BernardR wrote:
The great American writers have been crowded out by the garbage produced by fakes like Morrison, the almost moronic Alice Walker, and the amorphous Gore Vidal.
Are you aware that our the greatest American writers of the last century are disappearing from our college curriculums? Did you know that very few are introduced to Hemingway, Wolfe, or Mailer?
And, outside of American Literature, we find that feminist crap is driving out Shakespeare.
One of Shakespeare's plays, Hamlet especially, is worth MORE in terms of literary accomplishment and influence than all of the garbage stemming from the feminist race carders and the ridiculous relativistic playwrights like Albee.
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Because this venomous poster has been spewing vindictive, I checked out college curriculums as easily as he could have done, that is, if he cared for facts as much as he cares for opinions and a few sacrosanct individuals known to all whom he regards simply because he thinks they are fashionable.
I entered "Hemingway in college curriculums" into google and found almost all colleges teach Hemingway. However, not all his novels are masterpieces and many find his works too taken with his imagined self to be of much value and his choppy sentences are widely criticized for being annoying.
As for Thomas Wolfe, like many writers, he goes in and out of fashion, which should not be surprising, because literature and especially literary criticism is dictated largely by fashion.
Since when is Mailer considered anything but a joke? As a resident of Massachusetts, I have heard plenty of Mailer-on-the-beach stories and the critics were always booing his Marilyn Monroe obsession.
My son took drama as his senior English class in high school. When the teacher -- a nationally recognized SHakespeare scholar who has been awarded several fellowships to study both at the Folger Library and in Stratford -- started the class, she supposed high school kids would not want to concentrate on SHakespeare, so the class was constructed of one quarter of Shakespeare and three-quarters other works. The emphasis shifted within two years to one semester SHakespeare and one semester other.
Besides, if Shakespeare is neglected, to what do we owe the popularity of "Will in the World," by Harvard prof Stephen Greenblat (is that correct?) a runner up for the National Book Award, and the Michael Woods book and television documentary on Shakespeare?
If I were a black woman, I'd move next door to Bernard.