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WA2K Radio is now on the air

 
 
Raggedyaggie
 
  1  
Reply Fri 17 Nov, 2006 10:48 am
Good morning WA2K.
I love Tom Rush's guitar on "No Regrets", Dys. And "The Song is Ended". Crying or Very sad

For the Birthday Gallery:

Remembering:

http://www.thaifilm.com/imgUpload/2006-6-15-13-31-55-Rock_Hudson.jpg

And wishing a Happy 68th to Gordon Lightfoot; 62nd to Danny DeVito and 48th to Mary Elizabeth Mastrantonio.(Scarface, The Color of Money, The Abyss, Robin Hood: Prince of Thieves, et al)

http://www.artistdirect.com/Images/Sources/AMGCOVERS/music/cover200/drh200/h268/h26840dz5c6.jpghttp://www.movie-gazette.com/directory/img/danny%2Bdevito.jpghttp://www.zone5.ru/images/small/20060704/000025157.jpg
0 Replies
 
dyslexia
 
  1  
Reply Fri 17 Nov, 2006 10:52 am
From Janis Ian

Slow dance
romance
put your arm around me
you make me feel so old
Take me to the drive-in movie
wont't you move me now
before I get too cold
Popcorn serenader
won't you take her down easy
you make her feel like gold
Midnight crusader
when you take her easily
make her feel like gold

Boom town
hoe down
run across the track
don't look back
just lay low
Party pants running
romance interference
got to make appearance
sooner or later I'm told
Slow dance promenader
want to make her feel easy
make her feel like gold
midnight crusader
when you take it easy
make it feel like gold

What a line
was a long time
wasn't moonshine, wasn't
wiskey, wasn't even
party glow
got no looks
wasn't half-hooked
must've been some kind of book
they took that
showed 'em where to go
midnight persuader
got to break this town down slow
moonlight serenader
when you make it easy
make it feel like gold.
0 Replies
 
Letty
 
  1  
Reply Fri 17 Nov, 2006 11:05 am
There's our Raggedy. Wonderful montage today, PA. Ah, poor Rock Hudson. He was the first to bring AIDS to our attention, I think.

Don't forget, Raggedy...."The melody lingers on."

We know the rest of the celeb's, I think, but we must hear one from Gordon of the light foot. <smile>

Lazy Mornin' Lyrics

Another lazy mornin'
No need to get down on anyone
My son
Coffee's in the kitchen
Woman on the run
No need to get bothered
I'll think about monday
When monday comes
It's two for one
Mister hoot 'n holler
Gotta make a dollar
Another lazy mornin'
I took time to make town 'n stock a pint or two
The most delicious brew
Keepin' up with the joneses
I hope no one telephones us
I'd take a place in the country
But for now the old back yard
Looks to me like fifty acres
Of the roundest ground in town

Another lazy mornin'
Come suppertime I'm gonna light my barbecue
Nothin' new
Only that she loves me
And nothin' I know can change me
No need to get bothered
I do more livin' than it might seem
Some dream
Livin' like a pauper
Bless my darlin' daughter

I'd like to know what makes a man go
Over land and sea
I guess it must get kinda lonesome
That's the way I used to be

Another lazy mornin'
No need to get down on anyone
Such fun
Coffee's in the kitchen
Woman on the run
0 Replies
 
Letty
 
  1  
Reply Fri 17 Nov, 2006 11:14 am
Oops, missed our dys, folks. Janis Ian? I do believe that she did this one as well:

Janis Ian
Song: Getting Over You
Album: Hunger


Borrowed things on guarded lines
Sign the past away.
This is yours and that is mine,
So the people say.

How can you move so quickly?
How can you heal so fast?
And what will I do with my mornings?
And what will I do with my nights?

Tell me what you see in her that used to be in me,
Why is it the simple truths are hardest to believe?
How can I start all over?
Knowing we'll just be friends.
And what will i do with my mornings?
And what will i do with my nights?

You want answers that I can't give,
You want words I don't know.
Ask me when I'm through getting over you.

Mmmmm oooh

After this day is over,
How will my dreams go on?
And what will I do with my mornings?
Tell me what will I do with my nights?

You want answers that I can't give,
You want words I don't know.
Ask me when I'm through getting over you.

Ask me when I'm through getting over you.
0 Replies
 
hamburger
 
  1  
Reply Fri 17 Nov, 2006 02:41 pm
don't know if this about dancing , but i'll let you all decide on your own :wink: .
there might be some sailors here who'll dance a jig to it Laughing .
hbg
----------------------------------------------------------------------------------
Abdul Abulbul Amir

The sons of the Prophet are brave men and bold
and quite unaccustomed to fear,
But the bravest by far in the ranks of the shah,
Was Abdul Abulbul Amir.

If you wanted a man to encourage the van,
Or harass the foe from the rear,
Storm fort or redoubt, you had only to shout
for Abdul Abulbul Amir.

Now the heroes were plenty and well known to fame
in the troops that were led by the Czar,
And the bravest of these was a man by the name
of Ivan Skavinsky Skavar.

One day this bold Russian, he shouldered his gun
and donned his most truculent sneer,
Downtown he did go where he trod on the toe
of Abdul Abulbul Amir.

"Young man," quote Abdul," has life grown so dull
That you wish to end your career?
Vile infidel know, you have trod on the toe
Of Abdul Abulbul Amir.

So take your last look at the sunshine and brook
And send your regrets to the Czar
For by this I imply, you are going to die,
Count Ivan Skavinsky Skavar."

Then this bold Mameluke drew his trusty skibouk,
Singing, "Allah! Il Allah! Al-lah!"
And with murderous intent he ferociously went
for Ivan Skavinsky Skavar.

They parried and thrust, they side-stepped and cussed,
Of blood they spilled a great part;
The philologist blokes, who seldom crack jokes,
Say that hash was first made on the spot.

They fought all that night neath the pale yellow moon;
The din, it was heard from afar,
And huge multitudes came, so great was the fame,
of Abdul and Ivan Skavar.

As Abdul's long knife was extracting the life,
In fact he was shouting, "Huzzah!"
He felt himself struck by that wily Calmuck,
Count Ivan Skavinsky Skavar.

The Sultan drove by in his red-breasted fly,
Expecting the victor to cheer,
But he only drew nigh to hear the last sigh,
Of Abdul Abulbul Amir.

There's a tomb rises up where the Blue Danube rolls,
And graved there in characters clear,
Is, "Stranger, when passing, oh pray for the soul
Of Abdul Abulbul Amir."

A splash in the Black Sea one dark moonless night
Caused ripples to spread wide and far,
It was made by a sack fitting close to the back,
of Ivan Skavinsky Skavar.

A Muscovite maiden her lone vigil keeps,
'Neath the light of the cold northern star,
And the name that she murmurs in vain as she weeps,
is Ivan Skavinsky Skavar.
0 Replies
 
Letty
 
  1  
Reply Fri 17 Nov, 2006 02:50 pm
I just tried it, hamburger, and yes, it's in three quarter time. Laughing

My word, buddy. I remember that song from waaaayyyy back. Love it!

Here's different lyrics to the same tune.



Information Lyrics
This tune is more familiarly known as Abdul Abulbul Amir. Abdul Abulbul Amir is written "Abdullah Boul Boul Ameer" in this version. Since Abdul there have been many different versions of the famous fight - some of which get pretty gory.

The song was written in 1877 by Percy French at Trinity College for a college concert. His original title was Abdulla Bulbul Ameer. He sold it to a publisher for five pounds. It was published without credit to him and he never received royalties for its later success. Many sources still list the author as anonymous. According to the Book of Navy Songs "This song is representative of the non-nautical and non-naval songs that frequently becomes a favorite of the wardrooms in the fleet. An English correspondent writes that originally it was a ballad of the Russo-Turkish Wars."

Given the date and author the Crimean War (1853-1856) is more likely the setting than the earlier Russo-Turkish Wars.


The sons of the Prophet are valiant and bold
and wholly impervious to fear,
But the bravest of all was a man by the name,
Of Abdulah Boul Boul Ameer.

If you wanted a man to encourage the van,
Or harass the foe from the rear,
Or to storm a redoubt, you had only to shout
for Abdulah Boul Boul Ameer.

This son of the desert in batle aroused
Could spit twenty men on his spear,
A terrible creature, sober or soused,
Was Abdulah Boul Boul Ameer

There are brave men in plenty, and well known to fame,
in the army that's run by the Czar,
But the bravest of all was a man by the name
of Ivan Petrofsky Skevar.

He cold imitate Irving, tell fortunes by cards,
And play on the Spanish guitar,
In fact quite the cream of the Muscovite team
was Ivan Petrofsky Skevar.

The ladies all loved him, his rivals were few,
He could drink them all under the bar.
As gallant or tank there was no one to rank,
With Ivan Petrofsky Skevar.

One day that bold Russian, he shouldered his gun
and with his most cynical sneer,
Was going down town, when he came right upon
Brave Abdulah Boul Boul Ameer.

"Young man," said Boul Boul, "is existence so dull
That you hanker to end your career?
For infidel know, you have trod on the toe
Of Abdulah Boul Boul Ameer.

So take your last look upon sky, sea, brook
And send your regrets to the Czar
For by this I imply, you are going to die,
O you Ivan Petrofsky Skevar."

"But your murderous threats are to me but a joke,
For my pleasure and pastime is war
And I'll tread on your toes whene'er I may choose,"
Quoth Ivan Petrofsky Skevar.

Then that brave Mameluke drew his trusty chabook,
Singing, "Allah! Il Allah! Akbar!"
And with murder intent he ferociously went
at Ivan Petrofsky Skevar.

But the Russian gave back not a step at th' attack,
For Ivan had never known fear,
And with quickly aimed gun, put a stop to the fun,
Of Abdulah Boul Boul Ameer

Yet the whistling chabook did like lighning descend,
And caught Ivan right over the ear.
But the bayonet of Ivan pressed right through the heart
Of Abdulah Boul Boul Ameer.

The Russian commander spurred thither in haste,
To seek fo his favorite Hussar.
Lo, pierced through the snoot from the fatal chabook,
Lay Ivan Petrofsky Skevar.

The sultan rode up the distrubance to quell,
Or to give to the victor a cheer,
But he arrived just in time to take hasty farewell
Of Abdulah Boul Boul Ameer

Then Gotchikoff, Skabeloff, Menchikoff too,
Drove up in the Emperor's car,
But only in time to bid rapid adieu
To Ivan Petrofsky Skevar.

There lieth a stone where the Danube doth roll,
And on it in characters clear,
Is, "Stranger, remember to pray for the soul
Of Abdulah Boul Boul Ameer."

A Muscovite maiden her sad vigil keeps,
In her home by the cold northern star,
And the name that she murmurs so oft in her sleep,
is Ivan Petrofsky Skevar.
0 Replies
 
Letty
 
  1  
Reply Fri 17 Nov, 2006 02:55 pm
This ain't my day, folks. I just played hamburger's song all over again, and I am listening to it right now. Razz
0 Replies
 
edgarblythe
 
  1  
Reply Fri 17 Nov, 2006 08:43 pm
0 Replies
 
edgarblythe
 
  1  
Reply Fri 17 Nov, 2006 09:20 pm
Jerry Lee Lewis Lovin' Up A Storm


When our kisses fly like oak leaves

Caught in a gust of wind

My heart beats fast, as a clickty-clack

Like a train goin' round a bend

I call that Lovin' Up a Storm!

I said that's Lovin Up a Storm!

Well its good for you baby

It won't do you no harm

When we get with it darlin'

All I can hear is a sigh

Something touches you deep in your heart

Like it's lightin' from the sky

I call that Lovin' Up a Storm!

Whoaa Lovin Up a Storm!

Well its good for you baby

It won't do you no harm

Ohhhhh!

solo

When we're embracing darlin'

I get wild as a hurricane

And when we kiss Great Balls of Fire!

Ice-water's running through my veins

I call that Lovin' Up a Storm!

Ohhh Lovin Up a Storm!

Well its good for you baby

It won't do you no harm

Well its good for you baby

It won't do you no harm

Oh... It's good for you baby

It won't do you no harm
0 Replies
 
Letty
 
  1  
Reply Fri 17 Nov, 2006 09:21 pm
Poor Janis, edgar. Thanks for the song, Texas, and from Smokey......



The Tracks Of My Tears

People say I'm the life of the party
'cause I tell a joke or two
Although I might be laughing loud and hearty
Deep inside I'm blue
So take a good look at my face
You'll see my smile looks out of place
If you look closer, it's easy to trace
The tracks of my tears..
I need you, need you
Since you left me if you see me with another girl
Seeming like I'm having fun
Although she may be cute
She's just a substitute
Because you're the permanent one..
So take a good look at my face
You'll see my smile looks out of place
If you look closer, it's easy to trace
The tracks of my tears..
I need you, need you
Outside I'm masquerading
Inside my hope is fading
Just a clown oh yeah
Since you put me down
My smile is my make up
I wear since my break up with you..
So take a good look at my face
You'll see my smile looks out of place
If you look closer, it's easy to trace
The tracks of my tears

Goodnight, my friends.

From Letty with love
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 18 Nov, 2006 06:20 am
Imogene Coca
From Wikipedia, the free encyclopedia

American comic actress Imogene Coca (November 18, 1908 - June 2, 2001) was born Imogene Fernandez de Coca in Philadelphia, Pennsylvania. Her parents were veterans of the entertainment industry; her father, José Fernandez de Coca, was a conductor. Her mother, Sadie Brady, a dancer and magician's assistant.

Coca took lessons in piano, dance, and voice as a child and while still a teenager moved from Philadelphia to New York City to become a dancer. She got her first job in the chorus of the Broadway musical When You Smile, and became a headliner in Manhattan nightclubs with music arranged by her first husband, Robert Burton. She gained prominence when she began to combine music with comedy; her first critical success was in New Faces of 1934.

In the early days of live television, she played opposite Sid Caesar in a sketch comedy program, Your Show of Shows which was immensely popular from 1950 to 1954. She also briefly had her own series, The Imogene Coca Show.

Burton died in 1955 and in 1960 Coca married actor King Donovan.


She was nominated for a Tony Award for her final Broadway performance as religious zealot Letitia Primrose in On the Twentieth Century.

Coca starred as a cavewoman with Joe E. Ross in the 1966-67 TV sitcom It's About Time and made memorable guest appearances on the sitcoms Bewitched as "Mary the Tooth Fairy", The Brady Bunch as "Aunt Jenny", and on Mama's Family as Gert in the Epsiode "Gert Rides Again". Her later years were spent in relative solitude with only occasional TV guest appearances on Moonlighting and in small movie roles, including her memorable role as "Aunt Edna" in National Lampoon's Vacation.

Coca died in Westport, Connecticut of Alzheimer's disease and natural causes at the age of 92.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 18 Nov, 2006 06:34 am
Johnny Mercer
From Wikipedia, the free encyclopedia


John Herndon "Johnny" Mercer (November 18, 1909 - June 25, 1976) is regarded as one of America's greatest songwriters.


Childhood

Born in Savannah, Georgia, on November 18, 1909, Mercer liked music as a small child. His aunt told him he was humming music when he was six-months old. He never had formal musical training but he listened to all the music he could and by the time he was 11 or 12 he had memorized almost all of the songs he had heard. He once asked his brother who the best songwriters were, and his brother said Irving Berlin, among the best of Tin Pan Alley.[1]


Career

Mercer moved to New York in 1928, when he was 19. His first few jobs were as an actor but he soon gravitated toward singing and lyric writing. He was eventually hired as a singer and lyricist for Paul Whiteman's Band. His first lyric appeared in a musical revue in 1930 and after than he met many writers and composers, including Hoagy Carmichael. Later he quit working altogether to concentrate on writing songs exclusively. He met Siggie Nordstrom who was recently widowed and forming a sister act with her sister Dagmar and the pair used several of his songs in their routine in 1939 at the Ritz in London.[citation needed]

This was the golden age of the sophisticated popular song, like those of Cole Porter. Songs were put into revues without much regard for integrating the song into the plot. Mercer was generally a lyricist; to him the song was the thing. Mercer felt confined by the Tin Pan Alley formula which had long relegated authentic southern vernacular to comedy songs. Mercer was a naturally casual lyricist, preferring to use regional colloquialisms.[2] During the 1930s there was a shift in musical theatre from musical revues to musicals that used the song to further the plot. There was less of a demand for the pure stand-alone song. After the success of Oklahoma!, Broadway began to shut out lyricists like Mercer who thought in terms of the song rather than its integration into the show. When Mercer was offered a job in Hollywood to write songs and act in low-budget musicals for RKO, he took it. [3]





Hollywood years

It was only when Mercer moved to Hollywood in 1935. His first big song "I'm an Old Cow Hand" was used by Bing Crosby in a film and from there his career as a lyicist took off. He found himself writing more and performing less.

In 1941 Mercer met an ideal musical collaborator in the form of Harold Arlen whose compositions mixed with jazz and blues provided Mercer's sophisticated, slangy lyrics a perfect musical vehicle. Now his lyrics began to display the combination of sophisticated wit and southern regional venacular that characterize some of his best songs. Their first hit was "Blues in the Night" (1941). They went on to craft "That Old Black Magic" (1942), "One for My Baby (and One More for the Road)" (1943), "Ac-Cent-Tchu-Ate the Positive" (1944), and "Come Rain Or Come Shine" (1946) among others.[2]

In Hollywood he was able to collaborate with a remarkable number of composers, including Richard Whiting, Harry Warren, Jerome Kern, Harold Arlen, Jimmy Van Heusen, Henry Mancini, Dorothy Fields, and Hoagy Carmichael. He was adaptable in his style, listening carefully and absorbing a tune and then transforming it into his own style. He said he preferred to have the music first, taking it home and working on it. He claimed composers had no problem with this method as long as he came back with the lyrics.

After the death of his friend and collaborator, Paul Whiting, he began working with Harry Warren, one of the best composers in the film business. He also had an immensely productive collaborative relationship with Harold Arlen on and off starting in the late 1930s.

Mercer was often asked to write new lyrics to already popular tunes. The lyrics to "Laura," "Midnight Sun," and "Satin Doll" were all written after the melodies had become hits. He was also asked to write English lyrics to foreign songs, the most famous example being "Autumn Leaves," based on the French "Les Feuilles Mortes."

Occasionally, Mercer wrote both music and lyrics. "Something's Gotta Give" is probably the best-known song in this category.

Mercer wrote for some MGM films, which include Seven Brides for Seven Brothers (1954) and Merry Andrew (1958). He wrote the lyrics to "Moon River" for Audrey Hepburn in Breakfast at Tiffany's. (Henry Mancini wrote the music.) In 1969, Mercer helped publishers Abe Olman and Howie Richmond found the National Academy of Popular Music's Songwriters Hall of Fame.

A good indication of Mercer's high esteem is the fact that, in 1964, he became the only lyricist to have his work recorded as a volume of Ella Fitzgerald's celebrated 'Songbook' albums for the Verve label. But he always remained humble about his work, attributing much to luck and timing. He was fond of telling the story of how he was offered the job of doing the lyrics for The Sandpiper on which he worked, only to have the producer turn his lyrics down. The producer got another lyricist and the result was "The Shadow of Your Smile" which became a huge hit.[1]


Southern roots

Born in the South, Mercer grew up listening to records of Tin Pan Alley songs but also to so-called "race" records, marketed to blacks. His later songs merged his southern roots with his urban knowledge of sophisticated songwriters. It was his southern roots that enable him to be one of the few lyicists able to skillfully write lyrics set to the jazz melodies of composers such as Hoagy Carmichael. For years Mercer had to ignore those roots to fit the requirements of Tin Pan Alley standard terms.

"Moon River", with its remarkable phrase "my huckleberry friend" would never have passed muster in the Tin Pan Alley years.


Singing style

Well-regarded also as a singer, with a folksy singing quality, he was a natural for his own songs such as "Ac-Cent-Tchu-Ate The Positive", "On the Atchison, Topeka and the Santa Fe", "One for My Baby (and One More for the Road)", and "Lazybones." He was considered a first-rate performer of his own work.[1]

It has been said that he penned "One for My Baby (and One More for the Road)", one of the great torch laments of all times, on a napkin while sitting at the bar at P. J. Clarke's when Tommy Joyce was the bartender. The next day he called Tommy to apologize for the line "So, set 'em up, Joe," "I couldn't get your name to rhyme." Mercer, like Cole Porter before him, was more interested in the words than the emotion in lyric. This may be why "One for My Baby (and One More for the Road)" was sung more effectively by him than other singers who often turned it into a tear-jerker.


Capitol Records

The war years saw Mercer's beginnings as an entertainment tycoon. In the 1940s Mercer was introduced by the Nordstrom Sisters to backers and in 1942, he was part of the founding trio of Capitol Records which became an industry giant. He started Capitol because he was not satisfied with recording quality in the then current crop of western studios and tired of travelling all the way to NY. One more brilliant thing he did was bury two facing seventy-five foot horns under the Capitol building parking lot to create an echo chamber effect in the studio. The quality of Capitols' records were the direct result of the effort and skill of Mr. Mercer. While running Capitol, Mercer's skills as a talent scout attracted Nat Cole, Stan Kenton, Jo Stafford, Peggy Lee and Margaret Whiting and others to the label. Of course, he released many of his hits on his own label.


Posthumous success

In his last year, Mercer became extremely fond of pop singer Barry Manilow, in part because Manilow's first hit record was of a song titled "Mandy," which was also the name of Mercer's daughter. After Mercer's death, his widow, Ginger Mehan Mercer, arranged to give some unfinished lyrics he had written to Manilow to possibly develop into complete songs. Among these was a piece titled "When October Goes," a melancholy remembrance of lost love. Manilow applied his own melody to the lyric and issued it as a single in 1984, when it became a top 10 Adult Contemporary hit in the United States. The song has since become a jazz standard, with notable recordings by Rosemary Clooney, Nancy Wilson, and Megon McDonough, among other performers.


Academy Awards

Mercer won four Academy Awards for Best Song:

"On the Atchison, Topeka and the Santa Fe" (1946) (music by Harry Warren) for The Harvey Girls
"In The Cool, Cool, Cool Of The Evening" (1951) (music by Hoagy Carmichael) for Here Comes The Groom
"Moon River" (1961) (music by Henry Mancini) for Breakfast at Tiffany's
"Days of Wine and Roses" (1962) (music by Henry Mancini) for Days of Wine and Roses

Songs

Lyrics by Mercer, unless noted.

He wrote many other songs, some of which have entered the Great American Songbook:

"Lazybones" (1933) (music by Hoagy Carmichael)
"P.S. I Love You" (1934) (music by Gordon Jenkins)
"Goody Goody" (1936) (music by Matty Maineck)
"I'm an Old Cowhand from the Rio Grande" (1936)
"Hooray for Hollywood" (1937) (music by Richard A. Whiting)
"Too Marvelous for Words" (1937) (music by Richard Whiting)
"You Must Have Been a Beautiful Baby" (1938) (music by Harry Warren)
"Jeepers Creepers" (1938) (music by Harry Warren)
"And The Angels Sing" (1939) (music by Ziggy Elman)
"Day In - Day Out" (1939) (music by Rube Bloom)
"Fools Rush In" (1940) (music by Rube Bloom)
"Blues In The Night" (1941) (music by Harold Arlen)
"I Remember You" (1941) (music by Victor Schertzinger)
"This Time The Dream's On Me" (1941) (music by Harold Arlen)
"Hit The Road To Dreamland" (1942) (music by Harold Arlen)
"That Old Black Magic" (1942) (music by Harold Arlen)
"Skylark" (1942) (music by Hoagy Carmichael)
"Dearly Beloved" (1942) (music by Jerome Kern
"I'm Old Fashioned" (1943) (music by Jerome Kern)
"One for My Baby (and One More for the Road)" (1943) (music by Harold Arlen)
"Dream" (1943) (words and music by Johnny Mercer)
"Ac-Cent-Tchu-Ate the Positive" (1944) (music by Harold Arlen)
"Out of This World" (1945) (music by Harold Arlen)
"Laura" (1945) (music by David Raksin)
"Trav'lin' Light" (1946) (music by Jimmy Mundy and James Osborne "Trummy" Young)
"Any Place I Hang My Hat Is Home" (1946) (music by Harold Arlen)
"Come Rain Or Come Shine" (1946) (music by Harold Arlen)
"Autumn Leaves" (1947) (music by Joseph Kosma)
"Glow Worm" (1952) (music Paul Lincke)
"Satin Doll" (1953) (music by Duke Ellington)
"Charade" (1953) (music by Henry Mancini)
"Something's Gotta Give" (1954)
"Moon River" (1961) (music by Henry Mancini)
"Midnight Sun" (music by Lionel Hampton and Sonny Burke)
"Summer Wind" (1965) (music by Henry Mayer)
"Drinking Again" (with Doris Tauber)
"P.S. I Love You" (music by Gordon Jenkins)
"When October Goes" (music by Barry Manilow)



Other facts


Mercer was a direct descendant of Revolutionary War General Hugh Mercer, and through him was also a distant cousin of General George S. Patton.

Another Mercer's ancestors was General Hugh W. Mercer in the American Civil War.

His family home in Savannah was later the home of Jim Williams, whose trial for murder was the centerpiece of John Berendt's book Midnight in the Garden of Good and Evil.

His mother was Lillian Barbara Ciucevich. Born in America she was the daugther of Croatian migrants who came to America in the 1870s.

He was honored by the United States Postal Service with his portrait placed on a stamp in 1996. His star on the Hollywood Walk of Fame at 1628 Vine Street is outside the Capitol Records building.

He died in Bel Air, California.

There is a theatre named after him in Savannah's Civic Center.

There is a pier named after him in Wilmington N.C.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 18 Nov, 2006 06:49 am
David Hemmings
From Wikipedia, the free encyclopedia


David Hemmings (18 November 1941 - 3 December 2003) was an English movie actor and director, whose most famous role was the photographer in Michelangelo Antonioni's Blowup in 1966 (opposite Vanessa Redgrave), one of the films that best represented the spirit of the 1960s. He also appeared in Barbarella.

Born in Guildford, Surrey, he started his career as a boy soprano, appearing in several works by Benjamin Britten, who formed a close friendship with him at this time. Most notably, he created the role of Miles in the opera Turn of the Screw. Hemmings' intimate, yet innocent, relationship with Britten is described in John Bridcut's Britten's Children.

Hemmings then moved on to an acting and directing career in the cinema. He made his first film appearance in 1954, but it was in the mid-sixties that he first became well known as a pin-up and film star. Following Blowup, he appeared in a string of major British films, including Camelot (1967), The Charge of the Light Brigade (1968) and Alfred the Great (1969) (in which he played the title role).

In 1967 he recorded a pop single ("Back Street Mirror", written by Gene Clark) and an album, David Hemmings Happens, in Los Angeles. The album featured instrumental backing by several members of the Byrds, and was produced by Byrds mentor Jim Dickinson. Hemmings also later provided the narration for Rick Wakeman's prog rock adaptation of Jules Verne's Journey to the Center of the Earth. In 1975 he starred as Bertie Wooster in the short-lived Andrew Lloyd Webber musical, Jeeves.

He was mentioned twice in the Monty Python's Flying Circus TV show (series 1, episode 8 - "Full Frontal Nudity"). The first time was at the beginning of the episode with the line "The part of David Hemmings will be played by a piece of wood", the second time being at the end of the episode with "David Hemmings appeared courtesy of the National Forestry Society."

Living up to his glamorous image, Hemmings married four times, the most famous of his wives being the Fort Worth, Texas-born actress and long-term British resident, Gayle Hunnicutt, mother of his son, Nolan Hemmings. He continued to act, appearing in many TV dramas.

In 1981 he directed a film version of James Herbert's novel The Survivor, starring Robert Powell and Jenny Agutter. Throughout the 1980s Hemmings also worked extensively as a director on television programmes including The A-Team and Airwolf, in which he also played the role of Dr. Charles Henry Moffett. In 1984 he directed the puzzle contest video Money Hunt: The Mystery of the Missing Link.

In more recent years he had a role in the hit Russell Crowe film, Gladiator, in 2000. His last major role was in the movie Last Orders, the following year.

He died of a heart attack, aged 62, in Romania, on the film set of Blessed, (working title Samantha's Child) after playing his scenes for the day.


Books

David Hemmings' autobiography Blow Up... and Other ExaggerationsDavid Hemmings (2004). Blow Up... and Other Exaggerations: The Autobiography of David Hemmings. ISBN 1-86105-789-X.
0 Replies
 
Letty
 
  1  
Reply Sat 18 Nov, 2006 08:12 am
Good morning, WA2K listeners and contributors.

I do suppose that our hawkman is having some difficulty with his usual jokes, so I shall do one for him.

Question and answer
Q: Why did the chicken cross the road?
A: To get away from Colonel Sanders!

Love it. and, listeners, I was taken with BioBob's background on Johnny Mercer as I think that he is one of the finest lyricist ever. I was, however, surprised to find out about Barry Manilow and Mercer's connection, so this shall be our morning song:

When October Goes
Music by Barry Manilow Lyrics by Johnny Mercer

And when October goes
The snow begins to fly
Above the smokey roofs
I watch the planes go by
The children running home
Beneath a twilight sky
Oh, for the fun of them
When I was one of them
And when October goes
The same old dream appears
And you are in my arms
To share the happy years
I turn my head away
To hide the helpless tears
Oh how I hate to see October go
I should be over it now I know
It doesn't matter much
How old I grow
I hate to see October go
0 Replies
 
Raggedyaggie
 
  1  
Reply Sat 18 Nov, 2006 09:44 am
Good day WA2K.

Imogene with Sid; Johnny Mercer; and David Hemmings in Camelot and no comment on the chicken joke. Laughing


http://www.fiftiesweb.com/tv/sid-caesar.jpghttp://images.overstock.com/f/102/3117/8h/www.overstock.com/images/products/muze/music/125193.jpghttp://www.filmbuffonline.com/images/Hemmings.jpg
0 Replies
 
Letty
 
  1  
Reply Sat 18 Nov, 2006 10:03 am
Well, there's our Raggedy with her fabulous photo's. The only one that I cannot place is David Hemmings, but in looking at the background of his life, I was amazed to learn that the "The Turn of the Screw" was an opera.

It has always been my contention that the governess was seeing all of this in her mind, as opposed to reality; consequently, she really killed little Miles.

No comment on my chicken joke, PA. Razz

Poem for the day inspired by that eternal chicken:

Sour mash chards of poverty,
pungent stenches excreting in the winds
People teetering the verge of toxicity,
the city still chugs and spawns
Making way along broken streets,
tattered clothes thoughts a muck, dregs to this life
Looking for a coin heads up,
no one cares to spare a cent
Look into the gaping maw of technology,
great iron beast to mock the common man
Taunting the rich, flaunting to the poor
easier access to a larger world of sin
Alas you too become enticed, spellbound
drawn to the other life that promises, that awaits
A smorgasbord of unemployed inebriation,
the condiments of gods and goddesses of ill repute
Walk down the pike 'cross the bridge,
coctails served twenty four and seven
Bitter to sweet, sweet to bitter
the other side, opposite to heaven
(c)2005
~Nikki~

Brilliant, Nikki.
0 Replies
 
Raggedyaggie
 
  1  
Reply Sat 18 Nov, 2006 11:05 am
No, no comment on the chicken, but, a comment on Nikki. I had to know more about Nikki so I googled and I liked what I read:

Nicole L. Davis Vergara

I am NOT a typical form writer or poet by any means or standards. I am always bucking against what society believes is proper, correct. It is a new day, new year, new millenia and as we all change individually so does writing and thought and so should the antiquated theories of proper, correct! Those who refuse to change, to evolve thought and theory stagnate the literary society in whole!
0 Replies
 
Letty
 
  1  
Reply Sat 18 Nov, 2006 11:20 am
Raggedy, I came across Nikki quite by accident, and you have made her complete with your information.

Yes, PA, that is good advice for all of us here. If we refuse to change, it is more than just to stagnate the literary society; it is to become stagnant ourselves.

Some of us do it with reading,
Some of us do it with art,
Some of us by simply living,
With mind, soul, body, and heart.

Dedicated to everyone within range of our radio signal.
0 Replies
 
yitwail
 
  1  
Reply Sat 18 Nov, 2006 01:13 pm
my ongoing immersion in HTML, CSS, JavaScript, C#, .NET, and the like reminded me of this Sam Cooke oldie Embarrassed

Don't know much about history,
don't know much biology.
Don't know much about a science book,
don't know much about the french I took.
But I do know that I love you,
and I know that if you love me, too,
what a wonderful world this would be.

Don't know much about geography,
don't know much trigonometry.
Don't know much about algebra,
don't know what a slide rule is for.
But I know that one and one is two,
and if this one could be with you,
what a wonderful world this would be.

I don't claim to be an 'A' student,
but I'm tryin' to be.
For maybe by being an 'A'-student, baby,
I can win your love for me.

Don't know much about history,
don't know much biology.
Don't know much about a science book,
don't know much about the french I took.
But I do know that I love you,
and I know that if you love me, too,
what a wonderful world this would be.
0 Replies
 
Letty
 
  1  
Reply Sat 18 Nov, 2006 01:35 pm
Well, there's our Turtle back and this time he's telling on himself. Love it, Moby. Do you know Piaget? If so, you'll understand why I was fixated at the concrete stage in Math.

Heard from my Northern Irish friend today, and am really trying to get him in our studio. Since he likes Dr. Hook, this is for him:

lyrics by Shel Silverstein

The tiger, he looked out of his cage and smiled
He said come here boy, I want to talk to you a while
He said I once was running wild and free just the same as you
But it's one step from the jungle to the zoo

Its one step from the jungle to the zoo
You better watch out or they're gonna get you too
They'll clip your claws, cut your hair, make a pussy cat out of you
Its one step from the jungle to the zoo

He said son when you go running through the grass
You bet look out for all the hidden traps
They'll feed you sweets and goodies 'til you're too fat to move
Then its one step from the jungle to the zoo

Its one step from the jungle to the zoo
You better watch out or they're gonna get you too
They'll clip your claws, yank your fangs, make a pussy cat out of you
Its one step from the jungle to the zoo

Only one step from the jungle to the zoo
You better watch out or they're gonna get you too
They'll clip your claws, cut your hair, make a pussy cat out of you
Its one step from the jungle to the zoo

Only one step from the jungle to the zoo
You better watch out or they're gonna get you too

http://www.fotosearch.com/comp/ART/ART260/BUM059.jpg
0 Replies
 
 

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