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WA2K Radio is now on the air

 
 
Letty
 
  1  
Reply Thu 23 Jun, 2005 10:41 am
Oh, yes, McTag. We have that, but this has to do with making folks sell their property so that big developers can build stuff on it. In other words, neither life nor property is safe when congress is in session.
0 Replies
 
Letty
 
  1  
Reply Thu 23 Jun, 2005 11:09 am
and, listeners. Here's a protest song of another ilk:

When did you last look up in the sky?
really look at the sky and wonder?
used to be you could see forever
now there's cracks in the canvas we're under

This is the sound of the rooftop coming down
this ain't a murder mystery
this is the sound of the four walls falling in
this is the stench of recent history

This house is crumbling
this property's condemned
this house is crumbling
who'll say the last amen?

All of us Neros fanning ourselves
damp with the sweat of regret
just killing time with our eyes to the skies
waiting on science our savior

This is the sound of your rooftop coming down
it's time to meet the maker
this is the sound of the floorboards caving in
this is the knock of the undertaker

This house is crumbling
this property's condemned
this house is crumbling
who'll say the last amen?

A child takes a crayon
and draws a black rainbow
over a city where nobody is

What are they thinking,
these small-minded people?
that they can decode words on the wall?

This is the sound of the world coming down
this is the sex of history
this is the sound of the big house caving in
this is the friction of joy and misery

This house is crumbling
this property's condemned
this house is crumbling
who'll say the last amen?

Amen,
amen,
amen
0 Replies
 
Letty
 
  1  
Reply Thu 23 Jun, 2005 04:14 pm
Well, listeners. It has gotten rather quiet in here, so I thought I'll break the silence by apprising our audience of the latest on a news story:

Thursday, June 23, 2005






ORANJESTAD, Aruba (AP) - Aruban police on Thursday detained the father of a Dutch teen already in custody in connection with the disappearance of Natalee Holloway, the teen's mother said.

"My husband was just picked up by police," Anita van der Sloot, referring to Paul van der Sloot, said in a telephone call to The Associated Press. "I don't know what to think."

Paul van der Sloot is a judicial official on the Dutch Caribbean island.

Anita van der Sloot was about to leave the house for an interview with the AP when she said police came for her husband. She did not have any additional information about the detention.

Mariaine Croes, a spokeswoman for Attorney General Caren Janssen, told CNN: "There is a reasonable suspicion that he knows something and is involved in the disappearance."

Four other people have been detained in connection with Holloway's disappearance May 30. The 18-year-old Mountain Brook, Ala., woman was celebrating her high school graduation.

The others in custody are Joran van der Sloot, 17; his friends Deepak Kalpoe, 21, and brother Satish Kalpoe, 18; and Steve Gregory Croes, 26. No one has been charged in the case.

While Anita van der Sloot had been allowed to visit her son occasionally in jail, authorities denied similar access to Paul van der Sloot, saying they believed contact between the two could damage the investigation.

Joran van der Sloot and the Kalpoe brothers were with Holloway the night she disappeared. They said they drove her to a northern beach and then dropped her off at her hotel, where she was approached by a security guard.

Holloway has not been seen since.

One rather odd thing, listeners, is that the young graduate supposedly was handing out religious messages, and the van der Sloots invited her home with them.

There's no proof that the young girl is even dead.
0 Replies
 
edgarblythe
 
  1  
Reply Thu 23 Jun, 2005 05:44 pm
This ole house once knew his children
This ole house once knew a wife
This ole house was home and comfort
As we fought the storms of life
This old house once rang with laughter
This old house heard many shouts
Now she trembles in the darkness
When the lightnin' walks about

(Ain't a-gonna need this house no longer)
(Ain't a-gonna need this house no more)
Ain't got time to fix the shingles
Ain't a-got time to fix the floor
Ain't got time to oil the hinges
Nor to mend no windowpane
Ain't a-gonna need this house no longer
She's a-gettin' ready to meet the saints

This ole house is gettin' shaky
This ole house is gettin' old
This ole house lets in the rain
This ole house lets in the cold
On my knees I'm gettin' chilly
But I feel no fear nor pain
'Cause I see an angel peekin'
Through the broken windowpane

(Ain't a-gonna need this house no longer)
(Ain't a-gonna need this house no more)
Ain't got time to fix the shingles
Ain't a-got time to fix the floor
Ain't got time to oil the hinges
Nor to mend no windowpane
Ain't a-gonna need this house no longer
She's a-gettin' ready to meet the saints

This ole house is afraid of thunder
This ole house is afraid of storms
This ole house just groans and trembles
When the night wind flings out its arms
This ole house is gettin' feeble
This old house is needin' paint
Just like me it's tuckered out
But I'm a-gettin' ready to meet the saints

(Ain't a-gonna need this house no longer)
(Ain't a-gonna need this house no more)
Ain't got time to fix the shingles
Ain't got time to fix the floor
Ain't got time to oil the hinges
Nor to mend no windowpane
Ain't a-gonna need this house no longer
She's a-gettin' ready to meet the saints

(Ain't a-gonna need this house no longer)
(Ain't a-gonna need this house no more)
Ain't got time to fix the shingles
Ain't got time to fix the floor
Ain't got time to oil the hinges
Nor to mend no windowpane
Ain't a-gonna need this house no longer
She's a-gettin' ready to meet the saints


GREEN DOOR

Midnight, one more night without sleepin'
Watchin' till the mornin' comes creepin'
Green door, what's that secret you're keepin'

There's an old piano
And they play it hot behind the green door
Don't know what they're doin'
But they laugh a lot behind the green door
Wish they'd let me in
So I could find out what's behind the green door

Knocked once, tried to tell them I'd been there
Door slammed, hospitality's thin there
Wond'rin' just what's goin' on in there

Saw an eyeball peepin'
Through a smoky cloud behind the green door
When I said Joe sent me
Someone laughed out loud behind the green door
All I want to do is join the happy crowd behind the green door

Midnight, one more night without sleepin'
Watchin' till that mornin' comes creepin'
Green door, what's that secret you're keepin'

There's an old piano
And they're playin' hot behind the green door
Don't know what they're doin'
But they laugh a lot behind the green door
Wish they'd let me in
So I could find out what's behind the green door

Saw an eyeball peepin'
Through a smoky cloud behind the green door
When I said Joe sent me
Someone laughed out loud behind the green door
All I want to do is join the happy crowd behind the green door
Wish they'd let me in
So I could find out what's behind the green door
0 Replies
 
Letty
 
  1  
Reply Thu 23 Jun, 2005 06:22 pm
edgar, I think you just saved our studio. Thanks, buddy.

You know, folks, I really believe that those of us who care about the individual while trying to work for the majority are really what the world is about. Within us all is a rebel WITH a cause, but the ability to implement that cause is where the average American, and perhaps the average person around the world, fails.

"Full many a gem is born to blush unseen and waste its sweetness on the desert air."

Here is a song for someone who is no longer here:

Writer(s): Burke/Haggart


What's new?
How is the world treating you?
You haven't changed a bit
Lovely as ever, I must admit

What's new?
How did that romance come through?
We haven't met since then
Gee, but it's nice to see you again

What's new?
Probably I'm boring you
But seeing you is grand
And you were sweet to offer your hand

I understand. Adieu!
Pardon my asking what's new
Of course you couldn't know
I haven't changed, I still love you so.

Just a smile of remembrance, folks.
0 Replies
 
Letty
 
  1  
Reply Thu 23 Jun, 2005 07:43 pm
Goodnight, everyone.

equipment is acting up sooooo

to all of you, from Letty with love
0 Replies
 
djjd62
 
  1  
Reply Thu 23 Jun, 2005 08:01 pm
Forgiven
Echo & The Bunnymen

I'm just one of many
Gave a love in vain
Sold it out for pennies
Saved up all my reign (rain)


What do you want from me
The ocean or the sea
The salt inside the rising tide
Tears you got from me
Got from me
Got from me, yeah


One day I'll be ready
To take what could be mine
Everything I'd buried
I lay out on the line


What d'you want to see
The truth or mystery
A blinding light, a blackest night
They're both inside of me
Inside me
Inside me, yeah


I'm just one of many
Took a love in vain
Sold it out for pennies
Saved up all my reign (rain)


What d'you want from me
The truth or mystery
The salt inside the rising tide
Tears you got from me
Got from me
Got from me, yeah


I don't want to be forgiven
All I want is to be free
I know I'll never be forgiven
I know I'll never be free
0 Replies
 
Diane
 
  1  
Reply Thu 23 Jun, 2005 08:21 pm
Just one rant about eminent domain. My uncle had a ranch in Colorado that was taken over by the government; in fact , several ranches were taken by right of eminent domain because the army thought that the land was so similar to land in Russia that it would make good practice ground on which to train with tanks. The army developed a 'fair' market value by going to a widow in the area, talking her into selling her land at an extremely low price, then using that price for all the other ranches in the area. The ranchers there had always taken care of the land, including helping to preserve Indian petroglyphs. That part of Colorado is desert, so tanks have ripped up a good part of it and it will take many years, if ever, for it to recover. There was even a movie made about that case of eminent domain, but I can't remember the name right now.

The fact that cities can take over homes for rich developers is beyond belief. Yes, railroads were owned by rich men, but at least the railroads were of great benefit to thousands even millions of people

OK, end of rant.
0 Replies
 
Diane
 
  1  
Reply Thu 23 Jun, 2005 08:26 pm
Sweet dreams, dear Letty.

Sleep my child and peace attend thee,
All through the night
Guardian angels God will send thee,
All through the night
Soft the drowsy hours are creeping,
Hill and dale in slumber sleeping
I my loved ones' watch am keeping,
All through the night


Angels watching, e'er around thee,
All through the night
Midnight slumber close surround thee,
All through the night
Soft the drowsy hours are creeping,
Hill and dale in slumber sleeping
I my loved ones' watch am keeping,
All through the night
0 Replies
 
edgarblythe
 
  1  
Reply Thu 23 Jun, 2005 08:40 pm
The railroads ran rampant over people's rights, until the law was forced to restrain them.
0 Replies
 
Diane
 
  1  
Reply Thu 23 Jun, 2005 09:08 pm
So true, Edgar. I wasn't condoning the railroads and their bulldozing the rights of poor people, only pointing out that there was at least some benefit to thousands-millions of people, unlike the developers in small towns where their manipulations will produce benefits that are tiny compared to the devastation to the property owners.
0 Replies
 
edgarblythe
 
  1  
Reply Thu 23 Jun, 2005 09:18 pm
I know it. Walmarting of America allows this type of thought to hold sawy.
0 Replies
 
Diane
 
  1  
Reply Thu 23 Jun, 2005 11:05 pm
All this is giving me the blues so here's Nina Simone with a good one:

Richard lamb, william taylor

And I wish I knew how
It would feel to be free
I wish that I could break
All the chains holding me
I wish I could say
All the things that I'd like to say
Say 'em loud say 'em clear
For the whole round world to hear
I wish I could share
All the love that's in my heart
Remove every doubt
It keeps us apart
And I wish you could know
What it means to be me
Then you'd see and agree
Every man should be free

I wish I could live

Like I'm longin' to live
I wish I could give
What I'm longin' to give
And I wish I could do
All the things I'd like to do
You know they'll still miss part of you
Yes sir...
And I'm way way over due

I wish I could be like a bird up in the sky
How sweet it would be
If I found out I could fly
So long to my song
And look down upon ihe sea
And I sing because I know
I would see you
I sing because I know
I would see you
And I sing because I know
I would see you
To be free yea
0 Replies
 
McTag
 
  1  
Reply Fri 24 Jun, 2005 12:01 am
Protest! Protest! The League For the Protection Of Our Cultural Heritage (LE-POOCH) says

Poems should never be compressed, unless time is of the essence. They may be quoted in part, of course, when such quotation will enliven discourse or serve to elevate correspondence or other prose. We make no charge for this service, only asking that the public take care of this precious resource.

"Full many a gem of purest ray serene...."

This was a public service broadcast.

:wink:
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 24 Jun, 2005 04:05 am
Mick Fleetwood (born June 24, 1947) is a musician best known for his role as drummer with the rock group, Fleetwood Mac. He has written a book about his ever changing band titled Fleetwood. It includes photos and you can also learn about the beginnings of Eric Clapton and members of the Rolling Stones and Led Zeppelin.

Fleetwood Mac
From Wikipedia, the free encyclopedia.

Fleetwood Mac is a rock group led by Mick Fleetwood and John McVie (whose names partially form the group's name), who had their biggest hits in the 1970s.


Once singing the blues

Fleetwood Mac is one of the world's most creative and enduring bands, whose musical diversity is matched by its rich history. The band has endured different line-ups across the UK and USA, dramatically changed musical directions, with some members falling in and out of love with each other. At their peak, they sold the biggest-selling album in history, and even though the veteran band have been making music across four decades, their last two albums (not including Greatest Hits) hit no.1 and no.3 in the Billboard charts.

The group began as Peter Green's Fleetwood Mac in 1968 by guitarist Peter Green, drummer Mick Fleetwood, and bassist John McVie, after the three left (or were fired from) John Mayall's Bluesbreakers. They were then joined by Jeremy Spencer and Danny Kirwan. Fleetwood Mac would release a series of straightforward blues albums which did moderately well in the United Kingdom. Early singles included "Oh, Well", "Albatross", and "Black Magic Woman" (which was re-recorded by Santana and became a U.S. hit).

Welch jellies the Mac

Fleetwood Mac went through many personnel changes, losing multiple lead guitarists (including Peter Green) and gaining blues singer Christine McVie (John McVie's wife). When American guitarist Bob Welch joined them, the band adopted more of a southern California country rock sound, still tempered by the blues influence of the British members. Some of Fleetwood Mac's early hits in the Welch era include "Sentimental Lady" (from 1972's Bare Trees), which Welch himself remade during his solo career in 1977, and the stirring "Hypnotized" (from 1973's Mystery To Me).

Rumours are flying

In late 1974, Bob Welch left the band, and Mick Fleetwood was left to fill the vacancy. To show Mick Fleetwood his mixing skills, Keith Olsen played a track for Fleetwood titled "Frozen Love", which he had mixed for Buckingham Nicks (Album Title: Buckingham Nicks PD 5058, Released in September 1973). Having heard guitarist Lindsey Buckingham's skills, he asked Buckingham to join the band. Buckingham agreed, on the condition that his musical partner and girlfriend Stevie Nicks also be invited to the band.

In 1975, the new lineup released the eponymous Fleetwood Mac. The album proved to be a breakthrough for the band and thus became a huge hit, and the group was catapulted into stardom. Among the hit singles from this album included McVie's "Over My Head" & "Say You Love Me", and Nicks' "Rhiannon (Will You Ever Win)".

But in 1976, with the success of the band also came the end of John and Christine McVie's marriage, as well as Buckingham and Nicks' longtime romantic relationship. Huge additional pressures were placed on the band to release a followup album, which, when combined with the newly found wealth, led to large amounts of drug and alcohol consumption.

The resulting concept album was Rumours in 1977, in which the band laid bare the emotional turmoil of the time. It became the best selling album of its time, selling over 18 million copies worldwide. The RIAA certified Rumours as a diamond album. It spawned more hit singles than its predecessor, including Buckingham's "Go Your Own Way", Nicks' "Dreams", "Gold Dust Woman" and "The Chain" (the last song credited to the entire group, but actually composed by Nicks and Buckingham, and the chorus by Christine McVie from her song "Butter Cookie (Keep Me There)". The signature bass line at the end was composed by John McVie and was used as the main theme tune for the British BBC coverage of Formula 1, before it moved to ITV. It is unclear if Fleetwood adding anything to the song at all. The lyrics were penned by Nicks, except for the line "listen to the wind blow," which Buckingham wrote. The group has said this very much a jumble of pieces of music slapped together, but it was enough to make it a staple of their concerts and FM radio.), and McVie's "You Make Loving Fun" & "Don't Stop" (the group's signature song that usually closed their live concerts).

The elephant comes to the Mac

Rumours was the peak of Fleetwood Mac's popularity. Sales of future albums declined but the band still maintained critical success. This was particularly true of the followup album. Lindsey's response to the overwhelming popularity of Rumours was to avoid making a 'sequel'. His role as producer was even more pronounced for the next album and he was largely influenced by new wave tendencies.

This resulted in the quirky double album Tusk. It was released in 1979 and spawned three hit singles: Buckingham's "Tusk", McVie's "Think About Me", and Nicks' seven-minute opus "Sara" (cut to three-and-a-half minutes for the first CD version release--it has since been restored for CD reissue). Tusk remains Fleetwood Mac's most ambitious album to date.

The band embarked on a one-year tour to support Tusk. They travelled extensively across the world including USA, Australia, New Zealand, Japan, France, Belgium, Germany, Holland, and United Kingdom,. During that time, the band recorded music for the (Live, 1980).

The next album Mirage was a return to conventionalism. Hits included: McVie's "Hold Me", Nicks' "Gypsy", and Buckingham's "Oh Diane" which went Top 10 in the UK. A minor hit was also scored by Buckingham for his "Eyes Of The World". Unlike the Tusk Tour, the band only embarked on a short tour over 18 American cities. They also headlined the first US Festival for which they were paid $500,000.

The band went on a hiatus which allowed members to pursue solo careers. Nicks released "Bella Donna", Buckingham "Law and Order" and McVie a self-titled album. All three met with relative success but it was Nicks who proved to be the most viable.

They would record one more album, Tango In The Night, in 1987. The album was hugely popular, especially in the UK where it hit no.1 three times over a year. The album proved that Fleetwood Mac still had selling power and the album spawned four hits: McVie's "Little Lies" and "Everywhere", Nicks' "Seven Wonders" and Buckingham's "Big Love".

The band intended to tour to support the album but Buckingham felt that he had paid his dues to the band, and wanted to leave. The split was not amicable but his relationship with the band would heal in later years.

The Mac carries on

Fleetwood Mac added guitarists Billy Burnette and Rick Vito and recorded more albums through the late 1980s and early 1990s, beginning with Behind The Mask, in which the group ended up with a more adult contemporary album than rock. However, Behind The Mask did go to gold, but it is often seen by music critics as a low point for the band in the absence of Lindsey Buckingham.

The Buckingham/Nicks/McVie(s)/Fleetwood lineup would reunite from time to time in the 1990s. The first time was for the inauguration of President Bill Clinton, who had made Fleetwood Mac's Don't Stop his campaign song. The second time was for a live concert in Los Angeles which resulted in the 1997 album The Dance. A hugely successful stadium tour followed the MTV premiere of The Dance which kept the reunited Mac on the road throughout much of 1997. This would be the final time the 1970s incarnation would perform with Christine McVie. The Rock and Roll Hall of Fame inducted Fleetwood Mac in 1998.

In 1998 Christie McVie left the band (and the US in favor of England as well) permanently to retire from touring, though not from the music buisness completly, as she released an album In The Meantime in 2004. This left Buckingham and Nicks to handle the vocals for the band's latest album, Say You Will. The album debuted at #3 on the Billboard 200 and a well-attended arena tour lasted through 2004. Band leaders Mick Fleetwood and John McVie are the only original members still with the group.

http://en.wikipedia.org/wiki/Fleetwood_Mac


Fleetwood Mac
Rhiannon


Rhiannon rings like a bell through the night
and wouldn't you love to love her?
Takes to the sky like a bird in flight
and who will be her lover?
All your life you've never seen
woman, taken by the wind
Would you stay if she promised you heaven?
Will you ever win?
She is like a cat in the dark
and then she is the darkness
she rules her life like a fine skylark
and when the sky is starless
All your life you've never seen
woman taken by the wind
Would you stay if she promised you heaven?
will you ever win?
Will you ever win?
Rhiannon
Rhiannon
Rhiannon
Rhiannon
She rings like a bell through the night
and wouldn't you love to love her?
She rules her life like a bird in flight
and who will be her lover?
All your life you've never seen
woman taken by the wind
Would you stay if she promised you heaven?
will you ever win?
Will you ever win?
Rhiannon
Rhiannon
Rhiannon
Oooooh
Taken by
Taken by the sky
Taken by
Taken by the sky
Taken by
Taken by the sky
Dreams unwind
Love's a state of mind
Dreams unwind
Love's a state of mind
0 Replies
 
edgarblythe
 
  1  
Reply Fri 24 Jun, 2005 04:44 am
Mornin', everybody. Coffeee's on me. Supply your own donut, as I haven't the time to run out to Dunkin' Donuts.


The Coffee Song (They've Got An Awful Lot Of Coffee In Brazil)Frank Sinatra

Way down among the Brazillians
Coffee beans grow by the billions
So they've got to find those extra cups to fill
They've got an awful lot of coffee in Brazil
You can't get cherry soda
"Cause they've got to sell their quota
And the way things are I guess they never will
They've got a zillion tons of coffee in Brazil
No tea or tomato juice
You'll see no potato juice
"Cause the planters down in Santos all say, no no, no
A politician's daughter
Was accused of drinking water
And was fineda great big fifty dollar bill
They've got an awful lot of coffee in Brazil
0 Replies
 
Raggedyaggie
 
  1  
Reply Fri 24 Jun, 2005 06:14 am
Good Morning!

I don't think I've ever heard that Fleetwood Mac song, Bob. Nice.

Thanks for the coffee, Edgar. I should have drunk it before I posted. I just lost my post with all the June 24 Birthdays, (my fault) so I'm posting them again as they appear on only one of the websites (I usually refer to two sites) without any additional info. This website leaves out Ambrose Bierce and Phil Harris and others, but I don't have time to add more this morning.

Anyway:

June 24 B.D. Celebs:

1813 Henry Ward Beecher, clergyman/orator (Litchfield, CT; died 1887)
1895 Jack Dempsey, champion boxer (Manassa, CO; died 1983)
1923 Jack Carter, comedian (New York, NY)
1942 Mick Fleetwood, musician and member of Fleetwood Mac (Cornwall, England)
Michele Lee, actress (Los Angeles, CA)
1944 Jeff Beck, musician/songwriter (Surrey, England)
1945 George Pataki, NY governor (Peekskill, NY)
1946 Ellison Onizuka, astronaut who died in the Challenger explosion (Kealakekua, HI; died 1986)
1947 Peter Weller, actor (Stevens Point, WI)
1950 Nancy Allen, actress (New York, NY)
1961 Ralph Reed, political adviser (Portsmouth, VA)
1967 Sherry Stringfield, actress (Colorado Springs, CO)
1982 Anna Paquin, actress (Wellington, New Zealand) (added: Oscar for Supporting Actress for The Piano)
0 Replies
 
Letty
 
  1  
Reply Fri 24 Jun, 2005 07:21 am
Good morning, WA2K fans and listeners. Thanks to all our contributors for the music and gentle "go the hell to sleep" music. <smile>

dj, the lyrics to that "reign/rain" song were lovely and, of course, sad as they are supposed to be.

Diane and edgar, it's fine to rant on WA2K radio, just disguise it as op. ed. I think the world is disturbed over the recent developments, both past and present--railroads; roads; giant malls and all.

Bob, I haven't heard the Fleetwood song either, but the bio is always appreciated as well as any music.

McTag's public service announcement was noted and followed through with a nod for his recognition of Grey. (love that entire poem)

Incidentally, McTag, do you know what a curfew is?

Once again, our Raggedy is Aggie on the spot with the celebs update and for Henry Ward Beecher:

There once was an eminent preacher,
Who said to a hen, "my dear creature".
The hen just for that,
Laid an egg in his hat,
And thus did the hen reward Beecher.

Great triple pun on that last line folks.

Well, edgar has reminded us of the need for java, so I guess I had better have some, folks
0 Replies
 
McTag
 
  1  
Reply Fri 24 Jun, 2005 07:42 am
A curfew is a brown bird with a curved beak. :wink:

No, I guess it's a church bell rung for evensong...tolls the knell of parting day...I'll look it up if you would like
0 Replies
 
McTag
 
  1  
Reply Fri 24 Jun, 2005 07:47 am
This is bell-y good:

Angelus Bell
The triple Hail Mary recited in the evening, which is the origin of our modern Angelus, was closely associated with the ringing of a bell. This bell seemingly belonged to Coinplin, which was theoretically said at sundown, though in practice it followed closely upon the afternoon office of Vespers. There can be little doubt that in all save a few exceptional cases,. the tolling the Ave bell was distinct from the ringing of curfew (ignitegium); the former taking place at the end of Complin and perhaps coinciding with the prayers for peace, said in choir; the latter being the signal for the close of day and for the general bed-time. In many places, both in England and France, the curfew bell is still rung, and we note that not only is it rung at a relatively late hour, varying from 8 to 10, but that the actual peal lasts in most cases for a notable period of time, being prolonged for a hundred strokes or more. Where the town-bell and the bells of the principal church or monastery were distinct, the curfew was generally rung upon the town-bell. Where the church-bell served for both purposes, the Ave and the curfew were probably rung upon the same bell at different hours. There is a great lack of records containing any definite note of time regarding the ringing of the Ave bell, but there is at least one clear example in the case of Cropredy, Oxfordshire where in 1512 a bequest was made to the churchwardens on condition that they should "toll dayly the Avees bell at six of the clok in the mornyng, at xii of the clok at noone and at foure of the clok at afternoone" (North, Church Bells of Lincolnshire, 169). At the same time it seems clear that in the case of cathedral churches, etc., where the Office was said in choir, the interval between CompIin and the (anticipated) Matins of the next day was not very great; at any rate. at some seasons of the year. Under these circumstances the three interrupted peals of the Ave bell probably served as a sort of introduction to the continuous tolling of the curfew which preceded Matins. This would be sufficient to account for certain clear traces of a connection in some localities between the curfew and the recital of the three evening Ayes. For instance, the poet Villon (fifteenth century) must. clearly be thinking of the curfew, when he writes:

J'oy la cloche de la Sarbonne
Qui toujours neuf heures sonne
Le salut que l'ange pr dit.
Again, if there were no such connection, it would be difficult to explain why some of the Reformation bishops like Hooper did their best to suppress the tolling of the curfew as a superstitious practice. Still the attempt was not successful. Long before this, in 1538, a Protestant Grand Jury. in Canterbury had presented the parson of St. Peter's church for superstitious practices, complaining of the "tolling of the Ave bell after evening song done" (Stahlscbmidt, Church Bells of Kent, 358), but this could hardly have been the curfew.
INSCRIPTIONS ON ANGELUS BELLS

<more>
0 Replies
 
 

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