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WA2K Radio is now on the air

 
 
Letty
 
  1  
Reply Mon 14 May, 2007 12:21 pm
Well, upon my word. There's that whale with a shark in tow. Love that song, M.D. Hmmmm. Could the first lady of song be someone named Ella?

Hey, Reyn. I'm doing all right, but I must admit......




I feel like I've been locked up tight
For a century of lonely nights
Waiting for someone to release me
You're licking your lips
And blowing kisses my way
But that don't mean I'm gonna give it away
Baby baby baby (baby, baby, baby)
BRIDGE:
Ooooh (my body is saying let's go)
Ooooh (but my heart is saying no)

CHORUS:
If you wanna be with me
Baby there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way
If you wanna be with me
I can make your wish come true
You gotta make a big impression
I gotta like what you do

I'm a genie in a bottle baby
You gotta rub me the right way honey
I'm a genie in a bottle baby
Come, come, come on and let me out

The music's fading
The lights down low
Just one more dance
And then were good to go
Waiting for someone
Who needs me
Hormones racing at the speed of light
But that don't mean it's gotta be tonight
Baby, baby, baby (baby, baby, baby)

BRIDGE:
Ooooh (my body is saying let's go)
Ooooh (but my heart is saying no)

CHORUS:
If you wanna be with me
| Baby there's a price to pay
I'm a genie in a bottle (I'm a genie in a bottle)
You gotta rub me the right way
If you wanna be with me (Ooh)
I can make your wish come true (Wish come true...woah)
Just come and set me free
And I'll be with you

I'm a genie in a bottle baby
You gotta rub me the right way honey
I'm a genie in a bottle baby
Come, come, come on and let me out

I'm a genie in a bottle baby
You gotta rub me the right way honey (if you wanna be with me)
I'm a genie in a bottle baby
Come, come, come on and let me out

BRIDGE:
Ooooh (my body is saying let's go)
Ooooh (but my heart is saying no)

CHORUS:
If you wanna be with me
Baby there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way
If you wanna be with me
I can make your wish come true (Ooh)
You gotta make a big impression
I gotta like what you do (Oh Yeah)

If you wanna be with me
Baby there's a price to pay
I'm a genie in a bottle
You gotta rub me the right way (you gotta rub me the right way)
If you wanna be with me
I can make your wish come true
Just come and set me free baby
And I'll be with you

I'm a genie in a bottle baby
Come, come, come, on and let me out

By someone named Christina.<smile>
0 Replies
 
Letty
 
  1  
Reply Mon 14 May, 2007 12:27 pm
Wow! There's Gus. Honey, you don't want to know what I'm wearing, and neither do I. Nice to see you again, however.
0 Replies
 
edgarblythe
 
  1  
Reply Mon 14 May, 2007 06:28 pm
I've Got My Eyes On You
Bob Crosby & His Orchestra

[Music and Lyrics by Cole Porter]

I've got my eyes on you
So best beware where you roam
I've got my eyes on you
So don't stray too far from home
Incidentally
I've set my spies on you
I'm checking all you do
From a to zee
So, darling, just be wise
Keep your eyes on me
0 Replies
 
JLNobody
 
  1  
Reply Mon 14 May, 2007 06:34 pm
Oh Gus, I was so worried. What are you wearing.
0 Replies
 
djjd62
 
  1  
Reply Mon 14 May, 2007 06:59 pm
I'll Wear It Proudly
Elvis Costello

I hate these flaming curtains they're not the color of your hair
I hate these striplights they're not so undoing as your stare
I hate the buttons on your shirt when all I wanna do is tear
I hate this bloody big bed of mine when you're not here

Well I finally found someone to turn me upside down
And nail my feet up where my head should be
If they had a King of Fools then I could wear that crown
And you can all die laughing because I'll wear it proudly

Well you seem to be shivering dear and the room is awfully warm
In the white and scarlet billows that subside beyond the storm
You have this expression dear no words could take its place
And I wear it like a badge that you put all over my face

Well I finally found someone to turn me upside down
And nail my feet up where my head should be
If they had a King of Fools then I could wear that crown
And you can all die laughing because I'll wear it proudly

I'll wear it proudly through the dives and the dancehalls
If you'll wear it proudly through the snakepits and catcalls
Like a fifteen year old kid wears a vampire kiss
If you don't know what is wrong with me
Then you don't know what you've missed

We are arms and legs wrapped round more than my memory tonight
When the bell rang out and the air outside turned blue from fright
But in shameless moments you made more of me than just a mess
And a handful of eagerness says "What do you suggest?"

Well I finally found someone to turn me upside down
And nail my feet up where my head should be
If they had a King of Fools then I could wear that crown
And you can all die laughing because I'll wear it proudly
0 Replies
 
djjd62
 
  1  
Reply Mon 14 May, 2007 07:06 pm
I'll Wear It Proudly
Elvis Costello

I hate these flaming curtains they're not the color of your hair
I hate these striplights they're not so undoing as your stare
I hate the buttons on your shirt when all I wanna do is tear
I hate this bloody big bed of mine when you're not here

Well I finally found someone to turn me upside down
And nail my feet up where my head should be
If they had a King of Fools then I could wear that crown
And you can all die laughing because I'll wear it proudly

Well you seem to be shivering dear and the room is awfully warm
In the white and scarlet billows that subside beyond the storm
You have this expression dear no words could take its place
And I wear it like a badge that you put all over my face

Well I finally found someone to turn me upside down
And nail my feet up where my head should be
If they had a King of Fools then I could wear that crown
And you can all die laughing because I'll wear it proudly

I'll wear it proudly through the dives and the dancehalls
If you'll wear it proudly through the snakepits and catcalls
Like a fifteen year old kid wears a vampire kiss
If you don't know what is wrong with me
Then you don't know what you've missed

We are arms and legs wrapped round more than my memory tonight
When the bell rang out and the air outside turned blue from fright
But in shameless moments you made more of me than just a mess
And a handful of eagerness says "What do you suggest?"

Well I finally found someone to turn me upside down
And nail my feet up where my head should be
If they had a King of Fools then I could wear that crown
And you can all die laughing because I'll wear it proudly
0 Replies
 
djjd62
 
  1  
Reply Mon 14 May, 2007 07:11 pm
I Miss You
Blink-182

Hello there
The angel from my nightmare
The shadow in the background of the moor
The unsuspecting victim
Of darkness in the valley
We can live like Jack and Sally
If we want
Where you can always find me
And we'll have halloween on christmas
And in the night we'll wish this never ends
We'll wish this never ends

(I miss you, miss you)
(I miss you, miss you)

Where are you?
And I'm so sorry
I cannot sleep
I cannot dream tonight
I need somebody and always
This sick strange darkness
Comes creeping on so haunting every time
And as I stared I counted
The webs from all the spiders
Catching things and eating their insides
Like indecision to call you
And hear your voice of treason
Will you come home
And stop this pain tonight?
Stop this pain tonight

[Chorus]
Don't waste your time on me
You're already the voice inside my head
(I miss you, miss you)
Don't waste your time on me
You're already the voice inside my head
(I miss you, miss you)

Don't waste your time on me
You're already the voice inside my head
(I miss you, miss you)
Don't waste your time on me
You're already the voice inside my head
(I miss you, miss you)

Don't waste your time on me
You're already the voice inside my head
(I miss you, miss you)
Don't waste your time on me
You're already the voice inside my head
(I miss you, miss you)


(I miss you, miss you)
(I miss you, miss you)
(I miss you, miss you)
(I miss you, miss you)
0 Replies
 
djjd62
 
  1  
Reply Mon 14 May, 2007 07:19 pm
Put The Message In The Box
World Party

And if you listen now
You might hear
A new sound coming in
As an old one disappears
See the world in just one grain of sand
You better take a closer look
Don't let it slip right through your hand
Won't you please hear the call
The world says

Put the message in the box
Put the box into the car
Drive the car around the world
Until you get heard

Now is the moment
Please understand
The road is wide open
To the heart of every man
A few simple words
So a mule could understand
He don't want tomorrow
If it's just crumbling into sand
Won't please hear the call
She says

Put the message in the box
Put the box into the car
Drive the car around the world
Until you get heard

Until you get heard

The World says
Give a little bit
Give a little bit of your love to me
Cos I'm waiting right here with my open arms
Give a little bit
Give a little bit of your soul to me
Cos I'm waiting to behold your many charms
Is that love in the air?
She says

Put the message in the box
Put the box into the car
Drive the car around the world
Until you get heard

Until you get heard
Until you get heard
Until you get heard
Until you get heard
0 Replies
 
edgarblythe
 
  1  
Reply Mon 14 May, 2007 08:04 pm
Who might be this- -gus?!?
0 Replies
 
edgarblythe
 
  1  
Reply Mon 14 May, 2007 08:06 pm
Imagination
Tommy Dorsey & His Orchestra w/ Frank Sinatra


[Words and Music by Jimmy Van Heusen and Johnny Burke]

Imagination is funny
It makes a cloudy day sunny
Makes a bee think of honey
Just as I think of you
Imagination is crazy
You whole perspective gets hazy
Starts you asking a daisy what to do
What to do

Have you ever felt a gentle touch
And then a kiss and then, and then
Find it's only your imagination again
Oh, well

Imagination is silly
You go around willy-nilly
For example I go around wanting you
And yet I can't imagine that you want me too
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 15 May, 2007 03:23 am
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 15 May, 2007 03:31 am
Joseph Cotten
From Wikipedia, the free encyclopedia

Born May 15, 1905
Petersburg, Virginia, USA
Died February 6, 1994, age 88
Westwood, California, USA

Joseph Cheshire Cotten (May 15, 1905-February 6, 1994) was an American stage and screen actor. He is perhaps best known for his collaborations with Orson Welles, which included Citizen Kane, The Third Man, and Journey Into Fear, which Cotten wrote, and for his work with Alfred Hitchcock. He received his start on Broadway, starring in the original productions of The Philadelphia Story and Sabrina Fair, and became a recognizable Hollywood star in his own right with films such as Shadow of a Doubt and Portrait of Jennie.





Biography and Career

Early life and career

Born in Petersburg, Virginia, Cotten worked as an advertising agent after graduating from the Washington, D.C., Hickman School, where he studied acting. His work as a theatre critic inspired him to become more involved in theatre productions, first in Virginia, and later in New York. Cotten made his Broadway debut in 1930, and soon befriended up-and-coming actor/director/producer Orson Welles. In 1937 he joined Welles' Mercury Theater Company, with which he starred in productions of Julius Caesar and Shoemaker's Holiday.

Cotten made his film debut in the Welles-directed short Too Much Johnson, a comedy based on William Gillette's 1890 play. The short was occasionally screened before or after Mercury productions, but never received an official release. Cotten returned to Broadway in 1939, starring as C.K. Dexter Haven in the original production of Philip Barry's The Philadelphia Story as well as the 1953 production of Sabrina Fair.


Citizen Kane

After the success of Welles' infamous War of the Worlds radio broadcast, Welles got an impressive contract with RKO Pictures. The two-picture deal promised full creative control for the young director, and Welles made sure to feature his Mercury players in whatever production he chose to bring to screen. However, after a year, production hadn't yet started on any of Welles' prospective projects. It took a meeting with writer Herman J. Mankiewicz for Welles to find a story to bring to the screen.

In mid 1940 filming began on Citizen Kane, which portrayed the life of a brilliant media mogul (played by Welles) who starts out as an idealist but eventually turns into a corrupt, lonely old man. The film featured Cotten prominently in the role of Kane's best friend, a drama critic for his print empire.


When released on May 1, 1941, Citizen Kane (based in part on the life of William Randolph Hearst) found little attention at theaters; Hearst owned the majority of the country's press outlets, and so forbade advertisements for the film. The film was nominated for nine Academy Awards in 1942, but was largely ignored by the Academy, only winning for Best Screenplay, for Welles and Mankiewicz. The film helped launch the careers of many other Mercury players, such as Agnes Moorehead (who played Kane's mother), Ruth Warrick (Kane's first wife), and Ray Collins (Kane's political opponent). However, Cotten was the only one of the four to find major success in Hollywood outside of Citizen Kane.


Collaborations with Welles

Despite Welles' reputation of being difficult to get along with, he and Cotten remained good friends. Cotten starred a year later in Welles' adaptation and production of The Magnificent Ambersons, supported by Moorehead. After the commercial disappointment of Citizen Kane, RKO was apprehensive about the new film, and cut nearly an hour off the running time before releasing it. Though at points the film came off as disjointed, the film was well received by critics. Despite the critical accolades Cotten received for his performance, he was again snubbed by the Academy in favor of Moorehead (who was nominated for Best Supporting Actress).

In 1943, Cotten took control of the Nazi-related thriller Journey Into Fear. He wrote the screenplay with the help of Welles (who produced the film), and starred in the film. By the time production wrapped, Welles had been dropped from RKO, and, as part of the settlement, was required to edit the film to suitable length. The film was a minor hit, but separated the friends from professional collaboration for six years.

The last collaboration between Welles and Cotten is widely considered as Cotten's best performance. In The Third Man, Cotten portrays a writer of pulp fiction who travels to post-war Vienna to meet his friend Harry Lime (Welles). When he arrives he discovers Lime has died, and is determined to prove to the police that it was murder, but uncovers an even darker secret. The film proved to be another technical achievement, but Cotten was passed over come Academy night.


The Forties and Fifties

Cotten proved himself a versatile actor in Hollywood following the success of Citizen Kane. The characters he played onscreen during this period ranged from a serial killer in Hitchcock's Shadow of a Doubt (opposite Teresa Wright) to an eager police detective in 1944's Gaslight (opposite Ingrid Bergman, Charles Boyer and in her film debut, Angela Lansbury). Cotten starred with Jennifer Jones in four films: the wartime domestic drama Since You Went Away (1944), the romantic drama Love Letters (1945), the western Duel in the Sun (1946) and later in the critically acclaimed Portrait of Jennie (1948), in which he played a melancholy artist who becomes obsessed with a girl who may have died long ago.

Cotten's career cooled in the 1950s with a string of less high-profile roles in films such as the dark Civil War epic Two Flags West, the Joan Fontaine romance September Affair, and the Marilyn Monroe vehicle, Niagara. His last theatrical releases in the '50s were mostly film-noir outings and unsuccessful character studies. In 1956, Cotten left film for several years in exchange for a string of successful television ventures, such as the series On Trial, which was later called The Joseph Cotten Show. He was also featured in the successful series "Alfred Hitchcock Presents" and the "General Electric Theater." He finished the decade with a cameo appearance in the Welles production Touch of Evil and the 1958 adaptation of From the Earth to the Moon.


The Sixties and Seventies

In 1960 he married British actress Patricia Medina, after his first wife, Lenore Kipp, died of leukemia earlier that year. After some time away from film, Cotten returned in 1964 in the horror classic Hush... Hush, Sweet Charlotte, opposite fellow screen veterans Bette Davis, Olivia de Havilland, and Agnes Moorehead. The rest of the decade found Cotten in a number of forgettable B-movies, foreign productions, and TV movies.

In the early 1970s, Cotten followed a supporting role in Tora! Tora! Tora!, with several horror features such as The Abominable Dr. Phibes, opposite Vincent Price, and the classic Soylent Green (1973).

Later in the decade, Cotten was featured in several all-star disaster outings, including Airport '77 opposite James Stewart and again with Olivia de Havilland and the nuclear thriller Twilight's Last Gleaming. On TV, he did a guest spot opposite James Garner on the 70's TV detective drama The Rockford Files.


Last Years

One of Cotten's last films was 1980's infamous Heaven's Gate. Shortly after, the 75-year-old actor retired with his wife to their home in Westwood, California. Cotten published a popular autobiography, Vanity Will Get You Somewhere, in 1987. He died on February 6, 1994, of pneumonia, a complication of terminal (or metastasized) throat cancer at the age of 88, leaving behind his wife and stepdaughter. He was buried in Blandford Cemetery in Petersburg, Virginia.


Legacy

Today, Cotten is considered one of the most underrated actors in Hollywood. He was never nominated for an Academy Award, despite his immense body of work, including many films that are considered classics today. The only notable acting award Cotten received throughout his career was a Venice Film Festival Award for Best Actor for his work in Portrait of Jennie.


Quote

" Orson Welles lists Citizen Kane as his best film, Alfred Hitchcock opts for Shadow of a Doubt and Sir Carol Reed chose The Third Man - and I'm in all of them.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 15 May, 2007 03:36 am
James Mason
From Wikipedia, the free encyclopedia


Birth name James Neville Mason
Born May 15, 1909
Huddersfield, England, United Kingdom
Died July 27, 1984, age 75
Lausanne, Switzerland
Spouse(s) Pamela Mason (1941-1964)
Clarissa Kaye-Mason (1971-1984)
Academy Awards

Nominated: Best Actor
1954 A Star Is Born
Nominated: Best Supporting Actor
1966 Georgy Girl
1982 The Verdict
Golden Globe Awards

Best Actor - Motion Picture Musical/Comedy
1955 A Star Is Born

James Neville Mason (May 15, 1909 - July 27, 1984) was a three-time Academy Award nominated English actor who attained stardom in both British and American films.





Early life

Mason was born in Huddersfield, West Yorkshire, England to John and Mabel Mason; his father was a wealthy merchant. Mason had no formal training as an actor and initially embarked upon it as a lark. He studied architecture at Peterhouse, Cambridge but got involved in stock theatre companies in his spare time before joining the Old Vic theatre in London under the guidance of Tyrone Guthrie and Alexander Korda who gave Mason a small film role in 1933 but fired him a few days into shooting.


Career

From 1935 to 1948 he starred in many British quota quickies. A conscientious objector during World War II (something which caused his family to break with him for many years), he became immensely popular for his brooding anti-heroes in the Gainsborough series of melodramas of the 1940s, including The Man in Grey and The Wicked Lady. In 1949 he made his first Hollywood film, Caught, and then went on to star in many more feature films and early TV shows. Nominated three times for an Oscar, he never won one.


Mason's distinctive voice enabled him to play a menacing villain as greatly as his good looks assisted him as a leading man. His roles include the declining actor in the 1954 version of A Star Is Born, a mortally wounded terrorist in Odd Man Out (1946), Brutus in the 1953 film of Julius Caesar, General Erwin Rommel twice, once in The Desert Fox: The Story of Rommel in 1951, and in The Desert Rats (1953), Captain Nemo in 20,000 Leagues Under the Sea (1954), a suave masterspy in North by Northwest (1959), a determined explorer in Journey to the Center of the Earth (also 1959) and Humbert Humbert in Stanley Kubrick's Lolita (1962). One of his last roles, that of a corrupt lawyer in The Verdict (1982), earned him his third and final Oscar nomination.

Mason was once in the frame to play James Bond in a 1958 TV adaptation of From Russia with Love, which was ultimately never produced. Despite being in his 50s he was still in the frame to play Bond in Dr. No before Sean Connery was cast. He was also approached to appear as Bond baddie Hugo Drax in Moonraker however he turned this down despite his renowned tendency to take any job offered him. This tendency led to certain unworthy credits on his resume, The Yin and the Yang of Mr. Go, Bloodline and Hunt the Man Down being examples of this. However throughout his career he remained a powerful figure in the industry and he is now regarded as one of the finest film actors of the 20th century.


Private life

He was married twice:

Actress Pamela Kellino (1941-1965); one daughter, the late Portland Mason, and one son, Morgan. Portland Mason was named after Portland Hoffa, the wife of the American film comedian Fred Allen; the Allens and the Masons were friends.
Australian actress Clarissa Kaye (1971-his death)

Trivia


Mason was a devoted lover of animals, particularly cats. He and Pamela Kellino Mason co-authored the book The Cats in Our Lives, which was published in 1949. James Mason wrote most of the book and also illustrated it. In The Cats in Our Lives, he recounted humorous and sometimes touching tales of the cats (as well as a few dogs) he had known and loved.
In the late 1970s, Mason became a mentor to up-and-coming actor Sam Neill, who went on to have a successful career of his own.
James Mason's autobiography, Before I Forget, was published in 1981.
Mason survived a major heart attack in 1959 and died as a result of another on July 27, 1984 in Lausanne, Switzerland. He was cremated, and (after a delay of 16 years) his ashes were buried in Corsier-sur-Vevey, Vaud, Switzerland. His old friend Charlie Chaplin is in a tomb a few steps away.
His son Morgan Mason is married to Belinda Carlisle, the former lead singer of The Go-Go's.
James Mason Court, a road in the Marsh area of Huddersfield, is named after him.
At Expo 67, the 1967 world's fair held in Canada, James Mason was officially named Film Actor of the Century.[citation needed]

References in popular culture

Graham Kennedy would use an imitation of James' distinctive voice as the default voice for an educated or English person on the Australian game show Blankety Blanks.
In 1991, Kelsey Grammer spoofed Mason as Captain Nemo in a skit while hosting Saturday Night Live. During the skit Nemo had to try to explain various units of nautical measurements while fighting off a giant squid.
For his audition for Saturday Night Live in 2005, Bill Hader gave an impersonation as Mason at a donut store trying to redeem an expired coupon.
British comedian Eddie Izzard often deliberately uses a James Mason impression as his standard "voice of God" in his standup routines.
On the DVD audio comentary of British Comedy The Mighty Boosh series two episode, "The Nightmare of Milky Joe" comedians Noel Fielding and Julian Barratt perform an impression of James Mason's vioce. In early days of The Mighty Boosh, Rich Fulcher and Noel Fielding performed "duelling Masons" in the Hen and Chickens in Highbury, London.
In the Jack Mckinney Robotech novelizations, when Zentraedi commander Khyron was seen for the first time by humans, during his holding of Minmei hostage, someone noted that "he talks like that sixties actor, James Mason".
In their 60's radio show "Pop Go The Beatles", when the host was introducing the song, John Lennon suggested "Why don't you do it in your famous James Mason impersonation voice?"
HIs voice served as the inspiration for the Monkey Pick Ass joke on 93.3 WMMR Philadelphia's Preston and Steve morning show.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 15 May, 2007 03:39 am
Eddy Arnold
From Wikipedia, the free encyclopedia



Background information

Birth name Richard Edward Arnold
Also known as Tennessee Plowboy
Born May 15, 1918 (1918-05-15) (age 88)
Origin Henderson, Tennessee, USA
Genre(s) Country Music
Pop Music
Occupation(s) Singer
Instrument(s) Guitar
Years active 1946 - Present
Label(s) RCA Records
MGM Records
Website www.eddyarnold.com

Eddy Arnold (born May 15, 1918) is an American country music singer who is second to George Jones in the number of individual hits on the country charts but, according to a formula derived by Joel Whitburn, is the all-time leader in an overall ranking for hits and their time on the charts. From 1945 through 1983 he had 145 charted songs, including 28 number-one hits.




Early years

Born Richard Edward Arnold in Henderson, Tennessee, he made his first radio appearance in 1936. During his childhood, he lost both his father and the family farm. When he turned 18 he left home to try to make his mark in the music world.

Arnold's formative musical years included early struggles to gain recognition until he landed a job as the lead male vocalist for the Pee Wee King band. By 1943, Arnold had become a solo star on the Grand Ole Opry. He was then signed by RCA Victor. In December of 1944, he cut his first record. Although all of his early records sold well, his initial big hit did not come until 1946 with "That's How Much I Love You." In common with many other country and western singers of the time, he had a folksy nickname: "The Tennessee Plowboy."

Managed by Col. Tom Parker (who later went on to control the career of Elvis Presley), Arnold began to dominate country music. In 1947-48 he had 13 of the top 20 songs. He successfully made the transition from radio to television, appearing frequently in the new medium. In 1955, he upset many in the country music establishment by going to New York to record with the Hugo Winterhalter Orchestra. The pop-oriented arrangements of "Cattle Call" and "The Richest Man (In the World)", however, helped to expand his appeal beyond its country base.

With the advent of rock and roll, Arnold's record sales dipped in the late 1950s. Along with RCA Victor label-mate Jim Reeves, he continued to try to court a wider audience by using pop-sounding, string-laced arrangements, a style that would come to be known as the Nashville sound.


Second Career

After Jerry Purcell became his manager in 1964, Arnold embarked on a "second career" that surpassed the success of the first one. In the process, he succeeded in his ambition of carrying his music to a more diverse audience. Already recorded by several other artists, "Make The World Go Away" was just another song until recorded by Arnold. Under the direction of producer Chet Atkins, and showcased by Bill Walker's arrangement and the talents of the Anita Kerr Singers and pianist Floyd Cramer, Arnold's rendition of "Make the World Go Away" became an international hit.

Bill Walker's precise, intricate arrangements provided the lush background for 16 straight Arnold hits through the late 1960s. Arnold started performing with symphony orchestras in virtually every major city. New Yorkers jammed prestigious Carnegie Hall for two concerts. Arnold appeared before the Hollywood crowd at the Coconut Grove and had long, sold-out engagements in Las Vegas and Lake Tahoe.

After having recorded for RCA Victor since the 1940s, Arnold left the label to record four albums for MGM Records in the 1970s, posting one hit ("If The Whole World Stopped Lovin' "). He then successfully returned to RCA Victor with both the album Eddy, and the hit single "Cowboy", which evoked stylistic memories of his classic "Cattle Call." After a few more RCA releases, he retired from active singing; however, he did release a new RCA album, After All These Years in 2005 at the age of 87.


Reasons for success

There are several reasons for Arnold's great success. From the beginning he stood out from his contemporaries in the world of country singers. He never wore gaudy, glittering outfits. He sang from his diaphragm, not through his nose. He avoided the standard honky-tonk themes, preferring instead to sing songs that explored the intricacies of love.

Arnold also benefitted from his association with excellent musicians. The distinctive steel guitar of the late Roy Wiggins highlighted early recordings. Charles Grean, once employed by the Glenn Miller Orchestra, played bass and wrote early arrangements, adding violins for the first time in 1956. Chet Atkins played on many of Arnold's records, even after he started serving as producer. Bassist, Bob Moore, the most recorded musician in history, first performed on the road with Eddie Arnold on the 1954 RCA Caravan and later performed on 75% of Mr. Arnold's hit recordings. Arnold also benefited from the management of Col. Parker, who guided his first career, and Jerry Purcell, who masterminded the second.

The most important factor for his success, however, was his voice. Steve Sholes, who produced all of his early hits, called Arnold a natural singer, comparing him to the likes of Bing Crosby and Enrico Caruso. Arnold worked hard perfecting his natural ability. A review of his musical career shows his progression from fledgling singer to polished performer.

Arnold's longevity is exceptional. For more than 50 years, he has transcended changing musical tastes. His recent concerts attract three generations of fans. To some he also serves as a role model; in a field often awash with alcohol and drugs, he has remained temperate. In an era of frequent divorces, Eddy and Sally Arnold have remained together for 60 years.

Arnold has been honored with induction into the Country Music Hall of Fame (in 1966), been voted Entertainer Of The Year, and received the Pioneer Award. Over his career, Arnold has sold over 85 million records and had 147 songs on the charts, including 28 Number 1 hits on Billboard's "Country Singles" top. Among his recordings are songs for mothers and children, hymns, show tunes, and novelty numbers. Probably, however, Arnold is best known for his way with a love song.
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 15 May, 2007 03:42 am
Trini Lopez
From Wikipedia, the free encyclopedia

Trini Lopez (born Trinidad López III, 15 May 1937, Dallas, Texas) is a Mexican-American singer and guitarist.

Lopez made his name on the club circuit of the Southwestern United States before being "discovered" in 1962 by the record producer Don Costa, while playing at the PJ Club in Hollywood, California. Costa was greatly taken with Lopez's latinized versions of contemporary hits and signed him up to Frank Sinatra's record label, Reprise Records. His debut album, Trini Lopez Live at PJ's, was released in 1963. The album included Lopez's most famous song, "If I Had A Hammer", which reached number one in 25 countries and was a radio favourite for many years. He also performed his own version of the traditional Mexican song "La Bamba" on this album.

His popularity led the Gibson Guitar Corporation to ask him in 1964 to design a guitar for them. He ended up designing two: The Trini Lopez Standard, a rock and roll model based on the Gibson ES-335 semi-hollow body, and the Lopez Deluxe, a variation of a Gibson jazz guitar designed by Barney Kessel.

He later recorded covers of other popular songs of the day, including "Lemon Tree" (1965), "I'm Coming Home Cindy" (1966) and "Sally Was a Good Old Girl" (1968).

During the 1960s and 1970s Lopez moved into acting as well as recording and playing, though his film career was not as successful as his music. His first film appearance was in Marriage On The Rocks (1965) where he appeared with Sinatra and Dean Martin. He was one of The Dirty Dozen (1967) and starred in Antonio (1973). He continued his musical career with extensive tours of Europe and Latin America during this period, remaining firmly within his Latin music genre; an attempt to break out by releasing a disco album in the United Kingdom in 1978 proved an embarrassing flop.

Since then, Lopez has done charitable work and received honors such as being inducted into the 'International Latin Music Hall of Fame' in 2003. He was still recording and appearing live in the early 2000s. Recently he announced a new CD album, and took part in a benefit concert to raise money for the victims of the 2004 Indian Ocean earthquake and tsunami
0 Replies
 
bobsmythhawk
 
  1  
Reply Tue 15 May, 2007 03:48 am
Subject: Boston girls

Three men were sitting together bragging about how they had given their new wives duties. The first man had married a woman from Connecticut, and bragged that he had told his wife she was going to do all the dishes and house cleaning that needed done at their house. He said that it took a couple days but on the third day he came home to a clean house and the dishes were all washed and put away.

The second man had married a woman from Iowa. He bragged that he had given his wife orders that she was to do all the cleaning, dishes, and the cooking. He told them that the first day he didn't see any results,
but the next day it was better. By the third day, his house was clean,
the dishes were done, and he had a huge dinner on the table.

The third man had married a Boston girl. He boasted that he told her that
her duties were to keep the house cleaned, dishes washed, lawn mowed,
laundry washed and hot meals on the table for every meal. He said the
first day he didn't see anything, the second day he didn't see anything, but by the third day most of the swelling had gone down and he could see a little out of his left eye. Enough to fix himself a bite to eat, load the dishwasher, and telephone a landscaper.

Got to love those girls from Boston!
0 Replies
 
edgarblythe
 
  1  
Reply Tue 15 May, 2007 04:47 am
In An Old Dutch Garden
Glenn Miller & His Orchestra

In an old Dutch garden by an old Dutch mill
Where the moon was dreaming on a distant hill
When a smile danced by it was then that I saw
Heaven in a pair of wooden shoes

In an old Dutch garden where the tulips grow
That's where I first whispered that I love you so
For my heart was blue
'Til I gave it to an angel in a pair of wooden shoes
Then one sad day when summer meets September
I sailed away from a thrill I will remember
In an old Dutch garden by an old Dutch mill

Every day I pray that you are waiting still
For my heart will yearn until I return
To Heaven in a pair of wooden shoes
0 Replies
 
Letty
 
  1  
Reply Tue 15 May, 2007 06:40 am
Good morning, WA2K listeners and contributors.

Gus, actually I am wearing my birthday suit. The one you see in my avatar was a gift from my kids for my birthday. Razz

Love all the songs from our folks here. Thanks so much, everyone.

Hey, hawkman. Love your funny about the Boston girls, and thanks once again for the celeb info.

I had not realized that Eddy Arnold was still with us, so here is a song by him.


Old faithful, we rode the range together
Old faithful in every kind of weather
When your round up days are over
There'll be pastures white with clover
For you old faithful pal of mine.

Hurry up old fellow,
'Cause the moon is yellow tonight
Hurry up old fellow
'Cause the moon is mellow and bright.

There's a coyote howlin' to the moon above
So carry me back to the one I love
Hurry up old fellow
'Cause we gotta get home tonight.

Old faithful we rode the range together
Old faithful in every kind of weather
When your round up days are over
There'll be pastures white with clover
For you old faithful pal of mine.

For you old faithful pal of mine...

Will, as usual, await our puppy before commenting further.
0 Replies
 
Raggedyaggie
 
  1  
Reply Tue 15 May, 2007 10:41 am
Good Afternoon WA2K.

Remembering Joe, James, Eddy and Trini today. Very Happy

http://themave.com/Cotten/mainprt2.jpghttp://img.search.com/thumb/5/52/North_by_Northwest_James_Mason.jpg/250px-North_by_Northwest_James_Mason.jpg
http://www.gocontinental.com/photos2/arnold_eddie2a.jpghttp://www.nndb.com/people/981/000023912/trini-lopez-1-sized.jpg

and wishing a Good Day to all.
0 Replies
 
Letty
 
  1  
Reply Tue 15 May, 2007 11:10 am
Ah, folks. There's that pretty pup with pictures. Thanks, Raggedy, and a trio I see. Since you have named them, that leaves nothing to me.

and, folks, speaking of leaves and the strange English language....


Artist: And Also The Trees
Song: Jack


Jack went out one stormy day
To see where his feet would go
They took him from his sleeping town
Across land both high and low
They took him through the velvet streets
Where men walked on their toes
And down the slopes
Where bottled hell
And blind men lie in rows
Jack walked through the treacle swamps
And crossed the salt dry plains
He passed he house where tall, thin dogs
Pulled on their iron chains
He heard the songs of seed germ girls
Who warmed the frozen fields
And as Jack walked
He felt the corn
Push up his tired heels
He saw the heathens' heather hills
He watched a boiling sea
He met a man with wooden hands
Carved from an old fruit tree
The old man said he dreamt at night
Of blossom roots and knives
And that night when
Jack went to sleep
He dreamt of damson pies
Jack walked out one stormy day
To see where his feet would go
They took him north, they took him east
But never took him home

Odd, but strangely beautiful
0 Replies
 
 

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