Hinge, that was one one of my very favourite albums! (As in LPs! )
I loved it!
I first heard it while book-browsing, in Readings, in Glenferrie Road, Hawthorn. (I remember these details.) By track 2, I was smitten. Had to have a copy. Immediately.
Dang, if you knew it so well why didn't you tell me about it! I had to find it by myself, by chance! I could have missed it! (my greatest fear). It's taken nearly 40 years for it to find me!
Funny how many times I've had to ask bookstore/recordstore/cafe owner/mixing desk operator 'what is this you're playing?' Found so much cool stuff that way.
Seek & you shall find ....
What a blast from the past!
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msolga
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Wed 3 Nov, 2010 01:50 am
@hingehead,
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It's taken nearly 40 years for it to find me!
Yeah, I worry enormously about all the great music I must have missed, too! A constant source of anxiety.
Quote:
Funny how many times I've had to ask bookstore/recordstore/cafe owner/mixing desk operator 'what is this you're playing?' Found so much cool stuff that way.
Yes! I can't tell you how much good music I've learned about in this way.
Far more reliable that 87% of those reviews you come across, I reckon!
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msolga
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Wed 3 Nov, 2010 02:25 am
It turns out that this was his one album (& that he has died. I learned from a bit of Googling)
Recorded for Shelter (unsurprisingly).
Here's a rather nice tribute to the man & his music (from an Amazon promotional site, of all places).
Couldn't agree more with the sentiments.:
Quote:
Nearly three decades after it was first released, it's a little ironic to recall that this recording, now a word-of-mouth legend, was initially considered a commercial flop.
Willis Alan Ramsey's start as a recording artist came about a little unusually. After being snubbed by James Taylor's producer, Ramsey approached Leon Russell at his motel, following Russell's appearance in Austin with the Allmann Brothers. After listening to Ramsey, Russell invited him to California for another audition. The album that followed, recorded at various locations across the country, took a year to complete. While Russell's Shelter Records was widely considered a haven for those artists alienated by the big labels, Ramsey still reportedly felt that the process of making the album came at the expense of too many artistic compromises. To him, the music business was simply too much about business and not enough about music, even within the relatively loose constraints of "America's answer to Apple Records."
While many "insiders" blamed Shelter Records for failing to support Ramsey's debut album, the surprising truth was that Ramsey himself asked Shelter not to promote it. In an interview with Jan Reid, a journalist for Texas Monthly magazine (and author of "The Improbable Rise of Redneck Rock," a fascinating account of the rise of the progressive country scene of the time), Ramsey said: "I just don't like advertisement. I don't like somebody to feel like they've got to shove something down my throat before I'll find out about it. Because I know that people who listen to records as much as I do will gradually hear one if it's any good. Let it stand the test of time."
Words to choke on, perhaps, for a zealous capitalist, but I'd wager that most would agree that this recording has indeed stood the test of time. It's doubtful that Willis Alan Ramsey-a man who couldn't tolerate the oppressive influence of managers, agents, and journalists-will ever be a household name, act in a movie, or make big bucks off of beer commercials. He might never release another recording. That's regrettable, I suppose. Ultimately, though, we should forget the regret and rejoice that this treasure of a recording is available again. It endures as a gift from the soul of a remarkable artist, a man who refused to allow himself to be molded into a commodity. In the prophetic words of Mr. Ramsey himself, "Let it stand the test of time."
Ooops. I accidentally posted the same track as you, hinge.
Because you mentioned Muskrat Love, I assumed that was the track you'd posted & didn't check before I posted my contribution.
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spidergal
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Sat 6 Nov, 2010 12:40 am
Heard this during one of my reading sessions in a cafeteria. As soon as I got back home, looked it up online. Turns out it is a very popular country song.
Recommended it to a music-crazy friend, and he said he would probably not like it since he's not into country music.
I seriously think he's missing out on a very inspiring song.
Yep, there's some good stuff hidden on television soundtrack of some shows, Cold Case and House for example (forgive me but even the O.C. had some decent stuff!)
the host of the show that introduced me to reggie watts (ron bennington of the ron & fez show, sirius/xm) hosts a side project called unmasked, where he does in depth interviews with comedians, here's some video of reggie watts improvising a song using only his iphone for accompaniment
Your iPhone, now a musical instrument. Musician slash comic Reggie Watts was recently interviewed by Ron Bennington (of Ron & Fez fame) on Sirius XM’s Unmasked. (Unmasked is a series of long-form interviews, hosted by Bennington, with comics, musicians, writers, etc. It’s quite good, and is a pretty much proof positive that, for all its faults, Sirius XM can actually be worth a damn every once in a while.) This bit, I thought, would be particularly interesting to you iPhone fans out there. It may also interest those of you who like pancakes.
What we have here is Watts, who forgot to bring his equipment to the interview, completely improvising a song using only his iPhone. (And as we all know, improv is quite difficult.) I don’t know if the song is officially tittled “Pancakes,” but if I can suggest a subtitle, how about, “Yeah, that’s pretty great”?
Incidentally, I may be working on a music+iOS thing in the coming weeks. Hopefully it turns out all right, knock on whatever.
Your welcome Set, Deej - nice Reggie loving. Spidey, the other place I find some really good stuff is movie soundtracks, like this one, perfect for a slightly hungover Sunday morning:
Please excuse the interruption to the flow of this thread, hinge .. but I need to correct some information I posted on this thread...
In reference to Willis Alan Ramsey, I said:
Quote:
It turns out that this was his one album (& that he has died....)
Wrong. Not about the one album, but it appears that he is still amongst us! I've Googled a bit more & all biographical references to him say "born in 1951 - ...." He's still alive & kicking.
So just I want to set the record straight.
Sorry.
Now please continue from where you left off ....
0 Replies
spidergal
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Fri 12 Nov, 2010 07:42 am
@spidergal,
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re: Drew Smith - Melee
I LOVED IT!
I'm hooked to this one! Haven't heard anything else since downloading it.
More on the strange side of the equation - who has heard of Wooden Wand and the Vanishing Voice? Not I until late last year when Sir Charlie Palmer put it on his blog (RIP). Charlie's link to the Gypsy Freedom album download still works: http://www.mediafire.com/?cnmqitizmyi#1
Veering from alt pop/rock to mining the outer extremities of experimental rock like a modern version of some early zappa (less rough edges though). If you have eclectic tastes it's worth a listen.
Charlie's typically brief description wrote:
Snippets of recognizable music float in and out of each other and form reasonably pleasant abstract sound scapes. If abstract sound scapes are your thing, you might like at least a few songs on this album. If they're not, just don't listen to it.
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hingehead
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Sat 13 Nov, 2010 12:41 am
Once upon a time I would have called this post-grunge, but now it's contemporary pop/rock. I'm sure Kurdt Cobain and Eddie Vedder wouldn't have dreamt what they started would become so mainstream. Tasteful enough I guess. It's like what Boston would do if they were born 30 years later.
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hingehead
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Sat 13 Nov, 2010 12:58 am
Mr Random doing a nice job on a rainy Saturday afternoon.
I had heard Flo and Eddie namechecked heaps, and loved the classy pop of the Turtles (Happy Together), but had never actually heard any - in those days you had to part with money to hear something your friends didn't own.
So this was a nice intro to their cynical pop will eatself approach, quiet frilly soft rock if you don't listen to the words.