107
   

WA2K Radio is now on the air

 
 
McTag
 
  1  
Reply Sun 25 Sep, 2005 11:06 pm
What's a pyecost?

Come to that, what's a grecian urn?

(Emma Chizzet? More than you can afford, darlin'!
-copyright 1969, Danny La Rue)
0 Replies
 
RexRed
 
  1  
Reply Mon 26 Sep, 2005 12:18 am
Wicked Game

The world was on fire
No one could save me but you.
Strange what desire will make foolish people do
I never dreamed that I'd meet somebody like you
And I never dreamed that I'd lose somebody like you

No, I don't want to fall in love
[This love is only gonna break your heart]
No, I don't want to fall in love
[This love is only gonna break your heart]
With you
With you

What a wicked game you play
To make me feel this way
What a wicked thing to do
To let me dream of you
What a wicked thing to say
You never felt this way
What a wicked thing to do
To make me dream of you
And I don't wanna fall in love
[This love is only gonna break your heart]
And I don't want to fall in love
[This love is only gonna break your heart]

World was on fire
No one could save me but you
Strange what desire will make foolish people do
I never dreamed that I'd love somebody like you
I never dreamed that I'd lose somebody like you

No I don't wanna fall in love
[This love is only gonna break your heart
No I don't wanna fall in love
[This love is only gonna break your heart]
With you
With you

Nobody loves no one



Chris Isaak
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 26 Sep, 2005 02:20 am
Johnny Appleseed
From Wikipedia, the free encyclopedia.


John Chapman (September 26, 1774 - March, 1845) was an American pioneer and Swedenborgian Christian missionary known as "Johnny Appleseed" because he planted apple trees in large parts of Ohio, Indiana, and Illinois. He was born in Leominster, Massachusetts, and became an American legend while he was still alive, being portrayed in works of art and literature. He is considered an early conservationist, what would be called today an ecologist.

His grave is located on a hill in Johnny Appleseed Park in Fort Wayne, Indiana.

An animated short within the Disney feature Melody Time was based on his life.


Chapman's mission

The apple orchards planted by Chapman yielded a small, sour variety of fruit. It was not the sweet snack hybridized by modern cultivators. The apple of the early nineteenth century was primarily used to make hard cider, or applejack, which was the preferred alcoholic beverage in the early American West. (M. Pollan, chap. 1)
[edit]

19th-century account of Johnny Appleseed

-From A History of Knox County, Ohio by A. Banning Norton, 1862:

An original character flourished in this part of the country at an early day, who was always conspicuous in times of excitement and danger, and his vigilant care of the early settlers entitles him to a tribute at our hands. The sobriquet of Johnny Appleseed attached to him, though his real name was Chapman, in consequence of his being ever engaged in gathering and planting appleseed and cultivating nurseries of apple trees. Many of the earliest settlers recognized in him an old acquaintance, who had wandered about for years along the streams of western Pennsylvania, engaged in the same pursuit and preparing the way for those who might follow upon his trail to have their own orchards.

He would find suitable spots of ground along the banks of creeks and rivers, in which to make small clearings, and there he would plant the seed he had gathered, fence in the ground, and then leave it to germinate and grow in coming years into fine nurseries, which he would have in readiness for the coming settlements. He would make just as many nurseries as he could get seed to plant, and he never lost any time in gathering and preparing for the future. He did not restrict his operations to the settled portions of the country, but went into the wilderness regions and among the Indians and wild beasts, having his trust in God and fearing no harm.

In personal appearance he was prepossessing, when one could get sight of his eves and well formed head; about medium height, quick and restless and uneasy in his motions, and exceedingly uncouth in dress. In truth he cared not what he wore, nor who before him might have worn the garment upon his back - whether it was too large or too small for his person. The greater part of his traffic with the world was in exchanging his trees, at a nominal price, for old worn out clothes. He incased his person, at all times, in what might be called thrown away garments. For covering to the head he was not particular whether he wore an animal's skin, a cloth, or tin case. He was seen with head gear of each kind, and without foot apparel of any description. For a time, after the war, he wore an old military chapeau, which some officer had given him, and thus accoutred he came suddenly upon a dutchman, who had just moved into the country, and scared him most to death as he stood in his bare feet with "one tam muscle shell cocked on his head." The sides were ripped, and as it flopped in the wind - on a head covered with long black hair, a face with a long beard and dark black eyes peering out from the vast undergrowth, and a body enveloped in a coffee sack with a hole through which he had run his head, it was enough to frighten any honest dutchman almost out of his wits.

He lived the roughest kind of a life - slept the greater part of the time in the woods - by the side of logs - and on the bare ground. He was harmless and inoffensive - always striving to save the feelings of mankind and of the brute creation. Very many anecdotes are remembered characteristic of Johnny Appleseed. The following show the native goodness of his heart: One night he built his camp fire at the end of a hollow log, in which he intended to pass the night, but as a bear and her cubs had a pre-emption claim to the hole in the tree, he moved his fire to another spot and slept all night on the snow, exposed to the storm, rather than disturb the varmints. Another time, when he had a camp-fire near the creek where the musquitoes were very bad and flew into the blaze and were consumed, he took off his tin head gear, filled it with water, and put out the fire, saying, "God forbid, that I should build a fire for my own comfort that should be the cause of destroying any of his other created works." And still another is that one morning he was bitten by a rattlesnake, and some time after he related the circumstances with tears in his eyes as he said "poor fellow! he only just touched me, when in an ungodly passion I put the heel of my scythe on him and killed him."

He had the following told at the expense of his bare feet, which had become hardened beyond belief by long usage "out of doors" and exposure to the cold. At one time he crossed Lake Erie on the ice barefooted, and when night overtook him - the man traveling in company with him was frozen to death - but old Johnny, by rolling about on the ice, kept warm, and in aftertimes was none the worse for it.

An old citizen of Mansfield vouches for the following: A traveling preacher was at one time holding forth on the scriptures in the public square, to a miscellaneous audience, when he exclaimed, "where is the barefooted christian traveling to heaven?" Johnny Appleseed was among the auditors, laying flat on his back on a piece of timber, and he stuck his bare feet high in the air and cried out "here he is!"

This artless child of nature was a man of much intelligence, and in his day and generation, much as he was hooted at and derided by the scoffers and jibers of the country, yet did he in his life time perform far more of good than they all did. If it is true, as claimed, that he who causeth a single blade of grass to grow, or plants a single shade tree, is a public benefactor, how much greater is the meed of praise due to poor old Johnny Appleseed, who caused thousands of fruit bearing trees to grow, and hundreds of orchards to blossom and bear fruit for the people. What lasting obligations are we not under to him here in Knox county - in all central Ohio- in western Pennsylvania - in northern Indiana - and of a verity in all the "Great West," for our present most excellent fruits.. God preserve his memory! To help perpetuate it we have devoted this Chapter in our History - to be read by many whose parents and relatives would have fallen victims to the relentless hate of the savage had Johnny Appleseed not have traveled from settlement to settlement along the Mohican, Owl Creek, the White Woman, the Muskingum, the Tuscarawas, and other water courses, notifying the families of the pioneers of the approach of danger. He ran from Mansfield, Ohio to Mount Vernon in a single night to muster troops from the fort. Much, very much, may also be due this man of peace, this child of nature, for his kind offices among the children of nature in turning their hearts from wrath and averting their purposes of destruction. Reader - think of these things. Native Owl Creeker ponder over them and cherish the memory of good old Johnny Appleseed.

The promises he made he faithfully redeemed. Among other evidences of his keeping his word, we have the following:

In 1819, Isaiah Roberts, then on his way to Missouri, finding no boat at Zanesville ready to start on the trip down the river, footed it to Marietta, and on the road met with Johnny Appleseed, who promised to call at his fathers in Knox county, and tell him where he parted with him, etc. Shortly after, Johnny made his appearance one night about dark, and was cheerfully received. He then had an old tattered coat and slouched hat, with hair and beard uncut and uncombed, and barefooted. After eating some supper, he espied a copy of "Ballou on Atonement," which he took and read for some time by candle-light, thinking at first it was good Swedenborg doctrine, and desired to take it with him; but after he read further, and found the kind of doctrine it inculcated, he threw it down indignantly, expressing his disappointment, and in a few moments after stretched himself out, and went to sleep.

Johnny Appleseed sometimes clipped his beard with scissors, but never used a razor. His nurseries, near Mount Vernon, were located at the following places: One in the then called Indian Fields, on the north bank of Owl Creek, directly west of Center Run, and another on the ground where James W. Forrest established his pottery, and known more recently as Rich's pottery.

The last time he was in this country, he took Joseph Mahaffey and pointed out to him two lots of land, at the lower end of Main street, west side, about where Morey's soap factory was carried on, which he said belonged to him, and sometime he might come back to them. The tail-race of the Clinton Mill Company passed along there, and some of the ground has since been washed away by the water, and upon another portion stands the Mount Vernon Woolen Factory building. He has not been seen about here since 1829; but many a stray apple-tree that has been found upon the borders of our streams, marked the spots where the barefooted pilgrim had marked his way.

In 1837, the Rev. John Mitchell, when traveling on the Plymouth Circuit, met him traveling along the road on foot and in his shirt sleeves, as contentedly as a prince. He told him then that he lived "out west."

Johnny Appleseed in religious belief was called a Swedenborgian ; in truth, he was of the primitive Christian style, taking little thought for the morrow, satisfied that God would provide for his people, living in meekness and humility, and walking uprightly. He had his peculiarities - who have them not - He had his frailties - who is clear of them - No wonder the Indians liked him. They could read his character at a glance. All was revealed by his eye, clear as the sunlight of God. He was without selfishness; he sought not to intrigue with or cheat them - he would do them no wrong. He put confidence in their honor, and they never would do him wrong. Many and many a time has that faithful old hermit traveled through the settlements on foot and alone, putting his countrymen on their guard. Often have we been told of these trips by those who have passed and now are passing away. Of him it was strictly and literally true, as sung by the poet:

" Man wants but little here below,

Nor wants that little long."

A few apple-seeds - a few sprouts - a few old books to read, and life to him was full of happiness. He had been favored with education, men knew from his knowledge of books, and his desire to read and have others read induced him at times to distribute Swedenborg's books, and when he had not enough to go around the company he would tear them in pieces, and give a part to each. Nothing more was known of his early days. It was said that he was from Connecticut - a stray Yankee - who wandered off from the fold into these wilds, but no one knew for certain as to who he was, where he came from, or what became of him. We will give, however, to such as feel an interest in his history all that we have been able to gather of his later years.

Having disposed of many of his nurseries, and having others destroyed in part, which had began to grow from fourteen bushels of apple-seed last planted by him on Owl Creek, the Black Fork of Mohican, and the Whetstone, he concluded to migrate farther west, and managing to get an old mare or two loaded with seeds, he left this part of the country for Sandusky prairie; and from thence made his way west, planting nurseries, and living after the manner he did here, till finally the old fruit ripened, and was gathered near Fort Wayne, Indiana, leaving nothing save the fragrance of good deeds and charitable acts to teach the future that such a being as Johnny Appleseed had ever been and passed like an exhalation - the moisture of the morning's dew dried up by the heat of the sun at meridian.

http://en.wikipedia.org/wiki/Johnny_Appleseed
0 Replies
 
RexRed
 
  1  
Reply Mon 26 Sep, 2005 02:44 am
Apples are brain food... Smile
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 26 Sep, 2005 02:44 am
0 Replies
 
RexRed
 
  1  
Reply Mon 26 Sep, 2005 03:03 am
bobsmythhawk wrote:


George Daniel was lovely friend of mine who was the only one to ever photograph T. S. Elliot's three wives together at once...

He also photographed Audrey Hepburn in her early twenties and Georgia O' Keefe rarely with her desert skulls and nuns attire.

He also photographed me.
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 26 Sep, 2005 03:07 am
George Gershwin
From Wikipedia, the free encyclopedia.


George Gershwin (September 26, 1898 - July 11, 1937) was an American composer. He was born Jacob Gershowitz in Brooklyn, New York to Russian Jewish immigrant parents. George wrote most of his works together with his elder brother lyricist Ira Gershwin. Gershwin composed both for Broadway and for the classical concert hall. He also wrote popular songs with success.

Many of his compositions have been used in cinema, and many are famous jazz standards; songbooks have been recorded by Ella Fitzgerald (three memorable discs recorded for Verve, with Nelson Riddle's orchestra), Herbie Hancock and several other singers or players.


Biography


In 1910, the Gershwins had acquired a piano for Ira's music lessons, but younger brother George took over, successfully playing by ear. He tried out various piano teachers for two years, then was introduced to Charles Hambitzer, who acted as George's mentor until Hambitzer's death in 1918. Hambitzer taught George conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestral concerts. (At home following such concerts, young George would attempt to reproduce at the keyboard the music he had heard). He later studied with classical composer Rubin Goldmark.

His 1916 novelty rag "Rialto Ripples" was a commercial success, and in 1918 he scored his first big national hit with his song "Swanee". In 1916 he also recorded fourteen piano rolls including six pieces of his own compositions for the Welte-Mignon of M. Welte & Sons, Inc. of New York City, the inventor and first producer of reproducing pianos.

In 1924, George and Ira collaborated on a musical comedy, Lady Be Good. It included such future standards as "Fascinating Rhythm" and "The Man I Love." This was followed by Oh, Kay! (1926); Funny Face in (1927); Strike Up the Band (1927 & 1930); Girl Crazy (1930), which introduced the standard "I Got Rhythm"; and Of Thee I Sing (1931), the first musical comedy to win a Pulitzer Prize.

It was in Hollywood, while working on the score of The Goldwyn Follies, that George Gershwin collapsed and, on July 11, 1937, died of a brain tumour at the age of 38. He was interred in the Westchester Hills Cemetery, Hastings-on-Hudson, New York.

Gershwin had a ten-year affair with composer Kay Swift. Swift was a frequent consult of Gershwin; he named the musical Oh, Kay after her. Posthumously, Swift arranged some of his music, transcribed some of his recordings, and collaborated with Ira on several projects. He had also had an affair with Simone Simon.

Gershwin died intestate, and all his property passed to his mother. The Gershwin estate continues to bring in significant royalties from licensing the copyrights on Gershwin's work. The estate supported the Sonny Bono Copyright Term Extension Act because its 1923 cutoff date was shortly before Gershwin had begun to create his most popular works. The copyrights on those works expire in 2007 in the European Union and between 2019 and 2027 in the United States of America.

Music


Musical style and influence

Gershwin was influenced very much by French composers of the early twentieth century. Upon meeting composer Maurice Ravel, Gershwin asked him of the possibility of becoming a student of composition under the master. Ravel is said to have replied, "Why should you be a second-rate Ravel when you can be a first-rate Gershwin?" Ravel was already quite impressed with the ability of Gershwin, commenting, "Personally I find jazz most interesting: the rhythms, the way the melodies are handled, the melodies themselves. I have heard of George Gershwin's works and I find them intriguing." (Mawer 42) The orchestrations in Gershwin's symphonic works often seem similar to those of Ravel; likewise, Ravel's two piano concertos evince an influence of Gershwin. He also asked Igor Stravinsky for lessons; when Stravinsky heard how much Gershwin earned, he replied "How about you give me some lessons?"

Gershwin's own Concerto in F was criticised as being strongly rooted in the work of Claude Debussy, more so than in the jazz style which was expected. The comparison didn't deter Gershwin from continuing to explore French styles. The title of An American in Paris reflects the very journey that he had consciously taken as a composer: "The opening part will be developed in typical French style, in the manner of Debussy and the Six, though the tunes are original." (Hyland 126)

Gershwin was intrigued by the works of Alban Berg, Dmitri Shostakovich, Igor Stravinsky, Darius Milhaud and Arnold Schoenberg. Russian Joseph Schillinger's influence as his teacher of composition was substantial in providing him with a method to his composition. After the posthumous success of Porgy and Bess, Schillinger claimed he had a large and direct influence in overseeing the creation of the opera; Ira completely denied that his brother had any such assistance for this work. In analysis, Schillinger's student Vernon Duke found that while many of Gershwin's works certainly were reviewed by Schillinger, Porgy does not seem to be one of them. The indirect influence of his study with the teacher was apparent in the opera's even more clear orchestrations but it is characteristically Gershwin in ways that Schillinger would not have approved of. (Hyland 167)

http://en.wikipedia.org/wiki/George_Gershwin

I'll build a Stairway to Paradise

Lyrics by: B.G. DeSylva (aka 'Buddy', aka, 'George Gard DeSylva')
Lyrics by: Arthur Francis (pseudonym for Ira Gershwin)

Lyrics by: Ira Gershwin (b. Israel Gershvin)
Music by: George Gershwin (b. Jacob Gershvin)
From the Show: George White's Scandals of 1922 (S)

Lyrics:
Verse

All you preachers
Who delight in panning the dancing teachers,
Let me tell you there are a lot of features
Of the dance that carry you through
The Gates of Heaven

It's madness
To be always sitting around in sadness,
When you could be learning the Steps of Gladness.
(You'll be happy when you can do
Just six or seven.)

Begin today. You'll find it nice:
The quickest way to Paradise.
When you practice,
Here's the thing to do-*
Simply say as you go:

Refrain

I'll build a Stairway to Paradise,
With a new Step ev'ry day.
I'm going to get there at any price;
Stand aside, I'm on my way!
I got the blues,
And up above it's so fair;
Shoes,
Go on and carry me there!
I'll build a Stairway to Paradise
With a new Step ev'ry day.

*In Lyrics On Several Occasions, changed to:
Here's the thing to know-
________________________________________________________________
[Note: There was a patter attached to "Stairway," which were added some days
later. It was a week's Dance Diet. ]

Patter

On Monday-happy as a lark,
You'll be getting started
When you learn to Toe the Mark.

[Demonstrate step] That's Toe the Mark.

On Tuesday-then you ought to show
Both your little Regals
How to do the Heel and Toe.

[Demonstrate step] That's Heel and Toe.

On Wednesday-walk around the block
And at ev'ry corner stop and do the Eagle Rock.

[Demonstrate step] That's the Eagle Rock.

On Thursday-whistle as you go
On a little journey with the Off to Buffalo.

[Demonstrate step] Off to Buffalo.

On Friday-take a little stroll
Up and down the beach
And learn the Oceana Roll.

[Demonstrate step] Oceana Roll.

On Saturday-then you let 'er go.
All your troubles vanish
When you do the Toadalo.

[Demonstrate step] That's the Toadalo.

On Sunday-I will guarantee
Happiness will claim you
If you will do the Shivaree.

[Demonstrate step] That's the Shivaree.

So people-Follow my advice
Learn a step a day and you will get to Pardise.

There's Paradise. Contributed by Carlene Bogle http://www.thepeaches.com/music/
0 Replies
 
RexRed
 
  1  
Reply Mon 26 Sep, 2005 03:09 am
rexred.com
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 26 Sep, 2005 03:13 am
Marty Robbins
From Wikipedia, the free encyclopedia.

Marty Robbins, (September 26, 1925 - December 8, 1982), was an American Country & Western Hall of Fame musican and a talented NASCAR race car driver.

Born Martin David Robinson near Glendale, Arizona, served in the United States Navy as an LCT coxswain during World War II. To pass the time during the war, he learned to play the guitar, wrote some songs, and grew to love Hawaiian music. After discharge in 1945, he started playing at local venues in Phoenix, then moved on to host his own radio station show, on KTYL, and ended up with his own television (TV) show on KPHO in Phoenix. After Little Jimmy Dickens made a guest apperance on Robbins' TV show, Dickens got Robbins a record deal with Columbia. He went on to become an immensely popular singing star of the Grand Ole Opry in Nashville, Tennessee.


His musical accomplishments include the first Grammy Award ever for a country song, for his 1959 hit, and signiture song, "El Paso". He won the Grammy Award for the Best Country & Western Recording 1961, for the album More Gunfighter Ballads and Trail Songs. Won the Grammy Award for Best Country Song in 1970, for "My Woman, My Woman, My Wife." Robbins was named "Artist of the Decade" (1960-69) by the Academy of Country Music, was elected to the Country Music Hall of Fame in 1982, and was given a Grammy Hall of Fame Award in 1998 for his song "El Paso".

Marty Robbins was inducted into the Nashville Songwriters Hall of Fame in 1975 and is an inductee of the Country Music Hall of Fame. For his contribution to the recording industry, Marty Robbins has a star on the Hollywood Walk of Fame at 6666 Hollywood Blvd.

Between recording songs and touring, Marty Robbins was an avid race car driver, competing in NASCAR with the best stock car drivers in the world including at the Daytona 500.

Marty Robbins died in Nashville on December 8, 1982. He was interred in the Woodlawn Memorial Park Cemetery in Nashville.

http://en.wikipedia.org/wiki/Marty_Robbins


Out in the West Texas town of El Paso
I fell in love with a Mexican girlv Nighttime would find me in Rosa's cantina
Music would play and Felina would whirl

Blacker than night were the eyes of Felina
Wicked and evil while casting a spell
My love was deep for this Mexican maiden
I was in love, but in vain I could tell

One night a wild young cowboy came in
Wild as the West Texas wind
Dashing and daring, a drink he was sharing
With wicked Felina, the girl that I loved

So in anger I challenged his right for the love of this maiden
Down went his hand for the gun that he wore
My challenge was answered in less than a heartbeat
The handsome young stranger lay dead on the floor

Just for a moment I stood there In silence
Shocked by the foul evil deed I had done
Many thoughts raced through my mind as I stood there
I had but one chance and that was to run

Out through the back door of Rosa's I ran
Out where the horses were tied
I caught a good one, it looked like it could run
Up on its back and away I did ride
Just as fast as I could from the West Texas town of El Paso
Out to the badlands of New Mexicov
Back in El Paso my life would be worthless
Everything's gone; in life nothing is left
It's been so long since I've seen the young maidenv My love is stronger than my fear of death

I saddled up and away I did go
Riding alone in the dark
Maybe tomorrow a bullet will find me
Tonight nothing's worse than this pain in my heart
And at last here I am on the hill overlooking El Paso
I can see Rosa's Cantina below
My love is strong and it pushes me onward
Down off the hill to Felina I go

Off to my right I see five mounted cowboys
Off to my left ride a dozen or more
Shouting and shooting, I can't let them catch me
I have to make it to Rosa's back door

Something is dreadfully wrong, for I feel
A deep burning pain in my side
Though I am trying to stay in the saddle
I'm getting weary, unable to ride

But my love for Felina is strong and I rise where I've fallen
Though I am weary, I can't stop to rest
I see the white puff of smoke from the rifle
I feel the bullet go deep in my chest

From out of nowhere Felina has found me
Kissing my cheek as she kneels by my side
Cradled by two loving arms that I'll die for
One little kiss, then Felina good-bye
0 Replies
 
RexRed
 
  1  
Reply Mon 26 Sep, 2005 03:15 am
Howdy Doody
From Wikipedia, the free encyclopedia.

Howdy Doody and Buffalo Bob Smith, promotional image.Howdy Doody was a children's television program that aired on NBC from 1947 through 1960. The show was extremely popular and is a fond memory for many baby boomers. Originally an hour on Saturdays, the show moved to Monday through Friday, 5:30-6:00 pm EST in 1948. In 1956, it returned to Saturday in a morning timeslot. Beginning in 1954, the NBC test pattern featured a picture of Howdy.

The show's host was "Buffalo Bob" (Bob Smith, 1917-1998), who wore cowboy garb. A distinctive feature was the peanut gallery, on-stage bleachers seating about 40 kids. Each show began with Bob asking, "Say kids, what time is it?" and the kids yelling in unison, "It's Howdy Doody Time!". It was thus one of the first shows to make audience participation a major part.

Howdy Doody himself was a freckle-faced boy marionette, and was voiced by Bob Smith. Other puppet characters included Heidi Doody (Howdy's sister), Mr. Bluster, Dilly Dally, Princess Summerfall Winterspring, and the curious Flub-a-Dub (a combination of eight animals).

There also were several human characters, most notably Clarabell the clown, who communicated by honking horns on his belt and squirting seltzer, and Chief Thunderthud, who originated the cry "Kowabonga!". Princess Summerfall Winterspring, originally a puppet, was later played by the actress, Judy Tyler. The characters inhabited the fictional town of "Doodyville".

Clarabell was first played by Bob Keeshan, who continued in that role until 1949. Keeshan later became Captain Kangaroo. At the end of the final episode, Clarabell (then played by Lew Anderson) broke his series-long silence to say with a sad expression, "Goodbye, kids".

In 1954 Canadian and Cuban spin-off shows were licensed using local casts and duplicate puppets.

The Canadian Howdy Doody show starred James Doohan and later Peter Mews as forest ranger Timber Tom who corresponded to Buffalo Bob in the U.S. version. That Robert Goulet played this part is an error that sometimes appears. However, it is listed among his credits on the official Robert Goulet website in his TV-Ography- #31-1957). It was also mentioned by Buffalo Bob Smith at one of his concerts. The show looked much cheaper than the U.S. counterpart and seemed watered-down with less raucous plots and less villanous villains. Yet some of the stories were very evocative, almost stepping into high fantasy, often with Dilly Dally as an everyman hero who muddled through and did the right thing. It ended in 1959.

The New Howdy Doody Show aired from August 1976 to January 1977 in syndication.
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 26 Sep, 2005 03:23 am
0 Replies
 
RexRed
 
  1  
Reply Mon 26 Sep, 2005 04:32 am
From Wikipedia, the free encyclopedia.
(Redirected from Karen Carpenter)

Richard and Karen CarpenterThis article is about a musical group. If you are looking for information about the skilled trade, see carpenter.
The Carpenters were a 1970s vocal and instrumental duo, consisting of siblings Karen and Richard Carpenter. With their brand of melodic pop, they charted a score of hit recordings on the American Top 40, becoming leading exponents of the "soft rock" or adult contemporary genre and ranking among the foremost recording artists of the decade.

Contents [hide]
1 Before Carpenters
2 1960s
3 1970s
4 1980s
5 After Carpenters
6 Singles
7 Reference
8 See also
9 External links



[edit]
Before Carpenters
Born in New Haven, Connecticut, USA, (Richard on October 15, 1946, and Karen on March 2, 1950), the Carpenter siblings moved with their parents to California in 1963 and settled in the Los Angeles suburb of Downey. Richard had developed his interest in music at an early age, becoming a piano prodigy. The move to southern California was intended in part to foster his budding musical career. Karen, meanwhile, did not manifest her musical talents until high school, when she joined the band and soon mastered the drums.

[edit]
1960s
During the mid to late 1960s, the two attempted to launch a musical career but failed to gain a successful recording deal until the decade's end. In May 1966 Karen joined Richard in attending a late night session in the garage studio of L.A. bassist Joe Osborn, where Richard was to accompany an auditioning vocalist. Asked to sing, Karen performed and landed a short-lived recording contract as a solo artist with Osborn's fledgling label Magic Lamp. The resulting single included two of Richard's compositions, "Looking for Love" and "I'll Be Yours", but the label soon folded, bringing this promising start to a close.

During this period, the pair, joined by bassist friend Wes Jacobs, formed the Richard Carpenter Trio, a jazz instrumental group. Winning the Hollywood Bowl "Battle of the Bands" in 1966, the trio was picked up by the RCA label. The label chose not to release their songs, however, and doubting their commercial potential, RCA soon dropped the trio. Richard and Karen next teamed with four other student musicians from Long Beach State to form the sextet Spectrum. Although the new group landed club dates at such venues as the Whisky A Go-Go, no record deal was forthcoming. Nevertheless, the experience proved rewarding for the siblings, as Richard found a lyricist for his original compositions in fellow Spectrum member John Bettis.

After Spectrum folded, the Carpenters decided to continue as a duo, with Richard on keyboards, Karen on drums, and both contributing vocals. Hired to perform at a party for the premiere of the 1969 film Goodbye, Mr. Chips, they were noticed by its star, Petula Clark. She introduced them to Herb Alpert, who signed the duo to his label, A&M Records. Their initial LP, titled Offering, featured numerous selections that Richard had written or co-written during their Spectrum period. The most significant track on the album, though, was a ballad rendition of The Beatles' hit "Ticket to Ride", which soon became a minor hit for the Carpenters, and the LP was subsequently retitled Ticket to Ride with somewhat improved sales.

[edit]
1970s
The Carpenters achieved their breakthrough in 1970 with the release of the Burt Bacharach-Hal David song, "(They Long to Be) Close to You", which rose to #1 and stayed atop the charts for four weeks. A follow-up recording, "We've Only Just Begun" (written by Paul Williams and Roger Nichols), reached #2 to become the duo's second major hit in the fall of 1970, and helped catapult the album featuring both hits (titled Close to You) to bestseller status. The duo rounded out the year with a holiday release, "Merry Christmas Darling", which Richard co-wrote with Frank Pooler, who had been the duo's choral director at Long Beach State. The single scored high on the holiday charts in 1970 and made repeat appearances on the charts in subsequent years.

A string of hit singles and albums kept the Carpenters on the charts through the early 1970s, including "For All We Know", "Rainy Days and Mondays", and "Superstar" (all from the LP, Carpenters) in 1971; "Hurting Each Other", "It's Going to Take Some Time", and "Goodbye to Love" (from the LP, A Song for You) in 1972; "Sing" and "Yesterday Once More" (from the LP, Now and Then) in 1973. "Top of the World", an album selection on the Song for You LP, was covered by country artist Lynn Anderson, became a word-of-mouth hit and was re-recorded for single release in 1973, reaching number one on the Top 40 late that year. A greatest hits LP, titled The Singles: 1969-1973, topped the charts in the U.S. and the United Kingdom and became one of the bestselling albums of the decade, ultimately selling more than 7,000,000 copies in the U.S. alone.

During the first half of the 1970s, the Carpenters' music was a staple of Top 40 playlists. The duo produced a distinctive sound featuring Karen's expressive contralto on lead vocals, with both siblings contributing background vocals that were overdubbed to create densely layered harmonies. To his role as vocalist, keyboardist, and arranger, Richard added that of composer on numerous tracks. Several of his compositions with lyricist John Bettis became hit records, including "Goodbye to Love", "Yesterday Once More", and "Top of the World".

To promote their recordings, the Carpenters maintained a staggering schedule of concert tours and television appearances during this period. Among their numerous television credits were appearances on such popular series as American Bandstand, The Ed Sullivan Show, The Tonight Show starring Johnny Carson, and the Carol Burnett Show. In 1971 the duo appeared in a television special on the BBC in the United Kingdom and were the featured performers in a summer replacement series, Make Your Own Kind of Music, which aired on NBC-TV in the U.S. In May 1973 the Carpenters accepted an invitation to perform at the White House for President Richard Nixon and visiting West German chancellor Willy Brandt.

The Carpenters' popularity often confounded critics. With their output focused on ballads and mid-tempo pop, the duo's music was often dismissed by critics as bland and "saccharine". The recording industry, however, bestowed awards on the duo, who won three Grammy Awards during their career (including Best New Artist, and Best Pop Performance by a Duo, Group, or Chorus, for "Close to You" in 1970; and Best Pop Performance by a Duo or Group for the LP Carpenters in 1971). In 1973, the Carpenters were voted Best Band, Duo, or Group (Pop/Rock) at the first annual American Music Awards.

Extensive touring in 1973-74 left the duo with little time for recording new material. As a result, the Carpenters did not issue a new album in 1974. Instead the pair chose for single release the Williams-Nichols composition, "I Won't Last a Day Without You." Originally recorded as an album track for 1972's Song for You LP, the single version became the fifth and final selection from that album project to chart in the Top 20, reaching #11 on the U.S. charts. In late 1974 a Christmas single followed, a jazz-influenced rendition of "Santa Claus Is Coming to Town".

In early 1975 the Carpenters scaled the charts with a remake of the Marvelettes' hit "Please Mr. Postman". Released in late 1974, the single soared to #1 on the U.S. charts in January 1975, becoming the duo's third and final number one single. Later that spring the pair scored a final top five hit with the Carpenter-Bettis song "Only Yesterday". Both singles appeared on the LP Horizon, which also included covers of The Eagles' "Desperado" and Neil Sedaka's "Solitaire", which became a moderate hit for the duo that year. The LPs Horizon and A Kind of Hush, released in 1975 and 1976 respectively, achieved "gold" status but failed to peak as high as previous efforts. Their singles releases in 1976 likewise followed a pattern of diminishing returns. The duo's highest charting single that year was a cover of Herman's Hermits' "There's a Kind of Hush", which peaked at number 12. The follow-up single, the Carpenter-Bettis song "I Need to Be in Love" charted no higher than 25, while the novelty song "Goofus" failed to reach the Top 40 entirely.

Their more experimental album, Passage, released in 1977, marked an attempt to broaden their appeal by venturing into other musical genres. The LP featured an unlikely mix of Latin rock, calypso, and pop, and included the Top 40 hit "All You Get From Love is a Love Song". The most notable tracks included cover versions of "Don't Cry For Me, Argentina" (from the rock opera Evita), and Klaatu's "Calling Occupants Of Interplanetary Craft", both complete with choral and orchestral accompaniment. Although the single release of "Calling Occupants" became a top ten hit in the U.K., it stalled at number 32 on the U.S. charts, and the album failed to cross the gold threshold of 500,000 copies sold in the States.

Despite their disappointing performance on domestic charts, the Carpenters continued to enjoy enormous popularity. A second Singles album (covering the years 1974-1978) was released in the U.K., while in the States, their 1978 holiday album, A Christmas Portrait, proved an exception to their faltering career at home and became a seasonal favorite. (A second Christmas collection, An Old Fashioned Christmas, was released in 1984 after Karen's death.) Their television specials also garnered solid ratings and kept them before the public eye during the late 1970s. Karen dated such celebrities as Allan Osmond and Mike Curb.

By the mid-1970s, extensive touring and lengthy recording sessions had begun to take their toll on the duo and contributed to their professional difficulties during the latter half of the decade. Karen dieted obsessively and developed the disorder anorexia nervosa, which first manifested itself in 1975, when an exhausted and emaciated Karen was forced to cancel concert tours in the U.K. and Japan after collapsing onstage in Las Vegas while singing "Top of the World." (Her obsession with weight loss apparently began after she read a review in Billboard magazine that dubbed her "Richard's chubby sister.") Richard, meanwhile, developed an addiction to Quaaludes, which began to affect his performance in the late 1970s and led to the end of the duo's live concert appearances in 1978.

[edit]
1980s
Richard sought treatment for his addiction at a Topeka, Kansas, facility in early 1979. Karen, meanwhile, decided to pursue a solo album project with renowned producer Phil Ramone in New York. Her choice of more adult-oriented and disco/dance-tempo material represented an effort to retool their image. The resulting product, however, met a tepid response from Richard and A&M executives in early 1980, and Karen wavered in her dedication to the project. Ultimately, she abandoned the solo effort in favor of launching a new LP with her brother, now fully recovered from his addiction. (Her solo LP, Karen Carpenter, remained unreleased until October 1996.) Their LP Made in America, released in 1981, spawned a final top 20 hit single, "Touch Me When We're Dancing."

Personal troubles, however, dimmed the prospects of this modest return to the charts, as Karen suffered from a failed 1980 marriage to real estate developer Thomas J. Burris (the couple separated one year after their fairy tale-like wedding) and the ongoing effects of her anorexia nervosa. In 1982, Karen sought therapy with noted psychotherapist Steven Levenkron in New York City for her disorder and returned to California later that year determined to regain her professional career. She quickly gained 10 lb (5 kg) in one week, but the sudden weight gain further damaged her heart, which was already damaged from years of dieting and abuse (especially - as is rumored - abuse of ipecac, which directly damages heart muscle when taken repeatedly). On February 4, 1983, Karen suffered cardiac arrest at her parents' home in Downey and was pronounced dead at Downey Memorial Hospital at the age of only 32. A funeral service was held later. Karen Carpenter, dressed in pink, laid in an open casket, and through an afternoon rain a thousand mourners passed through to say goodbye. Among the people were her best friends, Dorothy Hamill, Olivia Newton John, Petula Clark, Cristina Ferrare and Dionne Warwick. "I saw her at the Grammy's photo session and she was so proud of the way she looked", said Warwick.

[edit]
After Carpenters
Karen's death from anorexia nervosa shocked America; although many had noticed her increasingly frail appearance, few realized she had been starving herself for so many years. Before Karen's death, nobody really knew about anorexia or its devastating consequences. Young girls were starving themselves, not knowing that there were millions of others like them doing the same thing. Karen's death brought a lot of media attention to anorexia. More research was conducted to understand this disorder. Karen's death encouraged celebrities to go public about their eating disorders. Medical centers and hospitals began receiving a massive amount of phone calls from people who were suffering from these disorders. Karen put a face on a disease that many had been afraid to acknowledge or discuss.

Following Karen's death, Richard Carpenter has continued to produce recordings of the duo's music, including several albums of previously unreleased material and numerous compilation albums. In 1987, Richard released his first solo album, Time [1], which generated one hit single, "Something in Your Eyes" (sung by Dusty Springfield). His dedication to protecting the Carpenters' image and recording legacy has sparked criticism from some quarters, as Richard has insisted on substantial project oversight as the price for his cooperation in any documentary or drama focusing on them. In 1987 he intervened to limit the distribution of the Todd Haynes short film Superstar: The Karen Carpenter Story (which used Barbie dolls to relate a perspective on Karen's untimely death). Although numerous critics found Karen's portrayal to be sympathetic, the film depicted the Carpenter family in an unflattering light, and Richard prevailed in pulling the film from distribution on the basis that Carpenters tracks were used on the soundtrack without permission.

A 1989 TV movie, The Karen Carpenter Story, produced with Richard's cooperation, gained favorable notices and reached a wide audience. In the first few weeks after the movie's airdate, many record stores reported selling out of their Carpenters stock. A critical reevaluation of the Carpenters' musical output followed during the 1990s, as interest in and appreciation for the duo's recorded work increased. The superior technical quality of the recordings, the sorrowful undercurrents in many of their songs and the pain in Karen's voice as well as her life attracted many divergent fans, especially gay men and grunge rock groups. Even '90s R&B group Boyz II Men list the Carpenters among their biggest influences. In 1990 the avant noise rock band Sonic Youth recorded, "Tunic (Song for Karen)", which depicted Karen saying goodbye to her relatives as she got to play the drums again and meet her new "friends", Dennis Wilson, Elvis Presley and Janis Joplin. A 1994 biography, The Carpenters: The Untold Story, by respected music journalist and biographer Ray Coleman, covered the arc of the duo's career and personal lives. A tribute album, If I Were a Carpenter, by contemporary artists (such as Sonic Youth and The Cranberries) also appeared that year and provided an alternative rock interpretation of numerous Carpenters hits. Karen Carpenter, Karen's solo album, was released in October 1996.

Several of their songs have achieved the status of popular standards. In particular, "Close To You" is frequently sung in karaoke bars, while the duo's signature tune, "We've Only Just Begun", continues to be performed at weddings and receptions. Both recordings have been honored with Grammy Hall of Fame awards for recordings of lasting quality or historical significance: "We've Only Just Begun" was inducted in 1998, while "Close to You" followed in 2000. "Superstar" has been covered by numerous artists, with extremely popular recordings from Luther Vandross and most recently Ruben Studdard. Clay Aiken performed "Solitaire" on American Idol and introduced the song to a whole new generation.

Today, Richard Carpenter lives with his wife Mary Rudolf-Carpenter and their four daughters and one son in Thousand Oaks, California, and the couple are prominent supporters of the arts there. In 2004, Carpenter and his wife pledged a generous $3 million gift to the Thousand Oaks Civic Arts Plaza Foundation in memory of Karen Carpenter. He is also affiliated with the Carpenter Center in Long Beach where, in January 2002, he presented Petula Clark, who had discovered him and his sister so many years before, in concert. She repaid the favor by including him as a guest on her acclaimed PBS special the following year. Carpenter is also today an avid collector of award winning classic cars, including a black Chrysler 300 convertible from the '60s, which he has owned and maintained for over 25 years.

[edit]
Singles
US chart positions courtesy the Hot 100. The Carpenters placed a total of twelve songs in the US Top 10, including three number ones and five songs that hit number two.

1970 "Ticket To Ride" (#54)
1970 "(They Long To Be) Close To You" (#1, four weeks)
1970 "We've Only Just Begun" (#2)
1970 "Merry Christmas Darling" (now a holiday standard, spent three weeks at #1 on Billboard magazine's seasonal/holiday music chart)
1971 "For All We Know" (#3)
1971 "Rainy Days and Mondays" (#2)
1971 "Superstar" (#2)
1972 "Bless the Beasts and the Children" (#67, B-side to "Superstar")
1972 "Hurting Each Other" (#2)
1972 "It's Going To Take Some Time" (#12)
1972 "Goodbye To Love" (#7)
1973 "Sing" (#3)
1973 "Yesterday Once More" (#2)
1973 "Top Of the World" (#1, two weeks)
1974 "I Won't Last a Day Without You" (#11)
1975 "Please Mr. Postman" (#1, one week)
1975 "Only Yesterday" (#4)
1975 "Solitaire" (#17)
1976 "There's a Kind Of Hush (All Over the World)" (#12)
1976 "I Need To Be In Love" (#25)
1976 "Goofus" (#56)
1977 "All You Get From Love Is a Love Song" (#35)
1977 "Calling Occupants Of Interplanetary Craft" (#32)
1978 "Sweet, Sweet Smile" (#44)
1978 "I Believe In You" (#68)
1981 "Touch Me When We're Dancing" (#16)
1981 "(Want You) Back In My Life Again" (#72)
1982 "Those Good Old Dreams" (#63)
1982 "Beechwood 4-5789" (#74)
[edit]
Reference
Ray Coleman; The Carpenters: The Untold Story; Harper Collins Publishers; ISBN 0-06-018345-4 (1st edition, paperback, 1994).
[edit]
See also
Best selling music artists
[edit]
External links
richardandkarencarpenter.com - Official site
Carpenters: Timeless - Carpenters' place in music; international discography, photo gallery, more.
Make Your Own Kind Of Music - 1971 Summer Television Series
Carpenters Now! - Comprehensive discography.
Carpenters exhibit page The Richard and Karen Carpenter Performing Arts Center
Photo archive of The Carpenters by Rock Photographer Chris Walter.*
Carpenters Fan Site
The Carpenters Online - fan site
A Carpenters fan page
Superstar: The Karen Carpenter Story - review
Judy's Carpenters club
ML's CarpentersCorner page
The Carpenters: Now More Than Ever
Information about 1989 TV movie "The Karen Carpenter Story"
Download site for Superstar: The Karen Carpenter Story
The Carpenters Fan Resource
Carpenters FAQ site
Interview with Richard & Karen Carpenter
Retrieved from "http://en.wikipedia.org/wiki/Carpenters"
0 Replies
 
bobsmythhawk
 
  1  
Reply Mon 26 Sep, 2005 05:47 am
Good morning Rex. Looks like you're an owl like me. Nice bio on the Carpenters.
0 Replies
 
Letty
 
  1  
Reply Mon 26 Sep, 2005 06:14 am
Good morning, WA2K radio listeners and contributors. We all appreciate the music, quips, and bio's, but Miss Letty needs to go through the entire transcripts before acknowledging each one. Suffice it to say that I am awed by all the fine folks here and it is always satisfying to see so many countries represented.

There is not a breath of wind here in my little corner of the planet, but the skies are azure and cloudless.

Thought for Today: ``The poet's voice need not merely be the record of man; it can be one of the props, the pillars to help him endure and prevail.'' - William Faulkner (1897-1962).



09/25/05 20:00

Bears repeating, no?
0 Replies
 
edgarblythe
 
  1  
Reply Mon 26 Sep, 2005 06:35 am
The real poets are indeed the pillars Faulkner describes.
0 Replies
 
colorbook
 
  1  
Reply Mon 26 Sep, 2005 06:36 am
Good morning everyone Smile

RexRed got me humming this one...it's also raining and it's Monday

Rainy Days and Mondays
The Carpenters

Talkin' to myself and feelin' old
Sometimes I'd like to quit
Nothing ever seems to fit
Hangin' around
Nothing to do but frown
Rainy Days and Mondays always get me down.

What I've got they used to call the blues
Nothin' is really wrong
Feelin' like I don't belong
Walkin' around
Some kind of lonely clown
Rainy Days and Mondays always get me down.

Funny but it seems I always wind up here with you
Nice to know somebody loves me
Funny but it seems that it's the only thing to do
Run and find the one who loves me.

What I feel has come and gone before
No need to talk it out
We know what it's all about
Hangin' around
Nothing to do but frown
Rainy Days and Mondays always get me down.
0 Replies
 
Letty
 
  1  
Reply Mon 26 Sep, 2005 06:56 am
Amazing, listeners. I went through all the recorded messages on our station's pc, and found the most delightful contributions.

Thank you, Rex, for all the songs and the Carpenter bio. You must tell us more about your photographer friend.

Dys, Dylan, like most poets, doesn't always have a hidden message or agenda, but I do believe that something in our subconscious causes things to surface, and we compose; It's rather like a journal of the mind, supplied by the heart.

Colorbook, I know most of the Carpenter's songs, and sang the groupie tune once in a little theater in Virginia.

My sister knew all of the Statler Brothers, and managed to get a vinyl that was hilarious. It was called Road hog Moran and his cadillac cowboys.

I'm not certain if our nimh realized that he created a thread done by the Carpenters, but I think it might have been their first release. Anyone know what that might be?

Incidentally, if I have failed to acknowledge our call in's. Consider it an electrical failure of the synapses. <smile>
0 Replies
 
Raggedyaggie
 
  1  
Reply Mon 26 Sep, 2005 06:59 am
Good day to all. Lots of interesting bios to read this morning.

Today's birthday celebrities:

1774 - Johnny Appleseed, American environmentalist (d. 1847)
1791 - Théodore Géricault, French writer (d. 1824)
1869 - Komitas, Armenian composer (d. 1935)
1870 - King Christian X of Denmark (d. 1947)
1871 - Winsor McCay, American cartoonist (d. 1934)
1873 - Aleksey Shchusev, Russian architect (d. 1949)
1874 - Lewis Hine, American photographer and social activist (d. 1940)
1877 - Alfred Cortot, Swiss pianist (d. 1962)
1875 - Edmund Gwenn, Welsh actor (d. 1959)
1876 - Edith Abbott, American social worker, educator, and author (d. 1957)
1887 - Antonio Moreno, Spanish-born actor (d. 1967)
1887 - Sir Barnes Neville Wallis, FRS, British scientist, engineer and inventor (d. 1979)
1888 - J. Frank Dobie, American folklorist and newspaper columnist (d. 1964)
1888 - T. S. Eliot, American poet and editor (d. 1965)
1889 - Martin Heidegger, German philosopher (d. 1976)
1891 - Charles Munch, French conductor and violinist (d. 1968)
1895 - George Raft, American actor (d. 1980)
1897 - Pope Paul VI (d. 1978)
1897 - Arthur Rhys Davids, English pilot (d. 1917)
1898 - George Gershwin, American composer (d. 1937)
1914 - Jack LaLanne, American fitness advocate
1925 - Marty Robbins, American singer (d. 1982)
1926 - Masatoshi Koshiba, Japanese physicist, Nobel Prize laureate
1930 - Fritz Wunderlich, German tenor (d. 1966)
1932 - Dr. Manmohan Singh, Prime Minister of India
1932 - Richard Herd, American actor
1933 - Donna Douglas, American actress
1936 - Winnie Mandela, South African anti-apartheid activist
1944 - Anne Robinson, British television host
1945 - Bryan Ferry, British singer
1946 - Christine Todd Whitman, American politician
1947 - Lynn Anderson, American singer
1948 - Olivia Newton-John, Australian singer
1951 - Stuart Tosh, Scottish musician
1954 - Kevin Kennedy, baseball manager and television host
1956 - Linda Hamilton, American actress
1962 - Melissa Sue Anderson, American actress
1967 - Shannon Hoon, American singer (Blind Melon) (d. 1995)
1968 - James Caviezel, American actor
1973 - Chris Small, Scottish snooker player
1975 - Emma Härdelin, Swedish singer (Garmarna and Triakel)
1976 - Michael Ballack, German footballer
1981 - Christina Milian, American actress and singer
1981 - Serena Williams, American tennis player
http://www.obituariestoday.com/Images/Obituary/29011.jpghttp://www.epinions.com/images/opti/f9/ed/64931-music-resized200.jpghttp://www.townsend-records.co.uk/i/covers/6479580.jpg
http://www.thecolumnists.com/miller/miller337art8.jpghttp://www.allcountry.de/History/Archive/Marty_Robbins/MRobbins_Music/MRobbinsMartyRobbinsLP.jpg
0 Replies
 
Letty
 
  1  
Reply Mon 26 Sep, 2005 07:20 am
There's our Raggedy. Thanks, PA for the celeb updates. I, of course, love George Gershwin. What a tremendous talent he was--a definite ability to combine jazz and classical.

Song of the morning:



Why do birds

Suddenly appear

Everytime you are near

Just like me

They long to be

Close to you



Why do stars

Fall down from the sky?

Everytime you walk by

Just like me

They long to be

Close to you



(*) on the day that you were born

The angels got together and decided

To create a dream come true

So they sprinkled moondust in your hair

Of gold and starlight in your eyes of blue



(**) that is why all the girls in town

Follow you all around

Just like me

They long to be

Close to you



Repeat (*)

Repeat (**)



Just like me

They long to be

Close to you



Woo... close to you...

You know, listeners, onomatopoeias just can't be visualized in writing. <smile>
0 Replies
 
Letty
 
  1  
Reply Mon 26 Sep, 2005 08:29 am
News update. Sent to me by bermbits:

http://www.theonion.com/content/node/40762

Nothing, and I mean NOTHING that a changeling and a banshee could do would be scarier than that, folks. Shocked
0 Replies
 
 

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