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WA2K Radio is now on the air

 
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 06:39 am
Good morning WA2K radio fans and listeners. dj has reminded us how many wonderful recording stars there are in Canada, so I thought that I would begin our day with Holly Cole:


Cry (If You Want To)

by Unknown

artist- Holly Cole

Cry if you want
I wont tell you not to
I won't try to cheer you up
Ill just be here if you want me

It's no use in keeping a stiff upper lip
You can weep you can sleep you can loosen your grip
You can frown you can drown and go down with the ship
You cry if you want to
Don't ever apologize venting your pain
Its something to me you don't need to explain
I don't need to know why
I don't think it's insane
You can cry if you want to

The windows are closed
The neighbors aren't home
If it's better with me than to do it alone
Ills draw all the curtains and unplug the phone
You can cry if you want

You can stare at the ceiling and tear at your hair
Swallow your feelings and stager and swear
You could show things and throw things and I wouldn't care
You can cry if you want to

I won't make fun of you
I won't tell any one
I won't analyze what you do or you should have done
I won't advise you to go and have fun
You can cry if you want to

Well it's empty and ugly and terribly sad
I can't feel what you feel but I no it feel bad
I no that its real and it makes you so mad
You could cry

Cry if you want to I won't tell you not to
I won't try and cheer you up
Ill just be here if you want me; to be
Near you
0 Replies
 
Raggedyaggie
 
  1  
Reply Sat 17 Dec, 2005 08:26 am
Good morning WA2K.

Sorry I missed posting a celeb yesterday. Too many chores (boring). Nice to be back here.

On this day in 1843, Charles Dickens' "A Christmas Carol" was first published.
(Could he have ever imagined Scrooge would become a household name. Lionel Barrymore, Alastair Sim, Reginald Owen, George C. Scott, Jack Palance, Walter Matthau, Michael Caine, Albert Finney, Derek Jacobi, Rich Little, Kelsey Grammer, Tim Curry, John Carradine, Scrooge McDuck and Mr. Magoo and more.)


and born on this day:

http://www.clipartgallery.com/music/musicians/classical/Beethoven_image_01.jpg


and
http://www.wdr.de/tv/menschen-hautnah/image/film.jpg
Armin Mueller-Stahl (born December 17, 1930) is a leading German film actor. He was born in Tilsit, Germany, now Russia.

East Prussian-born Armin Mueller-Stahl was a noted concert violinist while he was a teenager. He turned to film acting in East Berlin in 1950. He was a successful film and stage actor in East Germany, but being blacklisted by the government he emigrated to West Germany in 1980. His talent found ample work in the West German film industry. He appeared in such films as Rainer Werner Fassbinder's Lola (1981) and Veronika Voss (1982), and played in Andrzej Wajda's A Love in Germany (1984), Angry Harvest and Colonel Redl (both 1985) (the latter about Alfred Redl).

He broadened his film career with his US film debut as Jessica Lange's father in Music Box (1989), and subsequently took strong character parts in Kafka and Night on Earth (both 1991) from Jim Jarmusch.

He won the Silver Bear for Best Actor in the 1992 Berlinale for his performance in Utz, and received an Oscar nomination for Best Supporting Actor for his performance in Shine (1996).

In the new millennium, Mueller-Stahl gained applause for his acting of Thomas Mann in a German historic film production about the Mann family (Thomas Mann, his brother Heinrich Mann, and others) called Die Manns.

In 2004, he made a rare foray onto American television, guest-starring for four episodes on the television drama The West Wing.

(My Mueller-Stahl favorites are "The Power of One" and "Avalon".
0 Replies
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 08:41 am
Well there's our Raggedy, listeners. Nice to see you back, PA.

Rich Little's Christmas Carol is one of the funniest versions that I have ever seen. Can you imagine, folks, one man doing all the characters and imitating other well known people?

That guy is a genius.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 17 Dec, 2005 09:53 am
John Greenleaf Whittier
From Wikipedia, the free encyclopedia.

John Greenleaf Whittier (Haverhill, Massachusetts, December 17, 1807 - September 7, 1892 in Hampton Falls, New Hampshire) was an American Quaker poet, and an advocate of the abolition of slavery in the United States.

Whittier was the editor of a number of newspapers in Boston and Haverhill, as well as the New England Weekly Review in Hartford, Connecticut, which was the most influential Whig journal in New England.

Whittier's best-known volumes of poetry include Legends of New England (1831) and Snow-Bound (1866); the latter, a narrative poem dedicated to his family home, secured his reputation, and indeed his income. He also published one novel, Leaves from Margaret Smith's Journal (1849). His poem "Maud Muller" featured the famous line "For all sad words of tongue and pen/The saddest are these, 'It might have been.'" Whittier also wrote a poem about little Eva, a tragic character in Harriet Beecher Stowe's Uncle Tom's Cabin (Jackson 231). His poem "Ichabod" was a lament for Daniel Webster's decision to support of the Compromise of 1850 and Fugitive Slave Act, favoring preserving the Union via compromise over fighting for abolition. He was one of the the five members of the group known as the Fireside Poets.

Highly regarded in his lifetime and for some time after (several New England States had holidays in his honour), he is now largely forgotten, except by those who note that a number of his poems were turned into hymns, some of which remain exceedingly popular. Though clearly Victorian in style, and capable of being seen as sentimental, these hymns exhibit both a poetic imagination and a universalism of spirit that mark them out from the rut of nineteenth century hymnody. The best known is probably Dear Lord and Father of mankind, but Whittier's Quaker thought is better illustrated by the hymn that begins,

O Brother Man, fold to thy heart thy brother:
Where pity dwells, the peace of God is there;
To worship rightly is to love each other,
Each smile a hymn, each kindly word a prayer.

Whittier is buried in Amesbury, Massachusetts. His birthplace, the John Greenleaf Whittier Homestead in Haverhill, Massachusetts, is now a public museum, as is the John Greenleaf Whittier Home in Amesbury, his residence for 56 years.

http://en.wikipedia.org/wiki/John_Greenleaf_Whittier

MAUD MULLER

by: John Greenleaf Whittier (1807-1892)

AUD MULLER, on a summer's day,
Raked the meadows sweet with hay.

Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.

Singing, she wrought, and her merry glee
The mock-bird echoed from his tree.

But, when she glanced to the far-off town,
White from its hill-slope looking down,

The sweet song died, and a vague unrest
And a nameless longing filled her breast--

A wish, that she hardly dared to own,
For something better than she had known.

The Judge rode slowly down the lane,
Smoothing his horse's chestnut mane.

He drew his bridle in the shade
Of the apple-trees, to greet the maid,

And ask a draught from the spring that flowed
Through the meadow across the road.

She stooped where the cool spring bubbled up,
And filled for him her small tin cup,

And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.

"Thanks!" said the Judge, "a sweeter draught
From a fairer hand was never quaffed."

He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;

Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.

And Maud forgot her briar-torn gown,
And her graceful ankles bare and brown;

And listened, while a pleasant surprise
Looked from her long-lashed hazel eyes.

At last, like one who for delay
Seeks a vain excuse, he rode away,

Maud Muller looked and sighed: "Ah, me!
That I the Judge's bride might be!

"He would dress me up in silks so fine,
And praise and toast me at his wine.

"My father should wear a broadcloth coat;
My brother should sail a painted boat.

"I'd dress my mother so grand and gay,
And the baby should have a new toy each day.

"And I'd feed the hungry and clothe the poor,
And all should bless me who left our door."

The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.

"A form more fair, a face more sweet,
Ne'er hath it been my lot to meet.

"And her modest answer and graceful air
Show her wise and good as she is fair.

"Would she were mine, and I to-day,
Like her, a harvester of hay:

"No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,

"But low of cattle, and song of birds,
And health, and quiet, and loving words."

But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.

So, closing his heart, the Judge rode on,
And Maud was left in the field alone.

But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;

And the young girl mused beside the well,
Till the rain on the unraked clover fell.

He wedded a wife of richest dower,
Who lived for fashion, as he for power.

Yet oft, in his marble hearth's bright glow,
He watched a picture come and go:

And sweet Maud Muller's hazel eyes
Looked out in their innocent surprise.

Oft when the wine in his glass was red,
He longed for the wayside well instead;

And closed his eyes on his garnished rooms,
To dream of meadows and clover-blooms.

And the proud man sighed, with a secret pain,
"Ah, that I were free again!

"Free as when I rode that day,
Where the barefoot maiden raked her hay."

She wedded a man unlearned and poor,
And many children played round her door.

But care and sorrow, and child-birth pain,
Left their traces on heart and brain.

And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,

And she heard the little spring brook fall
Over the roadside, through the wall,

In the shade of the apple-tree again
She saw a rider draw his rein,

And, gazing down with timid grace,
She felt his pleased eyes read her face.

Sometimes her narrow kitchen walls
Stretched away into stately halls;

The weary wheel to a spinnet turned,
The tallow candle an astral burned;

And for him who sat by the chimney lug,
Dozing and grumbling o'er pipe and mug,

A manly form at her side she saw,
And joy was duty and love was law.

Then she took up her burden of life again,
Saying only, "It might have been."

Alas for maiden, alas for Judge,
For rich repiner and household drudge!

God pity them both! and pity us all,
Who vainly the dreams of youth recall;

For of all sad words of tongue or pen,
The saddest are these: "It might have been!"

Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;

And, in the hereafter, angels may
Roll the stone from its grave away!

"Maud Muller" is reprinted from One Hundred Choice Selections. Ed. Phineas Garrett. Philadelphia: Penn Publishing Co., 1897.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 17 Dec, 2005 09:55 am
Lee Strasberg
From Wikipedia, the free encyclopedia.

Lee Strasberg (November 17, 1901 - February 17, 1982), born Israel Lee Strassberg in Budzanów, Austria-Hungary (now Budanov, Ukraine) to Ida and Baruch Meyer, was a Jewish-American actor, director, producer and acting teacher.

In 1931, he became one of the co-founders of the Group Theatre, a company which numbered such legends as Elia Kazan, John Garfield, Stella Adler, Sanford Meisner, Franchot Tone, and Robert Lewis. In 1936, he became a naturalized citizen of the United States. In 1949, he began a lengthy career at the Actors Studio in New York City. Within two years, he was artistic director and the now-renowned institution's reputation flourished. Actors under his tutelage there included Geraldine Page, Paul Newman, Al Pacino, Kim Stanley, Marilyn Monroe, Jane Fonda, James Dean, Dustin Hoffman, Eli Wallach, Eva Marie Saint, Robert DeNiro, Jill Clayburgh, Jack Nicholson, and Steve McQueen. In 1966, he took the Actors Studio west and founded a Los Angeles branch. In 1969, he began the Lee Strasberg Theatre Institute in the same city.

While rarely stepping in front of the camera himself (he appeared in only seven different films, or eight counting The Godfather Trilogy compilation), his most famous role was surely that of Hyman Roth in The Godfather: Part II. Playing an elderly Jewish organized crime figure retired to Miami and overlord of criminal enterprise in Cuba, he encounters the wrath of Michael Corleone - played by Strasberg's former student Al Pacino. For this performance, Strasberg received an Academy Award nomination. His legacy remains strong today, as he was one of the patriarchs of "method acting."

He was married to his second wife, the actress and drama coach Paula Strasberg from 1934 until her death from cancer in 1966, and they were the parents of the now-deceased actress Susan Strasberg, and John Strasberg. Lee Strasberg eventually remarried, this time to his third wife, the former Anna Mizrahi, a Sephardic Jew who was born in Venezuela, and the mother of his 2 youngest children. She remained his wife until his death on February 17, 1982 in New York from a heart attack at the age of 80. She had strained relationships with her adult stepchildren, Susan and John Strasberg.

http://en.wikipedia.org/wiki/Lee_Strasberg
0 Replies
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 09:57 am
and there's our Bob, folks. I love JGW although he fell out of favor with the contemporary poets.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 17 Dec, 2005 10:05 am
0 Replies
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 10:36 am
Bob, I was particularly interested in Erskine Caldwell as I had no idea the man attended UVA.

WA2K is educational as well.

Back later, as there's brunch being served in one of our rooms in our studio. <smile>
0 Replies
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 11:35 am
dedication time, listeners:

For Diane



(all right you Chipmunks! Ready to sing your song?
-I'll say we are!
-Yeah!
-Let's sing it now!
Okay, Simon?
-Okay!
Okay, Theodore?
-Okay!
Okay, Alvin? Alvin? ALVIN!
-OKAY!!!)

Christmas, Christmas time is near
Time for toys and time for cheer
We've been good, but we can't last
Hurry Christmas, hurry fast
Want a plane that loops the loop
Me, I want a hula hoop
We can hardly stand the wait
Please Christmas, don't be late.

(Okay fellas get ready.
That was very good, Simon.
-Naturally.
Very good Theodore.
-Ahhh.
Ah, Alvin, you were a little flat, watch it.
Ah, Alvin. Alvin. ALVIN!
-OKAY.)

Want a plane that loops the loop
I still want a hula hoop
We can hardly stand the wait
Please Christmas, don't be late.
We can hardly stand the wait
Please Christmas, don't be late.

(Very good, boys
-Lets sing it again! Yeah, lets sing it again!
No, That's enough, lets not overdo it
-What do you mean overdo it?
-We want to sing it again!
Now wait a minute, boys
-Why can't we sing it again?
-[chipmunk chatter]
Alvin, cut that out..Theodore, just a minute.
Simon will you cut that out? Boys...)

http://www.aapaintball.net/chipmonk.jpg


Razz
0 Replies
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 05:21 pm
0 Replies
 
djjd62
 
  1  
Reply Sat 17 Dec, 2005 07:17 pm
tonights long distance dedication is for christine mc cutcheon

it was never meant to last, but it was good while it lasted

My Best Friend's GirlCommon People
Pulp

She came from Greece, she had a thirst for knowledge
She studied sculpture at Saint Martin's College
That's where I caught her eye
She told me that her Dad was loaded
I said "In that case I'll have rum and coca-cola
She said "fine"
And then in 30 seconds time she said
"I want to live like common people
I want to do whatever common people do
I want to sleep with common people
I want to sleep with common people like you"
Well what else could I do?
I said "I'll see what I can do"
I took her to a supermarket
I don't know why
but I had to start it somewhere
so it started there
I said "pretend you've got no money"
but she just laughed
and said "oh you're so funny"
I said "Yeah
Well I don't see anyone else smiling in here
Are you sure
you want to live like common people
you want to see whatever common people see
you want to sleep with common people
you want to sleep with common people like me?"
But she didn't understand
she just smiled and held my hand
Rent a flat above a shop
Cut your hair and get a job
Smoke some fags and play some pool
Pretend you never went to school
But still you'll never get it right
'cos when you're laid in bed at night
watching roaches climb the wall
if you called your dad he could stop it all
yeah
You'll never live like common people
You'll never do whatever common people do
You'll never fail like common people
You'll never watch your life slide out of view
and then dance and drink and screw
'cos there's nothing else to do
Sing along with the common people
Sing along and it might just get you throug
Laugh along with the common people
Laugh along although they're laughing at you
and the stupid things that you do
because you think that poor is cool
Like a dog lying in a corner
they will bite and never warn you
Look out
they'll tear your insides out
'cos everybody hates a tourist
especially one who thinks
it's all such a laugh
yeah and the chip stain's grease
will come out in the bath
You will never understand
how it feels to live your life
with no meaning or control
and with nowhere else to go
You are amazed that they exist
and they burn so bright
while you can only wonder why
Rent a flat above a shop
Cut your hair and get a job
Smoke some fags and play some pool
Pretend you never went to school
But still you'll never get it right
'cos when you're laid in bed at night
watching roaches climb the wall
if you called your dad he could stop it all
You'll never live like common people
You'll never do whatever common people do
You'll never fail like common people
You'll never watch your life slide out of view
and dance and drink and screw
'cos there's nothing else to do
I want to live with common people like you.....


Let's Go
The Shakin' Pyramids

Well, come on pretty baby
Put on your dancing shoes
Dance and a-hop and a-bop and a-shake it tonight
We're gonna lose the blues
Well, don't mean to hassle you baby
Just you take your time
I don't want to hurry you honey
Your Cadillac or mine?
Let's go! Let's have a swingin' time
Let's go! Push out the blues
Let's go! Hear that rockabilly music
Let's go! Keep on your skirt, yeah

Let's go! Let's have a swingin' time
Let's go! Keep on your skirt
Let's go! Feel that rockabilly music
Let's go! Push out the dirt
Well, there ain't no other lady
Who rocks the floor like you
Well, you're down, in and out
Yeah, you just can't be true

Let's go! Let's have a swingin' time
Let's go! Rock tonight
Let's go! Feel that rockabilly music
Let's go! Well-well, wow!

Let's go! Let's have a swingin' time
Let's go! Keep on your skirt
Let's go! Hear that rockabilly music
Let's go! Dish out the dirt
Yeah, let's go, let's go
Well, let's go, let's go
Let's go, let's gooooooo
Let's go!


Money Changes Everything
Cyndi Lauper

She said I'm sorry baby I'm leaving you tonight
I found someone new he's waitin' in the car outside
Ah honey how could you do it
We swore each other everlasting love
She said well yeah I know but when
We did--there was one thing we weren't
Really thinking of and that's money--

Money changes everything
Money, money changes everything
We think we know what we're doin'
That don't mean a thing
It's all in the past now
Money changes everything

They shake your hand and they smile
And they buy you a drink
They say we'll be your friends
We'll stick with you till the end
Ah but everybody's only
Looking out for themselves
And you say well who can you trust
I'll tell you it's just
Nobody else's money--

Money changes everything
Money changes everything
We think we know what we're doin'
We don't pull the strings
It's all in the past now
Money changes everything

Money changes everything
Money changes everything
We think we know what we're doing
We don't know a thing
It's all in the past now

Money changes everything
Money changes everything
Money changes everything
0 Replies
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 07:29 pm
ah, dj. what a beautiful way to remember Christine. Thanks, Canada for the new trend.

There are so many people that I would like to remember but this one will have to do for all of them, listeners.

Can't run away from you, dear, I've tried so hard but I fear
You'll always follow me near and far
Just when I think that I'm set, just when I've learned to forget
I close my eyes, dear, and there you are

You keep coming back like a song
A song that keeps saying, "Remember"

The sweet used-to-be that was once you and me
Keeps coming back like an old melody

The perfume of roses in May
Returns to my room in December

From out of the past where forgotten things belong
You keep coming back like a song
0 Replies
 
hamburger
 
  1  
Reply Sat 17 Dec, 2005 08:08 pm
i'll try to cheer you up with "i wish i could shimmy like my sister kate" .
my tune is being played by the "new orleans feetwarmers" , another one of my old lp sets . this is from the carnegie hall concerts 1938/39 produced by the great john hammond.
now start to shimmy ! yea, that's better !
-----------------------------------------------------------
I Wish I Could Shimmy Like My Sister Kate
(Piron)
Transcribed from Anna Jones, accompanied by Fats Waller, piano; recorded 6/1923.
From Fats Waller 1922-1926; The Chronogical Classics, 664.

I went to a dance with my sister Kate;
Everybody there thought she danced so great;
I realized a thing or two,
When I got wise to something new:

When I looked at Kate, she was in a trance,
And then I knew it was in her dance;
All the boys are going wild
Over sister Katie's style.

Oh, I wish I could I shimmy like my sister Kate;
She shimmies like a jelly on a plate.
My mama wanted to know last night,
What makes the boys think Kate's so nice.

Now all the boys in the neighborhood,
They know that she can shimmy and it's understood;
I know that I'm late, but I'll be up-to-date
When I shimmy like my sister Kate.
I mean, when I shimmy like my sister Kate.

Now I can shimmy like my sister Kate,
I know that I'm real late,
I think I'll do a real shimmy dance,
Dancing like my sister Kate,
Sweet papa, just like my sister Kate.
0 Replies
 
Letty
 
  1  
Reply Sat 17 Dec, 2005 08:19 pm
Hee! Hee!, listeners, our hamburger knows his shimmy songs.

Thanks, Canada. When I saw the show Ain't Misbehaving in Roanoke, Va. I was totally spell bound. What a performer, Mr. Waller.

To say goodnight, I want to play a song by Arlo Gutherie who has been riding the rails to help Katrina victims:


There is a house in New Orleans
They call the Rising Sun
It's been the ruin of many a poor girl
And me, Oh Lord! was one
My mother was a tailor,
She sewed them new blue jeans.
My lover he was a gambler, Oh Lord,
Gambled down in New Orleans.

. My lover, he was a gambling man
He went from town to town;
And the only time he was satisfied
Was when he drank his liquor down.

Now the only thing a gambling man needs
Is a suitcase and a trunk;
And the only time he's ever satisfied
Is when he's on a drunk.

If I only list'nd when my dear mother said:
Beware, my child, when you roam,
Keep away from drunkards and all those gambling men,
It's best by far to come home.

Go and tell my baby sister
Never do like I have done,
But to shun that house in New Orleans
That they call the Rising Sun.

With one foot on the platform,
And one foot on the train
I'm goin' back to New Orleans
To wear the ball and chain.

I'm going back to New Orleans
My race is almost run;
I'm going back to spend the rest of my life
Beneath that Rising Sun.


Czech
Snad znᚠten dům za New Orleans,
ve štítu znak slunce má,
je to dům, kde lká sto chlapců ubohejch
a v němž jsem zkejs' i já.
Mé mámě Bůh dal věnem
jen prát a šít blue jeans,
táta můj se flákal jen
sám po New Orleans.

Bankrotář se zhroutil před hernou,
jenom bídu svou měl a chlast,
k putykám pak táh' tu pouť mizernou
a znal jenom pít a krást.

Být matkou, dám svým synům
lepší dům, než má kdo z vás,
ten dům, kde spím, má emblém sluneční,
ale je v něm jen zima a chlad.

Kdybych směl se hnout z těch kleští,
pěstí vytrhnout tu mříž,
já jak v snách bych šel do New Orleans
a měl tam k slunci blíž.

Snad znᚠten dům za New Orleans,
ve štítu znak slunce má,
je to dům, kde lká sto chlapců ubohejch
a v němž jsem zkejs' i já.

Goodnight, my friends.

From Letty with love
0 Replies
 
hamburger
 
  1  
Reply Sat 17 Dec, 2005 08:27 pm
radio
we saw " ain't misbehavin' with...THE ONE AND ONLY : JACKIE RICHARDSON... in toronto last year . what fun it was . hbg
0 Replies
 
djjd62
 
  1  
Reply Sat 17 Dec, 2005 09:11 pm
a companion to letty's tune

City of New Orleans
Johnny Cash

Ridin' on the City of New Orleans
Illinois Central, Monday mornin' rail
15 cars & 15 restless riders
Three conductors, 24 sacks of mail

All along the southbound odyssey the train pulls out of Kentucky
Rolls along past houses, farms & fields
Passin' graves that have no name, freight yards full of old black men
And the graveyards of rusted automobiles

Chorus:
Good mornin' America, how are you?
Don't you know me? I'm your native son!
I'm the train they call the City of New Orleans
I'll be gone 500 miles when the day is done

Dealin' cards with the old men in the club car
Penny a point, ain't no one keepin' score
Pass the paper bag that holds the bottle
And feel the wheels grumblin' neath the floor

And the sons of Pullman porters & the sons of engineers
Ride their fathers' magic carpet made of steel
Mothers with their babes asleep, rockin' to the gentle beat
And the rhythm of the rails is all they feel

Repeat Chorus

Night time on the City of New Orleans
Changin' cars in Memphis, Tennessee
Halfway home, we'll be there by mornin'
Thru the Mississippi darkness rollin' down to the sea

But all the towns & people seem to fade into a bad dream
And the steel rail still ain't heard the news
The conductor sings his song again
"The passengers will please refrain:
This train has got the disappearing railroad blues

Repeat Chorus
0 Replies
 
McTag
 
  1  
Reply Sun 18 Dec, 2005 01:16 am
There was a big TV programme broadcast here last night, wherein Paul McCartney gave a demonstration to an invited audience at Abbey Road Studios, London, of songwriting and recording techniques and performed some songs old and new. Also reminisced about his career and his life, from pre-Beatles to the present day.

During this, he used the old recording equipment and some instruments (e.g. mellotron) which EMI and producer George Martin had used in the 1960s to make the Beatles recordings.

I saw some of it, and recorded it for later. Very good.
0 Replies
 
Letty
 
  1  
Reply Sun 18 Dec, 2005 05:35 am
Good morning, WA2K radio listeners and contributors.

dj, loved the Johnny Cash song of last evening. Is "Walk the Line" playing in theatres? That I would love to see, folks.

Well, there's our McTag with a Beatles review. Thanks, Brit.

Here's a good morning song from same:

Nothing to do to save his life call his wife in
Nothing to say but what a day how's your boy been
Nothing to do it's up to you
I've got nothing to say but it's O.K.
Good morning, good morning...
Going to work don't want to go feeling low down
Heading for home you start to roam then you're in town
Everybody knows there's nothing doing
Everything is closed it's like a ruin
Everyone you see is half asleep.
And you're on your own you're in the street
Good morning, good morning...
After a while you start to smile now you feel cool.
Then you decide to take a walk by the old school.
Nothing has changed it's still the same
I've got nothing to say but it's O.K.
Good morning, good morning...
People running round it's five o'clock.
Everywhere in town is getting dark.
Everyone you see is full of life.
It's time for tea and meet the wife.
Somebody needs to know the time, glad that I'm here.
Watching the skirts you start to flirt now you're in gear.
Go to a show you hope she goes.
I've got nothing to say but it's O.K.
Good morning, good morning...
0 Replies
 
Raggedyaggie
 
  1  
Reply Sun 18 Dec, 2005 09:38 am
Good morning WA2K:

Here are some entertainment celebs born this date:

Betty Grable (1916-1973)
http://www.mutoworld.com/_uimages/BGrable.jpg

Steven Spielberg (1946)
http://www.talentbookingusa.com/look-a-likes/images/steven-spielberg-sm.jpg Ossie Davis (1917-2005)http://www.artistsnetwork.org/news15/images/news707_2.jpg

Brad Pitt (1963)
http://www.smh.com.au/ffximage/2005/07/13/pitt_narrowweb__200x255.jpg
0 Replies
 
yitwail
 
  1  
Reply Sun 18 Dec, 2005 09:43 am
Billboard #1 in 1962, by the Four Seasons, was memorable at any rate:

Big girls don't cry
Big girls don't cry
Bi-ig girls
do-on't cry-yi-yi (they don't cry)
Bi-ig girls
do-on't cry-yi-yi (who said they don't cry?)

(My-y girl) said goodbye-yi-yi
(my oh my)
My-y girl didn't cry (I wonder why)
(Silly boy) told my girl we had to break up
(Silly boy) hoped that she would call my bluff
(Silly boy) then she said to my surprise
"Big girls don't cry"
Bi-ig girls do-on't cry-yi-yi
(they don't cry)
Bi-ig girls do-on't cry-yi-yi
(who said they don't cry?)

(May-y-be)
I was cru-u-uel (I was cruel)
Bay-y-be
I'm a fool (I'm such a fool)
(Silly girl)
"Shame on you," your mama said
(Silly girl)
"Shame on you,you're cryin' in bed"
(Silly girl)
"Shame on you, you told me lies."
Big girls do cry
Bi-ig girls do-on't cr-y-y
(they don't cry)
Bi-ig girls do-on't cr-y-y
(that's just an alibi)
Big girls don't cry
Big girls don't cry
Big girls don't cry
Big girls don't cry
Big girls don't cry
0 Replies
 
 

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WA2K Radio is now on the air, Part 3 - Discussion by edgarblythe
 
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