and was the highest-selling single in the UK until 1984, when Band Aid's Do They Know It's Christmas beat its record.[71] Wings toured again in 1979, and McCartney organised the Concerts for the People of Kampuchea. McCartney's "Rockestra" theme won a Grammy award.[69] At Christmas 1979, McCartney released his (solo) "Wonderful Christmastime".[78]

Although McCartney's relationship with John Lennon was troubled, they reconciled during the 1970s.[79] McCartney would often call Lennon, but was never sure of what sort of reception he would get,[80] such as when McCartney once called Lennon and was told, "You're all pizza and fairytales!"[80] McCartney understood that he could not just phone Lennon and only talk about business, so they often talked about cats, baking bread, or babies.[81]


Solo career

1980s

In a 1980 interview, Lennon said that the last time he had seen McCartney was when they had watched the episode of Saturday Night Live (May 1976) where Lorne Michaels had made his $3,000 cash offer to get Lennon, McCartney, Harrison and Starr to reunite on the show.[82] McCartney and Lennon had seriously considered going to the studio, but were too tired.[83] On the morning of 9 December 1980, McCartney awoke to the news that Lennon had been murdered outside his Dakota building home.[84] Lennon's death created a media frenzy around the surviving members of The Beatles.[85] On the evening of 9 December, as McCartney was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for his reaction to Lennon's death. He replied, "I'm very shocked - this is terrible news," and said that he had spent the day in the studio listening to some material because he "just didn't want to sit at home."[86] When asked why, he replied, "I didn't feel like it," and added, "It's a drag, isn't it?" When published, his "drag" remark was criticized, and McCartney later regretted it. He furthermore stated that he had intended no disrespect but had just been at a loss for words, after the shock and sadness he felt over Lennon's murder.[87]

In a Playboy interview in 1984, McCartney said that he went home that night and watched the news on television?-whilst sitting with all his children?-and cried all evening. His last telephone call to John, which was just before Lennon and Yoko released Double Fantasy, was friendly. During the call, Lennon said (laughing) to McCartney, "This housewife wants a career!"[88] which referred to Lennon's "house-husband" years, while he was looking after Sean Lennon.[86] McCartney carried on recording after the death of Lennon but did not play any live concerts for some time. He explained that this was because he was nervous that he would be "the next" to be murdered.[87][89] This led to a disagreement with Denny Laine, who wanted to continue touring and subsequently left Wings, which McCartney disbanded in 1981.[89][90] Also in 1981, six months after Lennon's death, McCartney sang backup on George Harrison's tribute to Lennon, "All Those Years Ago", along with Ringo Starr.

Like McCartney before it, McCartney played every instrument on the 1980 release McCartney II, with an emphasis on synthesisers instead of guitars.[91][92] The single "Coming Up" reached #2 in Britain and #1 in the US.[93], and "Waterfalls was another UK Top 10 hit. McCartney's next album, 1982's Tug of War, reunited him with Beatles' producer George Martin[94] and Ringo Starr and featured McCartney's duet with Stevie Wonder on "Ebony and Ivory"[95] as well as his tribute to Lennon, "Here Today". Two further hit duets followed, both with Michael Jackson: "The Girl Is Mine",[95] from Jackson's Thriller album, and "Say Say Say", a single from McCartney's 1983 album "Pipes of Peace".[95]


Tug of War was a hit comeback album for McCartney.McCartney wrote and starred in the 1984 film Give My Regards to Broad Street. The film and soundtrack featured the US and UK Top 10 hit[96] "No More Lonely Nights" (and the album reached #1 in the UK), but the film did not do well commercially[97] and received a negative critical response. Roger Ebert awarded the film a single star and wrote, "You can safely skip the movie and proceed directly to the sound track".[98] Later that year, McCartney released "We All Stand Together", the title song from the animated film Rupert and the Frog Song.

In the second half of the decade McCartney would find new collaborators. Eric Stewart had appeared on McCartney's Pipes of Peace album,[99] and he co-wrote most of McCartney's 1986 album, Press to Play. The album, and its lead single, Press became minor hits.[100] McCartney returned the favour by co-writing two songs for Stewart's band, 10cc: "Don't Break the Promises" (...Meanwhile, 1992), and "Yvonne's the One" (Mirror Mirror, 1995). In 1987, EMI released All the Best!, which was the first compilation of McCartney's own songs.

In 1988, he released Снова в СССР, which was a collection of old Rock and roll hits?-written by others?-that McCartney had admired over the years. It was originally released only in the USSR, eventually receiving a general release in 1991. McCartney also began a musical partnership with the singer-songwriter Elvis Costello (Declan MacManus).[101] The resulting songs would appear on several singles and albums by both artists, notably "Veronica" from Costello's album Spike, and "My Brave Face" from McCartney's Flowers in the Dirt, both released in 1989.[102] The album reached #1 in the UK. Further McCartney/MacManus compositions for "Flowers in the Dirt" surfaced on the 1991 album Mighty Like a Rose (Costello) and 1993's Off the Ground (McCartney). In late 1989, McCartney embarked on his first concert tour since John Lennon's murder?-his first tour of the U.S. in thirteen years.


1990s

"Flaming Pie", released in 1997, represented a big comeback for McCartney and his biggest hit album in over 15 years.The 1990s saw McCartney venture into classical music. In 1991 the Royal Liverpool Philharmonic Society commissioned a musical piece by McCartney to celebrate its sesquicentennial.[103] McCartney collaborated with Carl Davis to release Liverpool Oratorio.[104] EMI Classics recorded the premiere of the oratorio and released it on a 2-CD album which topped the classical charts.[105] His next classical project to be released (in 1995) was A Leaf, a solo-piano piece played by Royal College of Music gold-medal winner Anya Alexeyev.[106] The Prince of Wales later honoured McCartney as a Fellow of The Royal College of Music.[105] Other forays into classical music included Standing Stone (1997), Working Classical (1999), and "Ecce Cor Meum" (2006).

In the early 1990s (after another world tour), McCartney reunited with Harrison and Starr to work on Apple's The Beatles Anthology documentary series. It included three double albums of alternative takes, live recordings, and previously unreleased Beatles songs, as well as a ten-hour video boxed set. Anthology 1 was released in 1995, and featured "Free as a Bird", which was the first Beatles "reunion" track, while Anthology 2, released in 1996, included "Real Love" (1996), the second and final in the reunion series. Both reunion tracks were completed by adding new music and vocal tracks to Lennon's demos from the late 1970s.

1997 was another successful year for McCartney. That year he released Flaming Pie. The album garnered the best reviews for a McCartney album since Tug of War. It debuted at #2 in the UK and the US, and was nominated in the category Album of the Year at the 1998 Grammy Awards. Later that year, McCartney was knighted as a Knights Bachelor by Queen Elizabeth II.

McCartney returned to his roots once again in 1999, recording another album of rock 'n' roll favourites from his youth titled Run Devil Run.


2000s

The year 2001 proved to be a busy and hectic one for McCartney. In May, he released Wingspan: An Intimate Portrait, a retrospective documentary that features behind-the-scenes films and photographs that Paul and Linda McCartney (who had died in 1998) took of their family and bands.[107] Interspersed throughout the 88 minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney's jacket on the back cover of his first solo album, McCartney, and was one of the producers of the documentary.[108]

Earlier in the year, McCartney worked on what would become his new album, Driving Rain, released on 12 November. Driving Rain featured many uplifting songs inspired by and written for his soon-to-be wife Heather. Clearly determined to follow the example of Run Devil Run's brisk recording pace, most of the album was recorded in two weeks, starting in February 2001. McCartney also composed and recorded the title track for the film Vanilla Sky, released later that year. The track was nominated for (but did not win) an Oscar for 'Best Original Song' [109]

On 11 September 2001, McCartney was sitting on a plane in New York City when the World Trade Center terrorist attacks occurred and was able to witness the events from his seat. Incensed at the tragedy and determined to respond, he composed "Freedom" and impulsively halted the pressing of Driving Rain so that "Freedom" could appear as a 'hidden track' (since the artwork and track listing had already been printed).

McCartney took a lead role in organising The Concert for New York City in response to the events of September 11.[110] The concert took place on 20 October 2001. A few days before the concert, McCartney was involved in a car crash at a crossroads in Long Island, New York's East Hampton resort town. He complained of back pains but did not need hospital treatment.[111]

In late 2001, McCartney was informed that his former classmate, neighbour, ex-Beatles' lead guitarist, and friend of over 45 years, George Harrison, was losing his battle with cancer. Upon Harrison's death on 29 November, McCartney told Entertainment Tonight, Access Hollywood, Extra, Good Morning America, The Early Show, MTV, VH-1 and Today that George was like his "baby brother". Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney.[112] On 29 November 2002?-on the first anniversary of George Harrison's death?-McCartney played Harrison's "Something" on a ukulele at the Concert for George.[113]

In 2002, McCartney went on another world tour, which continued through the following two years. During the tour he contributed to an album titled Good Rockin' Tonight: The Legacy Of Sun Records?-which included a version of the Elvis Presley hit "That's All Right (Mama)"?-recorded with Presley band members, Scotty Moore on lead guitar and drummer D.J. Fontana.[114] McCartney performed during the pre-game ceremonies at the NFL's Super Bowl XXXVI in 2002, and starred in the halftime show at Super Bowl XXXIX in 2005. In 2003, McCartney went to Russia to play a concert in Red Square. Vladimir Putin gave McCartney a tour of the Square, and McCartney performed a private version of "Let It Be".[115]

In what would be his first British music festival appearance, McCartney headlined the Glastonbury Festival in June 2004. [116] McCartney and festival organiser Michael Eavis picked up the NME Award on behalf of the festival, which won 'Best Live Event' in the 2005 awards.[117] McCartney performed at the main Live 8 concert on 2 July 2005, playing "Sgt. Pepper's Lonely Hearts Club Band" with U2 to open the Hyde Park event, although Ringo Starr criticised McCartney for not asking him to play.[118]

On 18 June 2006, McCartney celebrated his 64th birthday, as in "When I'm Sixty-Four". Paul Vallely noted in The Independent:

" "Paul McCartney's 64th birthday is not merely a personal event. It is a cultural milestone for a generation. Such is the nature of celebrity, McCartney is one of those people who has represented the hopes and aspirations of those born in the baby-boom era, which had its awakening in the Sixties."[119] "

McCartney joined Jay-Z and Linkin Park onstage at the 2006 Grammy Awards in a performance of "Yesterday" to commemorate the recent passing of Coretta Scott King. McCartney later noted that it was the first time he had performed at the Grammys and quipped, "I finally passed the audition", which was a reference to the John Lennon comment at the end of the Let It Be film: "I'd like to say thank you on behalf of the group and ourselves and I hope we passed the audition."[120] McCartney was nominated for another Grammy Award in 2007 for "Jenny Wren"?-a song from his critically-acclaimed 2005 album Chaos and Creation in the Backyard, which itself had been nominated as Album of the Year in 2006.[121]

On 21 March 2007, McCartney left his longtime label EMI to become the first artist signed to Starbucks's new record label, Los Angeles-based Hear Music, to be distributed by Concord Music Group. He even made an appearance via a video feed from London at the company's annual meeting.[122] "For me, the great thing is the commitment and the passion and the love of music, which as an artist is good to see. It's a new world now and people are thinking of new ways to reach the people, and that's always been my aim". [123] Press reports indicate Driving Rain producer David Kahne returning to play a part in producing the album. [124] There are also rumours about McCartney doing a UK stadium tour Summer 2007. The website Scarlet Mist features dates listed for Hampden Park in Glasgow, City of Manchester Stadium in Manchester, Wembley Stadium in London, and Kings Dock in Liverpool.

On 2 April 2007, it was reported that a man believed to be a crazed fan drove through the security fence on Paul McCartney's Peasmarsh county estate shouting that he had to "get at" the ex-Beatle. The incident echoed the 1980 murder of John Lennon and the 1999 attempted murder of George Harrison. The would-be assailant was stopped by security and arrested after leading authorities on a chase through Sussex country lanes [2][3][4]. McCartney has said that he is going to postpone his tour for Memory Almost Full until next year after his divorce case is settled [5]


Family life

McCartney was the last Beatle to marry. He had a five-year relationship with actress Jane Asher, and they were engaged to be married, until they broke up in 1968.[125] He married American photographer Linda Eastman in 1969. They had three children together, and remained married until Linda's death from breast cancer in 1998. In 2002, McCartney married former model Heather Mills and they had a child in 2003. They announced their separation in 2006.[126]

Widespread animosity towards Paul McCartney's wives was reported in 2004. "They [The British public] didn't like me giving up on Jane Asher," McCartney said. "I married a New York divorcee with a child, and at the time they didn't like that."[127]

In 2006, tapes recorded by Peter Cox?-with whom Linda McCartney had written a vegetarian cookery book before her death?-came to light. The tapes were said to be conversations with Linda discussing her marriage. McCartney reportedly paid £200,000 to Cox for possession of the tapes.[128][129]


Relationship with Jane Asher

The Beatles were performing at the Royal Albert Hall, in London, when McCartney first met British actress Jane Asher on 18 April 1963, and a photographer asked them to pose with Asher.[130] The Beatles were interviewed by Asher for the BBC, and Asher was then photographed screaming at them like a fan. McCartney later persuaded her to become his girlfriend.[131]

McCartney soon met Jane's family: Margaret, Jane's mother, who combined her life as the mother of three children with a full-time career as a music teacher, and Jane's father, Richard, who was a physician. Jane's brother, Peter, was a member of Peter and Gordon, and Jane's younger sister, Clare, was also an actress.[132] McCartney later gave "A World Without Love" to Peter and Gordon-as well as the song "Nobody I Know". Both songs became hits for the group.[133] McCartney took up residence at the Ashers' house at 57 Wimpole Street, London, and lived there for nearly three years.[134] During his time there McCartney met writers such as Bertrand Russell, Harold Pinter and Len Deighton.[135] He wrote several songs at the Ashers', including "Yesterday", and worked on songs with John Lennon in the basement music room. Jane inspired many songs, such as "And I Love Her", "You Won't See Me", and "I'm Looking Through You".[136]

On 13 April 1965, McCartney bought a £40,000 three-storey Regency house, at 7 Cavendish Avenue, London, and spent a further £20,000 renovating it. McCartney created a music room on the top floor of his house, where he worked with Lennon. He thanked the Ashers by paying for the decoration of the front of their house.[137]

On 15 May 1967, McCartney met American photographer Linda Eastman at a Georgie Fame concert at The Bag O'Nails club in London.[138] Eastman was in the UK on an assignment to take photographs of "Swinging sixties" musicians in London. McCartney and Linda later went to The Speakeasy club on Margaret Street.[139] They met again four days later at the launch party for the Sgt. Pepper album at Brian Epstein's house in Belgravia, but when her assignment was completed, Linda flew back to New York City.[140]

On 25 December 1967, McCartney and Asher announced their engagement, and she accompanied McCartney to India in February and March of 1968. Asher broke off the engagement in early 1968, after coming back from Bristol to find Paul in bed with another woman.[125]. They attempted to mend the relationship, but finally broke it off in July 1968. Jane Asher has consistently refused to publicly discuss that part of her life.[141]


Marriage to Linda Eastman



In May 1968, McCartney met Eastman again in New York, when Lennon and McCartney were there to announce the formation of Apple Corps.[142] In September, McCartney phoned Eastman and asked her to fly over to London. He later said that Eastman was the woman who "gave me the strength and courage to work again" (after the break-up of the group).[143] Six months later, McCartney and Eastman were married at a small civil ceremony (when Linda was four months pregnant with McCartney's child) at Marylebone Registry Office on 12 March 1969. Paul adopted Linda's daughter from her first marriage, Heather Louise (now a potter), and the couple had three more children together: photographer Mary Anna, fashion designer Stella Nina,[144] and musician James Louis. Paul and Linda (reportedly) spent less than a week apart during their entire marriage, interrupted only by Paul's incarceration in Tokyo on drug charges in January 1980.

Linda McCartney died in Tucson, Arizona, on 17 April, 1998.[145] McCartney denied rumours that her death was an assisted suicide.[145][146]

McCartney now has four grandchildren: Mary's two sons Arthur Alistair Donald (born 3 April 1999) and Elliot Donald (born 1 August 2002) and Stella's son Miller Alasdhair James Willis (born 25 February 2005)[147] and daughter Bailey Linda Olwyn Willis (born 8 December 2006?-the 26th anniversary of John Lennon's murder).[148]


Marriage to Heather Mills

After having sparked the interest of the tabloids about his appearances with Heather Mills at events, McCartney appeared publicly beside Miss Mills at a party in January 2000, to celebrate her 32nd birthday.[149][150] On 11 June 2002, McCartney married Mills, a former model and anti-landmines campaigner, in an elaborate ceremony at Castle Leslie in Glaslough, County Monaghan, Ireland, where more than 300 guests were invited and the reception included a vegetarian banquet.[151] In October 2003, Mills McCartney gave birth to a daughter, Beatrice Milly McCartney.[152] The baby was reportedly named after Heather's late mother Beatrice and Paul's Aunt Milly.[153]

On 29 July, 2006, British newspapers announced that Sir Paul had filed for divorce, which sparked a press furor.[154][155] A settlement was announced on 21 January 2007, but Mills' lawyers denied this.[156]


Classical music, Electronica, Film, and the Arts

During the 60s, McCartney was often seen at major cultural events, such as the launch party for The International Times, and at The Roundhouse (28 January and 4 February 1967).[157] He also delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced Paul to an array of writers and artists. McCartney later became involved in the renovation and publicising of the Indica Gallery in Mason's Yard, London?-John Lennon first met Yoko Ono at the Indica.[158][159] The Indica Gallery brought McCartney into contact with Barry Miles, whose underground newspaper, The International Times, McCartney helped to start.[160] Miles would become de facto manager of the Apple's short-lived Zapple Records label, and wrote McCartney's official biography, Many Years From Now (1998).

McCartney has also written and released several pieces of modern classical music and ambient electronica, besides writing poetry and painting. McCartney is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys. The 1837 building, which McCartney attended during his schooldays, had become derelict by the mid-1980s. On 7 June 1996, Queen Elizabeth II officially opened the redeveloped building.


Classical music

McCartney's first complete foray into classical music was the quasi-autobiographical Liverpool Oratorio (1991), a collaborative composition with Carl Davis. The Oratorio was premiered in Liverpool's Anglican Cathedral,[161] and had its North American premiere in Carnegie Hall in New York on 18 November 1991, with Davis conducting.[162] McCartney's singers and musicians included the opera singers Dame Kiri Te Kanawa, Sally Burgess,[163] Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral.[164] In 1997, McCartney made his second venture into classical music with Standing Stone, which was commissioned by EMI Records to mark EMI's 100th anniversary in the autumn of 1997. In 1999, McCartney released Working Classical.[165]

In 2000, McCartney released A Garland for Linda; a choral tribute album, with compositions from eight other contemporary composers.[166][167] The music was performed by "The Joyful Company of Singers" to raise funds for The Garland Appeal, which is a fund to aid cancer sufferers.[168]

In March 2006, McCartney finished composing a 'modern classical' musical work named Ecce Cor Meum [Behold My Heart]. It was recorded with the Academy of St. Martin in the Fields, and the boys of King's College Choir, Cambridge and Magdalen College, Oxford, and was premiered at the Royal Albert Hall in London on 3 November 2006.[169][170]. It was voted Classical Album of the Year in 2007 in the Classical Brit Awards.


Electronica

After the recording of "Yesterday" in 1965, McCartney contacted the BBC Radiophonic Workshop in Maida Vale, London, to see if they could record an electronic version of the song, but never followed it up.[171] When visiting John Dunbar's flat in London, McCartney would take along tapes he had compiled at Jane Asher's house.[172] The tapes were mixes of various songs, musical pieces and comments made by McCartney that he had Dick James make into a demo record for him.[173] He later made tape loops by recording voices, guitars and bongos on a Brenell tape machine, and splicing the various loops together. He reversed the tapes, speeded them up, and slowed them down to create the effects he wanted (which were later used on Beatles' recordings). McCartney referred to them as electronic symphonies and was heavily influenced by John Cage at the time.[174]

In the spring of 1966, McCartney rented a ground floor and basement flat from Ringo Starr at 34 Montagu Square, which was used by McCartney as a small demo studio for poets and avant-garde musicians to record in.[175] Apple Records later created their own Zapple sub-label, without McCartney's direct involvement but employing a similar aesthetic.[175]

In 1995, McCartney recorded a radio series called "Oobu Joobu"[176][177] for the American network Westwood One, which McCartney described as being "wide-screen radio".[178][179]

During the 1990s, McCartney collaborated with Youth of Killing Joke under the name of the Fireman,[180] and have released two ambient albums; Strawberries Oceans Ships Forest (in 1993) and Rushes, in 1998. In 2000, he released an album, Liverpool Sound Collage,[181] with Super Furry Animals and Youth, utilising collage and musique concrete techniques which fascinated him in the mid-1960s. Most recently, in 2005, he worked on a project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career and released under the name Twin Freaks.[182]


Film

McCartney was interested in animated films as a child, and later had the financial resources to ask Geoff Dunbar to direct a short animated film called the Rupert and the Frog Song in 1981. McCartney wrote the music and the script, was the producer, and added some of the characters voices.[183] Dunbar worked again with McCartney on an animated film about the work of French artist Honore Daumier, in 1992, which won both of them a Bafta award.[184] They also worked on Tropic Island Hum, in 1997.[185] In 1995, McCartney directed a short documentary about The Grateful Dead.[186][187]


Painting

In 1966, McCartney met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists.[188] McCartney met Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton there, and learned about art appreciation.[188] McCartney later started buying paintings by Magritte, and used Magritte's painting of an apple for the Apple Records logo.[189] He now owns Magritte's easel and spectacles.[190]

McCartney's love of painting surfaced after watching artist Willem de Kooning paint, in Kooning's Long Island barn.[191] McCartney took up painting in 1983.[192] In 1999, he exhibited his paintings (featuring McCartney's portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries.[193] The first UK exhibition of McCartney's work was opened in Bristol, England with more than 500 paintings on display. McCartney had previously believed that "only people that had been to art school were allowed to paint" - as John Lennon had.[193]

In October 2000, Yoko Ono and McCartney presented art exhibitions in New York and London. McCartney said,

" I've been offered an exhibition of my paintings at the Walker Art Gallery in Liverpool where John and I used to spend many a pleasant afternoon. So I'm really excited about it. I didn't tell anybody I painted for 15 years but now I'm out of the closet.[194][195] "


Writing and poetry

When McCartney was young, his mother read him poems and encouraged him to read books. McCartney's father was interested in crosswords and invited the two young McCartneys (Paul and his brother Michael) to solve them with him, so as to increase their "word power".[196] McCartney was later inspired - in his school years - by Alan Durband, who was McCartney's English literature teacher at the Liverpool Institute.[197] Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer's works.[198] McCartney later took his A-level exams, but passed only one subject - Art.[199][200]

In 2001 McCartney published 'Blackbird Singing', a volume of poems some of which were lyrics to his songs, and gave readings in Liverpool and New York.[201] Some of them were serious: "Here Today" (about John Lennon) and some humorous ("Maxwell's Silver Hammer").[202] In the foreword of the book, McCartney explained that when he was a teenager, he had "an overwhelming desire" to have a poem of his published in the school magazine. He wrote something "deep and meaningful", but it was rejected, and he feels that he has been trying to get some kind of revenge ever since. His first "real poem" was about the death of his childhood friend, Ivan Vaughan.[203]

In October 2005, McCartney released a children's book called High In The Clouds: An Urban Furry Tail. In a press release publicizing the book, McCartney said, "I have loved reading for as long as I can remember," singling out Treasure Island as a childhood favorite.[204] McCartney collaborated with author Philip Ardagh and animator Geoff Dunbar to write the book.[205]


Lifestyle

McCartney's lifestyle was greatly altered by his success and the income he earned. In the 60's, the new availability of the first oral contraceptive and illegal drugs changed many people's opinions?-including McCartney's?-about life, marriage, and sexual relationships.[206]


Recreational drug use

McCartney's introduction to drugs started in Hamburg, Germany. The Beatles had to play for hours, and they were often given "Prellies" (Preludin) by German customers or by Astrid Kirchherr (whose mother bought them). McCartney would usually take one, but Lennon would often take four or five.[207]


After having been introduced to cannabis, by Bob Dylan in New York, in 1964, McCartney remembered getting "very high" and giggling[208] McCartney's use of cannabis became regular, and he was quoted in the Barry Miles book as saying that any future Beatles' lyrics containing the words "high", or "grass" were written specifically as a reference to cannabis?-as was Got to Get You into My Life.[209] John Dunbar's flat at 29 Lennox Gardens, in London, became a regular hang-out for McCartney, where he talked to musicians, writers and artists, and smoked cannabis.[173]

Dick Lester said that during the filming of Help!, he overheard "two beautiful women" trying to cajole Paul into taking heroin, but McCartney refused, although he and the other Beatles occasionally smoked a spliff in the car on the way to the studio during the filming of Help!, which often made them forget their lines.[210]

In 1965, Miles introduced McCartney to hash brownies by using a recipe for hash fudge he found in the Alice B. Toklas Cookbook.[211] McCartney was introduced to cocaine by Robert Fraser, and it was available during the recording of the Sgt. Pepper album.[212][213] McCartney admitted sniffing heroin with Fraser, but did not feel any effect, and never took it again.[214]

McCartney's attitude about cannabis was made public in the 1960s, when he added his name to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma and was signed by 65 people, including The Beatles, Brian Epstein, Graham Greene, R.D. Laing, 15 doctors, and two MPs.[215] On a sailing trip to Greece in 1967 with The Beatles, McCartney said the whole band sat around and took acid, although McCartney first took it with Tara Browne, in 1966.[216][217] He took his second "trip" with Lennon on 21 March 1967 after a studio session.[218] McCartney was the first British pop star openly to admit to using LSD, in an interview in the now-defunct "Queen" magazine.[219] His admission was followed by a TV interview in the UK on Independent Television News on 19 June 1967, when McCartney was asked about his admission of LSD use:


LSD blotter sheet" I was asked a question by a newspaper, and the decision was whether to tell a lie or tell him the truth. I decided to tell him the truth ... but I really didn't want to say anything, you know, because if I had my way I wouldn't have told anyone. I'm not trying to spread the word about this. But the man from the newspaper is the man from the mass medium. I'll keep it a personal thing if he does too, you know ... if he keeps it quiet. But he wanted to spread it so it's his responsibility, you know, for spreading it, not mine. "

In spite of his statements then, and his admission (in 2004) that he had used cocaine, McCartney was not arrested by Norman Pilcher's Drug Squad, as had been Lennon, Harrison, Donovan, and several members of the Rolling Stones.[220] In 1972, however, police found cannabis plants growing on his Scottish farm.[221]

On 16 January 1980, Wings went to Tokyo for 11 concerts in Japan.[74] Whilst McCartney went through customs, officials found 7.7 ounces (218.3 g) of cannabis in his luggage.[74] He was arrested and taken to a Tokyo prison whilst the Japanese government decided what to do. McCartney had been previously denied a visa to Japan (in 1975) because he had been convicted twice in Europe for possession of cannabis.[220] Public figures called McCartney to be tried by a jury for drug-smuggling. Had he been tried and convicted, he would have faced up to seven years in prison.[74] The members of Wings cancelled the tour and left Japan. After his week in jail, McCartney was released and deported. He was told that he would not be welcome in Japan again, although a decade later he played a concert in Tokyo.[74]


Meditation

On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend 'initiation' conference.[222] McCartney said that although he does not meditate daily, he still uses the mantra that the Maharishi Mahesh Yogi gave him in Bangor.[223] The time McCartney later spent in India at the Maharishi's ashram was highly productive, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by McCartney, Lennon, or both together.[224] Although McCartney was told that he was never to repeat the mantra to anyone else, he did tell Linda McCartney,[225] and said he meditated a lot whilst he was in prison, in Japan.[223]


Activism

Paul and Linda McCartney became outspoken vegetarians and animal-rights activists. They said that their vegetarian instincts were realised when they happened to see lambs in a field as they ate a meal of lamb.[226] McCartney has also credited the 1942 Disney film Bambi - in which the young deer's mother is shot by a hunter - as the original inspiration for him to take an interest in animal rights.[227] In his first interview after Linda's death, he promised to continue working for animal rights.[228][229]

In 1999, McCartney spent £3,000,000 to make sure Linda McCartney's food range remains free of GM ingredients.[230] In 2002, McCartney gave his support to a campaign against a proposed ban on the sale of certain vitamins, herbs and mineral products in the European Union.[231] Following his marriage to Heather Mills, McCartney joined with her to campaign against landmines;[232][233] both husband and wife are patrons of Adopt-A-Minefield.[234] In 2003, he played a personal concert for the wife of a wealthy banker and donated his one million dollars to the charity.[235] He also wore an anti-landmines t-shirt on the Back in the World tour.[234]

In 2006, the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt (their final public appearance together). Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance.[236] The couple also debated with Newfoundland's Premier Danny Williams on the CNN show Larry King Live. They further stated that the fishermen should quit hunting seals and begin a seal watching business.[237] McCartney has also criticised China's fur trade,[238][239] and supports the Make Poverty History campaign.[240]

McCartney has been involved with a number of charity recordings and performances. In 2004, he donated a song to an album to aid the "US Campaign for Burma", in support of Burmese Nobel Prize winner Suu Kyi,[241] and he had previously been involved in the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of "Ferry Cross the Mersey" (released 8 May, 1989) following the Hillsborough disaster.[242][243]


Business

McCartney is today one of Britain's wealthiest men, with an estimated fortune of £760 million.[244] In addition to his interest in Apple Corps, McCartney's MPL Communications owns a significant music publishing catalogue, with access to over 25,000 copyrights.[245][246]

McCartney earned £40 million in 2003, making him Britain's highest media earner.[247] This rose to £48.5 million by 2005.[248] In the same year he joined the top American talent agency Grabow Associates, who arrange private performances for their richest clients.[249]


The Beatles Catalogue


Northern Songs was established in 1963, by Dick James, to publish the songs of Lennon/McCartney.[250] The Beatles' partnership was replaced in 1968 by a jointly-held company, Apple Corps, which continues to control Apple's commercial interests. Northern Songs was purchased by Associated TeleVision (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson's purchase and handling of Northern Songs.[251]


MPL Communications

MPL Communications is an umbrella company for McCartney's business interests, which owns a wide range of copyrights,[252] as well as the publishing rights to musicals,[253] and controls 25 subsidiary companies.[254]

In 2006, the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name "Paul McCartney" as a trademark.[255] The 2005 films, Brokeback Mountain[256] and Good Night and Good Luck, feature MPL copyrights.[257]

In addition to publishing songs, MPL also published photos from the Paul McCartney 2002-2003 World Tour. The exhibit, titled Each One Believing, contained photos taken by longtime McCartney photographer Bill Bernstein, and toured the United States as well as the UK in 2007. The photographs, which were for sale to the general public, had the signatures of Bill Bernstein as well as Paul McCartney.


Pseudonyms

Over the years, McCartney has released work under a number of pseudonyms. Prior to the success of The Beatles, McCartney would sometimes use the stage name Paul Ramone or Ramon. In 1964, McCartney wrote Peter and Gordon's first three hit singles; "A World Without Love", "Nobody I Know", and "I Don't Want To See You Again". Curious to see if their next single would sell without his name as writer, Paul wrote "Woman" for them, but credited it to 'Bernard Webb' ('A. Smith' in the U.S.). Nevertheless, it was also a hit.

In 1968 he produced the song "I'm The Urban Spaceman" by the Bonzo Dog Doo-Dah Band, and was credited as "Apollo C. Vermouth" because of contractual restrictions.[258] The band later paid tribute to him with their recording Mister Apollo, a song about an impossibly perfect body builder.

In 1974, he recorded an instrumental, "Walking in the Park with Eloise",[259] which had been written by his father. The song (with B-side, "Bridge Over The River Suite") was released on a 1974 single by the "Country Hams", which featured Wings, Floyd Cramer and Chet Atkins. Both tracks were later featured on the CD reissue of Wings at the Speed of Sound.[260]

In 1977, McCartney released Thrillington, discussed above, under the name "Percy 'Thrills' Thrillington".[261] The album was not well received, but is now a collectible item.

In 1994 he appeared as "The Fireman" (a collaboration with Youth) with the album Strawberries Oceans Ships Forest, discussed above, an album based on outtakes from his album "Off the Ground". In 1998, "The Fireman" appeared again with a second album, Rushes.


Achievements and critique

Criticism

Stella McCartney once asked her father if he was the same famous 'Paul McCartney' that she had heard about at school. He replied that there is a difference between the public McCartney and the private McCartney, who is "just this kid from Liverpool".[262]

McCartney wrote in the concert programme for his 1989 world tour that Lennon received all the credit for being the avant-garde Beatle,[160] and McCartney was known as 'baby-faced', which he disagreed with.[263] People also assumed that Lennon was the 'hard-edged one', and McCartney was the 'soft-edged' Beatle,[13] although McCartney admitted to 'bossing Lennon around.'[264]

Linda McCartney said that McCartney had a 'hard-edge'?-and not just on the surface?-which she knew about after all the years she had spent living with him.[13][265] McCartney seemed to confirm this edge when he commented that he sometimes meditates, which he said is better than "sleeping, eating, or shouting at someone".[225]

In June 1983, McCartney released "We All Stand Together" from the animated film Rupert And The Frog Song, which was commercially successful, but was widely ridiculed as being "one of the worst songs in recent years".[266]


Record-breaker

McCartney is listed in The Guinness Book Of Records[267] as the most successful musician and composer in popular music history,[268] with sales of 100 million singles and 60 gold discs.[269][270]

He has achieved twenty-nine number-one singles in the U.S., twenty of them with The Beatles, the rest with Wings and as a solo artist.[268] McCartney has been involved in more number-one singles in the United Kingdom than any other artist under a variety of credits, although Elvis Presley has achieved more as a solo artist. McCartney has achieved 24 number-ones in the U.K.: solo (1), Wings (1), with Stevie Wonder (1), Ferry Aid (1), Band Aid (1), Band Aid 20 (1) and The Beatles (17).[271] McCartney is the only artist to reach the U.K. number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Stevie Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", The Beatles), quintet ("Get Back", The Beatles with Billy Preston) and sextet ("Let It Be" with Ferry Aid).

McCartney's song "Yesterday" is the most covered song in history with more than 2,000 recorded versions[272] and has been played more than 7,000,000 times on American TV and radio, for which McCartney was given an award.[273] After its 1977 release the Wings single "Mull of Kintyre" became the highest-selling record in British chart history, and remained so until 1984.[71]

On 2 July 2005, he was involved with the fastest-released single in history. His performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8[274] was released only 45 minutes after it was performed, before the end of the concert. The single reached number six on the Billboard charts, just hours after the single's release, and hit number one on numerous online download charts across the world.[275]

McCartney played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro on 21 April, 1990,[276] and he played his 3,000th concert in front of 60,000 fans in St Petersburg, Russia, on 20 June 2004.[277] Over his career, McCartney has played 2,523 gigs with The Beatles, 140 with Wings, and 325 as a solo artist.[278]


Awards

On 12 June 1965, McCartney and the three other Beatles were appointed Members of the Order of the British Empire (MBE); they received their insignia from the Queen at an investiture at Buckingham Palace on 26 October. On 11 March 1997, he was knighted for his "services to music". He dedicated his knighthood to fellow Beatles John Lennon, George Harrison, and Ringo Starr, and to the people of Liverpool.[279]

McCartney is the only ex-Beatle to have been nominated as a solo artist for an Academy Award, for songs in the films Vanilla Sky and Live and Let Die. The Beatles won the 1970 Oscar for 'Best Original Song Score' for the film Let It Be. McCartney also received an honorary doctorate of music from the University of Sussex.

In February 1990, McCartney was awarded a Grammy Lifetime Achievement Award,[280] and, in March 1999, he was inducted into the Rock and Roll Hall of Fame as a solo artist, after having been inducted with The Beatles in 1988.

At the 1983 BRIT Awards, McCartney won the award for 'British male solo artist' and 'The Sony award for technical excellence'.

The minor planet 4148, discovered on 11 July 1983 by E. Bowell at the Anderson Mesa Station of the Lowell Observatory, was named 'McCartney' in honour of Sir Paul.[281]
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 06:12 am
Carol Kane
From Wikipedia, the free encyclopedia


Carol Kane
Born June 18, 1952
Cleveland, Ohio, USA

Carolyn Laurie Kane (born June 18, 1952, Cleveland, Ohio, USA) is an American actress.





Biography

Early life

Kane's parents are Joy, a jazz singer, dancer, and pianist, and Michael Kane, an architect, who worked for the World Bank.[1] Her family was Jewish, with her grandparents having immigrated from Russia.[2] Her parents divorced when she was twelve years old.[3] She attended the Professional Children's School in New York and made her professional theatre debut in a 1966 production of The Prime of Miss Jean Brodie, starring Tammy Grimes.[4]


Career

Kane is best-known for her portrayal of Simka Dahblitz-Gravas, wife of Latka Gravas (Andy Kaufman), on the American television series Taxi from 1981 to 1983. Kane earned two Emmy Awards for her work in the series. She was nominated for an Academy Award for Best Actress for her role in the film Hester Street. She also appeared in 1987's The Princess Bride and 1988's Scrooged with Bill Murray, in which Variety called her "unquestionably [the] pic's comic highlight".[5]

Kane was a regular on the 1990-1991 NBC series American Dreamer, guest-starred on a 1994 episode of Seinfeld and had a supporting role in the short-lived 1996-1997 sitcom Pearl, which starred Rhea Perlman.

In early 2006, Kane began a run in the Broadway musical Wicked, playing Madame Morrible, a role which she had previously played in the show's first national tour. She also appeared in the NBC television live action producton of The Year Without a Santa Clause in December 2006. She is currently (as of April 2007) playing Madame Morrible in Los Angeles.[citation needed]
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 18 Jun, 2007 06:14 am
A first grade school teacher in Virginia had twenty - five students in her class. She presented each child in her classroom the first half of a well - known proverb and asked them to come up with the remainder of the proverb.
It's hard to believe these were actually done by first graders. Their insight may surprise you. While reading, keep in mind that these are first - graders, 6 - year - olds, because the last one is a classic!

1. Don't change horses until they stop running.
2. Strike while the bug is close.
3. It's always darkest before Daylight Saving Time.
4. Never underestimate the power of termites.
5. You can lead a horse to water but How?
6. Don't bite the hand that looks dirty.
7. No news is impossible
8. A miss is as good as a Mr.
9. You can't teach an old dog new Math
10. If you lie down with dogs, you'll stink in the morning.
11. L ove all, trust Me.
12. The pen is mightier than the pigs.
13. An idle mind is the best way to relax.
14. Where there's smoke there's pollution.
15. Happy the bride who gets all the presents.
16. A penny saved is not much.
17. Two's company, three's the Musketeers.
18. Don't put off till tomorrow what you put on to go to bed.
19. L augh and the whole world laughs with you, cry and You have to blow your nose.
20. There are none so blind as Stevie Wonder.
21. Children should be seen and not spanked or grounded.
22. If at first you don't succeed get new batteries.
23. You get out of something only what you See in the picture on the box
24. When the blind lead the blind get out of the way.
25. A bird in the hand is going to poop on you.


And the WINNER and last one!

26. Better late than Pregnant
0 Replies
 
Letty
 
  1  
Reply Mon 18 Jun, 2007 06:31 am
Well, hawkman, I guess the crossed fingers worked. Glad to see that you are still up and running.

Loved those first grade finishers, Boston, and, of course, they are great because those kids are from Virginia. You're right, buddy, the last one is a real winner.

Hope that our Raggedy will appear in a poof from PA and provide us with the proofs that make your bio's a virtual pudding.

Until then, let's listen to this one, folks.

Artist: Paul McCartney / Wings Lyrics

When you were young
and your heart was an open book
You used to say live and let live
you know you did
you know you did
you know you did
But if this ever changin world
in which we live in
Makes you give in and cry
Say live and let die
Live and let die

What does it matter to ya
When ya got a job to do
Ya got to do it well
You got to give the other fella hell

You used to say live and let live
you know you did
you know you did
you know you did
But if this ever changin world
in which we live in
Makes you give in and cry
Say live and let die
Live and let die
0 Replies
 
Raggedyaggie
 
  1  
Reply Mon 18 Jun, 2007 08:10 am
http://www.datair.com/images/poof.JPG

http://img.search.com/c/c1/Jeanette_MacDonald.jpghttp://www.macatim.de/images/marshall.jpghttp://i.biblio.com/b/639m/36532639-0-m.jpg
http://www.whirligig-tv.co.uk/tv/children/westerns/paladin.jpghttp://content.answers.com/main/content/wp/en/a/ac/9tailors.JPG
http://g8.undercoverhd.com/imgsresized/article/060716paulmccartney05.jpghttp://entimg.msn.com/i/150/Movies/Actors3/Kane_SV253353377_150x200.jpg

http://www.datair.com/images/poof.JPG
0 Replies
 
Letty
 
  1  
Reply Mon 18 Jun, 2007 08:49 am
I love it, folks. Our Raggedy is priceless, no? I always knew she had a mite of legerdemain in that camera. Thank you, oh magic one, for the great photo's.

Well, listeners, we're looking at Jeanette, E.G., Sammy, Paladin, Lord Wimsey(hbg will love that one) Paul and Carol. Marvelous septet today, PA.

Here's one that I love from Sammy, folks.

Linda Ronstadt

I Fall In Love Too Easily
Lyrics for Album: Hummin' To Myself

I fall in love too easily
I fall in love too fast
I fall in love too terribly hard
For love to ever last
My heart should be well-schooled
'Cause I been fooled in the past
But still I fall in love too easily
I fall in love too fast

I fall in love too easily
I fall in love too fast
I fall in love too terribly hard
For love to ever last
My heart should be well-schooled
'Cause I been fooled in the past
But still I fall in love too easily
I fall in love too fast

Almost as brief as that four liner by Mr. Dylan.
0 Replies
 
edgarblythe
 
  1  
Reply Mon 18 Jun, 2007 04:59 pm
Richard Boone was one of my all time favorite actors. He didn't always have the best of parts, but I loved to watch him perform.

Have gun will travel reads the card of a man
A knight without armor in a savage land
His fast gun for hire heeds the calling wind
A soldier of fortune is a man called Paladin
Paladin Paladin where do you roam Paladin Paladin far far from home

He travels on to wherever he must
A chess knight of silver is his badge of trust
There are campfire legends that the plainsmen sing
Of a man with the gun of the man called Paladin
Paladin Paladin where do you roam Paladin Paladin far far from home
Far far from home far far from home


Johnny Western
0 Replies
 
Letty
 
  1  
Reply Mon 18 Jun, 2007 05:10 pm
I liked Richard Boone as well, edgar, and Carol Kane was funny in Scrooged. Remember that one, Texas.

Love this song from the movie:

Put A Little Love In Your Heart
(Annie Lennox duet with Al Green)


Think of your fellow man
Lend him a helping hand
Put a little love in your heart

You see it's getting late
Oh please don't hesitate
Put a little love in your heart

And the world will be a better place
And the world will be a better place
For you and me
You just wait and see

Another day goes by
And still the children cry
Put a little love in you heart
If you want the world to know
We won't let hatred grow
Put a little love in your heart

And the world will be a better place
And the world will be a better place
For you and me
You just wait and see
Wait and see

Take a good look around
And if you're lookin' down
Put a little love in your heart

I hope when you decide
Kindness will be your guide
Put a little love in your heart

And the world will be a better place
And the world will be a better place
For you and me
You just wait and see

Put a little love in your heart
Put a little love in your heart
Put a little love in your heart
Put a little love in your heart
Put a little love in -
Put a little love in your heart...
0 Replies
 
edgarblythe
 
  1  
Reply Mon 18 Jun, 2007 05:26 pm
The Lonesome Death of Hattie Carroll

William Zanzinger killed poor Hattie Carroll
With a cane that he twirled around his diamond ring finger
At a Baltimore hotel society gath'rin'.
And the cops were called in and his weapon took from him
As they rode him in custody down to the station
And booked William Zanzinger for first-degree murder.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.

William Zanzinger, who at twenty-four years
Owns a tobacco farm of six hundred acres
With rich wealthy parents who provide and protect him
And high office relations in the politics of Maryland,
Reacted to his deed with a shrug of his shoulders
And swear words and sneering, and his tongue it was snarling,
In a matter of minutes on bail was out walking.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.

Hattie Carroll was a maid of the kitchen.
She was fifty-one years old and gave birth to ten children
Who carried the dishes and took out the garbage
And never sat once at the head of the table
And didn't even talk to the people at the table
Who just cleaned up all the food from the table
And emptied the ashtrays on a whole other level,
Got killed by a blow, lay slain by a cane
That sailed through the air and came down through the room,
Doomed and determined to destroy all the gentle.
And she never done nothing to William Zanzinger.
But you who philosophize disgrace and criticize all fears,
Take the rag away from your face.
Now ain't the time for your tears.

In the courtroom of honor, the judge pounded his gavel
To show that all's equal and that the courts are on the level
And that the strings in the books ain't pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught 'em
And that the ladder of law has no top and no bottom,
Stared at the person who killed for no reason
Who just happened to be feelin' that way without warnin'.
And he spoke through his cloak, most deep and distinguished,
And handed out strongly, for penalty and repentance,
William Zanzinger with a six-month sentence.
Oh, but you who philosophize disgrace and criticize all fears,
Bury the rag deep in your face
For now's the time for your tears.




Bob Dylan
0 Replies
 
Letty
 
  1  
Reply Mon 18 Jun, 2007 05:46 pm
My God, folks. That song that edgar just played is a true ballad and event.

http://nonblog.typepad.com/the_nonbloggish_blog/images/hattie_carroll.jpg

William Zanzinger must have been a real jerk, Texas.
0 Replies
 
hamburger
 
  1  
Reply Mon 18 Jun, 2007 07:32 pm
it's a beautiful summernight on lake ontario - not a cloud in the dark-blue sky , the 1/4 moon and stars show perfectly .
the right time for :

Quote:
CARAVAN

Duke Ellington, Wes Montgomery

Night and stars above that shine so bright
The myst'ry of their fading light
That shines upon our caravan

Sleep upon my shoulder as we creep
Across the sand so I may keep
The mem'ry of our caravan

This is so exciting
You are so inviting
Resting in my arms
As I thrill to the magic charms

Of you beside me here beneath the blue
My dream of love is coming true
Within our desert caravan!

by Juan Tizol & Irving Mills

0 Replies
 
edgarblythe
 
  1  
Reply Mon 18 Jun, 2007 07:47 pm
Poetry In Motion
Johnny Tillotson

[Words and Music by Paul Kaufman and Mike Anthony]

When I see my baby
What do I see
Poetry
Poetry in motion

Poetry in motion
Walkin' by my side
Her lovely locomotion
Keeps my eyes open wide

Poetry in motion
See her gentle sway
A wave out on the ocean
Could never move that way

I love every movement
And there's nothing I would change
She doesn't need improvement
She's much too nice to rearrange

Poetry in motion
Dancing close to me
A flower of devotion
A swaying gracefully

Whoa
Whoa, whoa, whoa, whoa, whoa
Whoa, whoa, whoa, whoa, whoa
Whoa, whoa, whoa, whoa, whoa
Whooooooooa

Poetry in motion
See her gentle sway
A wave out on the ocean
Could never move that way

I love every movement
There's nothing I would change
She doesn't need improvement
She's much too nice to rearrange

Poetry in motion
All that I adore
No number-nine love potion
Could make me love her more

Whoa
Whoa, whoa, whoa, whoa, whoa
Whoa, whoa, whoa, whoa, whoa
Whoa, whoa, whoa, whoa, whoa
0 Replies
 
hamburger
 
  1  
Reply Mon 18 Jun, 2007 07:54 pm
to give letty a good start for tuesday !
a cole porter tune for her :

Quote:
Artist Name - Cole Porter
Song Lyrics - It's De-lovely




I feel a sudden urge to sing the kind of ditty that invokes the Spring
So, control your desire to curse while I crucify the verse
This verse I've started seems to me the 'Tin Pan-tithesis' of melody
So to spare you all the pain, I'll skip the darn thing and sing the refrain

The night is young, the skies are clear
And if you want to go walkin', dear
It's delightful, it's delicious, it's de-lovely

I understand the reason why
You're sentimental, 'cause so am I
It's delightful, it's delicious, it's de-lovely

You can tell at a glance what a swell night this is for romance
You can hear, dear Mother Nature murmuring low 'Let yourself go'

So please be sweet, my chickadee, and when I kiss ya, just say to me
It's delightful, it's delicious, it's delectable, it's delirious,
It's dilemma, it's de limit, it's deluxe, it's de-lovely

Time marches on, and soon it's plain
You've won my heart and I've lost my brain.
It's delightful, it's delicious, it's de-lovely.

Life seems to sweet that we decide
It's in the bag to get unified.
It's delightful, it's delicious, it's de-lovely.

See the crowd in that church, see the proud parson plopped on his perch.
Get the sweet beat of that organ sealing our doom. 'Here goes the groom, boom!'

How they cheer and how they smile as we go galloping down that aisle.
It's divine, dear. It's diveen, dear. It's de-wunderbar. It's de victory.
It's de valoop. It's de vinner. It's de voiks. It's de-lovely.

The knot is tied and so we take
A few hours off to eat wedding cake.
It's delightful, it's delicious, it's de-lovely.

It feels so fine to be a bride and how's the groom?
Why, he slightly fried.
It's delightful, it's delicious, it's de-lovely.

To the pop of champagne off we hop in our plush little plane,
'Till a bright light through the darkness cozily calls, 'Niag'ra Falls.'

All's well, my love, our day's complete, and what a beautiful bridal suite.
It's de-reamy. It's de-rowsy. It's de-reverie. It's de-rhapsody.
It's de-regal. It's de-royal. It's de-Ritz. It's de-lovely.

We settle down as man and wife
To solve the riddle called married life.
It's delightful, it's delicious, it's de-lovely.



Quote:
0 Replies
 
Letty
 
  1  
Reply Mon 18 Jun, 2007 07:56 pm
hbg, Thank goodness you found the words to that wonderful song. Bud's friend, a wonderful trumpet player, did that so well. I heard a tape of it but just the instrumental. Starts out in a minor key; goes to major at the bridge then back to minor. Love it.

Just finished watching an old, but excellent and spooky movie called The Uninvited. The theme from that will be my goodnight song.

This version by Ray Charles

Stella by Starlight

The song a robin sings,

Through years of endless springs,

The murmur of a brook at evening tide.

That ripples by a nook where two lovers hide.



That great symphonic theme,

That's Stella by starlight,

And not a dream,

My heart and I agree,

She's everything on Earth to me.



The murmur of a brook at evening tide.

That ripples by a nook where two lovers hide.



That great symphonic theme,

That's Stella by starlight,

And not a dream,

My heart and I agree,

She's everything on Earth to me.


Goodnight, my friends

From Letty with love
0 Replies
 
 

Related Topics

WA2K Radio is now on the air, Part 3 - Discussion by edgarblythe
 
Copyright © 2026 MadLab, LLC :: Terms of Service :: Privacy Policy :: Page generated in 0.28 seconds on 03/10/2026 at 05:35:31