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WA2K Radio is now on the air

 
 
Letty
 
  1  
Reply Sat 7 Jan, 2006 07:39 pm
Oh, speak again bright angel.

Okay, folks, I think I shall because it's my time of night.

Among Bob's bio's was a Caruso, so I thought that I would play this aria from the greatest tenor of them all:

Se quel guerriero io fossi!
Se il mio sogno si avverasse!...
Un esercito di prodi da me guidato...
e la vittoria
e il plauso di Menfi tutta!
E a te, mia dolce Aida,
tornar di lauri cinto...
Dirti, per te ho pugnato,
e per te ho vinto!

Celeste Aida, forma divina,
mistico serto di luce fior,
del mio pensiero tu sei regina,
tu di mia vita sei lo splendor.
Il tuo bel cielo vorrei ridarti,
le dolci brezze del patrio suol,
un regal serto sul crin posarti,
ergerti un trono vicino al sol.

Celeste Aida, forma divina,
mistico raggio di luce fior,
del mio pensiero tu sei regina,
tu di mia vita sei lo splendor.
Il tuo bel cielo vorrei ridarti,
le dolci brezze del patrio suol,
un regal serto sul crin posarti,
ergerti un trono vicino al sol.

I used to play The March of the Priests on the piano.(remembering fondly)
0 Replies
 
Reyn
 
  1  
Reply Sat 7 Jan, 2006 07:42 pm
Hiya, Letty! Fancy a bit of rain?

<tweaks Letty's nose and runs away>

http://www.shakespearebythesea.org/1999/images/nosetwitch.jpg
0 Replies
 
djjd62
 
  1  
Reply Sat 7 Jan, 2006 07:52 pm
the band in this post is the talking heads*


Pulled Up

Mommy, Daddy, come and look at me now
I'm a big man in a great big town
Years ago who would believe it's true
Goes to show what a little faith can do

I was complaining, I was down in the dumps
I feel so strong now 'cause you pulled me up!
Pull me up up up up up up up up

I slipped, and I got pulled
Pulled up, I tripped, and then you pulled,
you pulled me up
I slipped, and I got pulled,
Pulled up, I slipped, and then you pulled,
you pulled me up pull me up pull me up...
Pulled me up up up up up up up up

I drift away to another land
Sleeping dreaming such a simple thing
I think of things that I might be
I see my name go down in history

I was complaining, I was down in the dumps
I feel so string now 'cause you pulled me up!
Pull me up up up up up up up up
I slipped, and I got pulled,
pulled up, I tripped, and then you pulled,
you pulled me up
I tripped, and I got pulled
Pulled up, I slipped, and then you pulled
you pulled me up! Pulled me up up, Pulled me up...
Pulled me up up up up up up up up

I got up
'cause you pulled me up
I stood up
'cause you pulled me up
I got up
And that was because you pulled me up
I got up
In a little while you pulled me up
Pull me up up up up, up up up up!
Pull me up up up up up up up up!

I cast a shadow on the living-room wall
Dark and savage with a profile so sharp
Keep that wonderful food on the table
There's really no hurry I'll eat in a while

I was complaining, I was down in the dumps
I feel so strong now 'cause you pulled me up!
Pull me up up up up up up up up!
I slipped, and I got pulled
Pulled up, I tripped, and then you pulled,
you pulled me up
I slipped, and I got pulled
Pulled Up, I slipped,
And then you pulled, you pulled me up!
Pull me up...Pull me up...Watch out!
Pull me up up up up up up up up!
Pull me up up up up up up up up!
Pull me up up up up up up up up!


Life During Wartime

Heard of a van that is loaded with weapons,
packed up and ready to go
Heard of some gravesites, out by the highway,
a place where nobody knows
The sound of gunfire, off in the distance,
I'm getting used to it now
Lived in a brownstore, lived in the ghetto,
I've lived all over this town

This ain't no party, this ain't no disco,
this ain't no fooling around
No time for dancing, or lovey dovey,
I ain't got time for that now

Transmit the message, to the receiver,
hope for an answer some day
I got three passports, a couple of visas,
you don't even know my real name
High on a hillside, the trucks are loading,
everything's ready to roll
I sleep in the daytime, I work in the nightime,
I might not ever get home

This ain't no party, this ain't no disco,
this ain't no fooling around
This ain't no mudd club, or C. B. G. B.,
I ain't got time for that now
Heard about Houston? Heard about Detroit?
Heard about Pittsburgh, P. A.?
You oughta know not to stand by the window
somebody might see you up there
I got some groceries, some peant butter,
to last a couple of days
But I ain't got no speakers, ain't got no
headphones, ain't got no records to play

Why stay in college? Why go to night school?
Gonna be different this time
Can't write a letter, can't send a postcard,
I can't write nothing at all
This ain't no party, this ain't no disco,
this ain't no fooling around
I'd like to kiss you, I'd love you hold you
I ain't got no time for that now

Trouble in transit, got through the roadblock,
we blended with the crowd
We got computer, we're tapping pohne lines,
I know that ain't allowed
We dress like students, we dress like housewives,
or in a suit and a tie
I changed my hairstyle, so many times now,
I don't know what I look like!
You make me shiver, I feel so tender,
we make a pretty good team
Don't get exhausted, I'll do some driving,
you ought to get some sleep
Get you instructions, follow directions,
then you should change your address
Maybe tomorrow, maybe the next day,
whatever you think is best
Burned all my notebooks, what good are
notebooks? They won't help me survive
My chest is aching, burns like a furnace,
the burning keeps me alive
Try to stay healthy, physical fitness,
don't want to catch no disease
Try to be careful, don't take no chances,
you better watch what you say


Crosseyed and Painless

Lost my shape-Trying to act casual!
Can't stop-I might end up in the hospital
I'm changing my shape-I feel like an accident
They're back!-To explain their experience

Isn't it weird/Looks too obscure to me
Wasting away/And that was their policy

I'm ready to leave-I push the fact in front of me
Facts lost-Facts are never what they seem to be
Nothing there!-No information left of any kind
Lifting my head-Looking for danger signs

There was a line/There was a formula
Sharp as a knife/Facts cut a hole in us
There was a line/There was a forula
Sharp as a knife/Facts cut a hole in us

I'm still waiting...I'm still waiting...I'm still waiting...
I'm still waiting...I'm still waiting...I'm still waiting...
I'm still waiting...I'm still waiting...
The feeling returns/Whenever we close out eyes
Lifting my head/looking around inside

The island of doubt-It's like the taste of medicine
Working by hindsight-Got the message from the oxygen
Making a list-Find the cost of opportunity
Doing it right-Facts are useless in emergencies

The feeling returns/Whenever we close out eyes
Lifting my head/Looking around inside.

Facts are simple and facts are straight
Facts are lazy and facts are late
Facts all come with points of view
Facts don't do what I want them to
Facts just twist the truth around
Facts are living turned inside out
Facts are getting the best of them
Facts are nothing on the face of things
Facts don't stain the furniture
Facts go out and slam the door
Facts are written all over your face
Facts continue to change their shape

I'm still waiting...I'm still waiting...I'm still waiting...
I'm still waiting...I'm still waiting...I'm still waiting...
I'm still waiting...I'm still waiting...


Love - Building On Fire

When my love
Stands next to your love,
I can't define love
When it's not love.

It's not love.
It's not love.
Which is my face,
Which is a building,
Which is on fire.

When my love
Stands next to your love,
I can't define love
When it's not love.

It's not love.
It's not love.
Which is my face,
Which is a building,
Which is on fire.

I've got two loves
I've got two loves
And they go tweet, tweet, tweet, tweet, tweet, like little birds
They're my two loves...
Count them one, two loves...
Count them one, two loves.
Which is my face
Which is a building
Which is on fire

It's not love.
It's not love.
Which is my face,
Which is a building,
Which is on fire.




* all songs (and more) featured on the live album, "the name of this band is talking heads"
0 Replies
 
Letty
 
  1  
Reply Sat 7 Jan, 2006 07:57 pm
Well, Reyn. I assume you don't like opera. Who is that man in your avatar? I'm thinking that it's Shakespeare since you recognized the excerpt from Romeo and Juliet.

Hmmm. Tweaking my nose? Our Reyn is very mischievous, no?

Here's a song of long ago and one that makes a perfect goodnight song for me:

Van Morrison

Last saturday night I got married
Me and my wife settled down
But me and my wife have parted
I'm gonna take another stroll downtown

Irene goodnight (goodnight irene)
Irene goodnight
Goodnight irene, goodnight irene
I'll get you in my dream

Stop your ramblin'
Stop your gamblin'
Stop stayin' out late, late at night
Go home to your wife and your family
Sit down by your fireside so bright

Irene goodnight (irene)
Irene goodnight
Goodnight irene, goodnight irene
I'll get you in my dream

I love irene and I swear I do (yes)
Love 'er, love 'er, love 'er, love 'er, love 'er
Love 'er, love 'er, love 'er, love 'er
Still the sea runs dry
And if irene ever turns her back on me
I'm gonna take morphine and die

Irene goodnight
Goodnight, goodnight, goodnight
Goodnight, goodnight, goodnight
Irene goodnight
Goodnight irene, goodnight irene
I'll get you in my dream

John of Virginia liked that one as well.

From Letty with love
0 Replies
 
Letty
 
  1  
Reply Sat 7 Jan, 2006 08:02 pm
Oops, Missed you, dj. and a special goodnight to you, honey.
0 Replies
 
dyslexia
 
  1  
Reply Sat 7 Jan, 2006 08:08 pm
Leadbelly
0 Replies
 
djjd62
 
  1  
Reply Sat 7 Jan, 2006 08:12 pm
good night letty

one more from the talking heads as a farewell tune

City of Dreams

Here where you are standing
The dinosaurs did a dance
The indians told a story
Now it has come to pass

The Indians had a legend
The Spaniards lived for gold
The white man came and killed them
But they haven't really gone

We live in the city of dreams
We drive on the highway of fire
Should we awake
And find it gone
Remember this, our favorite town

From germany and Europe
And Southern U.S.A.
They made this little town here
That we live in to this day

The children of the white man
Saw Indians on TV
And heard about the legend
How their city was a dream

We live in the city of dreams
We drive on the highway of fire
Should we awake
And find it gone
Remember this, our favorite town

The Civil War is over
And World War One and Two
If we can live together
The dream it might come true

Underneath the concrete
The dream is still alive
A hundred million lifetimes
A world that never dies

We live in the city of dreams
We drive on the highway of fire
Should we awake
And find it gone
Remember this, our favorite town
0 Replies
 
edgarblythe
 
  1  
Reply Sat 7 Jan, 2006 08:21 pm
Midnight Special
Leadbelly


Well you wake up in the morning, hear the ding dong ring,
You go a-marching to the table, see the same damn thing
Well, it's on a one table, knife, a fork and a pan,
and if you say anything about it, you're in trouble with the man

Let the midnight special, shine her light on me
Let the midnight special, shine her ever-loving light on me

If you ever go to Houston, you better walk right, you better not stagger, you better not fight
Sheriff Benson will arrest you, he'll carry you down
And if the jury finds you guilty, penitentiary bound

Yonder come little Rosie, how in the world do you know
I can tell her by her apron, and the dress she wore
Umbrella on her shoulder, piece of paper in her hand
She goes a-marching to the captain, says, "I want my man"

"I don' believe that Rosie loves me", well tell me why
She ain't been to see me, since las' July
She brought me little coffee, she brought me little tea
Brought me damn near ever'thing but the jailhouse key

Yonder comes doctor Adams, "How in the world do you know?"
Well he gave me a tablet, the day befo'
There ain't no doctor, in all the lan'
Can cure the fever of a convict man


Midnight Special (version 2)


Yonder come Miss Rosie, how in the world do you know
Well I know by the apron and the dress she wore
Well an umbrella on her shoulder, piece of paper in her hand
Well I'm gonna ask the governor, he turn a-lose a-my man

Let the midnight special, shine the light on me
Let the midnight special, shine the ever-lovin' light on me

When you get up in the mornin', when that big bell ring
You go and march to the table, see the same damn thing
Knife and fork are on the table, there's nothin' in my pan
And if you say anything about it, havin' trouble with the man

Well I went to the nation and to the territo(ry)
Well I thought about the girl I love, in that Mexico

If you ever go to Houston, oh you better walk right
And you better not squallow and you better not fight
Sheriff Rocko will arrest you, Eddie Boone will take you down
You can bet your bottom dollar, penitentiary bound

Well jumpin' little Judy, she was a mighty fine girl
Well Judy brought jumpin' to this whole round world
Well she brought it in the mornin', just a while before day
She brought me the news, that my wife was dead
That started me to grievin', then hollerin' and a-cryin'
Then I had to give the worry about a been a long time

__________
0 Replies
 
yitwail
 
  1  
Reply Sat 7 Jan, 2006 09:39 pm
i need to be up early tomorrow, so i'm jumping the gun for the billboard number 1, 2nd week in january, 1963, by Steve Lawrence (which isn't my thing, but we're committed to playin the hits)

Go away, little girl. Go away, little girl.
I'm not supposed to be alone with you.
I know that your lips are sweet,
But our lips must never meet.
I belong to someone else, and I must be true.

Oh, go away, little girl. Go away, little girl.
It's hurtin' me more each minute that you delay.
When you are near me like this,
You're much too hard to resist.
So, go away, little girl, before I beg you to stay."

Go away.
Please don't stay.
It'll never work out.

When you are near me like this,
You're much too hard to resist.
So, go away, little girl.
Call it a day, little girl.
Oh, please, go away, little girl,
Before I beg you to stay.
Go away.
0 Replies
 
Walter Hinteler
 
  1  
Reply Sun 8 Jan, 2006 02:49 am
Having just noticed how mayy members are engaged in discussion here at full night (where they live):



A catfish he tends to groove on the water
It's just where he's bound to be
And a monkey kinds of flashes on fruits and bananas
So he lives in the top of a tree
But my eyes are made for darkness
And so the nighttime is right for me

Said I'm a night owl, honey
Sleep all day long

Now most folks they like the good day time
They like to see the shining sun
They're up in the morning
Off and running
'Till they're too tired for having fun
But when the sun goes down
And them bright light shine
My daytime has just begun

I'm a night owl, honey
Sleep all day long

Said turn off that bright light, baby
You're just about to drive me blind
Draw them curtains for me, mama
You watch and you'll see
How my love light shines

Now, there's two sides to this
Great big world
and one of them is always night
Hey, if you can take care of
Business in the sunshine, baby
I guess you're gonna be alright
But don't come looking for stringbean
To lend you a hand
Because my eyes they can't stand the light

No, I'm a night owl, honey
Sleep all, sleep all day long
I said sleep all day long
I'm a night owl, honey
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 8 Jan, 2006 03:23 am
José Ferrer
From Wikipedia, the free encyclopedia.


José Vicente Ferrer de Otero y Cintrón (January 8, 1909 - January 26, 1992), was an actor and film director, born in Santurce, Puerto Rico. He is a 1933 graduate of Princeton University, where he wrote a senior thesis titled French Naturalism and Lardo Bazan.


Career

Ferrer made his film debut with Ingrid Bergman in Joan of Arc in 1948, for which he received his first Academy Award nomination for "Best Supporting Actor". In 1950 Ferrer won an Academy Award for his portrayal of Cyrano de Bergerac in the 1950 film of that name. He played the same role on stage in 1946 (winning a Tony Award), and on TV in 1949 and 1955. He played Cyrano yet again in the French movie, Cyrano et D'Artagnan.

In 1952 Ferrer won three Tony Awards for directing three plays during the same season (The Shrike, Stalag 17, The Fourposter) and earned another Tony for also acting in The Shrike.

Also in 1952, Ferrer portrayed French painter Henri de Toulouse-Lautrec in John Huston's Moulin Rouge (Oscar nominated). He appeared in 1953's Miss Sadie Thompson opposite Rita Hayworth, in 1954's The Caine Mutiny and the MGM musical Deep in My Heart. In 1955 Ferrer directed himself in The Shrike. The Cockleshell Heroes followed a year later, along with The Great Man. In 1958 Ferrer appeared in I Accuse! and The High Cost of Loving. Ferrer also directed, but did not appear in, Return to Peyton Place in 1961 and also the re-make of State Fair in 1962.

In 1959 he took over direction of the troubled musical Juno from Vincent J. Donahue, who had himself taken over from Tony Richardson. The show folded after 16 performances and mixed-to extremely negative critical reaction. In retrospect, much of Juno was very well done, especially the score by Marc Blitzstein and the choreography by Agnes de Mille, but the show's failure (along with his earlier flop, Oh, Captain!, was a considerable setback to Ferrer's directing career.

His other notable films include Lawrence of Arabia in 1962, The Greatest Story Ever Told in 1965, Ship of Fools also in 1965, Woody Allen's A Midsummer Night's Sex Comedy in 1982, Dune in 1984. Ferrer also had a recurring role as Julia Duffy's insanely wealthy Waspy father on the popular Newhart television sitcom in the U.S. in the 1980s. He also had a memorable recurring role as elegant and flamboyant attorney Reuben Marino on the soap opera Another World in the early 1980s.


Family

Ferrer had five children with singer-actress Rosemary Clooney: Miguel was born in 1955, Maria in 1956, Gabriel in 1957, Monsita in 1958, and Rafael in 1960. Clooney was Ferrer's third wife. The two were married in 1953, divorced in 1961, and remarried in 1964, only to be divorced again in 1967. Ferrer had previously been married to Uta Hagen (1938-1948), by whom he had a daughter, and actress Phyllis Hill (1948-1953). At the time of his death, Ferrer was married to Stella Magee, whom he married in 1992.

Ferrer is the uncle of actor George Clooney and the father-in-law of singer Debby Boone. José Ferrer died following a brief battle with colon cancer in Coral Gables, Florida at the age of 83.

http://en.wikipedia.org/wiki/Jos%C3%A9_Ferrer
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 8 Jan, 2006 03:33 am
Elvis Presley
From Wikipedia, the free encyclopedia.


Born: January 8, 1935
Tupelo, Mississippi, USA
Died: August 16, 1977
Memphis, Tennessee, USA

Elvis Aaron Presley (January 8, 1935 - August 16, 1977), also known as "The King of Rock 'n' Roll" or "Elvis the Pelvis," was an American singer, song producer and actor.

Rolling Stone magazine claimed "Elvis Presley is rock 'n' roll" and called his body of work "acres of perfect material." During an active recording career that spanned more than two decades, Presley set and broke many records for both concert attendance and sales. Since then, those records have only been matched and/or broken by the likes of The Beatles, Michael Jackson and Mariah Carey. Presley had more than 100 singles in the US top 40 and 17 went to number one. He has reportedly sold an estimated one billion records to date.


An American phenomenon

According to Rolling Stone magazine "it was Elvis who made rock 'n' roll the international language of pop." A PBS documentary once described Presley as "an American music giant of the 20th century who singlehandedly changed the course of music and culture in the mid-1950s." [1]. His recordings, dance moves, attitude and clothing came to be seen as embodiments of rock and roll. Presley sang both hard driving rockabilly and rock and roll dance songs and ballads, laying a commercial foundation upon which other rock and roll musicians would build. African-American performers like Little Richard and Chuck Berry came to national prominence after Presley's acceptance among mass audiences of white teenagers. Singers like Jerry Lee Lewis, the Everly Brothers, Buddy Holly, Roy Orbison and others immediately followed in his wake, leading John Lennon to later observe, "Before Elvis, there was nothing."


Teenagers came to Presley's concerts in unprecedented numbers. When he performed at the Mississippi-Alabama Fair in 1956 a hundred National Guardsmen surrounded the stage to control crowds of excited fans. When municipal politicians began denying permits for Presley appearances teens piled into cars and traveled elsewhere to see him perform. It seemed as if the more adults tried to stop it, the more teenagers across North America insisted on having what they wanted. When adult programmers announced they would not play Presley's music on their radio stations (some because God told them it was sexually suggestive Devil music, others saying it was Southern "nigger" music) the economic power of that generation became evident when they tuned in any radio station playing Elvis records. In an industry already shifting to all-music formats in reaction to television, profit-conscious radio station owners learned hard lessons when sponsors bought advertising time on new rock and roll stations reaching enormous markets at night with clear channel signals from AM broadcasts.

During the 1950s post-WWII economic boom in the United States, many parents were able to give their teenaged children much higher weekly allowances, signalling a shift in the buying power and purchasing habits of teens. During the 1940s bobby soxers had idolized Frank Sinatra but the buyers of his records were mostly between the ages of eighteen and twenty-two. Presley triggered a juggernaut of demand for his records by near-teens and early teens aged ten and up.

Presley's overwhelming appeal was to girls. Many boys adopted his look to attract them. Along with Elvis' ducktail haircut, the demand for black slacks and loose, open-necked shirts resulted in new lines of clothing for teenaged boys. In 1956 America, birthday and Christmas gifts were often music or even Elvis related. A girl might get a pink portable 45 rpm record player for her bedroom. Meanwhile American teenagers began buying newly available portable transistor radios [2] and listened to rock 'n' roll on them (helping to propel that fledgling industry from an estimated 100,000 units sold in 1955 to 5,000,000 units by the end of 1958). Teens were asserting more independence and Elvis Presley became a national symbol of their parents' consternation.

Presley's impact on the American youth consumer market was noted on the front page of The Wall Street Journal on December 31, 1956 when future Pulitzer Prize-winning business journalist Louis M. Kohlmeier wrote, "Elvis Presley today is a business," and reported on the singer's record and merchandise sales (this may have been the first time a journalist described an entertainer as a business). Half a century later, historian Ian Brailsford (University of Auckland, New Zealand) commented, "The phenomenal success of Elvis Presley in 1956 convinced many doubters of the financial opportunities existing in the youth market." [3]

Elvis Presley's popularity and role in pop culture to this day can only be compared with the likes of The Beatles, Michael Jackson and Madonna.

Birth & Childhood

Elvis Aaron Presley was born in a two-room house in East Tupelo, Mississippi to Vernon Elvis Presley and Gladys Love Smith. His twin brother, Jesse Garon, was stillborn. The surname Presley was Anglicized from the German Pressler during the Civil War. His ancestor Johann Valentin Pressler emigrated to North America in 1710. Pressler first settled in New York, but later moved to the South. He is of Scottish and German extraction.

Elvis Presley was raised both in East Tupelo and later in Memphis, Tennessee, where his family moved when he was 13. In 1949 the family moved to Lauderdale Courts public housing development which was near musical and cultural influences like Beale Street, Ellis Auditorium and the Popular Tunes record store along with the Sun Studio about a mile away.

In her book, Elvis and Gladys author Elaine Dundy wrote that those close to Elvis as a boy say he was a fan of comic book superhero Captain Marvel, Jr. and would later model his trademark hairstyle and some of his stage clothes/stage costumes on the comic book character.

Elvis took up the guitar and practiced in the basement laundry room at Lauderdale Courts. He played gigs in the malls and courtyards of the Courts with other musicians who lived there. After high school he worked at Precision Tool Company, then drove a truck for the Crown Electric Company.


The Sun recordings

Main articles: Elvis Presley's Sun recordings, and [[{{{2}}}]], and [[{{{3}}}]], and [[{{{4}}}]], and [[{{{5}}}]]

In the summer of 1953 Presley paid $4 to record the first of two double-sided demo acetates at Sun Studios, "My Happiness" and "That's When Your Heartaches Begin" which were popular ballads at the time. According to the official Presley website, Elvis reportedly gave it to his mother as a much-belated extra birthday present. Sun Records founder Sam Phillips and assistant Marion Keisker heard the discs and called him in June 1954 to fill in for a missing ballad singer. Although that session was not productive, Sam Phillips put Elvis together with local musicians Scotty Moore and Bill Black to see what might develop. During a rehearsal break on July 5, 1954 Elvis began singing a blues song written by Arthur Crudup called "That's All Right". Phillips liked the resulting record and released it as a 78RPM single backed with Elvis' hopped-up version of Bill Monroe's bluegrass song "Blue Moon Of Kentucky." Memphis radio station WHBQ began airing it two days later, the record became a local hit and Elvis began a regular touring schedule which expanded his fame beyond Tennessee.

Country music star Hank Snow arranged to have Presley perform at Nashville's Grand Ole Opry and his performance was received well by the audience. Nonetheless, one of the shows executives was far from impressed and hinted that Presley should give up his music. However, since that time many singers (Garth Brooks among them) have commented that one of the greatest thrills of playing the Opry is that they played on the same stage as Presley.

He continued to tour the U.S. South and on October 16, 1954 he made his first appearance on Louisiana Hayride, a radio broadcast of live country music in Shreveport, Louisiana and was a hit with the large audience. Following this Presley was signed to a one-year contract for a weekly performance during which time he was introduced to Colonel Tom Parker. This helped sales of his records as his releases began to reach the top of the country charts.

The management of Colonel Tom Parker

On August 15, 1955 Elvis Presley was signed by "Hank Snow Attractions," a management company jointly owned by singer Hank Snow and Colonel Tom Parker. Shortly thereafter, Colonel Parker took full control and, recognizing the limitations of Sun Studios, negotiated a deal with RCA Records on November 21, 1955, then immediately established two New York City recording companies for Presley's music. Understanding the commercial value for any composer having their song recorded by Presley, Parker was able to demand they share their royalties with the singer. A master promoter who wasted no time in marketing Presley's image, Parker licensed everything from guitars to cookware. After being approached by the Hollywood Studios, Parker eventually negotiated a multi-picture seven-year contract that shifted Presley's focus from music to films. Under the terms of his contract, Presley earned a fee for performing plus a percentage of the profits on the films, most of which were huge moneymakers. (See "Movies" section below.) With money seemingly being at the forefront of all decisions made by the Colonel, his success led to his management contract with Elvis being renegotiated to an even 50/50 split between the two. Over the years, much has been written about Colonel Parker, most of it critical. Marty Lacker, a lifelong friend and a member of the Memphis Mafia, says he thought of Parker as a "hustler and scam artist" who abused Elvis's reliance on him. Nonetheless, along with Lamar Fike, and Presley's first cousin Billy Smith, Lacker acknowledged that Parker was a master promoter as recounted in their 1995 book Elvis Aaron Presley: Revelations from the Memphis Mafia. In the 2005 television special about her former husband, Priscilla Presley said she didn't know who else there was at the time in 1955 who could have seized the moment and done the job of marketing Elvis. Parker's definitive biography was written by award-winning journalist Alanna Nash and published in 2003.


Military service

On December 20, 1957, Presley received his draft notice for the then compulsory 2-year service with the United States Army. On March 24, 1958, he was inducted into the Army at the Memphis Draft Board. Ginger Alden's (Elvis's future fiancee) father Walter Alden was a sergeant in the Army and in charge of the PR during that time. Elvis received no special treatment and was widely praised for not doing what many wealthy and influential people did to avoid service or to serve part time in easy domestic positions such as the Special Services where he could have sung and continued to maintain a public profile. His military service received massive media coverage with much speculation whether or not two years out of the limelight at the height of his popularity would do irreparable damage to his career. Presley sailed to Europe on the USS General George M. Randall (AP-115), and served in Germany as an ordinary soldier.

He returned to the United States on March 2, 1960, and was honorably discharged on March 5th.

Comeback

Many observers (including John Lennon) later claimed that following Presley's return from military service the quality of his recorded output dropped, although others thought he was still capable of creating records equal to his best (and did so on the infrequent occasions where he was presented with "decent" material at his movie recording sessions). Presley himself became deeply dissatisfied with the direction his career would take over the ensuing seven years, notably the film contract with a demanding schedule that eliminated creative recording and giving public concerts. In 1960 the album Elvis is Back was recorded to mixed reviews by critics and fans. With this drop-off, and in the face of the social upheaval of the 1960s and the British Invasion spearheaded by The Beatles, Presley's star faded slightly before a triumphant televised performance later dubbed the '68 Comeback Special. Aired on the NBC network on December 3, 1968, the show saw him return to his rock and roll roots. His 1969 return to live performances, first in Las Vegas and then across the country, was noted for the constant stream of sold-out shows, with many setting attendance records in the venues where he performed throughout the country.


1969 onward

After seven years off the top of the charts, Presley's song "Suspicious Minds" hit No. 1 on the Billboard music charts on November 1, 1969. This was the last time any song by Presley hit #1 on the US pop charts while he was still alive, although "Burning Love" got as high as #2 in September 1972. He still reached #1 on charts around the world. For example, "The Wonder Of You" reached #1 in the UK in 1970. The "Aloha from Hawaii" concert in January 1973 was the first of its kind to be broadcast worldwide via satellite and his biggest audience ever. The soundtrack album was another #1 disc.

Way Down was racing up the American Country Music charts shortly before Presley's death in 1977, and hit #1 on that very chart the week he died (Presley recorded a number of country hits in his final years). It also topped the UK pop charts at the same time. Between 1969 and 1977 he gave over 1,000 sold-out performances in Las Vegas and on tour. He was the first artist to have four shows in a row sold to capacity at New York's Madison Square Garden. During the mid-1970s Presley became increasingly isolated, battling an addiction to prescription drugs and its resulting toll on his appearance, health and performances. Elvis Presley made his last live concert appearance in Indianapolis, Indiana at the Market Square Arena on June 26, 1977.

Movies

In late 1955, Presley made his earliest known film appearance in a documentary entitled The Pied Piper of Cleveland, a look at the career of disc jockey Bill Randle. The film, which reportedly included performance footage of Elvis as well as Bill Haley and His Comets and other acts, was shown in its entirety only once (in Cleveland) and was never released commercially. The film is currently considered "misplaced" and some Presley researchers maintain it never existed, although there is ample evidence to suggest it did.

Beginning with Love Me Tender (opened on November 15, 1956), Presley starred in 31 motion pictures, having signed to multiple long-term contracts on the advice of his manager. These were usually musicals based around Presley performances, and marked the beginning of his transition from rebellious rock and roller to all-round family entertainer. Elvis was praised by all his directors, including the highly respected Michael Curtiz, as unfailingly polite and extremely hardworking.

The movies Jailhouse Rock (1957), King Creole (1958), and Flaming Star (1960) are widely regarded as his best among film critics. Among fans, Blue Hawaii (1961) and Viva Las Vegas (1964) are also highly praised.

In addition to his own films, Presley has been the subject of more than seventy films that have his name in the title.



Gospel roots

Ironically, for all the controversy surrounding his early career, Elvis Presley's roots in religious music ran deep. In Tupelo, Mississippi, Vernon and Gladys Presley were what was disparagingly referred to as poor white trash from the "wrong side of the tracks" at the east end of town. Their Depression-era home (where Elvis was born in 1935) was a two-room shack on one of several dirt tracks forming a small community off Old Saltillo Road. They belonged to a local Assembly of God Pentecostal church which played an important role in their lives. For Elvis Presley it provided an environment from which he would instinctively adopt the music, sound and accompanying body movements in his later rock and roll singing performances. The African American form of music that became known as Rhythm & Blues (which also evolved from gospel songs) was also a part of Presley's childhood world and he probably heard it on a regular basis in the black section of Tupelo known as "Shakerag" (which was between Tupelo and East Tupelo, and was demolished in the 1960s as part of an urban renewal project). The church is said to have brought the Presleys, along with the rest of its desperately poor congregation, a message of hope wrapped around "Hell, fire, and brimstone" sermons. For nearly a quarter century the Pentecostal movement was interracial and during the 1930s and 1940s many of these poor churches did not adopt the growing policy of racial segregation.

Although Vernon Presley's family was Pentecostal and his sister Nash Presley became a minister, his wife Gladys was Elvis's devoutly religious parent. Her uncle Gains Mansell was also a Pentecostal preacher in East Tupelo whose interracial church services began with revival meetings held in a tent. Pentecostal church services started, centered and ended with music and everyone was encouraged to "make a joyous noise unto the Lord." According to Presley biographer Peter Guralnick, Gladys Presley said that by the age of two her son was already trying to sing along in the church. A Pentecostal preacher would typically lead the congregation in prayer and both singing and prayer were accompanied by the waving of hands, the swaying of bodies and dancing about in the Holy Spirit. As it almost always did in those settings, "when the Spirit strikes" the body would jerk as though hit by a bolt of lightning and frequently the worshipper would fall to the floor, rolling around and praying aloud (this is why outsiders referred to church members as "Holy Rollers" and their services as a "religious frenzy"). For instrumentation, these church services used a guitar, a tambourine or two and if they could afford one, a well-worn piano and perhaps a used piano accordion. Church services lasting three hours and held several times a week were filled with music as Pentecostals gyrated their hips, shook their legs, clapped and waved their arms while belting out pounding, rhythmic songs such as Down By the Riverside, When The Saints Go Marching In and Standing On The Promises. There were also more serene songs sung with great emotion like Old Rugged Cross and Softly and Tenderly (Jesus is calling).

In 1948 the Presley family left Tupelo, moving 110 miles northwest to Memphis, Tennessee. Here too, thirteen-year-old Elvis lived in the city's poorer section of town and attended a Pentecostal church. At this time, Presley was very much influenced by the Memphis blues.

While Elvis Presley was a teen cataclysm with millions of American girls screaming at the sight of him, his own church viewed Presley's gyrations on stage as an affront, labelling it the Devil's work and a mocking of the Baptism of the Holy Spirit. Presley records were condemned as wicked and Pentecostal preachers thumped their pulpits with Bibles, warning congregations to keep heathen rock and roll music out of their homes and away from their children's ears (especially the music of "that backslidden Pentecostal pup, Elvis Presley"). People who decades later would be considered part of the religious right spoke out vigorously against Presley including Cardinal Spellman. In its weekly periodical, the Roman Catholic Church added to the criticism in an article titled "Beware Elvis Presley."

In August, 1956 in Jacksonville, Florida a local Juvenile Court judge called Presley a "savage" and threatened to arrest him if he shook his body while performing at Jacksonville's Florida Theatre, justifying the restrictions by saying his music was undermining the youth of America. Throughout the performance Presley stood still as ordered but poked fun at the judge by wiggling a finger. Similar attempts to stop his "sinful gyrations" continued for more than a year and included his often noted January 6, 1957 appearance on The Ed Sullivan Show when he was seen only from the waist up.

His Hand In Mine (1960) was the title of Elvis' first gospel album. During his '68 Comeback Special Elvis said his music came from gospel. As heard in the 2005 televised special, Presley told a reporter that he "knew every gospel song there is." Despite his church's attitude, gospel music was a prominent part of Presley's repertoire throughout his life. From 1971 to his death in 1977 Presley employed the Stamps Quartet, a gospel group, for his backup vocals. He recorded several gospel albums, earning three Grammy Awards for his gospel music. In his later years Presley's live stage performances almost always included a rendition of "How Great Thou Art," the 19th century gospel song made famous by George Beverly Shea. More than forty-five years later (and twenty-four years after his death) the Gospel Music Association finally inducted him into their Gospel Music Hall of Fame (2001).


Relationships

No entertainer has ever had their life and intimate relationships examined in as much detail as has Elvis Presley. Even the FBI had a file on him of more than 600 pages. He has been the subject of over 718 books (and counting), including two by his only wife, Priscilla Beaulieu Presley (whom he married on May 1, 1967) and several others by former girlfriends including June Juanico. Since his death many claims to relationships have been made by women who were no more than acquaintances or had short term affairs which were exaggerated for personal gain.


High school and early stardom

According to interviews with teachers and former fellow students at Milam Junior High school in Tupelo, Mississippi, noted Presley biographer Elaine Dundy in her book Elvis and Gladys wrote (p.124) that beginning in his early teens, Elvis embarked upon the "indefatigable pursuit of girls", but was totally rebuffed and that this was something that contributed to his lifelong need for a beautiful woman to validate his feelings of inadequacy. What can be actually ascertained, from looking at the numerous pictures of Elvis Presley starting at the age of 14, is that the teenage Elvis Presley was not the extraordinarily handosome young man he became by age 20. Therefore, it is not surprising that, between 1954 and 1956, the impoverished son of welfare recipients went from being shunned and even mocked by some of the popular girls from his junior and high school days, to be the subject of the adoraton, and adulation of first and foremost, some of the most beautiful girls in Memphis, then of young Hollywood starlets such as Natalie Wood and Connie Stevens. Author Elaine Dundy wrote that actress Shelley Winters (usually considered a reliable source for Hollywood goings-on and who portrayed Gladys Presley in the 1979 made-for-TV movie Elvis) claimed the relationship between Presley and Natalie Wood developed into something more serious than what was generally reported in the media.


There were several significant relationships in Presley's life other than his one marriage to Priscilla Beaulieu. They included Dixie Locke, a high school sweetheart who he met at his Assemblies of God Pentecostal church and was part of his life before and during his Sun Records time. Locke was portrayed by actress Jennifer Rae Westley in the 2005 CBS TV miniseries Elvis. Anita Wood, another wholesome Christian girl whom Gladys Presley hoped he would eventually marry, was with Elvis as he rose to superstardom, served in the US military and returned home in 1960. Wood lived at Graceland for a time but moved out after confronting him over Priscilla Beaulieu, the "girl in Germany." Although rarely giving public statements, in 2005 Anita Wood was interviewed by renowned television talk show host Larry King. She told him that following media reports of a girlfriend in Germany, Elvis "had me believing that she (Priscilla Beaulieu) was just a friend and her daddy was in the Army with him, and there was nothing to it whatsoever." Presley used his charm to persuade Anita to move back into Graceland but she remained only a few months before leaving permanently. Elvis immediately began a short-lived affair with Anne Helm, his co-star from the film Follow That Dream. Ms Helm came to Graceland for a short time but her quick exit allowed for the entrance of Priscilla Beaulieu who moved to Memphis in 1962.

Priscilla Beaulieu Presley and some other relationships


In her 1985 book Elvis and Me, Priscilla Beaulieu Presley recounted how Elvis suffered from insomnia and would stay up all night and sleep most of the day. She described him as a very passionate man who was not overtly sexual towards her and condemned pre-marital sex as a sin, which may be interpreted as part of his generation's double standard which cheered men for sexual prowess with women but insisted a girl should remain a virgin until married and if she did not, she would be labeled a "slut." If he wanted to go out, he'd rent out the venue so no fans would bother him. This insistence on being a virgin hallmarked each relationship Presley had with any woman he thought of as a potential wife or someone he was willing to live with.

A totally different account of Priscilla's relationship with Elvis can be found in Suzanne Finstad's book, Child Bride: The Untold Story of Priscilla Beaulieu Presley. The author says that Priscilla had lied, that she and Elvis slept together on their second date and that she wasn't a virgin on her wedding night. The book also claims that her marriage was part of a mastermind for fame hatched by Priscilla and her mother and that she never loved Elvis.

While demanding purity and loyalty from them, Presley's ex-wife and several girfriends confirmed he had numerous affairs with other women he had no plans of staying with. In his book Elvis: Unknown Stories Behind the Legend author Jim Curtin wrote (p.119) about the many women in Presley's life, saying "his list of one-night stands would fill volumes." However, according to a recent article by Byron Raphael and Alanna Nash, "the so-called dangerous rock-and-roll idol was anything but a despotic ruler in the bedroom" and "really wasn't all that keen on doing the wild thing. He was far more interested in heavy petting and panting and groaning" and "he would never put himself inside one of these girls. Within minutes he'd be asleep." Priscilla Presley relates that Elvis told her that he didn't make love to Anita Wood the whole four years he went with her. "Just to a point," he said. "Then I stopped. It was difficult for her too, but that's just how I feel." In her book, Child Bride, Suzanne Finstad also confirms that Elvis hated sex.

Priscilla Beaulieu wrote that his philandering made her "crazed with worry," particularly his highly-publicized relationship with Ann-Margret, which he tried to hide from her. Shortly after he and Priscilla were married and she got pregnant, Elvis became involved with Nancy Sinatra. When questioned by his wife, Elvis denied any affair but then out of the blue, Nancy Sinatra, who barely knew Priscilla, called her and offered to organize her baby shower. Shortly after this, Elvis left his expecting wife in a state of shock by asking for a trial separation. Hereafter, on the 1st February of 1968, Priscilla gave birth to Elvis' daughter Lisa Marie Presley, in Memphis, Tennessee.


Later years


Following his separation from Priscilla in late February, 1972 the thirty-seven-year-old Elvis Presley immediately became involved with a twenty-one year beauty queen, Linda Thompson. Before long, she moved into Graceland and lived with him for nearly four and a half years, so she claims, but others close to the family said she did not. Presley dated a host of others besides Linda, notably with his backup singer Kathy Westmoreland and actress Cybill Shepherd who, along with Linda Thompson, was part of a candid 2002 television interview marking the 25th anniversary of Presley's death on CNN's Larry King Live. Cybill Shepherd spoke about her relationship with Presley while he was performing in Las Vegas, saying "years later, I would read and find out that he had like two other women there at the same time." As one of the two women Shepherd was referring to, Linda Thompson told Larry King she knew Presley had been cheating on her but stayed with him anyway until he ended it in late 1976 when the forty-one-year-old Presley began a relationship with 21 year-old Ginger Alden.


Ginger Alden, unlike his previous girlfriend, Linda Thompson and former ex- wife Priscilla, did not move in with Elvis when he asked her and told Ginger that he respected her for not doing so and had great respect for her and her family. Elvis proposed to Ginger Alden by giving her an 11 1/2 carat diamond engagement ring made from his favorite TCB ring on January 26, 1977 (they had plans for a Christmas wedding in 1977). Vernon Presley, Elvis's father stated in an interview that his son Elvis told him that he had "finally" found the love that he had been searching for all his life and that he wanted more children, a son, and wanted Ginger to be the mother of his future children. Vernon also stated that Elvis told him that Graceland had come "alive" again after meeting Ginger Alden, and that he could see Elvis as that little boy from Tupelo again. However, Elvis died before he could fulfill that life-long dream with Ginger. During the early afternoon of August 16, 1977, Ginger Alden, Elvis's fiancee, woke up in Presley's bed and found his lifeless body in the bathroom suite.


Abuse of drugs

In her 1985 book, Elvis and Me, his wife Priscilla wrote that Elvis suffered from severe insomnia and by 1962 when she moved to Graceland he was taking placidyls to get to sleep and began to do so in ever increasing doses. According to author Albert Goldman in his 1990 book Elvis: The Last 24 Hours, the pills were first given to him by Memphis disc jockey Dewey Phillips. Priscilla recounted how he would wake up at his normal time around 4:00 in the afternoon but would be groggy and irritable for a few hours from the heavy dose of pills. He started taking Dexedrine to wake up. She stated that over time, she saw "problems in Elvis's life, all magnified by taking prescribed drugs."

Priscilla wrote the two of them tried marijuana but didn't like it because it made them ravenously hungry, with extra weight the unwanted result. Although she said Elvis abhorred street drugs, she tells in her book how they tried LSD. While they both thought it had been an "extraordinary experience" they were afraid of it and experimented that one time only. During the time when he was searching for peace in his life and consulting an Indian guru as Bob Dylan and others were doing at the time, Presley read numerous books including Aldous Huxley's "Doors of Perception" and Timothy Leary's "Psychedelic Experience." In his Elvis biography, Peter Guralnick discussed the singer's rampant prescription drug abuse. Cliff Gleaves, one of Elvis' friends and a reliable eyewitness, said about the singer's abuse of drugs, in this case speed:

"Elvis didn't care if anyone else took them or not. He was getting off on them. He loved to sit there high and wiggle in the chair, ... just sit there and watch TV. He didn't give a damn whether you did anything. He was going to do what he wanted anyway." (Guralnick, p.240)

Though Elvis abused prescription drugs, Priscilla wrote that he never considered it wrong because it was a medical doctor prescribing them and he in fact publicly denounced the use of hard drugs. At a meeting with U.S. President Richard Nixon, Presley asked the President to appoint him "Federal Agent at Large" for the Bureau of Narcotics and Dangerous Drugs.

Although his personal physician, Dr. George C. Nichopoulos, was exonerated in Presley's death, in July 1995 he had his license suspended after the Tennessee Board of Medical Examiners found that he had improperly dispensed potentially addictive drugs to a variety of his patients.

Priscilla Presley pointed out in her book that even if Elvis would have admitted he needed help, in those days there was no Betty Ford Clinic where someone like him could get treatment. The singer's abuse of prescription drugs increased during the last years of his life, particularly after the breakup of his marriage in 1972.


Death and burial

On August 16, 1977, at his Graceland mansion in Memphis, Tennessee, Presley was found on the floor of his bedroom's ensuite bathroom by Fiancee Ginger Alden who had been asleep in his bed. He was transported to Baptist Memorial Hospital where doctors pronounced him dead at 3.30pm. He was only 42 years old.

Referring to the day of his passing when band members were flying to Portland, Maine to meet for his concert, in her 1987 book "Elvis and Kathy," friend and backup vocalist Kathy Westmoreland wrote "Everyone knew he was sick, that each public appearance brought him to the point of exhaustion."

At a press conference following his death, one of the medical examiners declared that he had died of a heart attack. Heart disease was very prevalent in his family, especially on his father's side. Elvis' father Vernon also died of heart failure in 1979. Gladys Presley, who was only 46 years old at the time, was diagnosed to have died of a heart attack brought on by hepatitis.

Dr Willis Madrey, who was responsible for examining Elvis' liver two years before his death, said "I had understood he was having some gastrointestinal problems his doctors were trying to evaluate" He was possibly referring to Elvis' obesity and enlarged colon, which progressively got worse over time and may have led to diverticulitis. There is a wide belief that his gastrointestinal problems combined with a weak heart caused his death but the autopsy records will not be in the public domain until 2027. It is a lasting belief, though never confirmed, that he died on the toilet. According to Peter Guralnick's book, Careless Love: The Unmaking of Elvis Presley (1999), "drug use was heavily implicated in this unanticipated death of a middle-aged man with no known history of heart disease ... It was certainly possible that he had been taken while "straining at stool," and no one ruled out the possibility of anaphylactic shock brought on by the codeine pills he had gotten from his dentist, to which he was known to have had a mild allergy of long standing. ... There was little disagreement in fact between the two principal laboratory reports and analyses filed two months later, with each stating a strong belief that the primary cause of death was polypharmacy, and the BioScience Laboratories report ... indicating the detection of fourteen drugs in Elvis' system, ten in significant quantity."

In his book, Elvis: The Last 24 Hours, Albert Goldman even went as far as to suggest that Presley killed himself by overdosing on a stash of drugs that he stockpiled. David Stanley, Elvis's stepbrother, who was at Graceland the day Elvis died, not wanting to see the singer's name tarred with the brush of suicide, is said to have got rid of the needles and drug packets near Presley's body before the paramedics arrived.

On the other hand, some of his closest family members, friends, band members and background singers have long disputed stories concerning the seriousness or accuracy of Elvis' alleged drug abuse and "self-destructive" lifestyle while not denying that he did take prescription medications for bona fide or suspected health problems. For instance, the late Vester Presley, Kathy Westmoreland, Charlie Hodge, and the late J.D. Sumner have pointed out that Elvis also suffered from severe health problems unrelated to drug abuse and that these health problems such as glaucoma, insomnia and cancer may have increased his dependency on prescription medication especially for pain relief.

Presley was originally buried at Forest Hill Cemetery in Memphis next to his mother. After an attempted theft of the body, his and his mother's remains were moved to Graceland.


Lasting legacy

By 1957 Elvis Presley was the most famous entertainer in the world. After pioneer band leader Bill Haley spawned interest in rock and roll in western Europe, Presley triggered a wide shift in tastes with effects lasting many decades. Singers in dozens of countries made Presley-influenced records in many languages and his own records were sold around the globe, even behind the former Iron Curtain. By 1958 Cliff Richard was rising to prominence in the UK and in France Johnny Hallyday became a rock and roll idol singing in French, soon to be followed by others like Claude François. Airplay and sales of Presley recordings across Europe were followed by those of other American rockers who began touring there. Teenagers around the world copied his "Ducktail" hair style.


Following Presley's untimely death in 1977 US President Jimmy Carter said:

Elvis Presley's death deprives our country of a part of itself. He was unique and irreplaceable. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense and he was a symbol to people the world over, of the vitality, rebelliousness, and good humor of his country.

Or as James Brown once put it, "He taught white America to get down."

Wink Martindale, who was a close friend of Elvis, aired a nationwide tribute in his memory following the news of his death. Martindale was a up-and-coming radio DJ in Memphis at the time Presley's career began to take off in high gear.

Richard Dawson also paid tribute to Elvis on an episode of Family Feud.

After his death a kitsch industry grew up around his memory, chronicling his dietary and chemical predilections along with the trappings of his wide celebrity. Critics said this tended to obscure the vibrant and vital music he made as a young man, the vocally-influential recordings of his later career and his lasting mark on popular culture.

Among his many accomplishments, Elvis Presley is only one of three singers (Roy Orbison and Nelly being the others) to ever have two Top 5 albums on the charts simultaneously. He has been inducted into the Rock and Roll Hall of Fame (1986), the Country Music Hall of Fame (1998), and the Gospel Music Hall of Fame (2001). In 1984 Presley was given the W.C. Handy Award from the Blues Foundation in Memphis for "keeping the blues alive in his music - rock and roll." In 1993, Presley's image appeared on a United States postage stamp.

Elvis in the 21st century

Interest in Presley's recordings returned during the buildup to the 2002 World Cup, when Nike used a Junkie XL remixed version of his "A Little Less Conversation" (credited as Elvis Vs JXL) as the background music to a series of TV commercials featuring international soccer stars. The remix hit Number 1 in over 20 countries, including the United States, the United Kingdom and Australia (it was also his first top 10 hit in the UK for nearly 22 years, and his first #1 there for nearly 25 years). At about the same time, a compilation of Presley's US Number 1 hits, ELV1S: 30 #1 Hits, was being prepared for release. "A Little Less Conversation" (remix version) was quickly added as the album's 31st track just before its release in October 2002.

Nearly 50 years after Presley made his first hit record and 25 years after his death, ELV1S: 30 #1 Hits reached number 1 on the charts in the US, the UK, Australia and many other countries. A re-release from the album, "Burning Love" (not a remix) also made the Australian top 40 later in the year.

His renewed fame continued with another remix in 2003 (this time by Paul Oakenfold) of "Rubberneckin'", which made the top 3 in Australia and top 5 in the UK. This was followed by another album called 2nd to None, a collection of his hits that just missed out on the number 1 spot, including the "Rubberneckin'" remix.

In mid-2004, to commemorate the 50th anniversary of Presley's first professional recording, "That's All Right", the recording in question was re-released, and made the charts around the world, including top 3 in the UK and top 40 in Australia.

In early 2005 in the United Kingdom, RCA began to re-issue his 18 UK #1 singles as CD-singles in the order they were originally released, one of them a week. The first of these re-issues, "All Shook Up", was ineligible due to its being sold together with a collector's box which holds all 18 singles in it (it actually sold enough to be #2). The second, "Jailhouse Rock", was the number one in the first chart of 2005, and "One Night"/"I Got Stung", the third in the series, replaced it on the January 16 chart (and thus becoming the 1000th UK number one entry).

All of these have reached top 5 in the official charts, with three number 1s, eight number 2s, four number 3s, one number 4, and one number 5. These re-releases have made Elvis the only artist so far to spend at least 1000 weeks in the British top 40.

CBS recently aired a TV miniseries, Elvis starring Irish actor Jonathan Rhys-Meyers as Presley.

In July of 2005, Presley was named one of the top 100 "Greatest Americans," following a vote organized by Discovery Channel. In the vote, Presley ranked ahead of all entertainers and in 8th place behind Presidents Ronald Reagan, Abraham Lincoln, George Washington, Bill Clinton, and George W. Bush, plus Martin Luther King Jr. and Benjamin Franklin.

In mid October of 2005, Variety named the top 100 entertainment icons of the 20th century, with Presley landing on the top ten, along with The Beatles, Marilyn Monroe, Lucille Ball, Marlon Brando, Humphrey Bogart, Louis Armstrong, Charlie Chaplin, James Dean and Mickey Mouse.

A week later, Forbes magazine named Elvis Presley, for the fifth straight year, the top-earning dead celebrity, grossing US$45 million for the Elvis Presley Estate during the period from October of 2004, to October 2005. Forbes pointed out that Robert Sillerman's CKX company shelled out $100 million in cash, and stock, for an 85% interest in Presley's income stream in February 2005.

Shortly after taking over the management of all things Elvis from the Elvis Presley Estate (which retained a 15% stake in the new company, while keeping Graceland and the bulk of the possessions found therein), Sillerman promptly shook things up by producing a more personal DVD and CD featuring Presley (and appropriately titled "Elvis by the Presleys"), as well as the accompanying two-hour documentary broadcast on Viacom's CBS Network, which alone generated $5.5 million. And while some of Presley's fans fretted that outside management might mar the appeal of Graceland, revenue is up at the Memphis shrine, too.

On 9 December, 2005, the Book of British Hit Singles & Albums unveiled their annual list of the Top 100 Most Successful Acts Of all time, based on the total number of weeks each recording artist has spent on the official UK Singles and Albums charts. Elvis Presley ranked #1, with Cliff Richard, Queen, The Beatles and Madonna rounding up the top 5.

In the UK singles charts, Elvis went to # 1 the most times (21, three of them hitting #1 twice), spent the most weeks there (80), as well as had the most top tens and top forty hits. In the UK album charts, he is second to the Beatles (21), with 16 chart toppers, as well as earning the most top ten, and top forty albums. Still in the album category, his longevity record boasts an almost fifty year gap between his first, and last hit album.

In total, he has spent 2,574 weeks in both the UK singles and album charts, way ahead of his closest competitors, namely Cliff Richard (1,982), Queen (1,755), the Beatles (1,749), and Madonna (1,660).

A channel on the Sirius Satellite Radio subscriber service is devoted to the life and music of Elvis, with all broadcasts originating from Graceland in Memphis, Tennessee.

http://en.wikipedia.org/wiki/Elvis_Presley
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bobsmythhawk
 
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Reply Sun 8 Jan, 2006 03:38 am
Shirley Bassey
From Wikipedia, the free encyclopedia.


Dame Shirley Bassey DBE (born January 8, 1937), is a Welsh biracial singer, perhaps best-known for performing the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979). To date no other performer has recorded more than one of the coveted theme songs.

Life and Times

Shirley was born to a Nigerian father who was a seaman, while her mother came from Yorkshire, Northern England. She grew up in the notorious Tiger Bay area of Cardiff as the youngest of seven children. Her father left when she was just two years old.

Shirley went to Moorland Primary School, Splott, Cardiff.

Shirley first found employment packing in a local factory when she left school at the age of fifteen. She enjoyed singing while she packed enamel pots, and to supplement her wage she sang in local pubs and clubs. In 1953, she signed up for the revue Memories of Jolson, a musical based on the life of Al Jolson. She next took up a professional engagement in Hot From Harlem, which ran until 1954. By this time Shirley had become sick of show business and had become pregnant at 16 years old with her daughter Sharon, so she went back to waitressing in Cardiff. However, in 1955, a chance recommendation of her to Michael Sullivan, a Streatham-born booking agent, put her firmly on course for her destined career. He saw talent in Shirley, and decided he would make her a star. She toured various theatres until she got an offer of the show that put her firmly on the road to stardom, Al Read's Such Is Life. While she starred in this show, Philips A&R and record producer Johnny Franz spotted her on television, became impressed, and offered her a record deal.

Shirley duly recorded her first single, entitled Burn My Candle, and Philips released it in February 1956. Due to the suggestive lyric, the BBC banned it, but it still sold well nonetheless, backed with her powerful rendition of Stormy Weather. Further singles appeared, and, in February 1957, Shirley scored her first hit with The Banana Boat Song, which peaked at #8 in the British chart. During that year, she also recorded under the direction of US producer Mitch Miller in America for the Columbia label, producing the single If I Had A Needle And Thread / Tonight My Heart She Is Crying. In mid-1958, she recorded two singles that would end up as classics in the Bassey catalogue. As I Love You appeared as a b-side to another ballad, Hands Across The Sea. It didn't sell well at first, but, after a chance appearance at the London Palladium, things began to pick up. In February 1959, it made #1 and stayed there for 4 weeks. Shirley also recorded Kiss Me, Honey Honey, Kiss Me at this time, and while As I Love You raced up the charts, so too did this record. They ended up with both in the top 3 at the same time.

A few months later, Shirley Bassey signed to EMI Columbia, and the second phase in her recording career had begun. Throughout the 1960s, Bassey scored with numerous hits on the British charts. In 1964 she recorded the title theme song for the James Bond film Goldfinger which vaulted into the Top 10 Singles Charts in both the UK and America. Due to the success of that song, she appeared frequently on many American television talk shows hosted by the likes of Johnny Carson and Mike Douglas. In 1971 she recorded the title theme for Diamonds Are Forever which was also a great success, later sampled by Kanye West for his 2005 hit Diamonds From Sierra Leone. Blockbuster club appeal came when Bassey teamed with Meco Monardo in 1978 to produce the intricately-arranged and highly-orchestrated disco tunes This Is My Life and Copacabana. In 1979 Bassey recorded her final title theme for the Bond films with Moonraker.

Throughout most of the 1980s, Bassey focused on charitable works and performing in more intimate venues, leaving her grande concert life behind. However, in 1997, she caused a sensation in the UK with her song History Repeating with the Propellerheads which scored a Number 1 ranking on the British Dance Music Charts, introducing Bassey to a new generation of fans, including Britain's Prince William and Prince Harry. (The sleevenotes of the Propellerheads' album Decksandrumsandrockandroll included the line 'We would like to extend our maximum respect to Shirley Bassey for honouring us with her performance. We are still in shock...')

It is perhaps because of her career longevity and particular admiration from the Royal Family that Bassey became a Dame Commander of the Order of the British Empire (the female equivalent of a Knight Commander) on December 31, 1999 by HM Queen Elizabeth II.

She now happily resides in Monaco where she maintains a luxurious residence befitting her showstopping existence.

http://en.wikipedia.org/wiki/Shirley_Bassey


Diamonds are Forever :: Shirley Bassey

Diamonds are forever,
They are all I need to please me,
They can stimulate and tease me,
They won't leave in the night,
I've no fear that they might desert me.
Diamonds are forever,
Hold one up and then caress it,
Touch it, stroke it and undress it,
I can see every part,
Nothing hides in the heart to hurt me.

I don't need love,
For what good will love do me?
Diamonds never lie to me,
For when love's gone,
They'll luster on.

Diamonds are forever,
Sparkling round my little finger.
Unlike men, the diamonds linger;
Men are mere mortals who
Are not worth going to your grave for.

I don't need love,
For what good will love do me?
Diamonds never lie to me,
For when love's gone,
They'll luster on.

Diamonds are forever, forever, forever.
Diamonds are forever, forever, forever.
Forever and ever.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 8 Jan, 2006 03:40 am
Graham Chapman
From Wikipedia, the free encyclopedia.


Graham Chapman (January 8, 1941 - October 4, 1989) was a British comedian and writer. He was one of the six Monty Python members and lead actor in their two narrative films playing King Arthur in Monty Python and the Holy Grail and Brian in Life of Brian.

Chapman was educated at Melton Mowbray Grammar School and studied medicine at Emmanuel College at the University of Cambridge, where he began writing comedy with fellow University student John Cleese. He qualified as a medical doctor at the Barts Hospital Medical College, but rarely ever practised medicine.

Whilst at Cambridge, Graham Chapman joined the infamous Cambridge University Footlights Club. Fellow members were John Cleese, Tim Brooke-Taylor, Bill Oddie, David Hatch, Jonathan Lynn, Humphrey Barclay, and Jo Kendall. Their revue A Clump of Plinths was so successful at the Edinburgh Fringe Festival that they renamed the revue Cambridge Circus, and took the revue to the West End in London, and then took the revue to New Zealand and Broadway. The revue appeared in October of 1964 on The Ed Sullivan Show.

Graham Chapman and John Cleese wrote professionally for the BBC during the 1960s, primarily for the ubiquitous David Frost but also for Marty Feldman. Chapman also contributed sketches to the BBC radio series I'm Sorry, I'll Read That Again and television programmes such as The Illustrated Weekly Hudd (starring Roy Hudd), Cilla Black, This is Petula Clark and This is Tom Jones. Graham Chapman, John Cleese and Tim Brooke-Taylor then joined Marty Feldman in the television comedy series At Last the 1948 Show. Chapman (and John Cleese on occasion) also wrote for the long-running television comedy series Doctor in the House. Chapman also co-wrote several episodes with Bernard McKenna and David Sherlock.

In 1969 Graham Chapman and John Cleese joined Michael Palin, Terry Jones, Eric Idle and American artist Terry Gilliam for Monty Python's Flying Circus. Cleese and Chapman's classic Python sketches include "The Ministry of Silly Walks" and "Dead Parrot". One of Chapman's most famous characters was "The Colonel", a stuffy army officer who occasionally appeared out of nowhere to order the end of a sketch for being too silly. After Cleese left the series in 1973, Chapman wrote alone, as well as a bit with Neil Innes and Douglas Adams for the final fourth season. He then developed a number of television and movie projects, most notably Out of the Trees (TV), The Odd Job and Yellowbeard (both films). In "Yellowbeard" he starred along side Cleese, Peter Cook, Cheech and Chong and Feldman (who died during the finals days of production).

In the late 1970s Chapman moved to Los Angeles where he guested on many US television shows, including The Hollywood Squares, Still Crazy Like a Fox and the NBC sketch series The Big Show (TV show). Upon returning to England he became involved with the Dangerous Sports Club (an extreme sportsclub which introduced bungee jumping to a wide audience), and he began the first of a lengthy series of US college lecture tours in the 1980s. His memoir, "A Liar's Autobiography", was published in 1980 and, unusually for an autobiography, had five authors: Chapman, his homosexual partner David Sherlock, Alex Martin, David Yallop and Douglas Adams, who in 1977 was virtually unknown as a recent graduate fresh from Cambridge. Adams was mentored by Chapman, but they later had a falling out and didn't speak for several years.

Chapman lived life to excess. Among his best friends were Keith Moon of The Who, singer Harry Nilsson, and Beatle Ringo Starr. Chapman drank alcohol excessively in the 1970s, and he also kept his homosexuality a secret until the mid-70's when he famously came out on a British chat show, one of the first celebrities to do so. Afterwards, he became a vocal spokesman on gay rights. In private, his sexual orientation was known to his co-stars when he first revealed himself to John Cleese (whom Graham Chapman had known the longest of the Monty Python group). Several days later, he came out to a group of friends at a party held at his home in Belsize Park where he officially introduced them to his lover, David Sherlock.

One of Michael Palin's favourite stories about Graham involved Palin's trips to collect him every morning for Python related business, he would call up to Chapman's window and be greeted by a collection of young men before Graham eventually surfaced, pipe in mouth. After Chapman made his homosexuality public on a television show hosted by British jazz musician George Melly, a member of the public wrote to the Pythons to complain that she had heard a member of the team was a homosexual. Eric Idle sent a reply saying, "We've found out who he was and we've taken him out and killed him."

Chapman died at the age of 48 on October 4, 1989, of pneumonia brought about by the throat cancer which had metastasised to his spine. His death was one day before the 20th anniversary of the first broadcast of Flying Circus - in Terry Jones' words, "the worst case of party-pooping in all history". John Cleese delivered a eulogy for Chapman, during which he deliberately used the word "****" as well as other expletives, and got away with it on the BBC without having the bad language censored. Cleese's eulogy was so funny that it was noted that some people at the funeral "almost died laughing". Cleese has said that Chapman would have liked that.

The remaining Python members have acknowledged that, while brilliant, Chapman was exasperating to work with, and difficult to know. After his death, speculation of a Python revival inevitably faded. As Idle said, "we would only do a reunion if Graham came back from the dead. So we're negotiating with his agent" (subsequent gatherings of the Pythons have in fact included an urn, said to contain Chapman's ashes).

Graham's ashes were rumored to have been scattered over the summit of Snowdon, North Wales on June 18, 2005, but this is untrue.

http://en.wikipedia.org/wiki/Graham_Chapman
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 8 Jan, 2006 03:41 am
Yvette Mimieux
From Wikipedia, the free encyclopedia.

Yvette Mimieux (born January 8, 1942 in Los Angeles, California) is an actress with a French father and a Mexican mother. In 1960, she appeared in the teen movie, Where The Boys Are but probably her most famous role was in George Pal's 1960 motion picture version of H.G. Wells' novel, The Time Machine, co-starring Rod Taylor.

In it she played Weena, a member of the Eloi, who live in a seemingly tranquil paradise of an Earth of the far future, thousands of years after the 20th century. She befriends Taylor's character after he travels to this time, as he attempts to explain to her the importance of history and civilisation, to which the other Eloi are indifferent.

Mimieux also co-starred in the first PG-rated Walt Disney Productions feature, The Black Hole. In 1984, she starred in Obsessive Love, a television movie about a female stalker, which she co-wrote and co-produced. Aside from her acting career, she is also an anthropologist and real estate businesswoman.

http://en.wikipedia.org/wiki/Yvette_Mimieux
0 Replies
 
bobsmythhawk
 
  1  
Reply Sun 8 Jan, 2006 03:48 am
0 Replies
 
Letty
 
  1  
Reply Sun 8 Jan, 2006 09:06 am
Good morning/afternoon, WA2K radio fans and listeners.

Thanks to all of you for the wonderful songs and updates.

Glad to see Walter back with us and talking night owl. Letty was one herself last evening. Happens to all of us I guess.

Thanks to Bio Bob once again for his enlightening info and a special thank you to edgar for playing The Midnight Special, as I had no idea that song was by Led Belly. dj's talking heads are probably what kept Letty awake.<smile> Thanks anyway, Canada.

This song by David Bowie was considered a bit risque, but it's part of Mr. Turtle's hit charts, so let's begin the day with night:



DAVID BOWIE LYRICS

"Let's Spend The Night Together"

Well, don't you worry 'bout what's been on my mind
I'm in no hurry
I can take my time
I'm going red
and my tongue's getting tired
Out of my head and my mouth's getting dry
I'm h-h-h-high

[CHORUS]
Let's spend the night together
Now I need you more than ever
Let's spend the night together now

I feel so strong
that I can't disguise, oh my
Well, I just can't apologise, no
Don't hang me up but don't let me down
We could have fun just by fooling around, and around
and around

[CHORUS]

Oh, You know I'm smiling baby
You need some guiding baby
I'm just deciding baby

[CHORUS]

This doesn't happen to me every day
No excuses I've got anyway, heh
I'll satisfy your every need
And I'll know you'll satisfy me, oh my-my-my my-my

Let's spend the night together
Now I need you more than ever [x3]

Let's spend the night together
They said we were too young
Our kind of love
was no fun
But our love
comes from above
Do it!
Let's make love
Hoo!

[CHORUS]
0 Replies
 
McTag
 
  1  
Reply Sun 8 Jan, 2006 09:13 am
The old hooty owl hooty-hoos to the dove
Tammy, Tammy, Tammy's in love
0 Replies
 
Letty
 
  1  
Reply Sun 8 Jan, 2006 09:21 am
Hey, Brit. You always give us a feeling of lightness with your succinct contributions. Thanks for the hoot. <smile>

I suppose that we should pay a tribute to the King, folks. I think this one may well be a good one.

Can't Help Falling in Love
~ Elvis Presley
(George Weiss - Hugo Peretti - Luigi Creatore)

Wise men say only fools rush in
But I can't help falling in love with you
Shall I stay, would it be a sin
If I can't help falling in love with you

Like a river flows surely to the sea
Darling so it goes
Some things are meant to be

Take my hand, take my whole life too
For I can't help falling in love with you

Like a river flows surely to the sea
Darling so it goes
Some things are meant to be

Take my hand, take my whole life too
For I can't help falling in love with you
For I can't help falling in love with you
0 Replies
 
yitwail
 
  1  
Reply Sun 8 Jan, 2006 09:23 am
here's another tune with hoo hoos in it (featuring another white dude who could get down)

Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long year
Stole many a man's soul and faith
And I was 'round when Jesus Christ
Had his moment of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate
Pleased to meet you
Hope you guess my name
But what's puzzling you
Is the nature of my game
I stuck around St. Petersburg
When I saw it was a time for a change
Killed the czar and his ministers
Anastasia screamed in vain
I rode a tank
Held a general's rank
When the blitzkrieg raged
And the bodies stank
Pleased to meet you
Hope you guess my name, oh yeah
Ah, what's puzzling you
Is the nature of my game, oh yeah
I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made
I shouted out,
"Who killed the Kennedys?"
When after all
It was you and me
Let me please introduce myself
I'm a man of wealth and taste
And I laid traps for troubadours
Who get killed before they reached Bombay
Pleased to meet you
Hope you guessed my name, oh yeah
But what's puzzling you
Is the nature of my game, oh yeah, get down, baby
Pleased to meet you
Hope you guessed my name, oh yeah
But what's confusing you
Is just the nature of my game
Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
Cause I'm in need of some restraint
So if you meet me
Have some courtesy
Have some sympathy, and some taste
Use all your well-learned politesse
Or I'll lay your soul to waste, um yeah
Pleased to meet you
Hope you guessed my name, um yeah
But what's puzzling you
Is the nature of my game, um mean it, get down
Woo, who
Oh yeah, get on down
Oh yeah
Oh yeah!
Tell me baby, what's my name
Tell me honey, can ya guess my name
Tell me baby, what's my name
I tell you one time, you're to blame
Ooo, who
Ooo, who
Ooo, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Oh, yeah
What's me name
Tell me, baby, what's my name
Tell me, sweetie, what's my name
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Ooo, who, who
Oh, yeah
0 Replies
 
 

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