Engelbert Humperdinck (singer)
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Engelbert Humperdinck, born May 2, 1936 in what was then known as Madras, India as Arnold George Dorsey, is a well-known pop singer of the 1950s-present. Of Anglo Indian ethnicity, he was raised in Leicester, England and adopted the stage name Engelbert Humperdinck, after the German opera composer of the same name. Humperdinck has sold about 150 million records and has established himself as one of the world's premiere live performers in a number of sold-out tours.
Early life
Growing up with nine brothers and sisters in a working-class Roman Catholic family, young Arnold Dorsey became interested in music at age 11, when he took up playing the saxophone. He was singing in nightclubs during the early 1950s, the first of which was a family ballad, according to Humperdinck. He moved to the United States in the mid-1950s. Engelbert was influenced by Johnny Mathis among other greats. In the 1950's when he moved to the United States he became well-known for his music.
Early career
Dorsey quickly absorbed American culture and began his singing career around the time he arrived. While the singer was still unknown, the record manager for Decca Records in the United States decided to pick out a new name for Dorsey that would catch on better with the public. Eventually, in the late 1950s, the name "Engelbert Humperdinck" was adopted and he had several hits in the late 1950s and early 1960s. However, his career declined for a while, partly due to the British invasion of the early 1960s, not reaching its height until 1967.
In that year, Humperdinck cut a single, "Release Me", and the result was an almost instant success for the singer. The song quickly hit the number-one slot on the British music charts, beating The Beatles song, Strawberry Fields Forever, and this success was reflected on the U.S. music charts as well. At its peak, the "Release Me" single sold an unprecedented 85,000 copies daily, and, the slow, powerful ballad became Humperdinck's signature tune.
Almost immediately, Humperdinck began to amass legions of devoted fans, many of them female. On these grounds, coupled with the fact that most of Humperdinck's recordings are love songs, some critics immediately dismissed the singer as a mere "crooner." While Humperdinck cannot be said to have made significant musical innovations, the freshness, energy, and range of his delivery set him apart from other show business Romeos. As Humperdinck told the Hollywood Reporter's Rick Sherwood, "if you are not a crooner it's something you don't want to be called. No crooner has the range I have-I can hit notes a bank couldn't cash. What I am is a contemporary singer, a stylized performer."
Career in the 1960s and 1970s
Throughout the rest of the 1960s and into the 1970s, Humperdinck continued to produce million-selling albums of love songs, and developed increasingly more extravagant stage shows, sometimes over one hundred per year. While the mood of Top 40 radio quickly changed, Humperdinck's music, more akin to Broadway show tunes than post-Beatles rock, did not. Subsequently, Humperdinck's live performances became more crucial in reaching his fans, and the singer responded by producing lavish, energetic extravaganzas that set the standards for Las Vegas-style glamour. "I don't like to give people what they have already seen," Humperdinck was quoted as saying in a 1992 tourbook. "I take the job description of 'entertainer' very seriously! I try to bring a sparkle that people don't expect and I get the biggest kick from hearing someone say 'I had no idea you could do that!'"
By the late 1960s, Engelbert Humperdinck fan clubs had begun to sprout around the globe. By the next decade, the fan mania had grown to giant proportions, reportedly the largest such club in the world, with chapters including "Our World is Engelbert," "Engelbert...We Believe in You," and "Love is All for Enge." While an occasional fan ventured into the realm of obsession-several fanatics claimed to have been pregnant with the singer's offspring-Humperdinck's following of a reported eight million members guaranteed record sales with limited radio air play. "They are very loyal to me and very militant as far as my reputation is concerned," Humperdinck said of his devotees to Sherwood. "I call them the spark plugs of my success."
The release of the album After the Lovin' in 1976 was a relative watershed in Humperdinck's career. In addition, the album received a nomination for a Grammy Award, the first major nod Humperdinck had received from critical corners. Perhaps part of the reason behind Humperdinck's critical neglect stemmed from his lack of involvement with the recording of albums, whereas he had so much control over live presentation. Until the late 1980s, Humperdinck had little say in which songs were selected for each album, a fact that might have supported claims that he was little more than a pawn of his label's executives. Over the years, this arrangement slowly changed, giving Humperdinck full creative freedom. Humperdinck's albums began to cover more musical terrain than ballads alone.
1980s to present
By the 1980s, Humperdinck was fast approaching his fifth decade of life, yet he was still producing albums regularly, performing sometimes more than 200 concerts in a year, and he was still a source of attraction for his female fans. Despite all this, Humperdinck had managed to maintain a solid family life with his wife, Patricia. Perhaps a mixture of business and pleasure had contributed to this success: Humperdinck's four children are involved in their father's career in some way. A truly jet-set family, the Humperdinck/Dorsey clan shuttled between homes in England and Beverly Hills, California, where Humperdinck had purchased the Pink Palace, a lush mansion once owned by film star Jayne Mansfield, which he put up for sale at least once, but it is not clear if he stills lives there or not.
In 1989, he was awarded a star on the Hollywood Walk of Fame, as well as a Golden Globe Award for Entertainer of the Year. He had met Queen Elizabeth II and several American presidents. Still, he retained his element of humanism, and began major involvement in charity foundations. In addition to involvement with The Leukemia Research Fund, the American Red Cross, and the American Lung Association, Humperdinck contributed to several AIDS relief organizations. For one of these, Reach Out, Humperdinck even penned and performed an anthem for the organization's mission, called "Reach Out." As longtime friend Clifford Elson said of Humperdinck, "[h]e's a gentleman in a business that's not full of many gentlemen."
He is a patron of the charity County Air Ambulance, which is based in the East Midlands of England. In August 2005 he put up his Harley-Davidson motorcycle up for auction on eBay to raise money for the Air Ambulance and other charities in Leicestershire. [1]
Trivia
In Germany and Austria, Dorsey is simply known as Engelbert. The heirs of the romantic composer Engelbert Humperdinck had sued him for adopting his stage name, as they are not related to each other.
http://en.wikipedia.org/wiki/Engelbert_Humperdinck_%28singer%29
After The Loving :: Engelbert Humperdinck
So I sing you to sleep after the loving
With a song I just wrote yesterday
And I hope you can hear what the words
And the music have to say
It's so hard to explain everything that I'm feeling
Face to face I just seem to go dry
But I love you so much that the sound
Of your voice can get me high
Thanks for taking me
On a one way trip to the sun
and thanks for turning me into a someone
So I sing you to sleep after the loving
I brush back the hair from your eyes
And the love on your face is so real
That it makes me wanna cry
And I know that my song isn't saying anything new
Oh, but after the loving, I'm still in love with you
So I sing you to sleep after the loving
I brush back the hair from your eyes
And the love on your face is so real
That it makes me wanna cry
And I know that my song isn't saying anything new
Oh, but after the loving, I'm still in love with you
Get well soon Miss Letty.
Thanks for the Beach Boys song, and we'll dedicate that to Dys along with,