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WA2K Radio is now on the air

 
 
Tryagain
 
  1  
Reply Sat 11 Mar, 2006 08:00 am
I always think of Bob Marley when I hear ?'don't worry, be happy'.


Carpenters - Top of The World


Such a feelin's comin' over me

There is wonder in most everything I see

Not a cloud in the sky

Got the sun in my eyes

And I won't be surprised if it's a dream


Everything I want the world to be

Is now coming true especially for me

And the reason is clear

It's because you are here

You're the nearest thing to heaven that I've seen


I'm on the top of the world lookin' down on creation

And the only explanation I can find

Is the love that I've found ever since you've been around

Your love's put me at the top of the world


Something in the wind has learned my name

And it's tellin' me that things are not the same

In the leaves on the trees and the touch of the breeze

There's a pleasin' sense of happiness for me


There is only one wish on my mind

When this day is through I hope that I will find

That tomorrow will be just the same for you and me

All I need will be mine if you are here
0 Replies
 
Letty
 
  1  
Reply Sat 11 Mar, 2006 08:20 am
Well, good morning, Raggedy and Try.

Thanks, PA, for the bio, picture and song of the worriless man. <smile>. I didn't know he was in to jazz. Great!, and Try. I love that song, buddy.

How about this one, listeners:
What Is This Thing Called Love? Lyrics

I was a humdrum person
Leading a life apart
When love flew in through my window wide
And quickened my humdrum heart

Love flew in through my window
I was so happy then
But after love had stayed a little while
Love flew out again

What is this thing called Love?
This funny thing called Love?
Just who can solve its mystery?
Why should it make a fool of me?

I saw you there one wonderful day
You took my heart and threw it away
That's why I ask the Lord in Heaven above
What is this thing called Love?

What is this thing called Love?
This funny thing called Love?
Just who can solve its mystery?
Why should it make a fool of me?

I saw you there one wonderful day
You took my heart and threw it away
That's why I ask the Lord in Heaven above
What is this thing called Love?
0 Replies
 
Tryagain
 
  1  
Reply Sat 11 Mar, 2006 08:54 am
Apologies Dear Letty, my dawn greetings did not copy onto the post.
Meat loaf for breakfast?


Meatloaf Lyrics -
Rock And Roll Dreams Come Through Lyrics

You can't run away forever
But there's nothing wrong with getting a good head start
You want to shut out the night, you want to shut down the sun
You want to shut away the pieces of a broken heart

We'd be listening to the radio so loud and so strong
Every golden nugget coming like a gift of the gods
Someone must have blessed us when he gave us those songs

Remember everything that I told you,
and I'm telling you again that it's true
When you're alone and afraid, and you're completely amazed
To find there's nothing anybody can do
Keep on believing, and you'll discover baby

Chorus:
There's always something magic, there's always something new
And when you really really need it the most
That's when rock and roll dreams come through
The beat is yours forever, the beat is always true
And when you really really need it the most
That's when rock and roll dreams come through for you

(Solo)

Once upon a time was a backbeat, once upon a time
all the chords came to life
And the angels had guitars even before they had wings
If you hold onto a chorus you can get through the night

chorus

The beat is yours forever -
That's when rock and roll dreams come through...
0 Replies
 
Letty
 
  1  
Reply Sat 11 Mar, 2006 09:11 am
Well, Try, I listened to the Carpenters; is that what you mean? Thank you for the Meat Loaf for breakfast song. <smile>

I guess there is ".....always something magic; always something new....", and I'll keep looking for it.

Watched entirely too much TV last night. AMC had the original Frankenstein last evening, and I did enjoy it.

Also watched Monk and House. I never see a bad episode of either of those serials.

My goodness, listeners, we miss our European friends. Wonder what has happened to all of them?

Here's one to follow Try's magic theme:


RICK SPRINGFIELD Song Lyrics

I Know That It's Magic
(From the album "SPEAK TOTHE SKY")

I'm amazed at things you, you do it all with ease
I smile while everything you do, drives me to my knees

'Cos I Know That It's Magic, and I Know That It's Magic
Yes, I Know That It's Magic, in everything you try to do

Many times I see ahead, I'll have to make a stand
Maybe I can call on you, I know you'd understand

'Cos I Know That It's Magic, and I Know That It's Magic
Yes, I Know That It's Magic, in everything you try to do

'Cos I Know That It's Magic, and I Know That It's Magic
Yes, I Know That It's Magic, in everything you try to do

'Cos I Know That It's Magic, and I Know That It's Magic

Yes, I Know That It's Magic, and I Know That It's Magic
0 Replies
 
dyslexia
 
  1  
Reply Sat 11 Mar, 2006 09:43 am
Snaky clouds are boiling in the rambling west
Fist beats thru my ribcage
Gonna tear apart my chest
I sure hope the tornado don't come
Shadows leap, can't get away
From the moving beast
If I had me a fast car I would
Gun it for the east
I sure hope the tornado don't come

I'd love to (love to) run out free
Into the raging storm
I'd love to love some women
Who wave those can-ya-take-it arms
I sure hope the tornado don't come
They say it takes you in a whirl
And you don't choose where to land
Creatures of the dreams you bury
Grab you by the hand
Oh tornado
I ain't ready to face 14 directions
Oh tornado
No!
But the trees begin to tremble
The grass begins to sing
The radio fella's yelling
He's not selling anything
I sure hope that tornado don't come
The mothers grab their children
The dogs all turn around
The ocean is in the sky
Some fool has turned it unside down.
I sure hope that tornado don't come
0 Replies
 
Letty
 
  1  
Reply Sat 11 Mar, 2006 09:53 am
Hey, cowboy. I sure hope a toronado don't come, cause I sat in adject fear when a biggie hit Florida some years back.

and to follow the cowboy in the big hat:

Artist: Killer
Song: Hurricane
Album: Sickeningly Pretty And Unpleasantly Vain
[" Sickeningly Pretty And Unpleasantly Vain " CD]

Yeiyeah!

We're sickeningly pretty and unpleasantly vain
Something to really drive you insane
We're voluntarely obsessed with the play
So c'mon now, sing with the tempest & rock like a hurricane

I love to see you high 'cause of me
I drop you down to put you back on the peak
You're face to face with pride and you reap what you sow
Don't you see what you deny, don't you see what you deny?
So afraid to be alone

There's a winner in me and I'm breaking the ground
I am technology, I'll be sticking around
There's a winner in me, the sun in a cloud
There's a killer in me!

Yeiyeah!

Do the shadows bother you when you're all alone?
Does your mind play games with you or is it me after all?
No time for hesitation, are you ready to fall?
No time for useless patience, so how about some rock and roll.
So afraid to be alone

Yeiyeah!

Weird, folks.
0 Replies
 
Walter Hinteler
 
  1  
Reply Sat 11 Mar, 2006 09:55 am
It's Saturday afternoon dance time Laughing


Well they've got a new dance and it goes like this
(Bop shoo-op, a bop bop shoo-op)
Yeah the name of the dance is Peppermint Twist
(Bop shoo-op, a bop bop shoo-op)
Well you like it like this, the Peppermint Twist

It goes round and round, up and down
Round and round, up and down
Round and round and a up and down
And a one two three kick, one two three jump

Well meet me baby down at 45th street
Where the Peppermint Twisters meet
And you'll learn to do this, the Peppermint Twist

It's alright, all night, it's alright
It's okay, all day, it's okay
You'll learn to do this, the Peppermint Twist
Yeah, yeah
0 Replies
 
Walter Hinteler
 
  1  
Reply Sat 11 Mar, 2006 09:55 am
It's madison time hit it
You're lookin' good -
A big strong line
When I say hit it,
I want you to go two up and two
back with a big strong turn
and back to the madison
Hit itta
(instrumental)
You're lookin' good
Now when I say hit it,
I want you to go two up and two
back double cross
come out of it with the rifleman
Hit itta
(instrumental)
Crazy
Now when I say hit I want the strong
"M" erase it and back to the madison
Hit it
(instrumental)
Walk on you're lookin' good
(instrumental)
Now then when I say hit, it'll be "T" time
(instrumental)
Hit it
(instrumental)
Big strong line
Now when I say hit it I want the big strong
Cleveland box and back to the madison
(instrumental)
Hit it
(instrumental)
Crazy
Now when I say hit it,
I want the big strong basketball
with the Wilt Chamberlain hook
(instrumental)
Hit it -- 2 points
Now this time when I say hit it,
I want the big strong
Jackie Gleason and back to the madison
(instrumental)
Hit it - and away we go

Now then when I say hit, birdland 'til I say stop
Hit it -- how 'bout a little stiff leg there?
You're lookin' good

Now when I say hit it come out of the birdland back to the madison
(instrumental)
Hit it - crazy

When I say hit it, go 2 up and 2 back double cross and freeze
Hit it
(instrumental)
And hold it right there
0 Replies
 
Walter Hinteler
 
  1  
Reply Sat 11 Mar, 2006 09:56 am
(I got dance school lessons in Twist and Madison Shocked
0 Replies
 
Letty
 
  1  
Reply Sat 11 Mar, 2006 10:00 am
Well, thank goodness, folks. There's our Walter dancing. He must be practicing for Chicago. <smile>

Be right back and listen to the twist and the madison, Germany, but I smell something burning on the stove.
0 Replies
 
dyslexia
 
  1  
Reply Sat 11 Mar, 2006 10:11 am
Hoots and hollers in the city
Rivers rats all lay down low
Pretty girls flash by in fast cars
Past the taverns in a row

Ring, ring you bells
Ring all over the town
Somebody's dyin', somebody's bein' born
Somebody's dancing round and round

Hoot and holler at the new banks and churches
As I walk down to the bar
Let my wool grow long for winter
Try an' flag me down a car

As the steeple is unloading
And the pigeons swoop and glide
And the burnouts stagger homeward
Honey, could I get a ride?
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 11 Mar, 2006 10:17 am
Raoul Walsh
From Wikipedia, the free encyclopedia


Raoul Walsh (March 11, 1887 - December 31, 1980) was an American motion picture director.

Walsh began his entertainment career as a stage actor in New York City, quickly progressing into film acting. In 1914 he became assistant to D.W. Griffith and made his first full-length feature film The Life of General Villa in the same year, followed by the newly-revisited and critically-acclaimed Regeneration in 1915, possibly the earliest gangster film. He enjoyed success with the innovative and spectacular The Thief of Bagdad in 1924 starring Douglas Fairbanks. In the early days of sound with Fox Walsh directed the Westerns In Old Arizona in 1929 and The Big Trail in 1930, the latter film starring the then unknown John Wayne. A not too-distinguished period followed with Paramount Pictures from 1935 to 1939 but Walsh's career rose to new heights soon after moving to Warner Brothers with The Roaring Twenties (1939), High Sierra (1941) and They Died with Their Boots On (1941) with such stars as James Cagney, Humphrey Bogart and Errol Flynn. His contract at Warners expired in 1953 and he retired in 1964.

A founding member of the Academy of Motion Picture Arts and Sciences (AMPAS), Walsh lost an eye in a car accident while working on the film In Old Arizona in 1929. He was the brother of silent screen actor George Walsh.

Among his better known works are:

* The Life of General Villa (1914), directorial debut
* Regeneration (1915)
* Evangeline (1919)
* The Thief of Bagdad (1924), produced by and starring Douglas Fairbanks
* What Price Glory? (1926), his most successful silent movie
* Sadie Thompson (1928), in which he acted alongside Gloria Swanson
* In Old Arizona (1929)
* The Big Trail (1930)
* Klondike Annie (1936), starring Mae West
* The Roaring Twenties (1939)
* They Drive by Night (1940)
* High Sierra (1941)
* Desperate Journey (1942)
* Northern Pursuit (1943)
* Pursued (1947), starring Robert Mitchum
* White Heat (1949), with James Cagney
* Colorado Territory (1949), a remake of High Sierra
* Captain Horatio Hornblower (1951)
* Distant Drums (1951), remarkable for its innovative sound effects
* Blackbeard the Pirate (1952)
* The Tall Men (1955)
* The King and Four Queens (1956)
* Esther and the King (1960)
* Marines, Let's Go (1961)
* A Distant Trumpet (1964), final film.

He also unofficially co-directed Humphrey Bogart's The Enforcer in 1951.

Like his contemporary Howard Hawks, Walsh was known for never letting the facts get in the way of a good story. Leonard Maltin has described Walsh's autobiography as "entertaining fiction with an occasional nod at the truth".

http://en.wikipedia.org/wiki/Raoul_Walsh
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 11 Mar, 2006 10:21 am
Lawrence Welk
From Wikipedia, the free encyclopedia

Lawrence Welk (March 11, 1903 - May 17, 1992) was a musician, accordion player, bandleader, and television impresario. He was born in Strasburg, North Dakota to German Catholic immigrants from Czarist Russia.

His music was conservative, concentrating mostly on pop song standards, polkas, and novelty songs, delivered in a smooth, calming, good-humored easy listening style. His show was warm and family-oriented. His Champagne Music has been considered the epitome of "square".

In the 1920s, Welk led big band engagements in the eastern South Dakota area. His band was the station band for popular radio station WNAX in Yankton, South Dakota. During the 1930s, Welk led a travelling big band, specializing in dance tunes and 'sweet' music. The band performed in many places across the country, particularly in the Chicago, Illinois area. In the early 1940s the band travelled to California for a six-week engagement at the Aragon Ballroom at Venice Beach. This gig turned into a 10 year stint, drawing crowds of nearly 7000 on a regular basis.

In 1952, Welk settled in Los Angeles, California. That same year, he began producing The Lawrence Welk Show on KTLA in Los Angeles. The show was first aired nationally on ABC in 1955. Welk's television program had a policy to only play well known songs and tunes from previous years, so that the target audience would only hear numbers that they were already familiar with. This strategy proved commercially successful.

Much of the show's appeal was Welk himself. Although born in the United States, he spoke with a slight but notable European accent that many, especially ladies, found to be quite appealing. His TV show was recorded as if it were live and was sometimes quite free-wheeling. Welk often took ladies from the audience for a turn around the dance floor. During one show Welk brought a cameraman out to dance with one of the ladies and took over the camera himself.

The reputation for "corny music" notwithstanding, his musicians were always top quality, including accordionist Myron Floren and New Orleans Dixieland clarinetist Pete Fountain. Welk was noted for spotlighting individual members of his band and show. His band was well-disciplined and had excellent arrangements in all styles. One notable showcase was his album with the noted jazz saxophonist Johnny Hodges. Welk had a number of instrumental hits, including a cover of the song "Yellow Bird". His highest charting record was his recording "Calcutta" which, despite the emergence of rock and roll, reached number 1 on the U.S. pop charts in 1961.

Even though it never lost touch with its big band origins, the Lawrence Welk show fully embraced changes on the musical scene over the years. The show continued to feature fresh music alongside the classics for as long as it existed, even music originally not intended for the big band sound. (During the 1960s and 1970s, for instance, the show incorporated material by such contemporary sources as The Beatles, Burt Bacharach and Hal David, The Everly Brothers and Paul Williams, albeit in the Welk's signature Champagne style.) The show, which was originally in black and white, later went to color in the mid-1960s. In time it would feature synthesized music and, towards the end, early green screen technology that would add a new, if now somewhat cheesy, dimension to the story settings sometimes used for the musical numbers.

Welk was married for over sixty years, until his death, to Fern Renner, who bore him three children. One of his sons, Lawrence Welk, Jr., ended up marrying fellow Lawrence Welk Show performer Tanya Falan.

Welk's California automobile license plate read A1ANA2, referencing his trademark count-off before each number, "A one, and a two..." This plate is visible on the front of a Model A Ford in one of the shows from 1980. His band continues to appear in a dedicated theater in Branson, Missouri even though Welk is now deceased. A resort community in Escondido, California is named after Welk.

Welk is said to have learned English only when he was already an adult because he always spoke German at home. When he was asked about his ancestry, he replied always with "Alsace-Lorraine, Germany"; although not strictly correct, many German-Russian and German-Ukrainian Roman Catholics have roots or links to Alsace-Lorraine, and identify themselves as such.

He died from pneumonia in Santa Monica, California at the age of 89, and is buried in Holy Cross Cemetery in Culver City, California.

Lawrence Welk is a recipient of the state of North Dakota's Roughrider Award.

http://en.wikipedia.org/wiki/Lawrence_Welk
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 11 Mar, 2006 10:27 am
Douglas Adams
From Wikipedia, the free encyclopedia


Douglas Noël Adams (March 11, 1952 - May 11, 2001) was a cult British comic radio dramatist, amateur musician and author, most notably of the Hitchhiker's Guide to the Galaxy series (HHGG or H2G2). Hitchhiker's began on radio, and developed into a "trilogy" of five books (which sold more than fifteen million copies during his lifetime) as well as a television series, a towel, a computer game and a feature film that was completed after Adams's death. He was known to some fans as Bop Ad (after his illegible signature), or by his initials "DNA".

In addition to The Hitchhiker's Guide to the Galaxy, Douglas Adams wrote or co-wrote three stories of science fiction staple Doctor Who, and served the series as Script Editor during the seventeenth season. His other written works include the Dirk Gently novels, and co-author credits on two Liff books and Last Chance to See, itself based on a radio series. Adams also originated the idea for the computer game Starship Titanic, which was realized by a company that Adams co-founded, and adapted into a novel by Terry Jones. A posthumous collection of essays and other material, including an incomplete novel, was published as The Salmon of Doubt in 2002. His fans and friends also knew Adams as an environmental activist, a self-described "radical atheist" and a lover of fast cars, cameras, the Apple Macintosh, and other "techno gizmos." He was a keen technologist, using such inventions as e-mail and Usenet before they became widely popular, or even widely known.

Towards the end of his life, he was a sought-after lecturer on topics including technology and the environment. Since his death at the age of 49, he is still widely revered in science fiction and fantasy fandom circles.


Early life

Douglas Adams was born to Janet (Donovan) Adams (now Janet Thrift) and Christopher Douglas Adams in Cambridge, England. His parents had one other child together, Susan, who was born in March 1955. His parents separated and divorced in 1957, and Douglas, Susan, and Janet moved in with Janet's parents, the Donovans, in Brentwood, Essex. Douglas's grandmother kept her house as an official RSPCA refuge for hurt animals, which "exacerbated young Douglas's hayfever and asthma." [2]

Christopher Adams remarried in July 1960, to Mary Judith Stewart (born Judith Robertson). From this marriage, Douglas Adams had a half-sister, Heather. Janet remarried in 1964, to a veterinarian, Ron Thrift, providing two more half-siblings to Douglas: Jane and James Thrift.


Education and early works

Adams first attended Primrose Hill Primary School in Brentwood, Essex. He took the exams and interviewed for Brentwood School at age six, and attended the Preparatory School from 1959 to 1964, then the main school till 1970. He was in the top stream, and specialised in the arts in the sixth form, after which he stayed an extra term in a special seventh form class, customary in the school for those preparing for Oxbridge entrance exams.

While at the prep school, he had an English class, taught by Frank Halford, where Halford awarded Adams the only ten out of ten of his entire teaching career for a creative writing exercise. Adams remembered this for the rest of his life, especially when facing writer's block. Some of Adams's earliest writing was published at the school, such as a report on the school's Photography Club in The Brentwoodian (in 1962) or spoof reviews in the school magazine Broadsheet (edited by Paul Neil Milne Johnstone). Adams also had a letter and short story published nationally in the UK in the boys' magazine The Eagle in 1965. He met Griff Rhys Jones, who was in the year below, at the school, and was in the same class as "Stuckist" artist Charles Thomson; all three appeared together in a production of Shakespeare's Julius Caesar in 1968. He was six feet tall (1.83 m) by the time he was 12, and he stopped growing only at 6'5" (1.96 m).

On the strength of a bravura essay on religious poetry that mixed the Beatles with William Blake, he was awarded a place at St John's College, Cambridge to read English, entering in 1971. [3] Adams attempted early on to get into the Footlights Dramatic Club, with which several other names in British Comedy had been affiliated. He was, however, turned down, and started to write and perform in revues with Will Adams (no relation) and Martin Smith, forming a group called "Adams-Smith-Adams." Later, on another attempt to join Footlights, Douglas Adams was encouraged by Simon Jones and Adams found himself working with Rhys Jones, among others. In 1974, Adams graduated with a B.A. in English literature.

Some of his early work appeared on BBC2 (television) in 1974, in an edited version of the Footlights Revue from Cambridge, that year. A version of the same revue performed live in London's West End led to Adams being "discovered" by Monty Python's Graham Chapman. The two formed a brief writing partnership, and Adams earned a writing credit in one episode (episode 45: "Party Political Broadcast on Behalf of the Liberal Party") of Monty Python's Flying Circus. In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment (a joke he later incorporated into the Vogons' obsession with paperwork). Adams also contributed to a sketch on the album for Monty Python and the Holy Grail.

Douglas also had two "blink and you miss them" appearances in the fourth series of Monty Python's Flying Circus. At the beginning of Episode 42, "The Light Entertainment War," Adams is in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Michael Palin narrates a sketch that introduces one person after another, and never actually gets started. At the beginning of Episode 44, "Mr Neutron," Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart, driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). The two episodes were first broadcast in November 1974. Adams and Chapman also attempted a few non-Python projects, including Out of the Trees.

Some of Adams's early radio work included sketches for The Burkiss Way in 1977 and The News Huddlines. He also co-wrote, again with Graham Chapman, the 20 February 1977 episode of Doctor on the Go, a sequel to the Doctor in the House television comedy series.

As Adams had difficulty selling his jokes and stories, he took a series of "odd jobs" in order to have some income. A biography from an early edition of one of the HHGG novels provides the following description of his early career:

After graduation he spent several years contributing material to radio and television shows as well as writing, performing, and sometimes directing stage revues in London, Cambridge and at the Edinburgh Fringe. He has also worked at various times as a hospital porter, barn builder, chicken shed cleaner, bodyguard, radio producer and script editor of Doctor Who.

Adams held the job as a bodyguard in the mid-1970s. He was employed by an Arab family, which had made its fortune in oil (and were from Qatar, according to the Encyclopedia Britannica). [4] He had a couple of favourite anecdotes about the job: one story related that the family once ordered one of everything from a hotel's menu, tried all of the dishes, and sent out for hamburgers. Another story had to do with a prostitute, sent to the floor Adams was guarding one evening. They acknowledged each other as she entered, and an hour later, when she left, she is said to have remarked, "At least you can read while you're on the job." [5]


In 1979, Adams and John Lloyd wrote the scripts for two half-hour episodes of Doctor Snuggles: "The Remarkable Fidgety River" and "The Great Disappearing Mystery" (episodes seven and twelve). John Lloyd was also co-author of two episodes from the original "Hitchhiker" radio series (Fit the Fifth and Fit the Sixth (a.k.a. Episodes Five and Six, see explanation below)), as well as The Meaning of Liff and The Deeper Meaning of Liff. Lloyd and Adams also collaborated on an SF movie comedy project based on The Guinness Book of World Records, which would have starred John Cleese as the UN Secretary General, and had a race of aliens beating humans in athletic competitions, but the humans winning in all of the "absurd" record categories. This latter project never proceeded past a treatment.

After the first radio series of The Hitchhiker's Guide became successful, Adams was made a BBC radio producer, working on Week Ending and a pantomime called Black Cinderella Two Goes East. He left the position after six months to become the script editor for Doctor Who.


The Hitchhiker's Guide to the Galaxy

The Hitchhiker's Guide to the Galaxy was a concept for a science-fiction comedy radio series pitched by Adams and radio producer Simon Brett to BBC Radio 4 in 1977. Adams came up with an outline for a pilot episode, as well as a few other stories (reprinted in Neil Gaiman's book Don't Panic: The Official Hitchhikers Guide to the Galaxy Companion) that could potentially be used in the series.

According to Adams, the idea for the title The Hitchhiker's Guide to the Galaxy occurred to him while he lay drunk in a field in Innsbruck, Austria (though he joked that the BBC would instead claim it was Spain "because it's easier to spell" [6]), gazing at the stars. He had been wandering the countryside while carrying a book called the Hitch-hiker's Guide to Europe when he ran into a town where, as he humorously describes, everyone was either "deaf" and "dumb" or only spoke languages he couldn't. After wandering around and drinking for a while, he went to sleep in the middle of a field and was inspired by his inability to communicate with the townspeople. He later said that due to his constantly retelling this story of inspiration, he no longer had any memory of the moment of inspiration itself, and only remembered his retellings of that moment. A postscript to M. J. Simpson's biography of Adams, Hitchhiker, provides evidence that the story was in fact a fabrication and that Adams had conceived the idea some time after his trip around Europe.

Despite the original outline, Adams was said to make up the stories as he wrote. He turned to John Lloyd for help with the final two episodes of the first series. Lloyd contributed bits from an unpublished science fiction book of his own, called GiGax. [7] However, very little of Lloyd's material survived in later adaptations of Hitchhiker's, such as the novels and the TV series. The TV series itself was based on the first six radio episodes, but sections contributed by Lloyd were largely re-written.

BBC Radio 4 broadcast the first radio series weekly in the UK in March and April 1978. Following the success of the first series, another episode was recorded and broadcast, which was commonly known as the Christmas Episode. A second series of five episodes was broadcast one per night, during the week of 21 January - 25 January 1980.

While working on the radio series (and with simultaneous projects such as The Pirate Planet) Adams developed problems keeping to writing deadlines that only got worse as he published novels. Adams was never a prolific writer and usually had to be forced by others to do any writing. This included being locked in a hotel suite with his editor for three weeks to ensure that So Long, and Thanks For All the Fish was completed. [8] He was quoted as saying, "I love deadlines. I love the whooshing noise they make as they go by." [9]


The books formed the basis for other adaptations, such as three-part comic book adaptations for each of the first three books, an interactive text-adventure computer game, and a photo illustrated edition, published in 1994. This latter edition featured a 42 Puzzle designed by Adams, which was later incorporated into paperback covers of the first four "Hitchhiker's" novels (the paperback for the fifth re-used the artwork from the hardcover edition).[10] Adams also began attempts to turn the first Hitchhiker's novel into a movie in 1980, making several trips to Los Angeles, California, and working with a number of Hollywood studios and potential producers. When he died in 2001 in California, he had been trying again to get the movie project green-lit with Disney. The screenplay finally got a posthumous re-write by Karey Kirkpatrick, was green-lit in September 2003, and the resulting movie was released in 2005.

Radio Producer Dirk Maggs had consulted with Adams in 1993 about creating a third radio series, based on the third novel in the Hitchhiker's series. They also vaguely discussed the possibilities of radio adaptations of the final two novels in the five-book "trilogy." As well as the movie, this project was only realized after Adams's death. The third series, The Tertiary Phase, was broadcast on BBC Radio 4 in September 2004 and is now available on audio CD. Douglas Adams himself can be heard playing the part of Agrajag. So Long, and Thanks For All the Fish and Mostly Harmless made up the fourth and fifth radio series, respectively (on radio they were titled The Quandary Phase and The Quintessential Phase) and these were broadcast in May and June of 2005, and subsequently released on Audio CD. The last episode in the last series (with a new, "more upbeat" ending) concluded with, "The very final episode of The Hitchhiker's Guide to the Galaxy by Douglas Adams is affectionately dedicated to its author." [11]

Doctor Who


Adams sent the script for the HHGG pilot radio programme to the Doctor Who production office in 1978, and was commissioned to write The Pirate Planet (see below). He had also previously attempted to submit a potential movie script, called "Doctor Who and the Krikkitmen," which later became his novel Life, the Universe, and Everything (which in turn became the third Hitchhiker's Guide radio series). Adams then went on to serve as script editor on the show for its seventeenth season in 1979. Altogether, he wrote three Doctor Who serials starring Tom Baker as the Doctor:

* The Pirate Planet (the second serial in the "Key To Time" arc, in Season 16)
* City of Death (with producer Graham Williams, from an original storyline by writer David Fisher. It was transmitted under the pseudonym "David Agnew")
* Shada (only partially filmed and not broadcast due to industrial disputes)

Adams was also known to allow in-jokes from The Hitchhiker's Guide to appear in the Doctor Who stories he wrote and other stories on which he served as Script Editor. Conversely, at least one reference to Doctor Who was worked into a Hitchhiker's novel. In Life, the Universe and Everything, two characters travel in time and land on the pitch at Lord's Cricket Ground. The reaction of the radio commentators to their sudden appearance is very similar to a scene in the eighth episode of the 1965-66 story The Daleks' Master Plan, which has the Doctor's TARDIS materialise on the pitch at Lord's, with the reactions of the match's commentators.

Elements of Shada and City of Death were reused in Adams's later novel Dirk Gently's Holistic Detective Agency, in particular the character of Professor Chronotis. Big Finish Productions eventually remade Shada as an audio play starring Paul McGann as the Doctor. Accompanied by partially animated illustrations, it was webcast on the BBCi website in 2003, and subsequently released as a two-CD set later that year. An omnibus edition of this version was broadcast on the digital radio station BBC7 on 10 December 2005.

Adams is credited with introducing a fan of his, the zoologist Richard Dawkins, to Dawkins' future wife, Lalla Ward, who had played the part of Romana in Doctor Who.

When he was at school, he wrote and performed a play called Doctor Which.


Music

Adams played the left-handed guitar and had a collection of twenty-four of these instruments when he died in 2001 (having received his first guitar in 1964). He also studied piano in the 1960s with the same teacher as Paul Wickens, the pianist who later played in Paul McCartney's band (and composed the music for the 2004-2005 editions of the Hitchhiker's Guide radio series). [12] The Beatles, Pink Floyd and Procol Harum all had great influence on Adams's work.


Pink Floyd

Adams included a direct reference to Pink Floyd in the original radio version of The Hitchhiker's Guide to the Galaxy, in which he describes the main characters surveying the landscape of an alien planet while Marvin, their android companion, hums Pink Floyd's "Shine on You Crazy Diamond". See also Pink Floyd trivia or Hitchhiker's radio series trivia.

Adams's official biography shares its name with the song "Wish You Were Here" by Pink Floyd. Adams was friendly with their guitarist David Gilmour and, on the occasion of his 42nd birthday (the number 42 having especial significance, being The Answer to Life, the Universe and Everything), was invited to make a guest appearance at one of their 1994 concerts in London, playing rhythm guitar on the songs "Brain Damage" and "Eclipse". Adams chose the name for Pink Floyd's 1994 album, The Division Bell by picking the words from the lyrics to one of its tracks. Gilmour also performed at Adams's Memorial Service.

Pink Floyd and their lavish stage shows were also the inspiration for the Adams-created fictional rock band "Disaster Area", described in the Hitchhiker's Guide as not only the loudest rock band in the galaxy, but in fact the loudest noise of any kind at all. One element of Disaster Area's stage show was to send a space ship hurtling into a sun, probably inspired by the plane that would crash into the stage during some of Pink Floyd's live shows, usually at the end of "On The Run". The 1968 Pink Floyd song "Set The Controls For The Heart Of The Sun" may also have influenced part of the ideas behind Disaster Area.

Procol Harum

Douglas Adams was a good friend with Gary Brooker, the lead singer, pianist and songwriter of the progressive rock band Procol Harum. Adams is known to have invited Brooker to one of the many parties that Adams held at his house. On one such occasion Gary Brooker performed the full (4 verse) version of his hit song A Whiter Shade of Pale. Brooker also performed at Adams's Memorial Service.

Adams also appeared on stage with Brooker to perform In Held Twas in I at Redhill when the band's lyricist Keith Reid was not available. On several other occasions he had been known to introduce Procol Harum at their gigs.

Adams also let it be known that while writing he would listen to music, and this would occasionally influence his work. On one occasion the title track from the Procol Harum album Grand Hotel was playing when "suddenly in the middle of the song there was this huge orchestral climax that came out of nowhere and didn't seem to be about anything. I kept wondering what was this huge thing happening in the background? And I eventually thought ... it sounds as if there ought to be some sort of floorshow going on. Something huge and extraordinary, like, well, like the end of the universe. And so that was where the idea for The Restaurant at the End of the Universe came from." [13]

Other musical links

Adams made a number of links to music of the time in his books. For example, a mouse proposes that the Ultimate Question of Life, the Universe and Everything is "How many roads must a man walk down?", a line from Bob Dylan's song Blowin' in the Wind.

In The Hitchhiker's Guide to the Galaxy, as the Heart of Gold approaches Magrathea and the ship's computer is too preoccupied to prevent impending destruction, Eddie, the ship's computer personality, sings You'll Never Walk Alone in the background, a Rodgers and Hammerstein hit from the musical Carousel.

The Restaurant at the End of the Universe is dedicated to the 1980 Paul Simon soundtrack album One Trick Pony. Adams says he played it "incessantly" while writing the book.

In So Long, and Thanks For All the Fish, Arthur Dent listens to a Dire Straits LP and Adams goes on to pay tribute to their lead guitarist, Mark Knopfler. Adams later revealed that the particular song to which he refers in the book?-although never by name?-is Tunnel of Love, from the Making Movies album.

In Mostly Harmless, Elvis is discovered playing in a diner attended by Ford Prefect and Arthur Dent, where he is simply known as "The King".

Besides modern rock music, Douglas Adams was a great admirer of the work of JS Bach, which provides a minor plot element in Dirk Gently's Holistic Detective Agency.

Adams was also a major fan of The Beatles. He makes a reference to Paul McCartney in Life, The Universe, and Everything and quotes lyrics and titles from songs by The Beatles in Mostly Harmless and Dirk Gently's Holistic Detective Agency.

Adams also does this at least once in The Salmon of Doubt. In Chapter 3 there is a conversation between Kate and Dirk, which includes the following exchange:

"So?"
"I looked around and I noticed there wasn't a chair."

Taken together, these two lines form a quotation from "Norwegian Wood" on the Rubber Soul album.

Computer games and projects

Douglas Adams created an interactive fiction version of HHGG together with Steve Meretzky from Infocom in 1984. In 1986 he participated in a weeklong brainstorming session with the Lucasfilm Games team for the game, Labyrinth. Later he was also involved in creating Bureaucracy (also by Infocom, but not based on any book). Adams was also responsible for the computer game Starship Titanic, which was published in 1999 by Simon and Schuster. Terry Jones wrote the accompanying book, entitled Douglas Adams's Starship Titanic, since Adams was too busy with the computer game to do both. In April 1999, Adams initiated the h2g2 collaborative writing project which was the most prominent attempt at making The Hitchikers Guide to the Galaxy a reality.

In 1990, Adams wrote and presented a television documentary programme Hyperland [14] also featuring Tom Baker as a "software agent" (similar to the "Assistants" used in several versions of Microsoft Office, derived from their failed "Bob" program), and interviews with Ted Nelson, which was essentially about the use of hypertext. Although Adams didn't invent hypertext, he was an early adopter and advocate of it, and his influence should not be underestimated. This was the same year that Tim Berners-Lee used the idea of hypertext in his HTML.

Dirk Gently

In between Adams's first trip to Madagascar with Mark Carwardine in 1985, and their series of travels that formed the basis for the radio series and non-fiction book Last Chance to See, Adams wrote two other novels with a new cast of characters. Dirk Gently's Holistic Detective Agency was first published in 1987, and was described by its author as "a kind of ghost-horror-detective-time-travel-romantic-comedy-epic, mainly concerned with mud, music and quantum mechanics." [15] It received many rave reviews from American newspapers upon its publication in the USA. Adams borrowed a few ideas from two Doctor Who stories he had worked on: City of Death and Shada.

A sequel novel, The Long Dark Tea-Time of the Soul was published a year later. This was an entirely original work, Adams's first since So Long, and Thanks for All the Fish. Reviewers, however, were not as generous with praise with the second volume as they had been with the first. After the obligatory book tours, Adams was off on his round-the-world excursion which supplied him with the material for Last Chance to See.

Personal beliefs

Religion

Adams was a self-declared "radical atheist", though he used the term for emphasis, so that he would not be asked if he in fact meant agnostic. He stated in an interview with American Atheists [16] that this was easier and conveyed the fact that he really meant it, had thought about it a great deal, and that it was an opinion he held seriously. He was convinced that there is no God, having never seen one shred of evidence to convince him otherwise, and devoted himself instead to secular causes like environmentalism.


Environmentalism and Animal Rights

Adams was also an environmental activist who campaigned on behalf of a number of endangered species. This activism included the production of the non-fiction radio series Last Chance to See, in which he and naturalist Mark Carwardine visited rare species such as the kakapo, and the publication of a tie-in book of the same name. In 1992, this was made into a CD-ROM combination of audio book, eBook and picture slide show a decade before such things became fashionable. His environmental activism is also recounted in the book The Salmon of Doubt in a short account of a hike he once made across the plains of Africa while wearing a rhino suit.

Since 2003, the British charity organization Save the Rhino (one of several similar charities supported by Adams) have held an annual Douglas Adams Memorial Lecture around the time of his birthday to raise money for environmental campaigns[17]. The lectures in the series are:

* 2003 Richard Dawkins ?- Queerer than we can suppose: the strangeness of science
* 2004 Robert Swan ?- on walking across Antarctica and his environmental work there
* 2005 Mark Carwardine ?- Last Chance to See… Just a bit more
* 2006 Robert Winston ?- Is the Human an Endangered Species?

Adams and Mark Carwardine contributed the 'Meeting a Gorilla' passage from Last Chance to See to the book The Great Ape Project. [18] This book, edited by Paola Cavalieri and Peter Singer launched a wider-scale project in 1993, which calls for the extension of moral equality to include all great apes, human or nonhuman.

Technology

Adams was a serious fan of technology. Though he did not buy his first word processor until 1982, he had considered one as early as 1979. He was quoted as saying that until 1982, he had difficulties with "the impenetrable barrier of jargon. Words were flying backwards and forwards without concepts riding on their backs." In 1982, his first purchase was a 'Nexus'. In 1983, when he and Jane Belson went out to Los Angeles, he bought a DEC Rainbow. Upon their return to England, Adams bought an Apricot, then a BBC Micro and a Tandy 100. [19] In Last Chance to See Adams mentions his Cambridge Z88, which he had taken to Zaire on a quest to find the Northern White Rhinoceros. [20]

Adams's posthumously published work, The Salmon of Doubt, features multiple articles written by Douglas on the subject of technology, including reprints of articles that originally ran in MacUser magazine, and in The Independent on Sunday newspaper. In these, Adams claims that one of the first computers he ever saw was a Commodore PET, and that his love affair with the Apple Macintosh first began after seeing one at Infocom's headquarters in Massachusetts in 1983 (though that was actually very likely an Apple Lisa). [21]

Adams was a Macintosh user from the time they first came out in 1984 until his death in 2001. Adams was also an "Apple Master," one of several celebrities whom Apple made into spokespeople for its products (other Apple Masters included John Cleese and Gregory Hines). Adams's contributions included a rock video that he created using the first version of iMovie with footage featuring his daughter Polly. The video can still be seen on Adams's .Mac homepage. Adams even installed and started using the first release of Mac OS X in the weeks leading up to his death. His very last post to his own forum was in praise of Mac OS X and the possibilities of its Cocoa programming framework. [22] Adams can also be seen in the Omnibus tribute included with the Region One/NTSC DVD release of the TV adaptation of The Hitchhiker's Guide using Mac OS X (version 10.0.x) on his PowerBook G3.

Adams used e-mail extensively from the technology's infancy, adopting a very early version of e-mail to correspond with Steve Meretzky during the pair's collaboration on Infocom's version of The Hitchhiker's Guide to the Galaxy. While living in New Mexico in 1993 he set up another e-mail address and began posting to his own USENET newsgroup: alt.fan.douglas-adams. [23] Many of his posts are now archived through Google. Challenges to the authenticity of his identity later led Adams to set up a message forum on his own website to avoid the issue.

Personal life

In the early 1980s, Adams had an affair with married novelist Sally Emerson, to whom he dedicated his book Life, the Universe, and Everything. Emerson returned to her husband after splitting with Adams in 1981, and Adams was soon afterward introduced by friends to Jane Belson, with whom he later became romantically involved. Belson was the "lady barrister" mentioned in the jacket-flap biography printed in his books during the mid-1980s ("He [Adams] lives in Islington with a lady barrister and an Apple Macintosh"). The two lived in Los Angeles together during 1983 while Adams worked on an early screenplay adaptation to make Hitchhiker into a Hollywood movie. When the deal fell through, they moved to London, and after several separations and an aborted engagement, they were married on 25 November 1991. Adams and Belson had one daughter together, Polly Jane Rocket Adams, born on 22 June 1994, in the year that Adams turned 42. In 1999, the family moved from London to Santa Barbara, California, where they lived until Adams's death. Following his funeral, Jane Belson and Polly Adams returned to London, where they currently reside. [24]


Adams's death

Adams died of a heart attack at the age of 49 on Friday 11th May 2001, while working out at a private gym in Montecito, California. He is survived by his wife Jane and daughter Polly. He was cremated, and his ashes were buried in Highgate Cemetery in north London.

In May 2002, The Salmon of Doubt was published, containing many short stories, essays, and letters, and eulogies from Richard Dawkins, Stephen Fry (in the UK edition), Christopher Cerf (in the U.S. edition), and Terry Jones (in the U.S. paperback edition). It also includes eleven chapters of his long-awaited but unfinished novel, The Salmon of Doubt, which was to be a new Dirk Gently and/or HHGG novel, or neither.

Other events after Adams's death included the completion of Shada, radio dramatizations of the final three books in the Hitchhiker's series, and the completion of the film adaptation of The Hitchhiker's Guide to the Galaxy.

http://en.wikipedia.org/wiki/Douglas_Adams
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 11 Mar, 2006 10:28 am
Sign over a Gynecologist's Office:
"Dr. Jones, at your cervix."
******************************

In a Podiatrist's office:
"Time wounds all heels."
**************************

On a Septic Tank Truck in Oregon:
"Yesterday's Meals on Wheels"

**************************

At a Proctologist's door:
"To expedite your visit please back in."
**************************

On a Plumber's truck:
"Don't sleep with a drip. Call your plumber."
**************************

At a Tire Shop in Milwaukee:
"Invite us to your next blowout."
**************************

At a Towing company:
"We don't charge an arm and a leg. We want tows."
**************************

On an Electrician's truck:
"Let us remove your shorts."
**************************

On a Maternity Room door:
"Push. Push. Push."
**************************

At an Optometrist's Office
"If you don't see what you're looking for, you've come to the right place."
**************************

On a Taxidermist's window:
"We really know our stuff."
**************************

On a Fence:
"Salesmen welcome! Dog food is expensive."
**************************

At a Car Dealership:
"The best way to get back on your feet -- miss a car payment."
**************************

Outside a Muffler Shop:
"No appointment necessary. We hear you coming."
**************************

In a Veterinarian's waiting room:
"Be back in 5 minutes. Sit! Stay!"
**************************

At the Electric Company:
"We would be delighted if you send in your payment.
However, if you don't, you will be."
**************************

In a Restaurant window:
"Don't stand there and be hungry, Come on in and get fed up."
**************************

In the front yard of a Funeral Home:
"Drive carefully. We'll wait."

**************************
At a Propane Filling Station,
"Thank heaven for little grills."
**************************

And don't forget the sign at a Chicago Radiator Shop:
"Best place in town to take a leak
0 Replies
 
Letty
 
  1  
Reply Sat 11 Mar, 2006 10:55 am
First let me say, folks, that I am as stunned as Walter in learning that he took dance lessons to learn those dances. Something of a waste now, I would say. <smile>

Well, our cowboy is back again in the company of river rats. Seems to me I recall a movie about river rats with Tommy Lee Jones, one heck of a great actor.

Well, folks. We know that our Bio man is finished with his background stuff when he leaves us with a smile.

Thanks, hawkman, for the info and the funnies. I have yet to see The Hitchhikers Guide to the Galaxy, but I do enjoy Douglas Adams.

News from the animal world:



Hungry Mich. Wolves Turning on Each Other By JOHN FLESHER, Associated Press Writer
Sat Mar 11, 8:38 AM ET



TRAVERSE CITY, Mich. - Gnawing leisurely on the remains of a moose carcass, the wolf pack's alpha male seemed unaware that mortal danger was coming ever closer.



Suddenly the eight-member rival pack burst into view. The alpha scrambled to his feet, but too late. Howling and barking, the enemy chased him down and mercilessly attacked, killing the hapless victim within a couple of minutes.

It's not unusual for the gray wolves on Isle Royale National Park to target each other, said John Vucetich, a Michigan Tech University wildlife biologist who witnessed the carnage from an airplane in January. But the rival pack's brazen invasion of another's territory was a sign ?- the wolves are hungry. The reason is a steady decline of moose, now at their lowest ebb in the 48 years that scientists have studied the two species in Isle Royale's closed environment.

How would you like to dance with these fellows, Walter?

http://www.holmbergphoto.com/images/wl-wolves%20big.jpg
0 Replies
 
Walter Hinteler
 
  1  
Reply Sat 11 Mar, 2006 11:16 am
Letty wrote:
First let me say, folks, that I am as stunned as Walter in learning that he took dance lessons to learn those dances. Something of a waste now, I would say. <smile>


I've always siad the money my parents gave me for the dance lessons were a waste: the girls were mainly from my class/school ... or bad looking :wink:
0 Replies
 
Letty
 
  1  
Reply Sat 11 Mar, 2006 11:24 am
UhOh, Walter. Two left feet? and there's no accounting for a man's taste in women; you married a lovely lady, however, so you and your parents did something right.

Well, we're missing Francis and McTag, but I'm certain they're playing around somewhere.<smile>

Well, folks, I think we need a dedication segment. Any requests?
0 Replies
 
yitwail
 
  1  
Reply Sat 11 Mar, 2006 11:37 am
maybe Walter can do this Pinetop Smith/Cleo Brown number Smile

Brand new number, folks, called Boogie Woogie!
It's a funny little song.

Now, when I tell you to hold it, I don't want you to move a thing.
And when I tell you to get it, I want you to Boogie Woogie!

Hold it!

Now, Boogie Woogie!

When I tell you to hold it this time, I don't want you to move a peg.
And when I tell you to get it, I want you to mess around!
Or something!

Stop now!

Now, mess around!

I want that gal with the red dress on, any kind of dress will do, to come over here and stand by this piano.
Now, when I tell you to hold it, I don't want you to move a muscle.
And when I tell you to get it, I want you to shake that thing!
Or something!

Hold it!

Now, shake that thing!
0 Replies
 
Letty
 
  1  
Reply Sat 11 Mar, 2006 11:44 am
Well, there's our turtleman with a boogie woogie beat. The lyrics to that sorta sounds like Ray Charles, M.D.

"See the girl with the red dress on,
She can do the dog all night long.
Oh yeah, baby shake that thing..." Razz
0 Replies
 
 

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