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WA2K Radio is now on the air

 
 
McTag
 
  1  
Reply Sat 15 Oct, 2005 03:58 am
Letty

You have the cool, clear eye of a seeker of wisdom and truth
Yet there's that up-turned chin, and the grin of impetuous youth

I believe in you

(remember that one?? Smile )

McT
0 Replies
 
djjd62
 
  1  
Reply Sat 15 Oct, 2005 04:43 am
i suffered a rather nasty injury at work on friday, i got my thumb caught between a belt an roller on a production line, much compressin of flesh, removing of nail and all the good stuff asociated with that sort of thing, anyway here's a song for me, the original version is by NIN, but i think johnny does it best


Hurt
Johnny Cash

I hurt myself today
to see if I still feel
I focus on the pain
the only thing that's real
the needle tears a hole
the old familiar sting
try to kill it all away
but I remember everything
what have I become?
my sweetest friend
everyone I know
goes away in the end
and you could have it all
my empire of dirt

I will let you down
I will make you hurt

I wear this crown of thorns
upon my liar's chair
full of broken thoughts
I cannot repair
beneath the stains of time
the feelings disappear
you are someone else
I am still right here

what have I become?
my sweetest friend
everyone I know
goes away in the end
and you could have it all
my empire of dirt

I will let you down
I will make you hurt

if I could start again
a million miles away
I would keep myself
I would find a way
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 05:49 am
Friedrich Nietzsche
From Wikipedia, the free encyclopedia.
Western Philosophers
19th-century philosophy

Basic Information
Name Friedrich Wilhelm Nietzsche
Dates October 15, 1844 - August 25, 1900
Place of Birth Röcken bei Lützen, Saxony, Prussia
Place of Death Weimar, Germany
School/Tradition Existentialism
Major Works The Birth of Tragedy, Thus Spoke Zarathustra, Beyond Good and Evil, On the Genealogy of Morals, Ecce Homo, The Will to Power
Main Interests Ethics, Metaphysics, Epistemology, Aesthetics, Language
Influences Schopenhauer, Machiavelli
Influenced Jaspers, Iqbal, Heidegger, Sartre
Famous Ideas God is dead ("Where has God gone?" he cried. "I shall tell you. We have killed him - you and I." -The Gay Science §126)
Quote Whatever has value in our world now does not have value in itself, according to its nature - nature is always value-less, but has been given value at some time, as a present - and it was we who gave and bestowed it.
-The Gay Science, §302
Philosophers By Era
Pre-Socratic, Ancient, Medieval, Renaissance
1600s, 1700s, 1800s, 1900s

Postmodern, Contemporary

Friedrich Wilhelm Nietzsche (October 15, 1844 - August 25, 1900) was a German philosopher, psychologist, and classical philologist. He was a severe critic of morality, Utilitarianism, contemporary philosophy, materialism, German idealism, German romanticism, and of modernity in general. He is among the most readable of philosophers and penned a large number of aphorisms and varied experimental forms of composition. Although his work was distorted and thus identified with Philosophical Romanticism, Nihilism, Anti-semitism, and even Nazism, he himself vociferously denied such tendencies in his work, even to the point of directly opposing them. In philosophy and literature, he is often identified as an inspiration for existentialism and postmodernism. His thought is, by many accounts, most difficult to comprehend in any systemized form and remains a vivacious topic of debate.


His Life


Friedrich Nietzsche was born on October 15, 1844, in the small town of Röcken, which is not far from Lützen and Leipzig, within what was then the Prussian province of Saxony. He was born on the 49th birthday of King Friedrich Wilhelm IV of Prussia and was thus named after him. His father was a Lutheran pastor, who died of encephalomalacia, in 1849, when Nietzsche was four years old. In 1850, Nietzsche's mother moved the family to Naumburg, where he lived for the next eight years before heading off to boarding school, the famous and demanding Schulpforta. Nietzsche was now the only male in the house, living with his mother, his grandmother, two paternal aunts, and his sister Elisabeth. As a young man, he was particularly vigorous and energetic. In addition, his early piety for Christianity is born out by the choir Miserere which was dedicated to Schulpforta while he attended.

After graduation, in 1864, he commenced his studies in classical philology and theology at the University of Bonn. He met the composer Richard Wagner, of whom he was a great admirer, in November, 1868, and their friendship developed for a time. A brilliant scholar, he became special professor of classical philology at the University of Basel in 1869, at the uncommon age of 24. Professor Friedrich Ritschl at the University of Leipzig became aware of Nietzsche's capabilities from some exceptional philological articles he had published, and recommended to the faculty board that Nietzsche be given his doctorate without the typically required dissertation.


At Basel, Nietzsche found little satisfaction in life among his philology colleagues. He established closer intellectual ties with the historian Jakob Burckhardt, whose lectures he attended, and the atheist theologian Franz Overbeck, both of whom remained his friends throughout his life. His inaugural lecture at Basel was Über die Persönlichkeit Homers (On Homer's Personality). He made frequent visits to the Wagners at Tribschen.

When the Franco-Prussian war erupted in 1870, Nietzsche left Basel and, being disqualified for other services due to his citizenship status, volunteered as a medical orderly on active duty. His time in the military was short, but he experienced much, witnessing the traumatic effects of battle and taking close care of wounded soldiers. He soon contracted diphtheria and dysentery and subsequently experienced a painful variety of health difficulties for the remainder of his life.

Upon returning to Basel, instead of waiting to heal, he pushed headlong into a more fervent schedule of study than ever before. In 1870, he gave Cosima Wagner the manuscript of The Genesis of the Tragic Idea as a birthday gift. In 1872, he published his first book, The Birth of Tragedy in which he denied Schopenhauer's influence upon his thought and sought a "philology of the future" (Zukunftsphilologie). A biting critical reaction by the young and promising philologist Ulrich von Wilamowitz-Moellendorff, as well as its innovative views of the ancient Greeks, dampened the book's reception and increased its notoriety, initially. After it settled into the philological community, it found many rings of approval and exultations of Nietzsche's perspicacity. To this day, it is widely regarded as a classic piece.

In April, 1873, Wagner incited Nietzsche to take on David Friedrich Strauss. Wagner had found his book, Der alte und der neue Glaube, to be shallow. Strauss had also offended him by siding with the composer and conductor Franz Lachner, who had been dismissed on account of Wagner. In 1879, Nietzsche retired from his position at Basel. This was due either to his declining health or in order to devote himself fully toward the ramification of his philosophy which found further expression in Human, All-Too-Human. This book revealed the philosophic distance between Nietzsche and Wagner; this, together with the latter's virulent Anti-Semitism, spelled the end of their friendship.

From 1880, until his collapse in January, 1889, Nietzsche led a wandering existence as a stateless person, writing most of his major works in Turin. After his mental breakdown, both his sister Elisabeth and mother Franziska cared for him. His fame and influence came later, despite (or due to) the interference of Elisabeth, who published selections from his notebooks with the title The Will to Power, in 1901, and maintained her authority over Nietzsche's literary estate after Franziska's death in 1897.


His mental breakdown

Nietzsche endured periods of illness during much of his adult life. In 1889, after the completion of Ecce Homo, his health rapidly declined until he collapsed in Turin. Shortly before his collapse, according to one account, he embraced a horse in the streets of Turin because it had been flogged by its owner. Thereafter, he was brought to his room and spent several days in a state of ecstasy writing letters to various friends, signing them "Dionysus" and "The Crucified." He gradually became less and less coherent and almost entirely uncommunicative. His close friend Peter Gast, who was also an apt composer, observed that he retained the ability to improvise beautifully on the piano for some months after his breakdown, but this too eventually left him.

The initial emotional symptoms of Nietzsche's breakdown, as evidenced in the letters he sent to his friends in the few days of lucidity remaining to him, bear many similarities to the ecstatic writings of religious mystics insofar as they proclaim his identification with the godhead. These letters remain the best evidence available for Nietzsche's own opinion on the nature of his breakdown. Nietzsche's letters describe his experience as a radical breakthrough in which he rejoices, rather than laments. Most Nietzsche commentators find the issue of Nietzsche's breakdown and "insanity" irrelevant to his work as a philosopher, for the tenability of arguments and ideas are more important than the author. There are some, however, including Georges Bataille, who insist that Nietzsche's mental breakdown be considered.

Nietzsche spent the last ten years of his life insane and in the care of his sister Elisabeth. He was completely unaware of the growing success of his works. The cause of Nietzsche's condition has to be regarded as undetermined. Doctors later in his life said they were not so sure about the initial diagnosis of syphilis because he lacked the typical symptoms. While the story of syphilis indeed became generally accepted in the twentieth century, recent research in the Journal of Medical Biography shows that syphilis is not consistent with Nietzsche's symptoms and that the contention that he had the disease originated in anti-Nietzschean tracts. Brain cancer was the likely culprit, according to Dr. Leonard Sax, director of the Montgomery Centre for Research in Child Development. Another strong argument against the syphilis theory is summarized by Claudia Crawford in the book To Nietzsche: Dionysus, I Love You! Ariadne. The diagnosis of syphilis is supported, however, in Deborah Hayden's Pox: Genius, Madness, and the Mysteries of Syphilis. His handwriting in all the letters that he had written around the period of the final breakdown showed no sign of deterioration.


His Works and Ideas

Nietzsche is famous for:

* his embrace of a sort of a-rationalism which found expression in the idea he called "the Will to Power" (der Wille zur Macht);
* his rejection of morality, in which he felt partly reflected the inverse of the "will to power" and a perversion of useful altruism;
* his attacks on Christianity: the most well-known and frequently misunderstood of his doctrines occurs with the phrase "god is dead" from a passage in The Gay Science titled "The Madman", and similarly is The Antichrist;
* his belief that Christianity planted the seeds of its own eventual demise: Christian notions of truth and the absolute paved the way for rationalism, the Enlightenment and the scientific method, which make blind faith unthinkable for any educated person. Since Martin Luther and Kant, continuing through the Enlightenment, analytical and secular thinking had, he said, significantly replaced Christian theology as a social force and hence the statement "God is dead";
* his origination of the Übermensch concept: translated as "overman", sometimes as "superman", which finally means "over-man" or "through-man" or, in German, "Hindurch-Mensch". There is no adequate English translation, and so each option also doubles as an interpretation of what Nietzsche meant by it. German über is identical with the Latin super;
* his important early concept of "free spirit" that began in Human, All-Too-Human, which may be a starting point for the Übermensch concept;
* his writings on the Eternal Recurrence, while he maintained a philosophical animosity toward its "paralyzing" and nihilistic nature, as a touchstone for the highest possible affirmation of life, of which his Zarathustra embodies.



The "Will to Power"

One of Nietzsche's central concepts is the will to power, a process of expansion and venting of creative energy that he believed was the basic driving force of nature. He believed it to be the fundamental causal power in the world, the driving force of all natural phenomena and the dynamic to which all other causal powers could be reduced. That is, Nietzsche in part hoped will to power could be a "theory of everything," providing the ultimate foundations for explanations of everything from whole societies, to individual organisms, down to mere lumps of matter. In contrast to the "theories of everything" attempted in physics, Nietzsche's was teleological in nature.

Nietzsche perhaps developed the will to power concept furthest with regard to living organisms, and it is there where the concept is perhaps easiest to understand. There, the will to power is taken as an animal's most fundamental instinct or drive, even more fundamental than the act of self-preservation; the latter is but an epiphenomenon of the former.

Physiologists should think before putting down the instinct of self-preservation as the cardinal instinct of an organic being. A living thing seeks above all to discharge its strength ?- life itself is will to power; self-preservation is only one of the indirect and most frequent results. ?- Beyond Good and Evil

The will to power is something like the desire to exert one's will in self-overcoming, although this "willing" may be unconscious. Indeed, it is unconscious in all non-human beings; it was the frustration of this will that first caused man to become conscious at all. The philosopher and art critic Arthur C. Danto says that "aggression" is at least sometimes an approximate synonym. However, Nietzsche's ideas of aggression are almost always meant as aggression toward oneself ?- a sublimation of the brute's aggression ?- as the energy a person motivates toward self-mastery. In any case, since the will to power is fundamental, any other drives are to be reduced to it; the "will to survive" (i.e. the survival instinct) that biologists (at least in Nietzsche's day) thought to be fundamental, for example, was in this light a manifestation of the will to power.

My idea is that every specific body strives to become master over all space and to extend its force (?-its will to power) and to thrust back all that resists its extension. But it continually encounters similar efforts on the part of other bodies and ends by coming to an arrangement ("union") with those of them that are sufficiently related to it: thus they then conspire together for power. And the process goes on. ?- Beyond Good and Evil s.636, Walter Kaufmann translation.

Not just instincts but also higher level behaviours (even in humans) were to be reduced to the will to power. This includes both such apparently harmful acts as physical violence, lying, and domination, on one hand, and such apparently non-harmful acts as gift-giving, love, and praise on the other. In Beyond Good and Evil, he claims that philosophers' "will to truth" (i.e., their apparent desire to dispassionately seek objective truth) is actually nothing more than a manifestation of their will to power; this will can be life-affirming or a manifestation of nihilism, but it is will to power all the same.

[Anything which] is a living and not a dying body... will have to be an incarnate will to power, it will strive to grow, spread, seize, become predominant ?- not from any morality or immorality but because it is living and because life simply is will to power... 'Exploitation'... belongs to the essence of what lives, as a basic organic function; it is a consequence of the will to power, which is after all the will to life. ?- Beyond Good and Evil s.259, Walter Kaufmann translation.

As indicated above, the will to power is meant to explain more than just the behaviour of an individual person or animal. The will to power can also be the explanation for why water flows as it does, why plants grow, and why various societies, enclaves, and civilizations behave as they do.

Similar ideas in others' thought

With respect to the will to power, Nietzsche was influenced early on by Arthur Schopenhauer and his concept of the "will to live", but he explicitly denied the identity of the two ideas and renounced Schopenhauer's influence in The Birth of Tragedy, (his first book) where he stated his view that Schopenhauer's ideas were pessimistic and will-negating. Philosophers have noted a parallel between the will to power and Hegel's theory of history.


Defence of the idea

Although the idea may seem harsh to some, Nietzsche saw the will to power ?- or, as he famously put it, the ability to "say yes! to life" ?- as life-affirming. Creatures affirm the instinct in exerting their energy, in venting their strength. The suffering borne of conflict between competing wills and the efforts to overcome one's environment are not evil (good & evil, for him, was a false dichotomy anyway), but a part of existence to be embraced. It signifies the healthy expression of the natural order, whereas failing to act in one's self-interest is seen as a type of illness. Enduring satisfaction and pleasure result from living creatively, overcoming oneself, and successfully exerting the will to power.


Ethics

Nietzsche's work addresses ethics from several perspectives; in today's terms, we might say his remarks pertain to meta-ethics, normative ethics, and descriptive ethics.

As far as meta-ethics is concerned, Nietzsche can perhaps most usefully be classified as a moral sceptic; that is, he claims that all ethical statements are false, because any kind of correspondence between ethical statements and "moral facts" is illusory. (This is part of a more general claim that there is no universally true fact, roughly because none of them more than "appear" to correspond to reality). Instead, ethical statements (like all statements) are mere "interpretations."

Sometimes, Nietzsche may seem to have very definite opinions on what is moral or immoral. Note, however, that Nietzsche's moral opinions may be explained without attributing to him the claim that they are "true." For Nietzsche, after all, we needn't disregard a statement merely because it is false. On the contrary, he often claims that falsehood is essential for "life." Interestingly enough, he mentions a 'dishonest lie,' discussing Wagner in The Case of Wagner, as opposed to an 'honest' one, saying further, to consult Plato with regards to the latter, which should give some idea of the layers of paradox in his work.

In the juncture between normative ethics and descriptive ethics, Nietzsche distinguishes between "master morality" and "slave morality." Although he recognises that not everyone holds either scheme in a clearly delineated fashion without some syncretism, he presents them in contrast to one another. Some of the contrasts in master vs. slave morality:

* "good" and "bad" interpretations vs. "good" and "evil" interpretations
* "aristocratic" vs. "part of the 'herd'"
* determines values independently of predetermined foundations (nature) vs. determines values on predetermined, unquestioned foundations (Christianity).

These ideas were elaborated in his book On the Genealogy of Morals in which he also introduced the key concept of ressentiment as the basis for the slave morality.

The revolt of the slave in morals begins in the very principle of ressentiment becoming creative and giving birth to values ?- a ressentiment experienced by creatures who, deprived as they are of the proper outlet of action are forced to find their compensation in an imaginary revenge. While every aristocratic morality springs from a triumphant affirmation of its own demands, the slave morality says 'no' from the very outset to what is 'outside itself,' 'different from itself,' and 'not itself'; and this 'no' is its creative deed. (On the Genealogy of Morals)

Nietzsche's assessment of both the antiquity and resultant impediments presented by the ethical and moralistic teachings of the world's monotheistic religions eventually led him to his own epiphany about the nature of God and morality, resulting in his work Thus Spoke Zarathustra.

Nietzsche is also well-known for the statement "God is dead". While in popular belief it is Nietzsche himself who blatantly made this declaration, it was actually placed into the mouth of a character, a "madman," in The Gay Science. It was also later proclaimed by Nietzsche's Zarathustra. This largely misunderstood statement does not proclaim a physical death, but a natural end to the belief in God being the foundation of the western mind. It is also widely misunderstood as a kind of gloating declaration, when it is actually described as a tragic lament by the character Zarathustra.

"God is Dead" is more of an observation than a declaration, and it is noteworthy that Nietzsche never felt the need to advance any arguments for atheism, but merely observed that, for all practical purposes, his contemporaries lived "as if" God were dead. Nietzsche believed this "death" would eventually undermine the foundations of morality and lead to moral relativism and moral nihilism. To avoid this, he believed in re-evaluating the foundations of morality and placing them not on a pre-determined, but a natural foundation through comparative analysis.

Religion

In The Antichrist, Nietzsche attacked Christian pedagogy for what he called its "transvaluation" of healthy instinctive values. He went beyond agnostic and atheistic thinkers of the Enlightenment, who felt that Christianity was simply untrue. He claimed that it may have been deliberately propagated as a subversive religion (a "psychological warfare weapon" or what some would call a "memetic virus") within the Roman Empire by the Apostle Paul as a form of covert revenge for the Roman destruction of Jerusalem and the Temple during the Jewish War. However, in The Anti-Christ, Nietzsche has a remarkably high view of Jesus, claiming the scholars of the day fail to pay any attention to the man, Jesus, and only look to their construction, Christ. Nietzsche made the cryptic claim that "there was only one true Christian, and he died on the cross." According to the American writer H.L. Mencken, Nietzsche felt that the religion of the ancient Greeks of the heroic and classical era was superior to Christianity because it portrayed strong, heroic, and smart men as role models and did not try to demonize healthy natural desires such as eroticism, thirst for revenge, creativity and independence from social mores. According to at least one authority, the Slovenian scholar Anton Strle, Nietzsche lost his faith in the time he was reading the book Leben Jesu (Life of Jesus), written by the German theologian David Strauss.


Politics

What is good? Everything that heightens the feeling of power in man, the will to power, power itself. What is Bad? Everything that is born of weakness. What is happiness? The feeling that power is growing, that resistance is overcome. Not contentedness but more power; not peace but war; not virtue but fitness. The weak and the failures shall perish: first principle is our love of man. And they shall even be given every possible assistance. What is more Harmful than any vice? Active pity for all the failures and all the weak: Christianity. ?-Nietzsche, The Antichrist.

During the First World War and after 1945, many regarded Nietzsche as having helped to cause the German militarism. Nietzsche was popular in Germany in the 1890s. Many Germans read Thus Spake Zarathustra and were influenced by Nietzsche's appeal of unlimited individualism and the development of a personality. The enormous popularity of Nietzsche led to the Subversion debate in German politics in 1894/1895. Conservatives wanted to ban the work of Nietzsche. Nietzsche influenced the Social-democratic revisionists, anarchists, feminists and the left-wing German youth movement.

Nietzsche became popular among National Socialists during the interbellum who appropriated fragments of his work, notably Alfred Bäumler in his reading of The Will to Power. During Nazi leadership, his work was widely studied in German schools and universities. Nazi Germany often viewed Nietzsche as one of their "founding fathers." They incorporated much of his ideology and thoughts about power into their own political philosophy (without consideration to its contextual meaning). Although there exists some significant differences between Nietzsche and Nazism, his ideas of power, weakness, women, and religion became axioms of Nazi society. The wide popularity of Nietzsche among Nazis was due partly to Nietzsche's sister, Elisabeth Förster-Nietzsche, a Nazi sympathizer who edited much of Nietzsche's works.

It is worth noting that Nietzsche's thought largely stands opposed to Nazism. In particular, Nietzsche despised anti-Semitism (which partially led to his falling out with composer Richard Wagner) and nationalism. He took a dim view of German culture as it was in his time, and derided both the state and populism. As the joke goes: "Nietzsche detested Nationalism, Socialism, Germans and mass movements, so naturally he was adopted as the intellectual mascot of the National Socialist German Workers' Party." He was also far from being a racist, believing that the "vigour" of any population could only be increased by mixing with others. In The Twilight of the Idols, Nietzsche says, "...the concept of 'pure blood' is the opposite of a harmless concept."

As for the idea of the "blond beast," Walter Kaufmann has this to say in The Will to Power: "The 'blond beast' is not a racial concept and does not refer to the 'Nordic race' of which the Nazis later made so much. Nietzsche specifically refers to Arabs and Japanese, Romans and Greeks, no less than ancient Teutonic tribes when he first introduces the term... and the 'blondness' obviously refers to the beast, the lion, rather than the kind of man."

While some of his writings on "the Jewish question" were critical of the Jewish population in Europe, he also praised the strength of the Jewish people, and this criticism was equally, if not more strongly, applied to the English, the Germans, and the rest of Europe. He also valorised strong leadership, and it was this last tendency that the Nazis took up.

While his use by the Nazis was inaccurate, it should not be supposed that he was strongly liberal either. One of the things that he seems to have detested the most about Christianity was its emphasis on pity and how this leads to the elevation of the weak-minded. Nietzsche believed that it was wrong to deprive people of their pain, because it was this very pain that stirred them to improve themselves, to grow and become stronger. It would overstate the matter to say that he disbelieved in helping people; but he was persuaded that much Christian pity robbed people of necessary painful life experiences, and robbing a person of his necessary pain, for Nietzsche, was wrong. He once noted in his Ecce Homo: "pain is not an objection to life."

Nietzsche often referred to the common people who participated in mass movements and shared a common mass psychology as "the rabble", and "the herd." He valued individualism above all else. While he had a dislike of the state in general, he also spoke negatively of anarchists and made it clear that only certain individuals should attempt to break away from the herd mentality. This theme is common throughout Thus Spoke Zarathustra.

Nietzsche's politics are discernible through his writings, but are difficult to access directly since he eschewed any political affiliation or label. There are some liberal tendencies in his beliefs, such as his distrust of strong punishment for criminals and even a criticism of the death penalty can be found in his early work. However, Nietzsche had much disdain for liberalism, and spent much of his writing contesting the thoughts of Immanuel Kant. Nietzsche believed that "Democracy has in all ages been the form under which organizing strength has perished," that "Liberalism [is] the transformation of mankind into cattle," and that "Modern democracy is the historic form of decay of the state"(Nietzsche, der Antichrist). Ironically, since World War II, Nietzsche's influence has generally been clustered on the political left, particularly in France by way of post-structuralist thought (Gilles Deleuze and Pierre Klossowski are often credited for writing the earliest monographs to draw new attention to his work, and a 1972 conference at Cérisy-la-Salle is similarly regarded as the most important event in France for a generation's reception of Nietzsche). However, in the United States, Nietzsche appears to have exercised some influence upon certain conservative academics (see, for example, Leo Strauss and Allan Bloom).


Themes and Trends in Nietzsche's Work

Nietzsche is important as a precursor of 20th-century existentialism, an inspiration for post-structuralism and an influence on postmodernism.

Nietzsche's works helped to reinforce not only agnostic trends that followed Enlightenment thinkers, and the biological worldview gaining currency from the evolutionary theory of Charles Darwin (which also later found expression in the "medical" and "instinctive" interpretations of human behaviour by Sigmund Freud), but also the "romantic nationalist" political movements in the late 19th century when various peoples of Europe began to celebrate archaeological finds and literature related to pagan ancestors, such as the uncovered Viking burial mounds in Scandinavia, Wagnerian interpretations of Norse mythology stemming from the Eddas of Iceland, Italian nationalist celebrations of the glories of a unified, pre-Christian Roman peninsula, French examination of Celtic Gaul of the pre-Roman era, and Irish nationalist interest in revitalizing the Irish language. Anthropological discoveries about India, particularly by Germany, also contributed to Nietzsche's broad religious and cultural sense.

Some people have suggested that Fyodor Dostoevsky may have specifically created the plot of his Crime and Punishment as a Christian rebuttal to Nietzsche, though this cannot be correct as Dostoevsky finished Crime and Punishment well before Nietzsche published any of his works. Nietzsche admired Dostoevsky and read several of his works in French translation. In an 1887 letter Nietzsche says that he read Notes from Underground (translated 1886) first, and two years later makes reference to a stage production of Crime and Punishment, which he calls Dostoevsky's "main novel" insofar as it followed the internal torment of its protagonist. In Twilight of the Idols, he calls Dostoevsky the only psychologist from whom he had something to learn: encountering him was "the most beautiful accident of my life, more so than even my discovery of Stendhal" (KSA 6:147).


Nietzsche and women

Nietzsche's comments on women are perceptibly impudent (although it is also the case that he attacked men for their behaviours as well). However, the women he came into contact with typically reported that he was amiable and treated their ideas with much more respect and consideration than they were generally acquainted with from educated men in that period of time, amidst various sociological circumstances that continue to this day (e.g., Feminism). Moreover, in this connection, Nietzsche was acquainted with the work On Women by Schopenhauer and was probably influenced by it to some degree. As such, some statements scattered throughout his works seem forthright to attack women in a similar vein. And, indeed, Nietzsche believed there were radical differences between the mind of men as such and the mind of women as such. "Thus," said Nietzsche through the mouth of his Zarathustra, "would I have man and woman: the one fit for warfare, the other fit for giving birth; and both fit for dancing with head and legs" (Zarathustra III. [56, "Old and New Tables," sect. 23.])?-that is to say: both are capable of doing their share of humanity's work, with their respective physiological conditions granted and therewith elucidating, each individually, their potentialities. Of course, it is contentious whether Nietzche here adequately or accurately identifies the "potentialities" of women and men.


Nietzsche's Style

Nietzsche is unique among philosophers in his prose style, particularly in the Zarathustra. His work has been referred to as half philosophic, half poetic. Equally important are punning and paradox in his rhetoric. All this means is that nuances and shades of meaning are all too easily lost in translation into English. A case in point is the thorny issue of the translation of Übermensch and its unfounded association with both the heroic character Superman and the Nazi party and philosophy.

http://en.wikipedia.org/wiki/Friedrich_Nietzsche
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 05:54 am
P. G. Wodehouse
From Wikipedia, the free encyclopedia.


Sir Pelham Grenville Wodehouse (October 15, 1881 - February 14, 1975) was an English comic writer who enjoyed enormous popular success for more than seventy years. Described by Sean O'Casey as "English literature's performing flea", Wodehouse was an acknowledged master of English prose admired both by contemporaries like Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by modern writers like Salman Rushdie, Douglas Adams and Terry Pratchett.

Best-known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented lyricist who worked with Cole Porter on the musical Anything Goes and frequently collaborated with Jerome Kern. He wrote the lyrics for the hit song "Bill" in Show Boat.


Life

Born in Guildford, Wodehouse (pronounced "Wood-house") was nicknamed 'Plum'. He was educated at Dulwich College, but his anticipated progression to university was stymied by family financial problems. Subsequently he worked for the Hong Kong and Shanghai Bank for two years, though he was never really interested in banking as a career. Having taken up writing as his profession, he eventually went to Hollywood, where he earned enormous amounts as a screenwriter. Many of his novels were also serialized in magazines such as The Saturday Evening Post, which also paid large amounts of money. He married in 1914, gaining a stepdaughter.

Although Wodehouse and his novels are considered quintessentially English, from 1924 on he lived in France and the United States, and in 1955 he became an American citizen. He was also profoundly uninterested in politics and world affairs. When World War II broke out in 1939 he remained at his seaside home in Le Touquet, France, instead of returning to England, apparently failing to recognize the seriousness of the conflict. He was subsequently taken prisoner by the Germans in 1940 and interned by them for a year, first in Belgium, then at Tost in Upper Silesia (now in Poland). While at Tost, he entertained his fellow prisoners with witty dialogues, which, after being released from internment a few months short of his 60th birthday, he used as the basis for a series of radio broadcasts he was persuaded by the Germans to make from Berlin. Wartime England was in no mood for light-hearted banter, however, and the broadcasts led to many accusations of collaboration and even treason. Some libraries banned his books. Foremost among his critics was A. A. Milne, author of the "Winnie the Pooh" books; Wodehouse got some revenge by creating a ridiculous character named "Timothy Bobbin," who starred in hilarious parodies of some of Milne's children's poetry. Among Wodehouse's defenders were Evelyn Waugh and George Orwell (see links below).

The criticism led Wodehouse to move permanently to America with his wife, Edith. He became an American citizen in 1955, and never returned to his homeland. He was made a Knight of the British Empire (KBE) in 1975, shortly before his death. It is widely believed that the honour was not given earlier because of lingering resentment about the German broadcasts.

Many consider Wodehouse as second only to Charles Dickens in fecundity of character invention. His characters however were not always popular with the establishment, notably the foppish foolishness of Bertie Wooster. Papers released by the Public Record Office have disclosed that when P. G. Wodehouse was recommended in 1967 for a Companion of Honour, Sir Patrick Dean, the British ambassador in Washington, argued that it "would also give currency to a Bertie Wooster image of the British character which we are doing our best to eradicate."

http://en.wikipedia.org/wiki/P._G._Wodehouse
0 Replies
 
McTag
 
  1  
Reply Sat 15 Oct, 2005 06:09 am
Nietzche
Had it peachy
Rolling Eyes
Very Happy
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 06:10 am
Mervyn LeRoy
From Wikipedia, the free encyclopedia.

Mervyn LeRoy (October 15, 1900 - September 13, 1987) was an American film director, producer and sometime actor. Born in San Francisco, California, his family was financially ruined by the 1906 earthquake. To make money, young Mervyn sold newspapers and entered talent shows as a singer. Through this he worked his way into vaudeville. When his act broke up, he and his cousin, Jesse Lasky, went to Hollywood.

LeRoy worked in costumes, processing labs and as a camera assistant until he became a gag writer and actor in silent films. His first directing job was in 1927's No Place to Go. When his movies made lots of money without costing too much, he became well-received in the movie business.

In 1930 he directed the gangster epic Little Caesar, and his career was made. In 1938 he was chosen as head of production at MGM. It was his doing that the studio made The Wizard of Oz. He was responsible for discovering Clark Gable, Loretta Young, Robert Mitchum and Lana Turner.

In the 1950s LeRoy directed such musicals as Lovely to Look At, Million Dollar Mermaid, Latin Lovers and Rose Marie. He moved to Warner Brothers, where he was responsible for such famous films as Mister Roberts, The Bad Seed, No Time for Sergeants, The FBI Story and Gypsy.

He was nominated in 1943 for Best Director for Random Harvest. and also in 1940 as the producer of The Wizard of Oz. In addition, he received an honorary Oscar in 1946 for The House I Live In, "for tolerance short subject", and the Irving G. Thalberg Memorial Award in 1976.

LeRoy retired in 1965 and wrote his autobiography, Take One, in 1974. He died in Beverly Hills, California and was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. He has a star on the Hollywood Walk of Fame at 1560 Vine Street.

http://en.wikipedia.org/wiki/Mervyn_LeRoy
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 06:11 am
C. P. Snow
From Wikipedia, the free encyclopedia.

Charles Percy Snow, Baron Snow, CBE (15 October 1905 - 1 July 1980) was a scientist and novelist.

Born in Leicester, he was educated at University College, Leicester and Cambridge University, where he became a Fellow of Christ's College. He was knighted in 1957 and made a life peer as Baron Snow, of the City of Leicester, in 1964. He served as a Minister in the Labour government of Harold Wilson.

Snow is most noted for his lectures and books regarding his concept of "The Two Cultures", as developed in The Two Cultures and the Scientific Revolution (1959). Here he notes that the breakdown of communication between the sciences and the humanities is a major hindrance to solving the world's problems.

In particular, Snow argues that the quality of education in the world is on the decline. For example, many scientists have never read Charles Dickens, but artistic intellectuals are equally non-conversant with science. He wrote:

"A good many times I have been present at gatherings of people who, by the standards of the traditional culture, are thought highly educated and who have with considerable gusto been expressing their incredulity at the illiteracy of scientists. Once or twice I have been provoked and have asked the company how many of them could describe the Second Law of Thermodynamics. The response was cold: it was also negative. Yet I was asking something which is about the scientific equivalent of: 'Have you read a work of Shakespeare's?'

I now believe that if I had asked an even simpler question -- such as, What do you mean by mass, or acceleration, which is the scientific equivalent of saying, 'Can you read?' -- not more than one in ten of the highly educated would have felt that I was speaking the same language. So the great edifice of modern physics goes up, and the majority of the cleverest people in the western world have about as much insight into it as their neolithic ancestors would have had."

Snow's lecture aroused considerable ferment at the time of its delivery, partly because of the uncompromising style in which he stated his case. He was strongly criticised by the literary critic F. R. Leavis. The dispute even inspired a comic song on the subject of the second law of thermodynamics from Flanders & Swann.

Snow wrote:

"When you think of the long and gloomy history of man, you will find more hideous crimes have been committed in the name of obedience than have ever been committed in the name of rebellion."

Snow also took note of another divide; that between rich and poor nations.

Snow's first novel was the whodunnit Death under Sail (1932). However, he is much better known as the author of a sequence of political novels entitled Strangers and Brothers depicting intellectuals in academic and government settings in the modern era. He also wrote a biography of Anthony Trollope.

C.P. Snow was married to novelist Pamela Hansford Johnson.

http://en.wikipedia.org/wiki/C._P._Snow
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 06:17 am
Michel Foucault
From Wikipedia, the free encyclopedia.


Michel Foucault (October 15, 1926 - June 26, 1984) was a French philosopher and held a chair at the Collège de France, a chair to which he gave the title "The History of Systems of Thought". His writings have had an enormous impact on other scholarly work: Foucault's influence extends across the humanities and social sciences, and across many applied and professional areas of study.

Foucault is well known for his critiques of various social institutions, most notably psychiatry, medicine and the prison system, and also for his ideas on the history of sexuality. His general theories concerning power and the relation between power and knowledge, as well as his ideas concerning "discourse" in relation to the history of Western thought have been widely discussed and applied. Foucault was also opposed to all social constructs that implied an identity, which included everything from the identity of male/female and homosexuality, to that of criminals and political activists. A philosophical example of Foucault's theories on identity was an observation of the history of homosexual identity, which progressed over the years from an implied act to an implied identity.

His work is often described as postmodernist or post-structuralist by contemporary commentators and critics. During the 1960s, however, he was more often associated with the structuralist movement. Although he was initially happy to go along with this description, he later emphasised his distance from the structuralist approach, arguing that unlike the structuralists he did not adopt a formalist approach. Neither was he interested in having the postmodern label applied to his own work, saying he preferred to discuss how 'modernity' was defined.

Biography

Foucault resisted biography on the grounds that he is both a constantly evolving personality and that publicly he exists through his work. Of this he wrote "Do not ask me who I am and do not ask me to remain the same".


Early life

Foucault was born in 1926, in Poitiers, France, as Paul-Michel Foucault, to a notable provincial family. His father, Paul Foucault, was an eminent surgeon and hoped his son would join him in the profession. Foucault later dropped the 'Paul' from his name for reasons which are not entirely clear. His early education was a mix of success and mediocrity until he attended the Jesuit College Saint-Stanislaus where he excelled. During this period, Poitiers was part of Vichy France and later came under German occupation. After the War, Foucault gained entry to the prestigious École Normale Supérieure d'Ulm, the traditional gateway to an academic career in France.


The École Normale Supérieure

Foucault's personal life at the École Normale was difficult ?- he suffered from acute depression, even attempting suicide. He was taken to see a psychiatrist. Perhaps because of this, Foucault became fascinated with psychology. Thus, in addition to his licence in philosophy he also earned a licence (degree) in psychology, which was at that time a very new qualification in France, and was involved in the clinical arm of the discipline where he was exposed to thinkers such as Ludwig Binswanger.

Like many 'normaliens', Foucault joined the French Communist Party from 1950 to 1953. He was inducted into the party by his mentor Louis Althusser. He left due to concerns about what was happening in the Soviet Union under Stalin. Unlike most party members, Foucault never actively participated in his cell.

Early career

Foucault passed his agrégation in 1950. After a brief period lecturing at the École Normale, he took up a position at the University of Lille, where from 1953 to 1954 he taught psychology. In 1954 Foucault published his first book, Maladie mentale et personnalité, a work which he would later disavow. It soon became apparent that Foucault was not interested in a teaching career, and he undertook a lengthy exile from France. In 1954 Foucault served France as a cultural delegate to the University of Uppsala in Sweden (a position arranged for him by Georges Dumézil, who was to become a friend and mentor). In 1958 Foucault left Uppsala for briefly held positions at Warsaw and at the University of Hamburg.

Foucault returned to France in 1960 to complete his doctorate and take up a post in philosophy at the University of Clermont-Ferrand. There he met Daniel Defert, with whom he lived in non-monogamous partnership for the rest of his life. In 1961 he earned his doctorate by submitting two theses (as is customary in France): a 'major' thesis entitled Folie et déraison: Histoire de la folie à l'âge classique and a 'secondary' thesis which involved a translation and commentary on Kant's Anthropology from a Pragmatic Point of View. Folie et déraison (ironically published in English as Madness and Civilization) was extremely well-received. Foucault continued a vigorous publishing schedule. In 1963 he published Naissance de la Clinique (Birth of the Clinic), Raymond Roussel, and a reissue of his 1954 volume (now entitled Maladie mentale et psychologie) which he would again disavow.

After Defert was posted to Tunisia for his military service, Foucault moved to a position at the University of Tunis in 1965. In 1966 he published Les Mots et les choses (The Order of Things), which was enormously popular despite its length and difficulty. This was during the height of interest in structuralism and Foucault was quickly grouped with scholars such as Jacques Lacan, Claude Lévi-Strauss, and Roland Barthes as the newest, latest wave of thinkers set to topple the existentialism popularized by Jean-Paul Sartre. By now Foucault was militantly anti-communist, and some considered the book to be right wing, while Foucault quickly tired of being labelled a 'structuralist'. He was still in Tunis during the student rebellions, where he was profoundly affected by a local student revolt earlier in the same year. In the fall of 1968 he returned to France, where he published L'archéologie du savoir ?- a response to his critics ?- in 1969.


Post-1968: Foucault the activist

In the aftermath of 1968, the French government created a new experimental university at Vincennes. Foucault became the first head of its philosophy department in December of that year, having appointed mostly young leftist academics, the radicalism of one of whom (Judith Miller), resulted in the French ministry of education withdrawing accreditation from the department. Foucault notoriously also joined students in occupying administration buildings and fighting with police.

Foucault's tenure at Vincennes was short-lived, as in 1970 Foucault was elected to France's most prestigious academic body, the Collège de France as Professor of the History of Systems of Thought. His political involvement now increased, Defert having joined the ultra-Maoist Gauche Proletarienne (GP), with whom Foucault became very loosely associated. Foucault helped found the Prison Information Group (in French: Groupe d'Information sur les Prisons, or GIP) to provide a way for prisoners to voice their concerns. This fed into a marked politicization of Foucault's work, with a book, Surveiller et Punir (Discipline and Punish), which 'narrates' the micro-power structures that developed in Western societies since the XVIII Century, with a special focus on prisons and schools.


The late Foucault

In the late 1970s political activism in France tailed off, with the disillusionment of many if not most Maoists, several of whom underwent a complete reversal in ideology, becoming the so-called New Philosophers, often citing Foucault as their major influence, a status about which Foucault had mixed feelings. Foucault in this period began a mammoth project to write a History of Sexuality, which he was never to complete. Its first volume, The Will to Knowledge, was published in 1976, and has much in common with Discipline and Punish. The second and third volumes did not appear for another eight years, and they surprised readers by their relatively traditional style, subject matter (classical Greek and Latin texts) and approach, particularly Foucault's concentration on the subject, a concept he had previously tended to denigrate.

Foucault began to spend more time in the United States, at SUNY Buffalo (where he had lectured on his first ever visit to the United States in 1970) and more especially at UC Berkeley. In 1975 he took LSD at Zabriskie Point in Death Valley National Park, later calling it the best experience of his life. In 1978 Foucault made two tours of Iran, undertaking extensive interviews with political protagonists in support of the new revolutionary Islamic government there. His many essays on Iran were published in the Italian newspaper Corriere Della Sera, but remained little known to Foucault's admirers in the English and French-speaking nations until they were published in English in 2005.

Foucault enthusiastically participated in the gay culture in San Francisco, particularly in the S&M culture - it is suspected that it was here that he contracted HIV, in the days before the disease was described as such. Foucault died of an AIDS-related illness in Paris in 1984.

Works


Madness and Civilization

Madness and Civilization is an abridgement of the French book Folie et déraison, published in 1961 (though a full translation entitled The History of Madness is due to be published in 2005). This was Foucault's first major book, written while teaching French in Sweden. It looked at the way in which the idea of madness had developed through history.

Foucault starts his analysis in the Middle Ages, noting how lepers were locked away. From there, he traces the history through the idea of the ship of fools in the 15th century, and the sudden interest in imprisonment in 17th century France. Eventually, madness became thought of as a malady of the soul, and, finally, with Freud, as mental illness.

Foucault also pays a lot of attention to the way in which the madman went from an accepted part of the social order to being someone who was confined and locked away. He also looked at the ways in which people tried to treat the insane, particularly the cases of Philippe Pinel and Samuel Tuke. He claimed that the treatments offered by these men were in fact no less controlling than previous methods. Tuke's country retreat for the mad consisted of punishing the madmen until they learned to act normally, effectively intimidating them into behaving like well-adjusted people. Similarly, Pinel's treatment of the mad amounted to an extended aversion therapy, including such treatments as freezing showers and use of a straitjacket. In Foucault's view, this treatment amounted to repeated brutality until the pattern of judgment and punishment was internalized by the patient.


The Birth of the Clinic

Foucault's second major book, The Birth of the Clinic: An Archaeology of Medical Perception (Naissance de la clinique: une archeologie du regard medical in French) was published in 1963 in France, and translated to English in 1973. Picking up from Madness and Civilization, The Birth of the Clinic traces the development of the medical profession, and specifically the institution of the clinique (translated as 'clinic', but here largely referring to teaching hospitals). Its motif is the concept of the medical regard (look, a concept which has garnered a lot of attention from English-language readers, due to Alan Sheridan's unusual translation, 'gaze').


The Order of Things

Foucault's Les Mots et les choses. Une archéologie des sciences humaines was published in 1966. It was translated to English in 1970 under the title The Order of Things: An Archaeology of the Human Sciences. (Foucault had preferred L'Ordre des Choses for the original French title, but changed the title to suit the wishes of his editor, Pierre Nora)

The book opened with an extended discussion of Diego Velázquez's painting Las Meninas and its complex arrangement of sight-lines, hiddenness and appearance. Then it developed its central claim: that all periods of history possessed certain underlying conditions of truth that constituted what was acceptable as, for example, scientific discourse. Foucault argued that these conditions of discourse changed over time, in major and relatively sudden shifts, from one period's episteme to another. (Aside: Jean Piaget, in "Structuralism" (1968/1970, p.132), compares Foucault's épistème to Thomas Kuhn's notion of a paradigm.)

The Order of Things brought Foucault to prominence as an intellectual figure in France. A review by Jean-Paul Sartre attacked Foucault as 'the last rampart of the bourgeoisie'.

The Archaeology of Knowledge

Published in 1969, this volume was Foucault's main excursion into methodology. He wrote it in order to deal with the reception that Les Mots et les choses had received. It makes references to Anglo-American analytical philosophy, particularly speech act theory.

Foucault directs his analysis toward the "statement", the basic unit of discourse that he believes has been ignored up to this point. "Statement" is the English translation from French "enoncé" (that which is enounced or expressed), which has a peculiar meaning for Foucault. "Enoncé" for Foucault means that which makes propositions, utterances, or speech acts meaningful. In this understanding, statements themselves are not propositions, utterances, or speech acts. Rather, statements create a network of rules establishing what is meaningful, and it is these rules that are the preconditions for propositions, utterances, or speech acts to have meaning. Depending on whether or not they comply with the rules of meaning, a grammatically correct sentence may still lack meaning and inversely, an incorrect sentence may still be meaningful. Statements depend on the conditions in which they emerge and exist within a field of discourse. It is huge entities of statements, called discursive formations, toward which Foucault aims his analysis. It is important to note that Foucault reiterates that the analysis he is outlining is only one possible tactic, and that he is not seeking to displace other ways of analysing discourse or render them as invalid.

Foucault's posture toward the statements is radical. Not only does he bracket out issues of truth; he also brackets out issues of meaning. Rather than looking for a deeper meaning underneath discourse or looking for the source of meaning in some transcendental subject, Foucault analyzes the conditions of existence for meaning. In order to show the principles of meaning production in various discursive formations he details how truth claims emerge during various epochs on the basis of what was actually said and written during these periods of time. He particularly describes the Renaissance, the Age of Enlightenment, and the 20th Century. He strives to avoid all interpretation and to depart from the goals of hermeneutics. This posture allows Foucault to move away from an anthropological standpoint and focus on the role of discursive practices.

Dispensing with finding a deeper meaning behind discourse would appear to lead Foucault toward structuralism. However, whereas structuralists search for homogenity in a discursive entity, Foucault focuses on differences. Instead of asking what constitutes the specificity of European thought he asks what differences develop within it over time. Therefore, he refuses to examine statements outside of their role in the discursive formation, and he never examines possible statements that could have emerged from such a formation. His identity as a historian emerges here, as he is only interested in analysing actual statements in history. The whole of the system and its discursive rules determine the identity of the statement. But, a discursive formation continually generates new statements, and some of these usher in changes in the discursive formation that may or may not be realized. Therefore, to describe a discursive formation, Foucault also focuses on expelled and forgotten discourses that never happen to change the discursive formation. Their difference to the dominant discourse also describe it. In this way one can describe specific systems that determine which types of statements emerge.


Discipline and Punish

Main article: Discipline and Punish.

Discipline and Punish: The Birth of the Prison was translated to English in 1977, from the French Surveiller et punir: Naissance de la prison, published in 1975.


The book opens with a graphic description of the brutal public execution in 1757 of the regicide Robert-François Damiens. Against this it juxtaposes a colourless prison timetable from just over 80 years later. Foucault then inquires how such a change in French society's punishment of convicts could have developed in such a short time. These are snapshots of two contrasting types of Foucault's "Technologies of Punishment." The first type, "Monarchical Punishment," involves the repression of the populace through brutal public displays of executions and torture. The second, "Disciplinary Punishment," is what Foucault says is practised in the modern era. Disciplinary punishment gives "professionals" (psychologists, programme facilitators, parole officers, etc.) power over the prisoner, most notably in that the prisoner's length of stay depends on the professionals' opinion.

Foucault also compares modern society with Jeremy Bentham's "Panopticon" design for prisons (which was unrealised in its original form, but nonetheless influential): in the Panopticon, a single guard can watch over many prisoners while the guard remains unseen. The dark dungeon of pre-modernity has been replaced with the bright modern prison, but Foucault cautions that "visibility is a trap." It is through this visibility, Foucault writes, that modern society exercises its controlling systems of power and knowledge (terms which Foucault believed to be so fundamentally connected that he often combined them in a single hyphenated concept, "power-knowledge"). Foucault suggests that a 'carceral continuum' runs through modern society, from the maximum security prison, through secure accommodation, probation, social workers, police, and teachers, to our everyday working and domestic lives. All are connected by the (witting or unwitting) supervision (surveillance, application of norms of acceptable behaviour) of some humans by others.

The History of Sexuality

Three volumes of The History of Sexuality were published before Foucault's death in 1984. The first and most referenced volume, The Will to Knowledge (previously known as An Introduction in English - Histoire de la sexualité, 1: la volonte de savoir in French) was published in France in 1976, and translated in 1977, focusing primarily on the last two centuries, and the functioning of sexuality as a regime of power and related to the emergence of biopower. In this volume he attacks the "repressive hypothesis," the very widespread belief that we have, particularly since the nineteenth century, "repressed" our natural sexual drives.

The second two volumes, The Use of Pleasure (Histoire de la sexualite, II: l'usage des plaisirs) and The Care of the Self (Histoire de la sexualité, III: le souci de soi) dealt with the role of sex in Greek and Roman antiquity. Both were published in 1984, the year of Foucault's death, with the second volume being translated in 1985, and the third in 1986. A fourth volume, dealing with the Christian era, was almost complete at the time of Foucault's death, but there is as yet no indication that it will be published.

Lectures

From 1970 until his death in 1984, for part of the year nearly every year, Foucault gave a course of lectures and seminars weekly at the Collège de France as the condition of his tenure as professor there. All these lectures were tape-recorded, and Foucault's transcripts also survive. In 1997 these lectures began to be published in French with six volumes having appeared so far. So far, two sets of lectures have appeared in English: Society Must Be Defended and Abnormal. A set of Foucault's lectures from UC Berkeley has also appeared as Fearless Speech.


Criticisms of Foucault

Many thinkers have criticized Foucault, ranging from Charles Taylor, Jürgen Habermas, Jacques Derrida, and Nancy Fraser to Slavoj Žižek. While each of them takes issue with different aspects of Foucault's work, all of these approaches share the same basic orientation: Foucault seems to reject the liberal values and philosophy associated with the Enlightenment while simultaneously secretly relying on them. They argue that this failure either makes him dangerously nihilistic, or that he cannot be taken seriously in his disavowal of normative values and in fact his work ultimately presupposes them.

Some historians as well as others have also criticised Foucault for his use of historical information, claiming that he frequently misrepresented things, got his facts wrong, or simply made them up entirely. Perhaps the most notable of these was Jacques Derrida's extensive critique of Foucault's reading of Rene Descartes' Meditations on First Philosophy. Derrida's criticism led to a break in their friendship and marked the beginning of a fifteen year-long feud between the two.

It is important to note, however, that there has been considerable debate over both these sets of criticisms and they are not universally accepted as valid by all critics. Foucault himself on a number of occasions took issue with the first kind of criticism noting that he believed strongly in human freedom and that his philosophy was a fundamentally optimistic one, as he believed that something positive could always be done no matter how bleak the situation. One might also add that his work is actually aimed at refuting the position that Reason (or 'rationality' ) is the sole means of guaranteeing truth and the validity of ethical systems. Thus, to criticise Reason is not to reject all notions of truth and ethics as some of these critics claim.

In relation to the second criticism, Foucault on a number of occasions refuted charges of historical inaccuracy particularly in relation to Madness and Civilization. There are notable exchanges with Lawrence Stone and George Steiner on this subject as well as a discussion with historian Jacques Leonard concerning Discipline and Punish. Some of the criticisms of Foucault's use of history are generated, as Foucault himself points out, by his use of and approach to history in terms of dealing with specific problems rather than more traditional general historical approaches.


Foucault's changing viewpoint

The study of Foucault's thought is complicated because his ideas developed and changed over time. His ideas are best understood as different (but related) bodies of thought associated with each of his different major publications. Thus the Foucault who wrote Madness and Civilisation (1961) did not have quite the same set of ideas as the Foucault who wrote The Archaeology of Knowledge (1969); and the Foucault who wrote The History of Sexuality (1976-84) had developed an altogether new approach. As David Gauntlett (2002) explains:

"Of course, there's nothing wrong with Foucault changing his approach; in a 1982 interview, he remarked that 'When people say, "Well, you thought this a few years ago and now you say something else," my answer is... [laughs] "Well, do you think I have worked [hard] all those years to say the same thing and not to be changed?"' (2000: 131). This attitude to his own work fits well with his theoretical approach - that knowledge should transform the self. When asked in another 1982 interview if he was a philosopher, historian, structuralist, or Marxist, Foucault replied 'I don't feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning' (Martin, 1988: 9)."
(from David Gauntlett, 2002, Media, Gender and Identity, London: Routledge).

In a similar vein, Foucault preferred not to claim that he was presenting a coherent and timeless block of knowledge; rather, he said:

"I would like my books to be a kind of tool-box which others can rummage through to find a tool which they can use however they wish in their own area... I would like the little volume that I want to write on disciplinary systems to be useful to an educator, a warden, a magistrate, a conscientious objector. I don't write for an audience, I write for users, not readers."
(Michel Foucault, (1974) 'Prisons et asiles dans le mécanisme du pouvoir' in Dits et Ecrits, t. II. Paris: Gallimard, 1994, pp. 523-4).





Influence of Foucault's work

Foucault's work is frequently referred to in disciplines as diverse as philosophy, history, cultural studies, sociology, education, psychology, literary theory, management studies, the philosophy of science, urban design, museum studies, and many others. Quantitative evidence of the impact of his work can be found in the sheer volume of citations in standard academic journal indexes such as the Social Sciences Citation Index [1] (more than 9000 citations). A keyword search of the Library of Congress catalogue [2] reveals over 750 volumes in a variety of languages relating to his writings, and a search on Google Scholar [3] reveals thousands of citations.

The World Social Forum and other Anti-Globalization/Anti-Capitalist movements have applied Foucault's philosophy of power dynamics (de-centralized logic of power working from the bottom up) through a lack of unification, hoping to spread an ideological influence in all levels of society.

http://en.wikipedia.org/wiki/Michel_Foucault
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 06:25 am
Barry McGuire
From Wikipedia, the free encyclopedia.

Barry McGuire (born 15 October 1935) is an American singer-songwriter.

He was born in Oklahoma City, Oklahoma and moved to California in early childhood. At age 16 he joined the United States Navy, but was discharged ten months later for being under age.

After living as a drifter in his late teens and early twenties, McGuire got a job singing in a bar. In 1961, he formed a duo with Barry Kane. They both joined the New Christy Minstrels in the Spring of 1962. In 1963, McGuire wrote the Christys' first and greatest hit single: "Green, Green." He left the Christys in January, 1965, after recording the album "Cowboys and Indians".

As a folk-rock solo singer in the 1960s, he was best known for his hits "Eve of Destruction" and "Sins of the Family", both written by P.F. Sloan.

McGuire's LP, The Eve of Destruction reached its peak of #37 on the Billboard album chart during the week ending 1965 September 25. That same day the single of that name went to #1 on both charts. McGuire was never again to break into the Billboard Top 40, qualifying him to hold down slot 183 in The Billboard Book of Number One Hits as well as pages 188 and 189 in The Billboard Book of One Hit Wonders.

The album This Precious Time was released in 1966, his second with Dunhill Records. It includes a version of California Dreamin' with The Mamas and the Papas singing backing vocals.

McGuire appeared in the 1967 movie The President's Analyst with James Coburn and in Werewolves on Wheels in 1971. He also starred for a year in the Broadway musical Hair.

McGuire converted to Christianity in 1971. In 1973, he joined the Myrrh label and released the album Seeds. This album is also notable for the backing vocals provided by the family trio that would become known as the 2nd Chapter of Acts. In 1974, McGuire released his second Contemporary Christian album Lighten Up, which included a remake of "Eve of Destruction". He toured with 2nd Chapter of Acts and "a band called David" and in 1975 this collaborative effort resulted in the live double album To the Bride.

In 1976, he left Myrrh, joining former Myrrh executive Billy Ray Hearn's new label Sparrow Records. He recorded seven albums on Sparrow, the best known of which is Cosmic Cowboy, released in 1978. That year he also released a top-selling children's album Bullfrogs and Butterflies for Sparrow's subsidiary label Birdwing.

In the 1980s, McGuire left the music industry and settled for a time in New Zealand with his New Zealand wife, Mari. He returned to the United States in the 1990s, teaming up with Terry Talbot and recording as Talbot McGuire. The duo released four albums between 1996 and 2000.

As of 2004, he only takes engagements which include a few songs and talks on a mixture of topics by both McGuire and his wife. The McGuires currently reside in New Zealand but plan to split their time between New Zealand and California as McGuire has not been granted permanent residency in New Zealand.

http://en.wikipedia.org/wiki/Barry_McGuire



Barry McGuire - You Were On My Mind Lyrics




When I woke up this morning
And you were on my mind.
You were on my mind

I got troubles, woe-woe
I got worries, woe-woe
I got wounds to bind.

So I went to the corner
Just to ease my pain
I said, just to ease my pain.

I got troubles, woe-woe
I got worries, woe-woe
I came home again.

When I woke up this morning
And you were on my mind.
And you were on my mind.

I got troubles, woe-woe
I got worries, woe-woe
I got wounds to bind.

But I gotta feelin` yeah
Down in my shoes
I said, way down in my shoes.

I got a rainbow, woe-woe
I gotta move on, woe-woe
I gotta walk away my blues.

When I woke up this morning
And you were on my mind
I said, you were on my mind.

Well I got troubles, woe-woe
I got worries, woe-woe
I got wounds to bind.
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 06:30 am
Penny Marshall

Birthplace: The Bronx, New York (USA)
Birthday: 10-15-1942

Still seen daily-in most parts of the civilized world, anyway-on syndicated reruns of the sitcom "Laverne and Shirley," in which she starred from 1976-83. Marshall first attracted notice in a recurring role on "The Odd Couple" (1973-75), which like "Laverne" was produced by her brother Garry. Today she is recognized as a talented director of highly commercial mainstream movies, including Big (1988), Awakenings (1990), A League of Their Own (1992), and Renaissance Man (1994). As an actress she appeared in the movies The Savage Seven, How Sweet It Is (both 1968), 1941 (1979), Movers and Shakers (1985), The Hard Way (1991), and Hocus Pocus (1993). Her feature-film directorial debut, Jumpin' Jack Flash (1986), is best forgotten; she has since vindicated herself with more successful offerings. Once married to actor/director Rob Reiner (with whom she starred in the 1979 TV movie More Than Friends which he wrote about their early courtship), she has used daughter Tracy Reiner in some of her films. She also found parts for her brother in Jumpin' Jack Flash and A League of Their Own

http://www.tv.com/penny-marshall/person/1831/biography.html
0 Replies
 
edgarblythe
 
  1  
Reply Sat 15 Oct, 2005 06:55 am
This for djjd.

Timi Yuro

Hurt

I'm so hurt to think that you lied to me
I'm hurt way down deep inside of me
You said our love was true
And we'll never, never part
Now you've got someone new
And it breaks my heart

I'm hurt, much more than you'll ever know
Yes darling, I'm so hurt
Because I still love you so
Even though you hurt me
Like nobody else could ever do
I would never hurt, hurt you
0 Replies
 
Raggedyaggie
 
  1  
Reply Sat 15 Oct, 2005 06:57 am
Good Day WA2K .

Today's birthdays:

70 BC - Virgil, Roman poet (d. 19 BC)
AD 1471 - Konrad Mutian, German humanist (d. 1526)
1608 - Evangelista Torricelli, Italian physicist and mathematician (d. 1647)
1686 - Allan Ramsay, Scottish poet (d. 1758)
1701 - Marie-Marguerite d'Youville, Canadian saint (d. 1771)
1814 - Mikhail Lermontov, Russian author (d. 1841)
1829 - Asaph Hall, American astronomer (d. 1907)
1836 - James Tissot, French artist (d. 1902)
1844 - Friedrich Nietzsche, German philosopher (d. 1900)
1858 - John L. Sullivan, American boxer (d. 1918))
1881 - P. G. Wodehouse, British novelist (d. 1975)
1894 - Moshe Sharett, second Prime Minister of Israel (d. 1965)
1898 - Boughera El Ouafi, Algerian athlete (d. 1951)
1900 - Mervyn LeRoy, American film director (d. 1987)
1905 - C. P. Snow, British writer (d. 1980)
1906 - Hiram Leong Fong, American politician (d. 2004)
1907 - Varian Fry, American journalist and rescuer (d. 1987)
1908 - John Kenneth Galbraith, Canadian economist
1909 - Robert Trout, American reporter (d. 2000)
1917 - Arthur Schlesinger Jr., American political commentator and author
1917 - Jan Miner, American actress (d. 2004)
1920 - Mario Puzo, American novelist (d. 1999)
1923 - Italo Calvino. Italian writer (d. 1985)
1924 - Lee Iacocca, American industrialist
1924 - Mark Lenard, American actor (d. 1996)
1926 - Michel Foucault, French philosopher (d. 1984)
1926 - Evan Hunter, American author (d. 2005)
1926 - Jean Peters, American actress (d. 2000)
1926 - Karl Richter, German conductor (d. 1981)
1930 - FM-2030, philosopher (d. 2000)
1931 - Avul Pakir Jainulabdeen Abdul Kalam, President of India
1935 - Bobby Joe Morrow, American athlete
1937 - Barry McGuire, American singer
1942 - Penny Marshall, American actress, comedienne, and director
1944 - Sali Berisha, Incoming Albanian Prime Minister and former president of Albania
1945 - Jim Palmer, baseball player
1946 - Richard Carpenter, American singer, pianist, composer (Carpenters)
1953 - Tito Jackson, American musician
1954 - Peter Bakowski, Australian poet
1957 - Mira Nair, Indian director
1959 - Sarah Ferguson, Duchess of York
1959 - Emeril Lagasse, American chef
1959 - Todd Solondz, American film director
1964 - Roberto Vittori, Italian astronaut
1969 - Vanessa Marcil, American actress
1970 - Eric Benét, American singer
1972 - Sandra Kim, Belgian singer
1975 - Ginuwine, American singer
1981 - Elena Dementieva, Russian tennis player
1981 - Guo Jingjing, Chinese diver, 2004 Olympic 3M Diving Champion
http://www.alohacriticon.com/images/elcriticonfotos/jeanpetersup0.jpg
Jean Peters

Although this dark-haired beauty won star status with her first screen appearance pposite Tyrone Power in Captain From Castile (1947)-Peters won more notoriety as the wife of eccentric tycoon Howard Hughes, whom she secretly married in 1957. She initially went to Hollywood after competing in the Miss Ohio State beauty contest, and 20th Century-Fox signed her immediately. For the next several years Peters played sexy spitfires, often in period dramas and Westerns. She retired from the screen upon marrying Hughes, but resumed her career on TV after their 1971 divorce.

OTHER FILMS INCLUDE: 1948: Deep Waters 1949: It Happens Every Spring 1950: Love That Brute 1951: Take Care of My Little Girl, As Young As You Feel, Anne of the Indies 1952: Viva Zapata!, Wait 'Til the Sun Shines, Nellie, O. Henry's Full House, Lure of the Wilderness 1953: Niagara (stolen from her by fellow Fox contractee Marilyn Monroe), Pickup on South Street, Blueprint for Murder, Vicki 1954: Three Coins in the Fountain, Apache, Broken Lance 1955: A Man Called Peter

(Leonard Maltin Encycl.)
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 15 Oct, 2005 07:50 am
How to Succeed in Business Without Really Trying
Music: Frank Loesser
Lyrics: Frank Loesser
Book: Abe Burrows + Willie Gilbert + Jack Weinstock
Premiere: Saturday, October 14, 1961

I Believe In You

FRUMP:
Hello, Executive Washroom. Oh! Come on down. We're here making plans.

COMPANY:
Gotta stop that man.
I've gotta stop that man cold
Or he'll stop me.

Big deal, big rocket,
Thinks he has the world in his pocket.
Gotta stop, gotta stop.
Gotta stop that man.

FRUMP:
Now! Look at him standing and staring at himself on the mirror!

FINCH:
Now there you are.
Yes, there's that face.
That face that somehow I trust.
It may embrace you, too.
Here me say it.
But say it I must,
Say it I must

You have the cool clear
Eyes of a seeker of wisdom and truth,

Yet, there's that up turned chin
And the grin of impetuous youth.

Oh, I believe in you,
I believe in you.

I hear the sound of good
Solid judgment whenever you talk.

Yet, there's the bold, brave spring
Of the tiger that quickens your walk.
(roar, roar!)

Oh, I believe in you,
I believe in you.

And when my faith in my fellow man
Oh but falls apart,
I've but to feel your hand grasping mine
And I take heart,
I take heart.

To see the cool clear
Eyes of a seeker of wisdom and truth,

Yet with the slam, bang, tang
Reminiscent of gin and vermouth.

Oh, I believe in you,
I believe in you.

MALE ENSEMBLE:
Gotta stop that man.
Gotta stop that man.

Or he'll stop me.

Big will, big beaver
For we won't live in front of this fever

Gotta stop, gotta stop.
Gotta stop that man.

FINCH:
Oh, I believe in you...

COMPANY:
Don't let it be such a hero

FINCH:
(ha, ha, ha)
You...
(ha, ha, ha)
You...
You!

COMPANY:
Gotta stop that man!
Gotta stop him!
Stop that man!
Gotta stop him!
Gotta stop that man!
0 Replies
 
spendius
 
  1  
Reply Sat 15 Oct, 2005 07:51 am
Diane wrote-

Quote:
Spendy, why is it that sometimes the very brightest (speaking of you here--don't let it go to your head) really don't have a clue about everyday things. The scroll is for skipping over that which you don't wish to read. It can even scroll over several paragraphs which don't interest you.


Nothing goes to my head Di.(See member profile).

If I want to know about Nietzsche or Wodehouse or Snow I will go to my library which contains copious amounts about all three.I have nothing on the other two.

You are welcome to the tiny pots and I'm glad you like them.But don't get into any discussions about them with somebody who thinks that a little knowledge is a dangerous thing.But still-you'll be able to name drop and,if you can remember it,add a liitle superficial colour all ready made for you and neatly packaged.Everybody'll think your an intellectual."Gee!" they'll say,"she knows Foucault-she must be an expert on discursive formations and enunciative modalities.Wow!

They-they show me to the door,
They say don't come back no more
'Cause I don't be like they'd like me to,
And I-I walk out on my own
A thousand miles from home
But I don't feel alone
'Cause I believe in you.

Keep it comin' Bobby.Hey-put Thus Spake on in full and get the madness straight from the horse's mouth.Foucault will giggle in his grave.
0 Replies
 
Letty
 
  1  
Reply Sat 15 Oct, 2005 08:16 am
Good morning, WA2K radio.

Letty is feeling a bit under the weather today, so I will be back later to acknowledge each and every contribution.

Later, listeners.
0 Replies
 
edgarblythe
 
  1  
Reply Sat 15 Oct, 2005 08:19 am
spendius
We don't need the controversy on this thread.
0 Replies
 
yitwail
 
  1  
Reply Sat 15 Oct, 2005 08:35 am
this being Nietzsche's birthday and all, i could tell dj that which doesn't kill you makes you stronger, but i won't. Razz

but i'm truly sorry dj, you need those digits in good order for your WA2K contributions.
0 Replies
 
Clary
 
  1  
Reply Sat 15 Oct, 2005 08:39 am
spendius said
"But still-you'll be able to name drop and,if you can remember it,add a liitle superficial colour all ready made for you and neatly packaged.Everybody'll think your an intellectual."Gee!" they'll say,"she knows Foucault-she must be an expert on discursive formations and enunciative modalities.Wow!"

And you say you aren't nasty to people? You remind me of my worst teacher, bitterly sarcastic and then turning round and saying 'Can't you take a joke?'
0 Replies
 
Letty
 
  1  
Reply Sat 15 Oct, 2005 09:00 am
First, let me welcome Clary back to our studio. I wasn't quite certain what you meant by the breaking news, dear, but it's always a pleasure to see you here.

dj, I am so sorry about your work related injury. It seems that you and I have a bit in common today. Take care of that thumb, Canada, so that you may use it for "thumbs up" and all that.<smile>

Dear McTag, My mind is clear, honey. It's my eyes that aren't seeing too 20-20ish.

Hey, Boston Bob. Thanks again for the great background info on our Raggedy's celebs. It always fits nicely into our cyber radio format.

You know, Raggedy, when I saw the movie The Aviator about the life of Hughes, I did a background check, and was quite disappointed in what the movie did NOT include; Jean Peters was one of those omitted.

Hey, Mr. Turtle. I've decided that what doesn't kill us--doesn't kill us. Razz

Reyn has the right idea, I think, to post each message for our audience in succession rather than try and do it all in one breathless speech.
0 Replies
 
Clary
 
  1  
Reply Sat 15 Oct, 2005 09:08 am
Thank you Letkin, the breaking news was just to remind various people who used to visit the Balderdash game that another one was commencing... all bluffs welcome!
0 Replies
 
 

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