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WA2K Radio is now on the air

 
 
djjd62
 
  1  
Reply Tue 3 Jan, 2006 05:56 pm
for some reason your story about mozart made think of this tune from the smiths

Cemetery Gates

A dreaded sunny day
so I meet you at the cemetery gates
Keats and Yeats are on your side

A dreaded sunny day
so I meet you at the cemetery gates
Keats and Yeats are on your side
while Wilde is on mine

So we go inside and we gravely read the stones
all those people all those lives
where are they now?
with the loves and hates
and passions just like mine
they were born
and then they lived and then they died
seems so unfair
and I want to cry

You say: "ere thrice the sun done salutation to the dawn"
and you claim these words as your own
but I've read well, and I've heard them said
a hundred times, maybe less, maybe more

If you must write prose and poems
the words you use should be your own
don't plagiarise or take "on loans"
there's always someone, somewhere
with a big nose, who knows
and who trips you up and laughs
when you fall
who'll trip you up and laugh
when you fall

You say: "ere long done do does did"
words which could only be your own
and then you then produce the text
from whence was ripped some dizzy whore, 1804

A dreaded sunny day
so let's go where we're happy
and I meet you at the cemetery gates
Oh Keats and Yeats are on your side

A dreaded sunny day
so let's go where we're wanted
and I meet you at the cemetery gates
Keats and Yeats are on your side
but you lose because Wilde is on mine
0 Replies
 
Letty
 
  1  
Reply Tue 3 Jan, 2006 06:11 pm
dj, that is one FABULOUS song. er, What does it mean? <smile>

You know listeners, our msolga has a great thread going that discusses multiple identities, and dj's cemetery gates sorta reminded me of that.


Foreigner

Two Different Worlds

I know this girl, she's always on my mind
She lives in her world and I live in mine
I should forget about her and I've tried
Lord knows I've tried
But I want to know her, and here's the other side

I've got someone waiting for me every night
She's the only one I've ever loved
And it's been that way for the longest time
She's the one that makes my world go right
And it tears me in two because I know where I'll be tonight

I think she knows it
I think she knows

Two different worlds, two different worlds
One that belongs to me, one could be wrong for me
Two different worlds, two different worlds
Oh, two different worlds

Is she that different or is it the thrill of someone new
Strung out on her, I need her love
I need it bad, and I know, I know it's true
I'm the one that lies awake alone
I know, she's the one that makes me stray from home

And I know it
Yeah, I know it

Two different worlds, two different worlds
One that I may regret, one that I can't forget
Two different worlds, two different worlds
Oh, always two different worlds

No, I can't explain this emptiness
No, I know I can't go on like this
Two different worlds, two different worlds

Two different worlds
I live in two different worlds
One that I may regret, one that I won't forget
Two different worlds
But I can't live in both, I know
One world I must let go.

Two worlds are all right, but when it get's to be three, we got us a problem
0 Replies
 
Letty
 
  1  
Reply Tue 3 Jan, 2006 07:54 pm
Everyone must be as tired as I am, folks.

Stationbreak: This is cyberspace, WA2K radio
0 Replies
 
djjd62
 
  1  
Reply Tue 3 Jan, 2006 07:57 pm
Sweethearts
Camper Van Beethoven

'Cause he's always living back in Dixon
Circa 1949
And we're all sitting at the fountain,
at the five and dime

'Cause he's living in some B-movie
The lines they are so clearly drawn
In black and white life is so easy
And we're all coming along on this one

'Cause he's on a secret mission
Headquarters just radioed in
He left his baby at the dancehall
While the band plays on some sweet song

And on a mission over China
The lady opens up her arms
The flowers bloom where you haved placed them
And the lady smiles, just like mom

Angels wings are icing over
McDonnell-Douglas olive drab
They bear the names of our sweethearts
And the captain smiles, as we crash

'Cause in the mind of Ronald Reagan
Wheels they turn and gears they grind
Buildings collapse in slow motion
And trains collide, everything is fine

Everything is fine

Everything is fine
0 Replies
 
djjd62
 
  1  
Reply Tue 3 Jan, 2006 08:01 pm
Seven Languages
Camper Van Beethoven

I played this song for my love
But she said to me
"It has no meaning at all."
We walked across the park
And I said a word
And we went to the bar
For no reason at all
Well up in the sky
Well I saw a cloud
And I thought that it looked like something
But on second thought not

And I would come to visit you
But I can't find my car keys
And I can't remember where you live
And if I had just a little time
I could speak seven languages
I could walk on water

A friend calls me on the phone
And tells me a joke
Well I think that I laugh
But I don't remember at all
I woke up with a word in my head
And as far as I know
It has no meaning at all
Well up in the sky
Well I saw a cloud
And I thought it looked like a face
But on second thought not

And I would come to visit you
But I can't find my car keys
And I can't think of right words to say
And if I had just a little time
I could speak seven languages
I could walk on water
0 Replies
 
djjd62
 
  1  
Reply Tue 3 Jan, 2006 08:08 pm
my goodnight song


Satisfy You
Cracker

As far as I know, the world don't spin
They carry you around in your bed
And rearrange the stars all night
to satisfy you
Satisfy you
Satisfy you
Satisfy you
Satisfy you

Could I redeem myself
If I was someone else
I'd walk on the water
In your dad's swimming pool
Show you my bloody palms
If I thought that would satisfy you
Satisfy you
Satisfy you
Satisfy you
Satisfy you

Now I'm not wise, and I'm not old
So I'll be bitter, and I'll be cruel
I just did it less each and every day
Did I satisfy
Did I saaaaaaaatisfy-ha-ah-ah-ay ha-ah-ah you
Until satisfy-ha-ah-ah-ay ha-ah-ah you
Until satisfy (satisfy you, satisfy you)
Until satisfy (satisfy you, satisfy you)
Until satisfy (satisfy you, satisfy you)
Until satis--oh till I satisfy (satisfy you, satisfy you)
Until I satisfy
0 Replies
 
Letty
 
  1  
Reply Tue 3 Jan, 2006 08:35 pm
Goodnight, dj, our dear and prolific Canadian friend.

All of those lyrics were deep and meaningful. I especially liked "...I woke up with a word in my head...." . Not certain why, either.

I would like to leave on this note, dear WA2K friends and contributors:

Please remember that.............

Due to the climate of political correctness now pervading America,
West Virginians will no longer be referred
to as "HILLBILLIES."

You must now refer to them as APPALACHIAN-AMERICANS. <smile>

And a cute cartoon song for those at the "Where Am I" geography center:


What do they do on a rainy night in Rio?
What do they do when there is no starry sky?
(Oh, a starry sky!)
Where do they go when they can't go for a walk?
Do they stay home and talk?
Or do they sit and sighayeyi.

What do they do in Mississippi,
When skies are drippy...?




And what do they do in Tee-ya-wanna,
When they wanna snuggle tight?
Well....

That's what they do in Rio on a rainy night.

Love it. Goodnight.

From Letty with love
0 Replies
 
hamburger
 
  1  
Reply Tue 3 Jan, 2006 09:07 pm
letty wrote :
"VIENNA, Austria - Have scientists found Mozart's skull? "

there is an old joke about mozart's skull that we boys were telling each other when i lived in vienna a looooong time ago .
a tourist visits a museum in vienna and notices that there is a skull on display being described as mozart's . he also sees that there is a rather small skull displayed next to mozart's skull , but no description is given . the puzzled tourist aks one of the old old museum guides about the significance of the small skull . the guide replies : "for a long time we only had the skull of the young mozart , but now that the skull of mozart at an older age has been found , we like to display them side-by-side to show how his skull increased with age " .

of course this is a somewhat crude joke that appealed very much to young boys ! now that i'm getting "a little" older" , i start to remember these cruelties ! hbg
0 Replies
 
edgarblythe
 
  1  
Reply Tue 3 Jan, 2006 09:07 pm
Twelfth of Never - Johnny Mathis

You ask me how much I need you
Must I explain
I need you oh my darling
Like roses need rain
You ask how long I'll love you
I'll tell you true
Until the Twelfth of Never
I'll still be loving you

Hold me close
Never let me go
Hold me close
Melt my heart like April snow

I'll love you 'til the bluebells
Forget to bloom
I'll love you 'til the clover
Has lost its perfume
And I'll love you 'til the poets
Run out of rhyme
Until the Twelfth of Never
And that's a long, long time

Hold me close
Never let me go
Hold me close
Melt my heart like April snow

I'll love you 'til the bluebells
Forget to bloom
I'll love you 'til the clover
Has lost its perfume
And I'll love you 'til the poets
Run out of rhyme
Until the Twelfth of Never
And that's a long, long time
Until the Twelfth of Never
And that's a long, long time
A long, long time
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 4 Jan, 2006 03:10 am
Isaac Newton
From Wikipedia, the free encyclopedia.

Born 4 January [O.S. 25 December 1642] 1643
Woolsthorpe-by-Colsterworth, Lincolnshire, England
Died 31 March [O.S. 20 March] 1727
Kensington, London

Sir Isaac Newton, PRS (4 January [O.S. 25 December 1642] 1643 - 31 March [O.S. 20 March] 1727) was an English physicist, mathematician, astronomer, alchemist, and natural philosopher who is regarded by many as the most influential scientist in history.

Most importantly, Newton wrote the Philosophiae Naturalis Principia Mathematica wherein he described universal gravitation and the three laws of motion, laying the groundwork for classical mechanics. By deriving Kepler's laws of planetary motion from this system, he was the first to show that the motion of bodies on Earth and of celestial bodies are governed by the same set of natural laws. The unifying and deterministic power of his laws was integral to the scientific revolution and the advancement of heliocentrism.

Among other scientific discoveries, Newton realized that the spectrum of colours observed when white light passes through a prism is inherent in the white light and not added by the prism (as Roger Bacon had claimed in the 13th century), and notably argued that light is composed of particles. He also developed a law of cooling, describing the rate of cooling of objects when exposed to air. He enunciated the principles of conservation of momentum and angular momentum. Finally, he studied the speed of sound in air, and voiced a theory of the origin of stars.

Newton shares credit with Gottfried Leibniz for the development of integral and differential calculus, which he used to formulate his physical laws. He also made contributions to other areas of mathematics, having derived the binomial theorem in its entirety. The mathematician and mathematical physicist Joseph Louis Lagrange (1736-1813), said that "Newton was the greatest genius that ever existed and the most fortunate, for we cannot find more than once a system of the world to establish."


Biography


Newton was born in Woolsthorpe-by-Colsterworth (at Woolsthorpe Manor), a hamlet in the county of Lincolnshire. Newton was prematurely born and no one expected him to live; indeed, his mother, Hannah Ayscough Newton, is reported to have said that his body at that time could have fit inside a quart mug (Bell, 1937). His father, Isaac, had died three months before Newton's birth. When Newton was two years old, his mother went to live with her new husband, leaving her son in the care of his grandmother.

According to E.T. Bell (1937, Simon and Schuster) and H. Eves:

Newton began his schooling in the village schools and was later sent to Grantham Grammar School where he became the top boy in the school. At Grantham he lodged with the local apothecary, William Clarke and eventually became engaged to the apothecary's stepdaughter, Anne Storer, before he went off to Cambridge University at the age of 19. As Newton became engrossed in his studies, the romance cooled and Miss Storer married someone else. It is said he kept a warm memory of this love, but Newton had no other recorded 'sweethearts' and never married.


From the age of twelve until he was seventeen, Newton was educated at The Kings School in Grantham (where, by appointment, his signature can still be seen upon a library window sill). His family then removed him from school and attempted to make a farmer of him. However he was thoroughly unhappy with the work and eventually with the help of his uncle and of his schoolteacher, he managed to persuade his mother to send him back to school so that he might complete his schooling. This he did at the age of eighteen, achieving an admirable final report. His teacher said:

His genius now begins to mount upwards apace and shine out with more strength. He excels particularly in making verses. In everything he undertakes, he discovers an application equal to the pregnancy of his parts and exceeds even the most sanguine expectations I have conceived of him.

In 1661 he joined Trinity College, Cambridge, where his uncle William Ayscough had studied. At that time, the college's teachings were based on those of Aristotle, but Newton preferred to read the more advanced ideas of modern philosophers such as Descartes and astronomers such as Galileo, Copernicus and Kepler. In 1665 he discovered the binomial theorem and began to develop a mathematical theory that would later become calculus. Soon after Newton had obtained his degree in 1665, the University closed down as a precaution against the Great Plague. For the next two years Newton worked at home on calculus, optics and gravitation. He later continued his studies at Woolsthorpe Manor.

The popular tradition has it that Newton was sitting under an apple tree when an apple fell on his head, and that this made him understand that earthly and celestial gravitation are the same. A contemporary writer, William Stukeley, recorded in his Memoirs of Sir Isaac Newton's Life a conversation with Newton in Kensington on 15 April 1726, in which Newton recalled "when formerly, the notion of gravitation came into his mind. It was occasioned by the fall of an apple, as he sat in contemplative mood. Why should that apple always descend perpendicularly to the ground, thought he to himself. Why should it not go sideways or upwards, but constantly to the earth's centre." In similar terms, Voltaire wrote in his Essay on Epic Poetry (1727), "Sir Isaac Newton walking in his gardens, had the first thought of his system of gravitation, upon seeing an apple falling from a tree." These accounts are exaggerations of Newton's own tale about sitting by a window in his home (Woolsthorpe Manor) and watching an apple fall from a tree. It is now generally considered probable that even this story was invented by Newton in later life, to illustrate how he drew inspiration from everyday events. (For more on this subject, see section 6 below.)


Middle years


Mathematical research

Newton became a fellow of Trinity College in 1669. In the same year he circulated his findings in De Analysi per Aequationes Numeri Terminorum Infinitas (On Analysis by Infinite Series), and later in De methodis serierum et fluxionum (On the Methods of Series and Fluxions), whose title gave the name to his "method of fluxions".

Newton is generally credited as the discoverer of the binomial theorem, an essential step toward the development of modern analysis. Newton and Gottfried Leibniz developed the theory of calculus independently, using different notations. Although Newton had worked out his own method before Leibniz, the latter's notation and "Differential Method" were superior, and were generally adopted throughout the world. In addition, Newton claimed that he did not make known his development of calculus because he was too afraid that people would possibly mock him. Though Newton belongs among the brightest scientists of his era, the last twenty-five years of his life were marred by a bitter dispute with Leibniz, whom he accused of plagiarism. The dispute created a divide between British and Continental mathematicians that persisted even after Newton's death.

He was elected Lucasian professor of mathematics in 1669. Any fellow of Cambridge or Oxford had to be ordained at the time. However the terms of the Lucasian professorship required that the holder not be active in the church (presumably so as to have more time for science). Newton argued that this should exempt him from the normal ordination requirement, and Charles II, whose permission was needed, accepted this argument. This prevented the conflict that would have occurred between his religious views and the orthodoxy of the church.

Optics

From 1670 to 1672 he lectured on optics. During this period he investigated the refraction of light, demonstrating that a prism could decompose white light into a spectrum of colours, and that a lens and a second prism could recompose the multicoloured spectrum into white light.

He also showed that the coloured light does not change its properties, by separating out a coloured beam and shining it on various objects. Newton noted that regardless of whether it was reflected or scattered or transmitted, it stayed the same colour. Thus the colours we observe are the result of how objects interact with the incident already-coloured light, not the result of objects generating the colour. For more details, see Newton's theory of colour. Many of his findings in this field were criticized by later theorists, the most well-known being Johann Wolfgang von Goethe, who postulated his own colour theories.


From this work he concluded that any refracting telescope would suffer from the dispersion of light into colours, and invented a reflecting telescope (today, known as a Newtonian telescope) to bypass that problem. By grinding his own mirrors, using Newton's rings to judge the quality of the optics for his telescopes, he was able to produce a superior instrument to the refracting telescope, due primarily to the wider diameter of the mirror. (Only later, as glasses with a variety of refractive properties became available, did achromatic lenses for refractors become feasible.) In 1671 the Royal Society asked for a demonstration of his reflecting telescope. Their interest encouraged him to publish his notes On Colour, which he later expanded into his Opticks. When Robert Hooke criticized some of Newton's ideas, Newton was so offended that he withdrew from public debate. The two men remained enemies until Hooke's death.

In one experiment, to prove that colour perception is caused by pressure on the eye, Newton slid a darning needle around the side of his eye until he could poke at its rear side, dispassionately noting "white, darke & coloured circles" so long as he kept stirring with "ye bodkin."

(disputed ?- see talk page) Newton argued that light is composed of particles; thus he could not explain the diffraction of light. Later physicists instead favoured a wave explanation of light to account for diffraction. Today's quantum mechanics recognizes a "wave-particle duality"; however photons bear very little semblance to Newton's corpuscles (e.g., corpuscles refracted by accelerating toward the denser medium).

(disputed ?- see talk page) Newton is believed to have been the first to explain precisely the formation of the rainbow from water droplets dispersed in the atmosphere in a rain shower. Figure 15 of Part II of Book One of the Opticks shows a perfect illustration of how this occurs.

In his Hypothesis of Light of 1675, Newton posited the existence of the ether to transmit forces between particles. Newton was in contact with Henry More, the Cambridge Platonist who was born in Grantham, on alchemy, and now his interest in the subject revived. He replaced the ether with occult forces based on Hermetic ideas of attraction and repulsion between particles. John Maynard Keynes, who acquired many of Newton's writings on alchemy, stated that "Newton was not the first of the age of reason: he was the last of the magicians." Newton's interest in alchemy cannot be isolated from his contributions to science.2 (This was at a time when there was no clear distinction between alchemy and science.) Had he not relied on the occult idea of action at a distance, across a vacuum, he might not have developed his theory of gravity. (See also Isaac Newton's occult studies.)

In 1704 Newton wrote Opticks, in which he expounded his corpuscular theory of light. The book is also known for the first exposure of the idea of the interchangeability of mass and energy: "Gross bodies and light are convertible into one another...". Newton also constructed a primitive form of a frictional electrostatic generator, using a glass globe (Optics, 8th Query).

Gravity and motion


In 1679, Newton returned to his work on mechanics, i.e., gravitation and its effect on the orbits of planets, with reference to Kepler's laws of motion, and consulting with Hooke and Flamsteed on the subject. He published his results in De Motu Corporum (1684). This contained the beginnings of the laws of motion that would inform the Principia.

The Philosophiae Naturalis Principia Mathematica (now known as the Principia) was published on 5 July 16871) with encouragement and financial help from Edmond Halley. In this work Newton stated the three universal laws of motion that were not to be improved upon for more than two hundred years. He used the Latin word gravitas (weight) for the force that would become known as gravity, and defined the law of universal gravitation. In the same work he presented the first analytical determination, based on Boyle's law, of the speed of sound in air.

With the Principia, Newton became internationally recognized. He acquired a circle of admirers, including the Swiss-born mathematician Nicolas Fatio de Duillier, with whom he formed an intense relationship that lasted until 1693. The end of this friendship led Newton to a nervous breakdown.


Later life


In the 1690s Newton wrote a number of religious tracts dealing with the literal interpretation of the Bible. Henry More's belief in the infinity of the universe and rejection of Cartesian dualism may have influenced Newton's religious ideas. A manuscript he sent to John Locke in which he disputed the existence of the Trinity was never published. Later works ?- The Chronology of Ancient Kingdoms Amended (1728) and Observations Upon the Prophecies of Daniel and the Apocalypse of St. John (1733) ?- were published after his death. He also devoted a great deal of time to alchemy (see above)2.

Newton was also a member of the Parliament of England from 1689 to 1690 and in 1701, but his only recorded comments were to complain about a cold draft in the chamber and request that the window be closed.

Newton moved to London to take up the post of warden of the Royal Mint in 1696, a position that he had obtained through the patronage of Charles Montagu, 1st Earl of Halifax, then Chancellor of the Exchequer. He took charge of England's great recoining, somewhat treading on the toes of Master Lucas (and finagling Edmond Halley into deputy comptroller of the temporary Chester branch). Newton became Master of the Mint upon Lucas' death in 1699. These appointments were intended as sinecures, but Newton took them seriously, exercising his power to reform the currency and punish clippers and counterfeiters. He retired from his Cambridge duties in 1701. Ironically, it was his work at the Mint, rather than his contributions to science, which earned him a knighthood. Newton was knighted by Queen Anne in 1705.

Newton was made President of the Royal Society in 1703 and an associate of the French Académie des Sciences. In his position at the Royal Society, Newton made an enemy of John Flamsteed, the Astronomer Royal, by attempting to steal his catalogue of observations.

Newton died in London and was buried in Westminster Abbey. It is believed Newton never had a romantic relationship, and he is said to have died a virgin. There is some speculation that Newton had Asperger syndrome, a form of autism. See People speculated to have been autistic. His niece, Catherine Barton Conduitt3, served as his hostess in social affairs at his house on Jermyn Street in London; he was her "very loving Uncle"4, according to his letter to her when she was recovering from smallpox.


Religious views


The law of gravity became Newton's best-known discovery. He warned against using it to view the universe as a mere machine, like a great clock. He said, "Gravity explains the motions of the planets, but it cannot explain who set the planets in motion. God governs all things and knows all that is or can be done."

His scientific fame notwithstanding, the Bible was Newton's greatest passion. He devoted more time to the study of Scripture and Alchemy than to science, and said, "I have a fundamental belief in the Bible as the Word of God, written by those who were inspired. I study the Bible daily." Newton himself wrote works on textual criticism, most notably An Historical Account of Two Notable Corruptions of Scripture. Newton also placed the crucifixion of Jesus Christ at 3 April, AD 33, which is now the accepted traditional date. He also attempted, unsuccessfully, to find hidden messages within the Bible (See Bible code). Despite his focus in theology and alchemy, Newton tested and investigated these myths with the scientific method, observing, hypothesizing, and testing his theories. To Newton, his scientific and mythical experiments were one and the same, observing and understanding how the world functioned.

Newton is often accused of being a Unitarian and Arian, and not believing in the church's doctrine of divine trinity. However, T.C. Pfizenmaier argued that he more likely held the Eastern Orthodox view of the Trinity rather than the Western one held by Roman Catholics, Anglicans, and most Protestants.7 In his own day, he was also accused of being a Rosicrucian (as were many in the Royal Society and in the court of Charles II).8

In his own lifetime, Newton wrote more on religion than he did on natural science. He believed in a rationally immanent world, but he rejected the hylozoism implicit in Leibniz and Baruch Spinoza. Thus, the ordered and dynamically informed universe could be understood, and must be understood, by an active reason, but this universe, to be perfect and ordained, had to be regular.


Newton's effect on religious thought

Newton and Robert Boyle's mechanical philosophy was promoted by rationalist pamphleteers as a viable alternative to the pantheists and enthusiasts, and was accepted hesitantly by orthodox preachers as well as dissident preachers like the latitudinarians.9 Thus, the clarity and simplicity of science was seen as a way to combat the emotional and metaphysical superlatives of both superstitious enthusiasm and the threat of atheism10, and, at the same time, the second wave of English deists used Newton's discoveries to demonstrate the possibility of a "Natural Religion."

The attacks made against pre-Enlightenment "magical thinking," and the mystical elements of Christianity, were given their foundation with Boyle's mechanical conception of the universe. Newton gave Boyle's ideas their completion through mathematical proofs, and more importantly was very successful in popularizing them.11 Newton refashioned the world governed by an interventionist God into a world crafted by a God that designs along rational and universal principles.12 These principles were available for all people to discover, allowed man to pursue his own aims fruitfully in this life, not the next, and to perfect himself with his own rational powers.13 The perceived ability of Newtonians to explain the world, both physical and social, through logical calculations alone is the crucial idea in the disenchantment of Christianity.14

Newton saw God as the masterful creator whose existence could not be denied in the face of the grandeur of all creation.5'6'14 But the unforeseen theological consequence of his conception of God, as Leibniz pointed out, was that God was now entirely removed from the world's affairs, since the need for intervention would only evidence some imperfection in God's creation, something impossible for a perfect and omnipotent creator.15 Leibniz's theodicy cleared God from the responsibility for "l'origine du mal" by making God removed from participation in his creation. The understanding of the world was now brought down to the level of simple human reason, and humans, as Odo Marquard argued, became responsible for the correction and elimination of evil.16

On the other hand, latitudinarian and Newtonian ideas taken too far resulted in the millenarians, a religious faction dedicated to the concept of a mechanical universe, but finding in it the same enthusiasm and mysticism that the Enlightenment had fought so hard to extinguish.17


Newton versus the counterfeiters

Newton estimated that 20% of the coins taken in during The Great Recoinage were counterfeit. Counterfeiting was treason, punishable by death by drawing and quartering. As gruesome as the penalties were, the courts were not arbitrary or capricious. The rights of free men had a long tradition in England and the crown had to prove its case to a jury. The law also allowed for plea bargaining. Convictions of the most flagrant criminals could be maddeningly impossible to achieve; however, Newton proved to be equal to the task.

He assembled facts and proved his theories with the same brilliance in law that he had shown in science. He gathered much of that evidence himself, disguised, while he hung out at bars and taverns. For all the barriers placed to prosecution, and separating the branches of government, English law still had ancient and formidable customs of authority. Newton was made a justice of the peace and between June 1698 and Christmas 1699 conducted some 200 cross-examinations of witnesses, informers and suspects. During this time he obtained the confessions he needed and while he could not resort to open torture, whatever means he did use must have been fearsome because Newton himself later ordered all records of these interrogations to be destroyed. However he did it, Newton won his convictions and in February 1699, he had ten prisoners waiting to be executed.

Newton's greatest triumph as the king's attorney was against William Chaloner. Chaloner was a rogue with a devious intelligence. He set up phoney conspiracies of Catholics and then turned in the hapless conspirators whom he entrapped. Chaloner made himself rich enough to posture as a gentleman. Petitioning Parliament, Chaloner accused the Mint of providing tools to counterfeiters. (This charge was made also by others.) He proposed that he be allowed to inspect the Mint's processes in order to improve them. He petitioned Parliament to adopt his plans for a coinage that could not be counterfeited. All the time, he struck false coins, or so Newton eventually proved to a court of competent jurisdiction. On March 23, 1699, Chaloner was hanged, drawn and quartered.


Enlightenment philosophers

Enlightenment philosophers chose a short history of scientific predecessors?-Galileo, Boyle, and Newton principally?-as the guides and guarantors of their applications of the singular concept of Nature and Natural Law to every physical and social field of the day. In this respect, the lessons of history and the social structures built upon it could be discarded.19

It was Newton's conception of the universe based upon Natural and rationally understandable laws that became the seed for Enlightenment ideology. Locke and Voltaire applied concepts of Natural Law to political systems advocating intrinsic rights; the physiocrats and Adam Smith applied Natural conceptions of psychology and self-interest to economic systems, and sociologists critiquing the current social order fit history into Natural models of progress.

Newton's legacy

Newton's laws of motion and gravity provided a basis for predicting a wide variety of different scientific or engineering situations, especially the motion of celestial bodies. His calculus proved vitally important to the development of further scientific theories. Finally, he unified many of the isolated physics facts that had been discovered earlier into a satisfying system of laws. Newton's conceptions of gravity and mechanics, though not entirely correct in light of Einstein's Theory of Relativity, still represent an enormous step in the evolution of human understanding of the universe. For this reason, he is generally considered one of history's greatest scientists, ranking alongside such figures as Einstein, Galileo and Carl Friedrich Gauss.

In 1717, the Kingdom of Great Britain went on to an unofficial gold standard when Newton, then Master of the Mint, established a fixed price of £3.17.10 ½d per standard (22 carat) troy ounce, equal to £4.4.11 ½d per fine ounce. Under the gold standard the value of the pound (measured in gold weight) remained largely constant until the beginning of the 20th century.

Newton is reputed to have invented the cat flap. This was said to be done so that he would not have to disrupt his optical experiments, conducted in a darkened room, to let his cat in or out.

Newtonmas is a holiday celebrated by some scientists as an alternative to Christmas, taking advantage of the fact that Newton's birthday falls on 25 December.

In July 1992, the Isaac Newton Institute for Mathematical Sciences was opened at Cambridge University - it is regarded as the United Kingdom's national institute for mathematical research.

http://en.wikipedia.org/wiki/Isaac_Newton
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 4 Jan, 2006 03:17 am
Jacob Grimm
From Wikipedia, the free encyclopedia.


Jacob Ludwig Carl Grimm (January 4, 1785 - September 20, 1863), German philologist and mythologist, was born at Hanau, in Hesse-Kassel. He is best known as a writer of fairy tales, one of Brothers Grimm.

Life

His father, who was a lawyer, died while he was a child, and the mother was left with very small means; but her sister, who was lady of the chamber to the Iandgravine of Hesse, helped to support and educate her numerous family. Jacob, with his younger brother Wilhelm (born on February 24, 1786), was sent in 1798 to the public school at Kassel.

In 1802 he proceeded to the University of Marburg, where he studied law, a profession for which he had been destined by his father. His brother joined him at Marburg a year later, having just recovered from a long and severe illness, and likewise began the study of law.

Up to this time Jacob Grimm had been actuated only by a general thirst for knowledge and his energies had not found any aim beyond the practical one of making himself a position in life. The first definite impulse came from the lectures of Savigny, the celebrated investigator of Roman law, who, as Grimm himself says (in the preface to the Deutsche Grammatik), first taught him to realize what it meant to study any science. Savigny's lectures also awakened in him that love for historical and antiquarian investigation which forms the basis of all his work. Then followed personal acquaintance, and it was in Savigny's well-provided library that Grimm first turned over the leaves of Bodmer's edition of the Old German minnesingers and other early texts, and felt an eager desire to penetrate further into the obscurities and half-revealed mysteries of their language.

In the beginning of 1805 he received an invitation from Savigny, who had moved to Paris, to help him in his literary work. Grimm passed a very happy time in Paris, strengthening his taste for the literatures of the middle ages by his studies in the Paris libraries. Towards the close of the year he returned to Kassel, where his mother and Wilhelm had settled, the latter having finished his studies. The next year he obtained a situation in the war office with the very small salary of 100 thalers. One of his grievances was that he had to exchange his stylish Paris suit for a stiff uniform and pigtail. But he had full leisure for the prosecution of his studies.

In 1808, soon after the death of his mother, he was appointed superintendent of the private library of Jerome Bonaparte, king of Westphalia, into which Hesse-Kassel had been incorporated by Napoleon. Jerome appointed him an auditor to the state council, while he retained his other post. His salary was increased in a short interval from 2000 to 4000 francs, and his official duties were hardly more than nominal. After the expulsion of Jerome and the reinstalment of an elector, Grimm was appointed in 1813 secretary of legation, to accompany the Hessian minister to the headquarters of the allied army. In 1814 he was sent to Paris to demand restitution of the books carried off by the French, and in 1814-1815 he attended the congress of Vienna as secretary of legation. On his return he was again sent to Paris on the same errand as before.

Meanwhile Wilhelm had received an appointment in the Kassel library, and in 1816 Jacob was made second librarian under Volkel. On the death of Volkel in 1828 the brothers expected to be advanced to the first and second librarianships respectively, and were dissatisfied when the first place was given to Rommel, the keeper of the archives. So they moved next year to Göttingen where Jacob received the appointment of professor and librarian, and Wilhelm that of under-librarian. Jacob Grimm lectured on legal antiquities, historical grammar, literary history, and diplomatics, explained Old German poems, and commented on the Germania of Tacitus.

At this period he is described as small and lively in figure, with a harsh voice, speaking a broad Hessian dialect. His powerful memory enabled him to dispense with the manuscript on which most German professors relied, and he spoke extempore ?- referring only occasionally to a few names and dates written on a slip of paper. He regretted that he had begun the work of teaching so late in life, but as a lecturer he was not successful: he had no aptitude for digesting facts and suiting them to the level of comprehension of his students. Even the brilliant, terse, and eloquent passages which abound in his writings lost much of their effect when jerked out in the midst of a long array of dry facts.

In 1837, having been one of the seven professors who signed a protest against the king of Hanover's abrogation of the constitution established some years before, he was dismissed from his professorship and banished from the kingdom of Hanover. He returned to Kassel together with his brother, who had also signed the protest, and remained there until 1840, when they accepted an invitation from the king of Prussia to move to Berlin, where they both received professorships, and were elected members of the Academy of Sciences. Not being under any obligation to lecture, Jacob seldom did so, but together with his brother worked at their great dictionary. During their time in Kassel Jacob regularly attended the meetings of the academy, where he read papers on the most varied subjects. The best known of these are those on Lachmann, Schiller, and his brother Wilhelm (who died in 1859), on old age, and on the origin of language. He also described his impressions of Italian and Scandinavian travel, interspersing his more general observations with linguistic details, as is the case in all his works.

Grimm died in 1863, working even at the end. He was never ill, and worked all day, without haste and without pause. He was not at all impatient of interruption, but seemed rather to be refreshed by it, returning to his work without effort. He wrote for the press with great rapidity, and hardly ever made corrections. He never revised what he had written, remarking with a certain wonder on his brother, Wilhelm, who read his own manuscripts over again before sending them to press. His temperament was uniformly cheerful, and he was easily amused. Outside his own special work he had a marked taste for botany. The spirit which animated his work is best described by himself at the end of his autobiography:

"Nearly all my labors have been devoted, either directly or indirectly, to the investigation of our earlier language, poetry and laws. These studies may have appeared to many, and may still appear, useless; to me they have always seemed a noble and earnest task, definitely and inseparably connected with our common fatherland, and calculated to foster the love of it. My principle has always been in these investigations to under-value nothing, but to utilize the small for the illustration of the great, the popular tradition for the elucidation of the written monuments."

The purely scientific side of Grimm's character developed slowly. He seems to have felt the want of definite principles of etymology without being able to discover them, and indeed even in the first edition of his grammar (1819) he seemed to be often groping in the dark. As early as 1815 we find AW Schlegel reviewing the Altdeutsche Wälder (a periodical published by the two brothers) very severely, condemning the lawless etymological combinations it contained, and insisting on the necessity of strict philological method and a fundamental investigation of the laws of language, especially in the correspondence of sounds. This criticism is said to have had a considerable influence on the direction of Grimm's studies.

The first work Jacob Grimm published, Über den altdeutschen Meistergesang (1811), was of a purely literary character. Yet even in this essay Grimm showed that Minnesang and Meistersang were really one form of poetry, of which they merely represented different stages of development, and also announced his important discovery of the invariable division of the Lied into three strophic parts.

His text-editions were mostly prepared in conjunction with his brother. In 1812 they published the two ancient fragments of the Hildebrandslied and the Weissenbrunner Gehet, Jacob having discovered what till then had never been suspected-- namely the alliteration in these poems. However, Jacob had little taste for text editing, and, as he himself confessed, working on a critical text gave him little pleasure. He therefore left this department to others, especially Lachmann, who soon turned his brilliant critical genius, trained in the severe school of classical philology, to Old and Middle High German poetry and metre.

Both brothers were attracted from the beginning by all national poetry, whether in the form of epics, ballads or popular tales. They published In 1816-1818 an analysis and critical sifting of the oldest epic traditions of the Germanic races under the title of Deutsche Sagen. At the same time they collected all the popular tales they could find, partly from the mouths of the people, partly from manuscripts and books, and published in 1812-1815 the first edition of those Kinder- und Hausmärchen which has carried the name of the brothers Grimm into every household of the civilized world, and which founded the science of folk-lore. The closely related subject of the satirical beast epic of the middle ages also held great charm for Jacob Grimm, and he published an edition of the Rejnhart Fuchs in 1834. His first contribution to mythology was the first volume of an edition of the Eddaic songs, undertaken jointly with his brother, and published in 1815. However, this work was not followed by any others on the subject.

The first edition of his Deutsche Mythologie appeared in 1835. This great work covered the whole range of the subject, tracing the mythology and superstitions of the old Teutons back to the very dawn of direct evidence, and following their decay and loss down to the popular traditions, tales and expressions in which they still linger.

Although, by the introduction of the Code Napoleon into Westphalia, Grimm's legal studies were made practically useless, he never lost his interest in the scientific study of law and national institutions as the truest exponents of the life and character of a people. By the publication (in 1828) of his Rechtsalterthumer, he laid the foundations of historical study of the old Teutonic laws and constitutions which was continued with brilliant success by Georg L Maurer and others. In this work Grimm showed the importance of linguistic study of the old laws, and the light that can be thrown on many a dark passage in them by a comparison of the corresponding words and expressions in the other old cognate dialects. He also knew how (and this is perhaps the most original and valuable part of his work) to trace the spirit of the laws in countless allusions and sayings which occur in the old poems and sagas, and even survive in modern colloquialisms.

Of all his more general works the boldest and most far-reaching was his Geschichte der deutschen Sprache, in which the linguistic elements are emphasized. The subject of the work is, indeed, nothing less than the history which lies hidden in the words of the German language (the oldest natural history of the Teutonic tribes determined by means of language). For this purpose he laboriously collected the scattered words and allusions found in classical writers, and endeavoured to determine the relationship between the German language and those of the Getae, Tifracians, Scythians, and many other nations whose languages are known only by doubtfully identified, often extremely corrupted remains preserved by Greek and Latin authors. Grimm's results have been greatly modified by the wider range of comparison and improved methods of investigation which now characterize linguistic science, and many of the questions raised by him will probably for ever remain obscure; but his book will always be one of the most fruitful and suggestive that has ever been written.

Grimm's famous Deutsche Grammatik was the outcome of his purely philological work. The labors of past generations from the humanists onwards resulted in an enormous collection of materials in the shape of text-editions, dictionaries, and grammars, although most of it was uncritical and untrustworthy. Something had even been done in the way of the comparison and determination of general laws, and the concept of a comparative Teutonic grammar had been clearly grasped by the illustrious Englishman George Hickes by the beginning of the 18th century in his Thesaurus. Ten Kate in Holland had afterwards made valuable contributions to the history and comparison of the Teutonic languages. Even Grimm himself did not at first intend to include all the languages in his grammar, but he soon found that Old High German postulated Gothic, and that the later stages of German could not be understood without the help of the Low German dialects including English, and that the rich literature of Scandinavia could not ignored either. The first edition of the first part of the Grammar (which appeared in 1819), and is now extremely rare, treated of the inflections of all these languages, and included a general introduction, in which he vindicated the importance of an historical study of the German language against the a priori, quasi-philosophical methods then in vogue.

In 1822 this volume appeared in a second edition (really a new work, for, as Grimm himself says in the preface, it cost him little reflection to mow down the first crop to the ground). The wide distance between the two stages of Grimm's development in these two editions is significantly shown by the fact that while the first edition gives only the inflections, in the second volume phonology takes up no fewer than 600 pages, more than half of the whole volume. Grimm had, at last, awakened to the full conviction that all sound philology must be based on rigorous adhesion to the laws of sound-change, and he never afterwards swerved from this principle, which gave to all his investigations, even in their boldest flights, that iron-bound consistency, and that force of conviction which distinguishes science from dilettanteism. Prior to Grimm's time, philology was nothing but a more or less laborious and conscientious dilettanteism, with occasional flashes of scientific inspiration.

His advances must be attributed mainly to the influence of his contemporary Rasmus Christian Rask. Rask was born two years later than Grimm, but his remarkable precocity gave him something of an even start. In Grimm's first editions, his Icelandic paradigms are based entirely on Rask's grammar, and in his second edition, he relied almost entirely on Rask for Old English. His debt to Rask can only be estimated at its true value by comparing his treatment of Old English in the two editions; the difference is very great. For example, in the first edition he declines disg, dceges, plural dcegas, without having observed the law of vowel-change pointed out by Rask. There can be little doubt that the appearance of Rask's Old English grammar was a main inducement for him to recast his work from the beginning. To Rask also belongs the merit of having first distinctly formulated the laws of sound-correspondence in the different languages, especially in the vowels (those more fleeting elements of speech which had hitherto been ignored by etymologists).

This leads to a question which has been the subject of much controversy, "Who discovered what is known as Grimm's law?" This law of the correspondence of consonants in the older Indogermanic, and Low and High German languages was, first fully stated by Grimm in the second edition of the first part of his grammar. The correspondence of single consonants had been more or less clearly recognized by several of his predecessors, but the one who came nearest to the discovery of the complete law was the Swede Johan Ihre, who established a considerable number of literarum permutationes, such as b for f, with the examples ba~ra =ferre, befwer =fiber. Rask, in his essay on the origin of the Icelandic language, gave the same comparisons, with a few additions and corrections, and even the very same examples in most cases. As Grimm in the preface to his first edition expressly mentioned this essay of Rask, there is every probability that it inspired his own investigations. But there is a wide difference between the isolated permutations of his predecessors and his own comprehensive generalizations. The extension of the law to High German is entirely his own work, however.

The only fact that can be adduced in support of the assertion that Grimm wished to deprive Rask of his claims to priority is that he does not expressly mention Rask's results in his second edition. But this is part of the plan of his work, to refrain from all controversy or reference to the works of others. In his first edition he expressly calls attention to Rask's essay, and praises it most ungrudgingly. Rask himself refers very little to Ihre, merely alluding in a general way to Ihres permutations, although his own debt to Ihre is infinitely greater than that of Grimm to Rask or to any one else. It is true that a certain bitterness of feeling afterwards sprang up between Grimm and Rask, but this was the fault of the latter, who, impatient of contradiction and irritable in controversy, refused to acknowledge the value of Grimm's views when they involved modification of his own.

The importance of Grimm's generalization in the history of philology cannot be overestimated, and even the mystic completeness and symmetry of its formulation, although it has proved a hindrance to the correct explanation of the causes of the changes, was well calculated to strike the popular mind, and give it a vivid idea of the paramount importance of law, and the necessity of disregarding mere superficial resemblance. The most lawless etymologist bows down to the authority of Grimm's law, even if he honors it almost as much in the breach as in the observance.

The grammar was continued in three volumes, treating principally derivation, composition and syntax, the last of which was left unfinished. Grimm then began a third edition, of which only one part, comprising the vowels, appeared in 1840, his time being afterwards taken up mainly by the dictionary. The grammar stands alone in the annals of science for its comprehensiveness, method and fullness of detail. Every law, every letter, every syllable of inflection in the different languages was illustrated by an almost exhaustive mass of material, and it has served as a model for all succeeding investigators. Diez's grammar of the Romance languages is founded entirely on its methods, which have also exerted a profound influence on the wider study of the indo-Germanic languages in general.

In the great German dictionary Grimm undertook a task for which he was hardly suited. His exclusively historical tendencies made it impossible for him to do justice to the individuality of a living language; and the disconnected statement of the facts of language in an ordinary alphabetical dictionary fatally mars its scientific character. It was also undertaken on so large a scale as to make it impossible for him and his brother to complete it themselves. The dictionary, as far as it was worked on by Grimm himself, may be described as a collection of disconnected antiquarian essays of high value.

Grimm's scientific character is notable for its combination of breadth and unity. He was as far removed from the narrowness of the specialist who has no ideas or sympathies beyond some one author, period, or corner of science, as he was from the shallow dabbler who feverishly attempts to master the details of half-a-dozen discordant pursuits. Even within his own special studies there is the same wise concentration; no Mezzofanti-like display of polyglottism. The very foundations of his nature were harmonious; his patriotism and love of historical investigation received their fullest satisfaction in the study of the language, traditions, mythology, laws and literature of his own countrymen and their kin. But from this centre, he pursued his investigations in every direction as far as his unerring instinct would allow. He was equally fortunate in the harmony that existed between his intellectual and moral nature. He made cheerfully the heavy sacrifices that science demands from its disciples, without feeling any of that envy and bitterness which often torment weaker souls; although he lived apart from his fellow men, he was full of human sympathies, and no man has ever exercised a profounder influence on the destinies of mankind. His was the very ideal of the noblest type of German character.

http://en.wikipedia.org/wiki/Jakob_Grimm
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bobsmythhawk
 
  1  
Reply Wed 4 Jan, 2006 03:19 am
Louis Braille
From Wikipedia, the free encyclopedia.


Louis Braille (January 4, 1809-January 6, 1852) was the inventor of the Braille writing system for the blind.
Louis Braille

Braille was born in Coupvray near Paris, France. His father, Simon-René Braille, was a harness and saddle maker. At the age of three Louis injured his left eye with an awl from the workshop. This caused an infection in his left eye which spread to his right eye, and he became blind.

When he was ten he earned a scholarship to the Institution Royale des Jeunes Aveugles (Royal Institution for Blind Youth) in Paris. He played the organ and became professor at the same institution.

At the school, the children were taught to read by feeling raised letters (a system devised by Valentin Haüy) but they couldn't write because the printing was made with wire letters pressed on to paper.

In 1821, a former soldier named Charles Barbier visited the school. Barbier shared his invention called "night writing," a code of twelve raised dots that let soldiers share top-secret information on the battlefield without even having to speak. Unfortunately, the code was too hard for the soldiers. Louis, however, picked it up quickly.

That year, Braille began inventing his raised-dot system, finishing at age fifteen. Braille used only six dots, where Charles had used twelve. The Braille system offered numerous benefits over Valentin Haüy's raised letter method, the most notable being the ability to both read and write the language.

Braille later extended his system to include notation for mathematics and music, before dying of tuberculosis at 44. He is buried in the Panthéon, Paris, France.

http://en.wikipedia.org/wiki/Louis_Braille
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 4 Jan, 2006 03:22 am
Sterling Holloway
From Wikipedia, the free encyclopedia.


Sterling Price Holloway, Jr. (January 4, 1905 - November 22, 1992) was a perennial voice actor for the Walt Disney Studios, who began with a cameo role in Dumbo and later became a Disney legend as the voice of Winnie the Pooh.



Early career


Holloway was named after Confederate General Sterling "Pap" Price. He was born in Cedartown, Georgia in 1905. After attending the Georgia Military Academy in College Park, he attended the American Academy of Dramatic Arts in New York. Holloway made his way through the Theater Guild to appear in the first joint venture of Richard Rodgers and Lorenz Hart, Garrick Gaieties, a series of revues in the 1920s. With his light tenor voice, young Holloway made a foray into a professional singing career. He introduced the Rodgers and Hart standard "I'll Take Manhattan" in 1925, and in the 1926 edition of Garrick Gaities he sang "Mountain Greenery" ("...where God paints the scenery").

Voice

In 1930, Holloway moved to Hollywood to begin a movie career that was to last for almost fifty years. Though he was one of the busiest character actors in the movies, he soon found his niche as a voice actor. In 1941, Holloway's voice was heard in his first Walt Disney animated film, Dumbo, where he was the voice of "Mr. Stork." He was the voice of the adult "Flower" in Bambi (1942), the narrator in the Peter and the Wolf sequence of Make Mine Music, Kaa in The Jungle Book, and the Cheshire cat in Alice in Wonderland (1951):

"If you do not know where you are going... any road will take you there."

His greatest fame was achieved as the voice of Pooh Bear in the Winnie the Pooh series, a role that he voiced until his retirement in 1979. Disney honored him as an official Disney legend in 1991.

Sterling Holloway also voiced the original Cheerios Honey-Nut Bee.


Television

Sterling Holloway had a long career as a character actor in live-action films as well, with his memorably comic face, tousled sandy hair and squeaky voice. On TV, he had a recurring role as "Uncle Oscar" on The Adventures of Superman series, and had a recurring role on The Life of Riley. He appeared in The Untouchables, Hazel, The Twilight Zone, Gilligan's Island, and The Andy Griffith Show.

Holloway portrayed a Mafia hitman in the film Thunder and Lightning (1977).

http://en.wikipedia.org/wiki/Sterling_Holloway
0 Replies
 
bobsmythhawk
 
  1  
Reply Wed 4 Jan, 2006 03:25 am
Jane Wyman
From Wikipedia, the free encyclopedia.


Jane Wyman (born on January 4, 1914, though some sources claim she was born January 5, 1917) is an Oscar-winning American actress best known for playing disabled characters such as Belinda MacDonald in Johnny Belinda and Helen Phillips in Magnificent Obsession. She was also well known as the evil matriarch Angela Channing on the 1980s prime-time soap opera, Falcon Crest.


Early life

Born Sarah Jane Mayfield in Saint Joseph, Missouri to the town's mayor and a struggling actress, she later took the name Sarah Jane Fulks in honor of the neighbor family who "unofficially adopted" her after her parents divorced. In 1928, she and her mother moved to Southern California, where her mother, Le Jerne Pichelle, tried to start her own acting career. When that was unsuccessful, she turned to her daughter as an alternative, but neither was able to move Hollywood. The two moved back to Missouri, where Sarah Jane attended college, but in 1930 she began a radio singing career, calling herself Jane Durrell.


Early Hollywood career

By 1932, she was in Hollywood, obtaining bit parts in The Kid from Spain (as a 'Goldwyn Girl') (1932), My Man Godfrey (1936) and Cain and Mabel (1936). Her big break came, the following year, when she received her first big role in Public Wedding (1937), and her movie career took off. In 1939 she received her first starring role, in Torchy Plays With Dynamite.


Marriage to Ronald Reagan

In the previous year, she had co-starred with Ronald Reagan in Brother Rat (1938), and its sequel Brother Rat and a Baby (1940). The two were married (her third marriage, and his first) on January 26, 1940, but divorced on June 28, 1948. They had three children; Maureen Reagan (1941-2001), Michael Reagan (born March 18, 1945), who was adopted, and Christine Reagan (born and died June 26, 1947).

Acclaim in Hollywood

Wyman finally gained critical notice in the film noir The Lost Weekend (1945). She was nominated for the Academy Award for Best Actress in 1946 for The Yearling (1946), and finally won the Oscar in 1948 for her role as the deaf-mute rape victim in Johnny Belinda (1948). She was the first Oscar winner to earn the award without speaking one line of dialogue. In an amusing acceptance speech, perhaps poking fun at some of her long-winded counterparts, Wyman took her statue and said, "I won this by keeping my mouth shut, and that's what I'm going to do now."

The Oscar win gave her the ability to choose meatier roles, although she still showed a liking for musical comedy. She worked with such directors as Alfred Hitchcock on Stage Fright (1950), with Frank Capra on Here Comes the Groom (1951) and with Michael Curtiz on The Story of Will Rogers (1952). She starred in The Glass Menagerie (1950), Just for You (1952), Let's Do It Again (1953), The Blue Veil (1951) (another Oscar nomination), So Big (1953), Magnificent Obsession (1954) (Oscar nomination), Lucy Gallant (1955), All That Heaven Allows (1955) and Miracle in the Rain (1956).

She came back to the big screen after her anthology series to replace Gene Tierney in Holiday for Lovers (1959), Pollyanna (1960), Bon Voyage (1962), and her final big screen movie How to Commit Marriage (1969). Also, she starred in two unsold pilots of the 1960s and 1970s, and went into semi-retirement that same decade.


Television work

In the 1950s, she hosted a television anthology series, Jane Wyman Theater, for which she was nominated for an Emmy Award in 1957.


Falcon Crest

She gained a new generation of fans in the 1980s when she starred as the diabolical vintner Angela Channing in the night-time soap opera Falcon Crest, with the encouragement of her ex-husband and then US President Ronald Reagan. Also starring on that soap opera was Fernando Lamas's & Arlene Dahl's son, Lorenzo Lamas, who played Angela's irresponsible grandson, Lance Cumson, and the chemistry of both Wyman and Lamas were a hit. When Lamas came to the show, he not only not had to give her that Valentino look, but he was told to wear contact lenses as well, as they each shared their storylines and participated in different scenes. During the first season, Falcon Crest was a consistent ratings winner, although behind Dallas and Dynasty. In the second season of Falcon Crest in 1982, the writers were told to make the storylines a lot more dramatic and intriguing to improve ratings. For her role as Angela Channing, Jane Wyman was nominated for a Soap Opera Digest Award five times (for Outstanding Actress in a Leading Role and for Outstanding Villainess: Prime Time Serial), and was also nominated for a Golden Globe award in 1983 and 1984. That same year, she won the Golden Globe for Best Performance By an Actress in a TV Series. In 1986, the actress had abdominal surgery which caused her to miss two episodes (her character, Angela, disappeared from the show after being arrested). Jane Wyman feuded with actor Robert Foxworth (who played Chase Gioberti) right up until he left the show in 1987 to spend more time with his ailing girlfriend (Elizabeth Montgomery of Bewitched fame). In 1988, Jane Wyman renegotiated her contract from the production company, and thus became the highest-paid actress on the show. That same year, she missed only one episode and was told by her doctor to end her acting career, but always wanted to keep working in order to remain popular. She completed almost all the episodes of the 1988-89 season, while her health was still deterioriating. In 1989, while Falcon Crest still had low ratings, she was hospitalized with diabetes and liver ailment, and the doctors told Wyman that she couldn't work any longer, and for most of the 9th and final season, her character Angela was to lay comatose in a hospital bed while her family was fighting over as to who got the Falcon Crest winery. The actor Lorenzo Lamas visited the ailing Wyman at the hospital. She soon recovered, and in 1990, against her doctor's advice, she returned to the show for the final three episodes, and delivered a great soliloquy on the series finale. She stayed on the show throughout its entire run, even when health problems plagued her, thus appearing in 208 of the 227 episodes of the series.


After Falcon Crest

Jane Wyman's last guest-starring role was that of Jane Seymour's mother on Dr. Quinn, Medicine Woman. She retired after this role.


Private life

A devout Catholic convert, Jane Wyman has lived in reclusion for a number of years due to declining health (she suffers from arthritis and diabetes), and apparently tends to be seen in public only at funerals, such as for her late daughter, Maureen Reagan, and her late best friend Loretta Young.

During her retirement in 1997, she purchased a new house in Rancho Mirage, California, so that she could continue living a quiet life and attending honorable charity events. On April 16, 2003, she placed her 3200 square foot Rancho Mirage condominium on the market and moved to a house in Palm Springs, California. As of 2005, at age 91, she has starred in 83 movies, two successful TV series and was nominated for Oscars four times and won once.

Wyman has two stars on the Hollywood Walk of Fame; one for motion pictures at 6607 Hollywood Blvd. and one for television at 1620 Vine Street.

http://en.wikipedia.org/wiki/Jane_Wyman
0 Replies
 
yitwail
 
  1  
Reply Wed 4 Jan, 2006 04:32 am
bobsmythhawk wrote:
Isaac Newton
From Wikipedia, the free encyclopedia.

Born 4 January [O.S. 25 December 1642] 1643
Woolsthorpe-by-Colsterworth, Lincolnshire, England
Died 31 March [O.S. 20 March] 1727
Kensington, London
http://en.wikipedia.org/wiki/Isaac_Newton


if any listeners were puzzled by the date discrepancies as i was, i found that the letters O.S. indicate old style, or Julian calendar. here's some explanatory excerpts from wikipedia on this topic:

The calendar remained in use into the 20th century in some countries and is still used by many national Orthodox churches. However with this scheme too many leap days are added with respect to the astronomical seasons, which on average occur earlier in the calendar by about 11 minutes per year, causing it to gain a day about every 128 years. It is said that Caesar was aware of the discrepancy, but felt it was of little importance.


The Julian calendar was in general use in Europe from the times of the Roman Empire until 1582, when Pope Gregory XIII promulgated the Gregorian Calendar, which was soon adopted by most Catholic countries. The Protestant countries followed later, and the countries of Eastern Europe even later. Great Britain had Thursday 14 September 1752 follow Wednesday 2 September 1752.
0 Replies
 
Letty
 
  1  
Reply Wed 4 Jan, 2006 07:15 am
Good morning, WA2K radio listeners and contributors.

hamburger, we always enjoy your little anecdotes about youthful indiscretions. I suspect we have all been there, buddy.

and thanks to edgar for the twelth of never by J.M. You and dj have a plethora of timely songs. <smile>

Bob, do you mean that Newton did not discover gravity by getting whacked by an apple? Ah, buddy, you just ruined all I know about science. Thanks, Boston, you always give us new insight with your bios. I was particularly interested in his religious views.

Mr. Turtle, we also appreciate the observation about calendar stuff. <smile>

Hey, folks, how about a dedication song to Isaac:

It isn't by chance I happen to be,
A boulevardier, the toast of Paris.
For over the noise, the talk and the smoke,
I'm good for a laugh, a drink or a joke.
I walk in a room, a party or ball,
"Come sit over here" somebody will call.
"A drink for M'sieur, a drink for us all!
But how many times I stop and recall.

Ah, the apple trees,
Blossoms in the breeze,
That we walked among,
Lying in the hay,
Games we used to play,
While the rounds were sung,
Only yesterday when the world was young.

Wherever I go they mention my name,
And that in itself, is some sort of fame,
"Come by for a drink, we're having a game,"
Wherever I go I'm glad that I came.
The talk is quite gay, the company fine,
There's laughter and lights, and glamour and wine,
And beautiful girls and some of them mine,
But often my eyes see a diff'rent shine.

Ah, the apple trees,
Sunlit memories,
Where the hammock swung,
On our backs we'd lie,
Looking at the sky,
Till the stars were strung,
Only last July when the world was young.

While sitting around, we often recall,
The laugh of the year, the night of them all.
The blonde who was so attractive that year,
Some opening night that made us all cheer.
Remember that time we all got so tight,
And Jacques and Antoine got into a fight.
The gendarmes who came, passed out like a light,
I laugh with the rest, it's all very bright.

Ah, the apple trees,
And the hive of bees
Where we once got stung,
Summers at Bordeaux,
Rowing the bateau,
Where the willow hung,
Just a dream ago, when the world was young.
0 Replies
 
McTag
 
  1  
Reply Wed 4 Jan, 2006 08:23 am
That's a nice song, Miss Letty.

Thank you.
0 Replies
 
Letty
 
  1  
Reply Wed 4 Jan, 2006 08:35 am
Well, there's our McTag, listeners. You are most welcome, Brit. I love it as well.

Always good to see Europe here, and I am glad that I didn't jump the gun and give the good news that was mistakenly reported about the trapped miners in West Virginia. It appears that only one survived the explosion.

There is nothing much that we can say to comfort the families, but know that the world is with you in your sorrows.

Can't help but think of Oliver Wendell Holmes today:

Build thee more stately mansions, O my soul,
As the swift seasons roll!
Leave thy low-vaulted past!
Let each new temple, nobler than the last,
Shut thee from heaven with a dome more vast,
Till thou at length art free,
Leaving thine outgrown shell by life's unresting sea!

Beautifully set to music, this final verse of Holmes' The Chambered Nautilus, is an attempt at hope, listeners.
0 Replies
 
Walter Hinteler
 
  1  
Reply Wed 4 Jan, 2006 09:05 am
On January 4, 1936 Billboard magazine published its first music hit parade.

No. 1 on the US billboard of January 7, 1956:

Sixteen Tons, by Tennessee Ernie Ford, one of my all time favourites:

Some people say a man is made outta mud
A poor man's made outta muscle and blood
Muscle and blood and skin and bones
A mind that's a-weak and a back that's strong

You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store

I was born one mornin' when the sun didn't shine
I picked up my shovel and I walked to the mine
I loaded sixteen tons of number nine coal
And the straw boss said "Well, a-bless my soul"

You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store

I was born one mornin', it was drizzlin' rain
Fightin' and trouble are my middle name
I was raised in the canebrake by an ol' mama lion
Cain't no-a high-toned woman make me walk the line

You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store

If you see me comin', better step aside
A lotta men didn't, a lotta men died
One fist of iron, the other of steel
If the right one don't a-get you
Then the left one will

You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store



Interesting: Sixteen Tons - The Story Behind The Legend
0 Replies
 
Letty
 
  1  
Reply Wed 4 Jan, 2006 09:32 am
Walter, that fascinating story behind Sixteen Tons was even more appealing than the song. Thanks, Gus, (er, I mean Walter) <smile>

How often, listeners, have we talked about the song, "In the Pines", (I really think it was "In the Mines." altered to appease the coal barons)

Folk music is often altered, listeners, as is this version:

My girl, my girl, don't lie to me
Tell me where did you sleep last night
In the pines, in the pines
Where the sun don't ever shine
I would shiver the whole night through

My girl, my girl, where will you go?
I'm going where the cold wind blows
In the pines, in the pines
Where the sun don't ever shine
I would shiver the whole night through

Her husband, was a hard working man
Just about a mile from here
His head was found in a driving wheel
But his body never was found

My girl, my girl, don't lie to me
Tell me where did you sleep last night
In the pines, in the pines
Where the sun don't ever shine
I would shiver the whole night through

My girl, my girl, where will you go
I'm going where the cold wind blows
In the pines, in the pines
Where the sun don't ever shine
I would shiver the whole night through

My girl, my girl, don't lie to me
Tell me where did you sleep last night
In the pines, in the pines
Where the sun don't ever shine
I would shiver the whole night through

My girl, my girl, where will you go
I'm going where the cold wind blows
In the pines, the pines
The sun, the shine
I shiver
All
Night throughhhhhh

More background here:

http://www.livenirvana.com/digitalnirvana/songguide/body12ab.html?songid=112

Hope that reference works.
0 Replies
 
 

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