@Thomas33,
Just to clarify the previous post: capitalist society can tolerate audiences dissecting Fellowship of the Ring, but it can't tolerate Scream being analysed. This isn't necessarily because Scream is anti-status quo (as in anti-capitalism and anti-nationalism), but because the plot and movie-making of Scream simply means an analysis that would require physical behaviours consequential to capitalist society.
At its heart, Scream is perhaps a meaning of spirituality of multiple anti's: by saying this, I specifically mean that the characters, the use of nature and the types of settings of Scream (especially the Stu Macher house, with its white kitchen and all of its red and brown interiors) are in fact an impressively purposeful self-ability to violate.