Bill Haley
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Background information
Birth name William John Clifton Haley
Also known as Jack Haley, Johnny Clifton, Scott Gregory
Born July 6, 1925(1925-07-06)
Origin Highland Park, Michigan
Died February 9, 1981 (aged 55)
Genre(s) Rock and roll, country, rockabilly
Occupation(s) Singer-songwriter, musician, bandleader
Instrument(s) Vocals, guitar, slap bass
Years active 1946 - 1980
Label(s) Cowboy, Atlantic, Keystone, Center, Holiday, Essex, Decca, Warner Bros. Records, Orfeon, Dimsa, Newtown, Guest Star, Logo, APT, Gone, United Artists, Roulette, Sonet, Buddah, Antic
Associated acts Bill Haley & His Comets, The Down Homers, The Jodimars
Bill Haley (pronounced [ˈheɪliː]) (July 6, 1925 - February 9, 1981) was one of the first American rock and roll musicians. He is credited by many with first popularizing this form of music in the mid-1950s with his group Bill Haley & His Comets and their hit song Rock Around the Clock.
Biography
Early life and career
Haley was born William John Clifton Haley (some sources append "Junior" to his name, but his eldest son states that this is erroneous) in Highland Park, Michigan and raised in Booth's Corner, Pennsylvania. Many sources (almost universally predating his death in 1981) state that Haley was born in 1927, which is due to Haley knocking two years off his age for publicity purposes in the 1950s. A few recent sources erroneously give a birth year of 1924.
Haley was blinded in his left eye as a child due to a botched operation. According to biographer John Swenson, Haley later adopted his distinctive spit-curl hairstyle to distract attention from his blind eye. The spit-curl caught on as a 50's style signature, although Haley and others had worn the hairstyle much earlier.
In 1943, Haley joined his first professional group, the Cousin Lee Band (a Wilmington, Delaware-based country music group) as a guitarist and yodeler. [1] In 1946, Haley joined a Pennsylvania-based western swing band called the Down Homers run by Kenny Roberts. It has often been reported in musical reference works that Haley's first professional recordings were made with the Down Homers on a pair of singles released in 1946 by Vogue Records. [2] This was later debunked by Roberts and others, stating Haley had already left the group by the time the singles were made. In the early 2000s, however, a set of 1946 radio recordings by the Down Homers were discovered and Haley is definitely present as he is identified by name and sings a solo number "She Taught Me to Yodel"; these recordings were commercially released for the first time in 2006.
When Haley gigged and became experienced on the professional music front, he created several groups. These included the Four Aces of Western Swing and the Range Drifters. With the Four Aces, he made some country hit singles in the late 1940s for Cowboy Records while working as a touring musician and, beginning in 1947 as musical director [3][4] at WPWA. (Many of Haley's early recordings from this period would not be released until after his death.)
After disbanding the Four Aces and briefly trying a solo career using the names Jack Haley and Johnny Clifton (as chronicled in the biography Sound and Glory), Haley formed a new group called The Saddlemen in either 1949 or 1950 (sources vary as to the exact year); this new group recorded for several labels, including one single for Atlantic Records.
Haley was signed to Dave Miller's Philadelphia-based Holiday Records in 1951 and began to change musical styles, recording Rocket 88 (originally by Jackie Brenston and His Delta Cats), and in, 1952, "Rock the Joint", previously recorded by several bands including Jimmy Preston and His Prestonians. (By the time of "Rock the Joint", Haley had graduated from Holiday Records to Miller's larger Essex label.[5] The relative success of these recordings (both sold in the 75,000-100,000 copy range in the Pennsylvania-New England region) made Haley believe that the combination of rhythm and blues, along with country could be successful.
In 1951 Haley crossed paths with The Treniers while playing in Wildwood, NJ. After writing "Rock a Beatin' Boogie" The Treniers used the song in their live shows, and Haley arranged for the song to be recorded by two bands: in summer 1952 it was covered by the Esquire Boys (a band that featured Haley session guitarist Danny Cedrone),[6] and in 1953 by The Treniers.[7][8] Haley and The Comets did not record their own version of the song till 1955.[9]
Bill Haley & His Comets
During the Labor Day weekend in 1952, The Saddlemen were renamed Bill Haley with Haley's Comets (inspired by a popular mispronunciation of Halley's Comet), and in 1953, Haley's recording of "Crazy Man, Crazy" (co-written by Haley and his bass player, Marshall Lytle although Lytle wouldn't receive credit until 2001) became the first rock and roll song to hit the American charts. Soon after, the band's name was revised to Bill Haley & His Comets.
In 1953, a song called Rock Around the Clock was written for Haley (Dawson 2005). He was unable to record it until April 12, 1954. Initially, it was relatively unsuccessful staying at the charts for only one week, but Haley soon scored a major worldwide hit with a cover version of Big Joe Turner's "Shake, Rattle and Roll," which went on to sell a million copies and became the first ever rock'n'roll song to enter British singles charts in December 1954 and became a Gold Record. Haley and his band were important in launching the music known as "Rock and Roll" to a wider (white) audience after years of it being considered an underground movement. When "Rock Around the Clock" appeared behind the opening credits of the 1955 film Blackboard Jungle starring Glenn Ford, it soared to the top of the American Billboard charts for eight weeks, launching a musical revolution that opened the doors for the likes of Elvis Presley.
"Rock Around the Clock" was the first record ever to sell over one million copies in both Britain and Germany and, in 1957, Haley became the first major American rock singer to tour Europe. Haley continued to score hits throughout the 1950s such as "See You Later, Alligator" and he starred in the first rock and roll musical movies Rock Around the Clock and Don't Knock the Rock, both in 1956. His star was soon surpassed in the USA by the younger, sexier Elvis, but Haley continued to be a major star in Latin America, Mexico, and in Europe throughout the 1960s.
Death and legacy
A self-admitted alcoholic (as indicated in a 1974 radio interview for the BBC), Haley fought a battle with liquor well into the 1970s. Nonetheless, he and his band continued to be a popular touring act, enjoying a career resurgence in the late 1960s with the Rock and Roll Revival movement and the signing of a lucrative record deal with the European Sonet Records label. After performing for Queen Elizabeth II at a command performance in 1979, Haley made his final performances in South Africa in May and June of 1980. Prior to the South African tour, he was diagnosed with a brain tumor, and a planned tour of Germany in the fall of 1980 was canceled. Despite his ill health, Haley began compiling notes for possible use as a basis for either a biographical film based on his life, or a published autobiography (accounts differ), and there were plans for him to record an album in Memphis, Tennessee, when the brain tumor began affecting his behavior and he retired to his home in Harlingen, Texas where he died early on the morning February 9, 1981.
Media reports immediately following his death indicated Haley displayed deranged and erratic behavior in his final weeks, although beyond a biography of Haley by John Swenson released a year later which describes Haley painting the windows of his home black and making rambling late-night phone calls to friends and relatives, there is little information extant about Haley's final days. The exact cause of his death is controversial. Media reports, supported by Haley's death certificate (reproduced in the book Bill Haley: The Daddy of Rock and Roll by John Swenson), suggest he died of "natural causes most likely heart attack". Members of Haley's family, however, contest that he died from the brain tumor. Haley was posthumously inducted into the Rock and Roll Hall of Fame in 1987.
Songwriters Tom Russell and Dave Alvin addressed Haley's sad demise in musical terms with "Haley's Comet" on Alvin's 1991 album "Blue Blvd." Dwight Yoakam sang backup on the tribute.
Haley's original Comets from 1954 and 1955 still tour the world to packed houses. Despite ranging in age from 72 to 84, the band shows no sign of slowing down, releasing a concert DVD in 2004 on Hydra Records, playing the trendy Viper Room in West Hollywood in 2005, and performing at Dick Clark's American Bandstand Theater in Branson, Missouri in 2006-07. In March 2007 The Original Comets pre opened the Bill-Haley-Museum in Munich Germany (Schleissheimerstr.321,München
www.rockithydra.de). On October 27th, 2007 ex Comets guitar player Bill Turner opened the Bill-Haley-Museum for the public.The Museum keeps the legacy and importance of Bill Haley & His Comets alive. There are hundreds of photos, posters,books,instruments,Gold Records,business papers and merchandise on display.
Asteroid
In February 2006, the International Astronomical Union announced the naming of asteroid 79896 Billhaley to mark the 25th anniversary of Bill Haley's death.
Children
Married three times, Bill Haley had at least eight children. John W. Haley, his eldest son, wrote Sound and Glory, a biography of Haley, while his youngest daughter, Gina Haley, is an up-and-coming musician based out of Los Angeles. Scott Haley is a noted athlete, while Bill's youngest son, Pedro Haley, is also a musician-in-the-making.He also had a daughter from his last marriage with Mrs. Martha Velasco, her name is Martha Maria
Bill Haley Jr. (b. 7/28/55), Bill's second son and first with Joan Barbara "Cuppy" Haley-Hahn, publishes a regional business magazine in Southeastern Pennsylvania (Route 422 Business Advisor). He sings and plays guitar with a band called "Lager Rhythms," and appeared with the "Original Comets" at the Bubba Mac Shack in Sommers Point NJ in 2004 and 2005, and at the Twin Bar re-dedication ceremony in Gloucester, NJ in 2007. He is currently writing a biography about his father, concentrating on the years 1949-61.
Biographies
In 1980, Haley began working on an autobiography entitled The Life and Times of Bill Haley but died after completing only 100 pages. The work is registered with the U.S. Copyright Office but has yet to be released to the public.
In 1982, John Swenson wrote Bill Haley: The Daddy of Rock and Roll (published in the UK under the title, Bill Haley), which is controversial among Haley fans for alleged inaccuracies.
In 1990, Haley's eldest son, John W. Haley, along with John von Hoëlle wrote Sound and Glory, a biography focusing mostly on Haley's early life and peak career years. This book is long out of print.
A German-language biography was published soon after Haley's death, written by Peter Cornelsen and Harald D. Kain.
A book on the history of Haley's most famous recording, Rock Around the Clock: The Record That Started the Rock Revolution by Jim Dawson was published in June 2005 ([10]).
Film portrayals
Unlike his contemporaries, Bill Haley has rarely been portrayed on screen. Following the success of The Buddy Holly Story in 1978, Haley expressed interest in having his life story committed to film, but this never came to fruition. In the 1980s and early 1990s, numerous media reports emerged that plans were underway to do a biopic based upon Haley's life, with Beau Bridges, Jeff Bridges and John Ritter all at one point being mentioned as actors in line to play Haley (according to Goldmine Magazine, Ritter attempted to buy the film rights to Sound and Glory).
Bill Haley has also been portrayed - not always in a positive light - in several "period" films:
John Paramor in Shout! The Story of Johnny O'Keefe (1985)
Michael Daingerfield in Mr. Rock 'n' Roll: The Alan Freed Story (1999)
Dicky Barrett (of The Mighty Mighty Bosstones) in Shake, Rattle and Roll: An American Love Story (also 1999)
In March 2005, the British network Sky TV reported that Tom Hanks was planning to produce a biopic on the life of Bill Haley, with production tentatively scheduled to begin in 2006. However this rumor was quickly debunked by Hanks.
