107
   

WA2K Radio is now on the air

 
 
bobsmythhawk
 
  1  
Reply Thu 20 Sep, 2007 10:20 am
Rachel Roberts (British actress)
From Wikipedia, the free encyclopedia



Born September 20, 1927
Llanelli, Carmarthenshire, Wales
Died November 26, 1980
Los Angeles, California
Spouse(s) Alan Dobie (1955-1961)
Rex Harrison (1962-1971)
[show]Awards
BAFTA Awards
Best Actress
1960 Saturday Night and Sunday Morning
1963 This Sporting Life
Best Supporting Actress
1979 Yanks

Rachel Roberts (September 20, 1927 - November 26, 1980) was a Welsh actress.

An actress of fervour and passion, Rachel Roberts gave forthright performances in two key films of the 1960s. After a Baptist upbringing (which she rebelled against), followed by the University of Wales and RADA, she was on stage from 1951. She made her film debut in the Welsh-set comedy Valley of Song (1953; directed by Gilbert Gunn), but was too direct and intense to fit comfortably into leading roles in 1950s British films.

However, these qualities led to her breakthrough BAFTA-winning portrayal of Brenda in Karel Reisz's Saturday Night and Sunday Morning (1960). Lindsay Anderson saw that she would be perfect as the suffering Mrs Hammond in This Sporting Life (1963, another BAFTA and an Oscar nomination).

In theatre, she played at the Royal Court and was the life-enhancing tart Maggie May in Lionel Bart's musical (1964). In films she continued to play women with lusty appetites (as in Lindsay Anderson's O Lucky Man! (1973), although the haunting Australian-made Picnic at Hanging Rock (1975, directed by Peter Weir) provided her with a different kind of role.

In 1979, Roberts co-starred with Jill Bennett in the London Weekend Television production of Alan Bennett's The Old Crowd, directed by Lindsay Anderson.

She appeared in supporting roles in several U.S. films such as Foul Play (1978) after relocating to Los Angeles in the early 1970s, her final British film being Yanks (1979, directed by John Schlesinger), for which she received a Supporting Actress BAFTA.

She married firstly Alan Dobie (1955-1961), then Rex Harrison (1962-1971). Impulsive and insecure, her alcoholism and depression increased after her divorce from Harrison in 1971, and she died from an overdose of barbiturates. Her journals became the basis for No Bells on Sunday: The Memoirs of Rachel Roberts (1984).
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 20 Sep, 2007 10:27 am
Sophia Loren
From Wikipedia, the free encyclopedia

Birth name Sofia Villani Scicolone
Born September 20, 1934 (1934-09-20) (age 73)
Rome, Italy
Other name(s) Sofia Lazzaro
Sofia Scicolone
Spouse(s) Carlo Ponti (1966-2007)
Children Carlo Ponti Jr. (b.1968)
Edoardo Ponti (b.1973)
Official site Sophia Loren
[show]Awards
Academy Awards
Best Actress
1961 Two Women
Academy Honorary Award
1991 Lifetime Achievement
BAFTA Awards
Best Actress
1961 Two Women
César Awards
Honorary César
1991 Lifetime Achievement
Golden Globe Awards
Cecil B. DeMille Award
1995 Lifetime Achievement
Grammy Awards
Best Spoken Word Album for Children
2004 Prokofiev: Peter and the Wolf/Beintus

Sophia Loren (born September 20, 1934) is a motion picture and stage, Academy Award-winning actress, widely considered to be the most popular Italian actress.





Biography

Early life and career

Sophia Loren was born Sofia Villani Scicolone in Rome. Her father Riccardo Scicolone was an engineer and her mother Romilda Villani was an aspiring actress and piano teacher. Loren grew up impoverished in wartime Pozzuoli, near Naples sharing a small flat with her sister Maria, her grandparents and her uncles and aunts. She has said on many occasions that being born into and living with extreme poverty for most of her childhood gave her a strength of character that allowed her to succeed and appreciate every moment she has been given as a human being. Up until Sophia Loren was about 14, she was considered an ugly duckling. Seemingly overnight, she bloomed into a beautiful woman.

In 1949, at age 15, Loren left for Rome and about a year later began her film career with bit parts in mostly minor Italian films. In 1951, Loren and her mother worked as extras in Quo Vadis, which was filmed in Rome and provided Loren with an early brush with Hollywood. She also appeared as Aida in Aida (1953), in which the singing of Loren's role was dubbed by opera star Renata Tebaldi, and which caught the eye of Cecil B. DeMille, who once said of Loren that 'You could build mountains around that girl.'

Loren also supported her mother and sister by working as a model in the weekly illustrated romantic stories, called fumetti or fotoromanzi under the name Sofia Villani or Sofia Lazzaro. She also took part in regional beauty contests, where she won several prizes. Loren was discovered by her future husband, the much older and already-married film producer Carlo Ponti, and they wed on September 17, 1957, three days before her 23rd birthday. Their first marriage had to be annulled in order to keep Ponti from being charged with bigamy. The couple remarried on April 9, 1966, but only after Sophia, Ponti, and Ponti's first wife all obtained French citizenship, thus enabling Carlo to divorce his first wife and marry Sophia in France, where, at the time, Catholic doctrines regarding divorce did not prevent legal civil marriage. The couple eventually had two sons together, Carlo Ponti, Jr., and Edoardo Ponti. The couple remained together until Ponti's death on January 9, 2007.

Eventually, Sofia Scicolone changed her name to Sophia Loren (a twist on the name of Swedish actress Marta Toren) and appeared in film roles that emphasized her voluptuous physique, even appearing topless in the films Two Nights with Cleopatra and It's Him, Yes! Yes! (considered acceptable in European cinema at the time, though said scenes were usually cut when the films were distributed in the United Kingdom or in North America). These early films were the only times she would appear nude; she stated that she did not feel comfortable exposed to the camera in the nude, as doing so represented 'a lot of nakedness'. Loren's acting career took off upon meeting Vittorio De Sica and Marcello Mastroianni in 1954. Many feel that her collaborations with De Sica would mark her finest work as an actress. Many of Sophia's Italian films were dubbed by voice-over actors for the English-speaking market. Wisely, Sophia dubbed herself in English to familiarize the international audience with the sound of her voice.

By the late 1950s, Loren's star had begun to rise in Hollywood, with films such as 1957's Boy on a Dolphin and The Pride and the Passion in which she co-starred with Frank Sinatra and Cary Grant. Grant, reportedly, fell so deeply in love with Loren that he ardently proposed marriage, despite her obvious loyalty to Carlo Ponti and Grant's own union with actress and writer Betsy Drake. It is possible that Loren had an affair with Grant but how serious their relationship was is now known only to her. Stargazers and celebrity biographers consider the putative Loren-Grant romance to be one of the more mysterious and elusive romantic involvements in Hollywood history.


International fame

Loren became an international film star with a five-picture contract with Paramount Studios. Among her films at this time: Desire Under the Elms with Anthony Perkins, based upon the Eugene O'Neill play; Houseboat, a romantic comedy co-starring Cary Grant; and George Cukor's Heller in Pink Tights in which she appeared with blond hair (a wig) for the first time. Loren demonstrated considerable dramatic skills and attracted respect as a dramatic and comedic actress, especially in Italian projects where she could express herself more freely, although she acquired great proficiency in English.

In 1960, her acclaimed performance in Vittorio De Sica's Two Women earned many awards, including the Cannes, Venice and Berlin Film Festivals' best performance prizes. Her performance was also awarded an Academy Award for Best Actress, the first major Academy Award for a non-English-language performance. Initially, the stark, gritty story of a mother and daughter surviving in war-torn Italy was to cast Anna Magnani as Sophia's mother. Negotiations, perhaps due to billing, broke down and the screenplay was rewritten to make Sophia the mother; Eleonora Brown portrayed the daughter.

Belying the typical portrayal of the beautiful actress as vacuous and emptyheaded, Loren was known for her sharp wit and insight. One of her most frequently-quoted sayings is her quip about her famously-voluptuous figure: "Everything you see, I owe to spaghetti."

During the 1960s Loren was one of the most popular actresses in the world, and she continued to make films in both the U.S. and Europe, acting with leading male stars. In 1964, her career reached its zenith when she received $1 million to act in The Fall of the Roman Empire.

Among her best-known films of this period are The Millionairess (1960) with Peter Sellers, Vittorio De Sica's triptych Ieri, oggi, domani (1963) with Marcello Mastroianni, Peter Ustinov's Lady L (1965) with Paul Newman, and Charlie Chaplin's final film, A Countess from Hong Kong (1967) with Marlon Brando.

Despite the failure of many of her films to generate sales at the box office, she has an impressive roster of credits and work with famous co-stars. Invariably, she has turned in a charming performance and worn some of the most lavish costumes ever created for the movies. Some of her most attractive performances include A Breath of Scandal (1960), Madame Sans-Gêne (1962), Heller in Pink Tights (1960) and More Than A Miracle (1967).

Loren also recorded well over two dozen songs throughout her career, including a best-selling album of comedic songs with Peter Sellers; reportedly, she had to fend off his romantic advances. It was partly due to Sellers' infatuation with Loren that he split with his first wife, Anne Howe. Loren has made it clear to numerous biographers that Seller's affections were reciprocated only platonically. This collaboration was covered in The Life and Death of Peter Sellers where actress Sonia Aquino portrayed Loren.

Her struggle to have children was of worldwide interest. Having suffered two very physically and emotionally-painful miscarriages, she was referred to Swiss fertility specialist Dr. Huebert de Watteville. He determined that Loren was deficient in estrogen, and after he prescribed regular injections of the hormone and bed rest for her entire term, Loren became a mother twice. She has proudly stated that the births of her sons meant more to her than anything else she had accomplished in her life.

Once she achieved motherhood, Loren worked less. She moved into her 40's and 50's with roles in films including the last De Sica movie, The Voyage, with Richard Burton and Ettore Scola's A Special Day with Mastroianni.

In 1980, she portrayed herself, as well as her mother, in a made-for-television biopic adaptation of her autobiography. Actresses, Ritza Brown and Chiara Ferrari played Loren at younger ages. She made headlines in 1982 when she served an 18-day prison sentence in Italy on tax evasion charges, a fact that didn't damage her career or popularity.

In her 60s, Loren became selective about choosing her films and ventured into various areas of business, including cook books, eyewear (a perpetual bestseller that can be viewed at www.SophiaLorenEyewear.com), jewelry and perfume. She also made well-received appearances in Robert Altman's Ready to Wear and the 1995 comedy Grumpier Old Men playing a femme fatale opposite Walter Matthau and Jack Lemmon.

In 1991, Loren received an honorary Academy Award for her contribution to world cinema and was declared "one of the world cinema's treasures".


Current activity

Loren appeared in the 2007 Pirelli Calendar at the age of 72. [1]

She is a huge fan of the football club S.S.C. Napoli and in May 2007, when the team was third in Serie B, she told the Gazzetta dello Sport that she would do a striptease if they achieved promotion to Serie A for the 2007/08 season. "The fans have a total passion, the city deserves promotion."[1] On June 10, 2007, they did achieve promotion to Serie A.


Trivia


Was given the honour of carrying the Olympic flag during the opening ceremonies in Turin, 2006.
Her sister, Anna Maria Scicolone, was formerly married to Romano Mussolini, a son of fascist dictator Benito Mussolini.
The Archbishop of Genoa once said that although the Vatican opposed human cloning, "an exception might be made in the case of Sophia Loren".[2]
Her measurements of 38C-24-38 and height of 5'8 are virtually unchanged to this day.
Loren's weight has been listed as 140-145 lbs. Her lowest weight on film is in Heller in Pink Tights for which she weighed 126 lbs and was laced into corsets that gave her an 18-inch waist.
She dislikes beauty salons and does her hair and nails herself.
Sophia Loren is mentioned in the Bob Dylan song "I Shall Be Free" as his solution for John F. Kennedy's need to make the country "grow."
Her childhood nickname was Toothpick (due to wartime hunger)
She was the target of Australian comedy satirical show 'The Chaser's War On Everything' where she was asked, and supposed to remember, 10 questions all asked at the same time by one of the show's characters. She answered none due to her serious nature and obvious dumbfoundedness by such blunt questions.
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 20 Sep, 2007 10:30 am
I hope you had a great Fall weekend. Today's story hits the nail right on the head. Once again, "out of the mouths of babes..." Enjoy the quotes and make it a wonderful day!
Warmly,
Phread
=======

What Does Love Mean?
--Author Unknown

A group of professional people posed this question to a group of 4-
to 8-year-olds, "What does love mean?"
The answers they got were broader and deeper than anyone could have
imagined. See what you think:

"When my grandmother got arthritis, she couldn't bend over and paint
her toenails anymore. So my grandfather does it for her all the time,
even when his hands got arthritis too. That's love."

Rebecca- age 8
===

"When someone loves you, the way they say your name is different. You
just know that your name is safe in their mouth."

Billy - age 4
===

"Love is when a girl puts on perfume, and a boy puts on shaving
cologne, and they go out and smell each other."

Karl - age 5
===

"Love is when you go out to eat and give somebody most of your French
fries without making them give you any of theirs."

Chrissy - age 6
===

"Love is what makes you smile when you're tired."

Terri - age 4
===

"Love is when my mommy makes coffee for my daddy, and she takes a sip
before giving it to him, to make sure the taste is OK."

Danny - age 7
===

"Love is when you kiss all the time. Then when you get tired of
kissing, you still want to be together, and you talk more. My Mommy
and Daddy are like that. They look gross when they kiss…"

Emily - age 8
===

"Love is what's in the room with you at Christmas if you stop opening
presents and listen."

Bobby - age 7 (Wow!)
===

"If you want to learn to love better, you should start with a friend
who you hate."

Nikka - age 6
(We need a few million more Nikka's on this planet)
===

"Love is when you tell a guy you like his shirt, then he wears it
everyday."

Noelle - age 7
===

"Love is like a little old woman and a little old man who are still
friends even after they know each other so well."

Tommy - age 6
===

"During my piano recital, I was on a stage, and I was scared. I
looked at all the people watching me and saw my daddy waving and
smiling. He was the only one doing that. I wasn't scared anymore."

Cindy - age 8
===

"My mommy loves me more than anybody. You don't see anyone else
kissing me to sleep at night."

Clare - age 6
===

"Love is when Mommy gives Daddy the best piece of chicken."

Elaine-age 5
===

"Love is when Mommy sees Daddy smelly and sweaty and still says he is
handsomer than Robert Redford."

Chris - age 7
===

"Love is when your puppy licks your face even after you left him
alone all day."

Mary Ann - age 4
===

"I know my older sister loves me because she gives me all her old
clothes and has to go out and buy new ones."

Lauren - age 4
===

"When you love somebody, your eyelashes go up and down, and little
stars come out of you." (what an image)

Karen - age 7
===

"Love is when Mommy sees Daddy on the toilet, and she doesn't think
it's gross."

Mark - age 6
===

"You really shouldn't say 'I love you' unless you mean it. But if you
mean it, you should say it a lot. People forget."

Jessica - age 8
===

And the final one -- Author and lecturer Leo Buscaglia once talked
about a contest he was asked to judge. The purpose of the contest was
to find the most caring child.

The winner was a four-year-old child whose next door neighbor was an
elderly gentleman who had recently lost his wife. Upon seeing the man
cry, the little boy went into the old gentleman's yard, climbed onto
his lap, and just sat there.

When his Mother asked what he had said to the neighbor, the little
boy said, "Nothing, I just helped him cry…"
0 Replies
 
edgarblythe
 
  1  
Reply Thu 20 Sep, 2007 05:10 pm
Sugar, Sugar
The Archies

Sugar, ah honey, honey
You are my candy girl
And you've got me wanting you
Honey, ah sugar, sugar
You are my candy girl
And you've got me wanting you

I just can't believe
The loveliness of loving you
(I just can't believe it's true)
I just can't believe
The one to love this feeling to
(I just can't believe it's true)

Ah, sugar, ah honey, honey
You are my candy girl
And you've got me wanting you
Ah, honey, ah, sugar, sugar
You are my candy girl
And you've got me wanting you

When I kissed you, girl
I knew how sweet a kiss could be
(I know how sweet a kiss can be)
Like the summer sunshine
Pour your sweetness over me
(Pour your sweetness over me)

Oh, oh-oh, oh
Sugar, pour a little sugar on it honey
Pour a little sugar on it, babe
I'm gonna make your life so sweet
Yeah yeah yeah
Pour a little sugar on it, oh, yeah
Pour a little sugar on it honey
Pour a little sugar on it babe
I'm gonna make your life so sweet
Yeah, yeah, yeah
Pour a little sugar on me honey

Ah, sugar, ah-ah-ah, honey honey
You are my candy girl
And you've got me wanting you
Oh, oh-oh, oh honey, honey, sugar sugar
You are my candy girl
0 Replies
 
edgarblythe
 
  1  
Reply Thu 20 Sep, 2007 05:14 pm
Society's Child
Janis Ian

Come to my door, baby
Face is clean and shining black as night
My mother went to answer you know
That you looked so fine
Now I could understand your tears and your shame
She called you "boy" instead of your name
When she wouldn't let you inside
When she turned and said
"But honey, he's not our kind"
She says
I can't see you any more, baby
Can't see you anymore
Walk me down to school, baby
Everybody's acting deaf and blind
Until they turn and say, "Why don't you stick to your own kind"
My teachers all laugh, the smirking stares
Cutting deep down in our affairs
Preachers of equality
If they believe it, then why won't they just let us be
They say I can't see you anymore baby
Can't see you anymore
One of these days I'm gonna stop my listening
Gonna raise my head up high
One of these days I'm gonna raise up my glistening wings and fly
But that day will have to wait for a while
Baby I'm only society's child
When we're older things may change
But for now this is the way, they must remain
I say I can't see you anymore baby
Can't see you anymore
No, I don't want to see you anymore, baby
0 Replies
 
hamburger
 
  1  
Reply Thu 20 Sep, 2007 05:33 pm
i heard on MSNBC that key-interest rates (whatever they are Rolling Eyes ) have been lowered .
jimmy witherspoon had a song ready for that occasion!
hbg

Quote:
Money's Gettin' Cheaper

Jimmy Witherspoon

Well, money's gettin' cheaper, prices gettin' steeper
Found myself a woman but I just couldn't keep her
Times gettin' tougher than tough
Things gettin' rougher than rough
I make a lot of money, I just keep spendin' the stuff
Well, pork chops on the market,
ask the butcher for a pound
Couldn't buy a pork chop
when I laid my money down
Times gettin' tougher than tough
Things gettin' rougher than rough
I make a lot of money, just keep spendin' the stuff

Well, politicians are tellin' folks
to cut out on their meat
Why don't they cut the price an' let the people eat?
Times gettin' tougher than tough
Things gettin' rougher than rough
I make a lot of money, I just keep spendin' the stuff

Well, I can't afford to live, I guess I'll have to try
Undertaker's got a union, and it costs to much to die
Times gettin' tougher than tough
Things gettin' rougher than rough
I make a lot of money, I just keep spendin' the stuff

by Jimmy Witherspoon

0 Replies
 
djjd62
 
  1  
Reply Thu 20 Sep, 2007 05:35 pm
Invisible Ink
Aimee Mann

There comes a time when you swim or sink
So I jumped in the drink
Cuz I couldn't make myself clear

Maybe I wrote in invisible ink
Oh I've tried to think
How I could have made it appear

But another illustration is wasted
Cuz the results are the same
I feel like a ghost who's trying to move your hands
over some ouija board in the hopes I can spell out my name

What some take for magic at first glance
Is just sleight of hand depending on what you believe
Something gets lost when you translate
It's hard to keep straight
Perspective is everything

And I know now which is which
and what angle I oughta look at it from
I suppose I should be happy to be misread-
Better be that than some of the other things I have become

But nobody wants to hear this tale
The plot is clichéd, the jokes are stale
And baby we've all heard it all before
Oh I could get specific but
Nobody needs a catalog
With details of love I can't sell anymore

And aside from that, this chain of reaction,
baby, is losing a link
Though I'd hope you'd know what I tried to tell you
And if you don't I could draw you a picture in invisible ink

But nobody wants to hear this tale
The plot is clichéd, the jokes are stale
And baby we've all heard it all before
Oh I could get specific but
Nobody needs a catalog
With details of love I can't sell anymore
0 Replies
 
hamburger
 
  1  
Reply Thu 20 Sep, 2007 05:39 pm
KEEP THE DOLLAR ROLLING ! ... others are waiting for it !

Quote:
We're in the Money,"

lyrics by Al Dubin, music by Harry Warren
(from the film Gold Diggers of 1933, 1933)

We're in the money, we're in the money;
We've got a lot of what it takes to get along!
We're in the money, that sky is sunny,
Old Man Depression you are through, you done us wrong.
We never see a headline about breadlines today.
And when we see the landlord we can look that guy right in the eye
We're in the money, come on, my honey,
Let's lend it, spend it, send it rolling along!

Oh, yes we're in the money, you bet we're in the money,
We've got a lot of what it takes to get along!
Let's go we're in the money, Look up the skies are sunny,
Old Man Depression you are through, you done us wrong.
We never see a headline about breadlines today.
And when we see the landlord we can look that guy right in the eye
We're in the money, come on, my honey,
Let's lend it, spend it, send it rolling along!
0 Replies
 
djjd62
 
  1  
Reply Thu 20 Sep, 2007 05:41 pm
Busted
Johnny Cash

My bills are all due and the babies need shoes,
But I'm Busted
Cotton is down to a quarter a pound
And I'm Busted

I got a cow that's gone dry
And a hen that won't lay
A big stack of bills
Getting bigger each day
The county's gonna haul my belongings away,
But I'm Busted

So I called on my brother to ask for a loan
'Cause I was Busted
I hate to beg like a dog for a bone,
But I'm Busted

My brother said, "there's not a thing I can do,
My wife and my kids
Are all down with the flu
And I was just thinkin' about callin' on you,
'Cause I'm Busted."

Lord, I'm no thief, but a man can go wrong,
When he's Busted
The food that we canned last summer is gone,
But I'm Busted

Now the fields are all bare
And the cotton won't grow
Me and my family's gotta pack up and go
But I'll make a living, just where, I don't know
'Cause I'm Busted
0 Replies
 
djjd62
 
  1  
Reply Thu 20 Sep, 2007 05:44 pm
as we approach another political season, let's all take a lesson from this tune

The One on the Left is on the Right
Johnny Cash

There once was a musical troupe
A pickin' singin' folk group
They sang the mountain ballads
And the folk songs of our land

They were long on musical ability
Folks thought they would go far
But political incompatibility led to their downfall

Well, the one on the right was on the left
And the one in the middle was on the right
And the one on the left was in the middle
And the guy in the rear was a Methodist

This musical aggregation toured the entire nation
Singing the traditional ballads
And the folk songs of our land
They performed with great virtuosity
And soon they were the rage
But political animosity prevailed upon the stage

Well, the one on the right was on the left
And the one in the middle was on the right
And the one on the left was in the middle
And the guy in the rear burned his driver's license

Well the curtain had ascended
A hush fell on the crowd
As thousands there were gathered to hear The folk songs of our land
But they took their politics seriously
And that night at the concert hall
As the audience watched deliriously
They had a free-for-all

Well, the one on the right was on the bottom
And the one in the middle was on the top
And the one on the left got a broken arm
And the guy in the rear, said, "Oh dear"

Now this should be a lesson if you plan to start a folk group
Don't go mixin' politics with the folk songs of our land
Just work on harmony and diction
Play your banjo well
And if you have political convictions keep them to yourself

Now, the one on the left works in a bank
And the one in the middle drives a truck
The one on the right's an all-night deejay
And the guy in the rear got drafted
0 Replies
 
hamburger
 
  1  
Reply Thu 20 Sep, 2007 05:54 pm
it used to be :

"Brother, Can You Spare a Dime,"


better make it a twenty these days !

Quote:
Brother, Can You Spare a Dime,"

lyrics by Yip Harburg, music by Jay Gorney (1931)

They used to tell me I was building a dream, and so I followed the mob,
When there was earth to plow, or guns to bear, I was always there right on the job.
They used to tell me I was building a dream, with peace and glory ahead,
Why should I be standing in line, just waiting for bread?

Once I built a railroad, I made it run, made it race against time.
Once I built a railroad; now it's done. Brother, can you spare a dime?
Once I built a tower, up to the sun, brick, and rivet, and lime;
Once I built a tower, now it's done. Brother, can you spare a dime?

Once in khaki suits, gee we looked swell,
Full of that Yankee Doodly Dum,
Half a million boots went slogging through Hell,
And I was the kid with the drum!

Say, don't you remember, they called me Al; it was Al all the time.
Why don't you remember, I'm your pal? Buddy, can you spare a dime?

Once in khaki suits, gee we looked swell,
Full of that Yankee Doodly Dum,
Half a million boots went slogging through Hell,
And I was the kid with the drum!

Say, don't you remember, they called me Al; it was Al all the time.
Say, don't you remember, I'm your pal? Buddy, can you spare a dime?


0 Replies
 
djjd62
 
  1  
Reply Thu 20 Sep, 2007 05:57 pm
this song was originally recorded by tom petty, johnny's version is my favourite

Southern Accents
Johnny Cash

There's a southern accent, where I come from
The young'uns call it country
The Yankees call it dumb
I got my own way of talkin'
But everything is done,
With a southern accent
Where I come from

Now that drunk tank in Atlanta
Was just a motel room to me
I think I might go work Orlando
If them orange groves don't freeze
I got my own way of workin'
But everything is run,
With a southern accent
Where I come from

For just a minute there I was dreaming
For just a minute it was all so real
For just a minute she was standing there, with me

There's a dream that I keep having
Where my mama comes to me
And she kneels down over by the window
And says a prayer for me
I got my own way of prayin'
And everyone's begun
With a southern accent
Where I come from

We have our own way of livin'
And everything is done
With a southern accent
Where I come from
0 Replies
 
dyslexia
 
  1  
Reply Thu 20 Sep, 2007 05:59 pm
Everybody's talkin' at me
I don't hear a word they're sayin'
Only the echoes of my mind

People stop and stare
I can't see the faces
Only the shadows of their eyes

I'm goin' where the sun keep shinin'
Through the pouring rain
Goin' where the weather suits my clothes
Bankin' off on the northest wind
Sailing on a summer breeze
Skippin' over the ocean like a storm

Everybody's talkin' at me
Can't hear a word they're saying
Only the echoes of my mind

I won't let you leave my love behind
0 Replies
 
djjd62
 
  1  
Reply Thu 20 Sep, 2007 05:59 pm
The Best Of Everything
Tom Petty

She probably works in a restaurant
That's what her mama did
But I don't know if she ever really coulda put up with that
Or maybe she sings in a nightclub
'Cause sometimes she used to sing
But I don't know if it ever amounted to anything

But listen honey,
Wherever you are tonight
I wish you the best of everything
And I hope you found, whatever you were looking for

Yeah and it's over before you know it
It all goes by so fast
Yeah the bad nights take forever
And the good nights don't ever seem to last
And man, we never had the real thing
But sometimes we used to kiss
Back when we didn't understand
What we were caught up in

But listen honey,
Wherever you are tonight
I wish you the best of everything
And I hope you found, whatever you were looking for
0 Replies
 
djjd62
 
  1  
Reply Thu 20 Sep, 2007 06:02 pm
dyslexia wrote:
Everybody's talkin' at me
I don't hear a word they're sayin'
Only the echoes of my mind

People stop and stare
I can't see the faces
Only the shadows of their eyes

I'm goin' where the sun keep shinin'
Through the pouring rain
Goin' where the weather suits my clothes
Bankin' off on the northest wind
Sailing on a summer breeze
Skippin' over the ocean like a storm

Everybody's talkin' at me
Can't hear a word they're saying
Only the echoes of my mind

I won't let you leave my love behind


there's a very good cover of this song done by the beautiful south

it's always been a favourite of mine
0 Replies
 
djjd62
 
  1  
Reply Thu 20 Sep, 2007 06:11 pm
Massachusetts
The Bee Gees

Feel I'm goin' back to Massachusetts,
Something's telling me I must go home.
And the lights all went down in Massachusetts
The day I left her standing on her own.

Tried to hitch a ride to San Francisco,
Gotta do the things I wanna do.
And the lights all went down in Massachusetts
They brought me back to see my way with you.

Talk about the life in Massachusetts,
Speak about the people I have seen,
And the lights all went down in Massachusetts
And Massachusetts is one place I have seen.

I will remember Massachusetts...
0 Replies
 
bobsmythhawk
 
  1  
Reply Thu 20 Sep, 2007 06:28 pm
The Wayward Wind

-Artist: Gogi Grant
-the # 8 song of the 1955-1959 rock era
-was # 1 for 8 weeks in 1956
-Words and Music by Stan Lebowsky and Herb Newman


The wayward wind is a restless wind
A restless wind that yearns to wander
And he was born the next of kin
The next of kin to the wayward wind

In a lonely shack by a railroad track
He spent his younger days
And I guess the sound of the outward-bound
Made him a slave to his wand'rin ways

And the wayward wind is a restless wind
A restless wind that yearns to wander
And he was born the next of kin
The next of kin to the wayward wind

<brief instrumental interlude>

Oh I met him there in a border town
He vowed we'd never part
Though he tried his best to settle down
I'm now alone with a broken heart

And the wayward wind is a restless wind
A restless wind that yearns to wander
And he was born the next of kin
The next of kin to the wayward wind

The next of kin to the wayward wind


Transcribed by Ronald E. Hontz
[email protected]
0 Replies
 
edgarblythe
 
  1  
Reply Thu 20 Sep, 2007 07:07 pm
I was born in dixie in a boomer's shack,
Just a little shanty by the railroad track
Freight train was comin' I had to cry,
Hummin all the drivers with my lullaby
I've got the freight train blues (hee, hee, hoo)
Oh, lawdy mama got 'em on the bottom of my ramblin' shoes

And when the whistle blows, I gotta go
Baby don't you know
It looks like I'm never gonna lose
The freight train blues.

Well, my daddy was a fireman in a house out here
She was the only daughter of the engineer
Sweetheart of the brakeman, that ain't no joke
It's a shame the way she keeps a good man broke.
I got the freight train blues (hee, hee, hoo)
Oh, lawdy I got 'em in the bottom of my ramblin' shoes

And when the whistle blows, I gotta go
Oh mama don't you know
It looks like I'm never gonna lose
The freight train blues.

Well, the only thing that makes you laugh again
Is a south bound whistle on a south bound train
Ev'ry place I want to go
I never go because you know
Because I got the freight train blues (hee, hee, hoo)
Oh, lawdy mama, got 'em on the bottom of my ramblin' shoes

Bob Dylan version, don't know the author
0 Replies
 
JLNobody
 
  1  
Reply Thu 20 Sep, 2007 09:17 pm
Hamburger, we used to say "Brother can you spare a dime? Now in these postmodern times we are more likely to say "Brother can you paradigm?"

BTW, is Letty on vacation? Edgar do you know her condition/situation?
0 Replies
 
edgarblythe
 
  1  
Reply Thu 20 Sep, 2007 09:34 pm
JLNobody wrote:
Hamburger, we used to say "Brother can you spare a dime? Now in these postmodern times we are more likely to say "Brother can you paradigm?"

BTW, is Letty on vacation? Edgar do you know her condition/situation?


She's all right. Went on a trip.
0 Replies
 
 

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