Good Morning WA2K.
The celebrities of the day are:
1874 Rose O'Neill, designer of the Kewpie Doll (Wilkes-Barre, PA; died 1944)
1886 Henry "Hap" Arnold, World War II general (Gladwyne, PA; died 1950)
1887 George Abbott, producer/director/playwright (Forestville, NY; died 1995) (B'Way Damn Yankees and Pajama Game,et al)
1893 Charlotte Greenwood Phila, actress (Oklahoma, Moon over Miami) died 1977
1903 George Orwell (Eric Arthur Blair), novelist (Motihari, Bengal; died 1950) (Animal Farm)
1924 Sidney Lumet, director (Philadelphia, PA) (Pawnbroker, Fail Safe, et al) (Dog Day Afternoon; The Verdict; Network
1925 June Lockhart, actress (New York, NY) (TV Lassie, Petticoat Junction; Lost in Space)
1942 Willis Reed, basketball player/coach/executive (Hico, LA)
1945 Carly Simon, singer/songwriter (New York, NY) (Oscar for Let the River Run (Working Girl)
1948 Jimmie Walker, actor/comedian (New York, NY)
1963 George Michael England, rocker (Wham-I Want Your Sex)
1963 Mike Myers Canada, comedian (SNL-Wayne's World)
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Elektra 45824
December 1972 Billboard: #1
Born into a wealthy family who controlled one of New York's most successful publishing houses, she (Carly Simon) was familiar with society life and the conceits that are peculiar to the rich and famous. Her songs reflect here observations and often betray the propriety that her family's lifestyle demanded. She could be just as topical and scathing when singing about her peers. "You're So Vain" is the ultimate put-down of a conceited hedonist (Warren Beatty? Mick Jagger? Who knows?), and it drew attention to the cannibalistic nature of the singer/songwriter circle in the early '70s. For its time, it was a perfect piece of analytical criticism. It contained the perceptions that were all the more powerful because the were sung by a woman who sounded eager to make transparent the conceits of her male protragonist. If it was intended as vengeance for a lover who spurned her, it did the trick, particularly when considering that it was a #1 hit for three weeks. Getting Mick Jagger to supply backup vocals made the song even more provocative. While "You're So Vain" was one of the biggest hits of the troubadour/rock star era, it also drove a steak through the heart of the beast, by drawing attention to the contradictory nature of sensitivity and self-obsession. "