Bill Travers
From Wikipedia, the free encyclopedia
William Lindon-Travers (January 3, 1922 - March 29, 1994) was an English actor, screenwriter, director and an animal rights activist.
Born in Newcastle-upon-Tyne,England he and his sister Linden (1913-2001) both became actors.
Bill Travers began his acting career on the stage in 1947 then three years later made his motion picture debut. Travers co-starred with his second wife, Virginia McKenna, in a number of films, most memorably as the conservationist George Adamson in the highly successful 1966 film Born Free. The experience made him and his wife very conscious of the many abuses of wild animals in captivity that had been taken from Africa and other natural environments around the world. Together they made a number of motion pictures around the subject such as 1969's Ring of Bright Water and An Elephant Called Slowly in 1973 for which he wrote the screenplay and acted. In 1976 he wrote, directed, and produced the film, "Christian the Lion" then that same year acted in "The Lion Who Thought He Was People".
The importance of animal rights led to Travers and his wife becoming involved in the "Zoo Check Campaign" in 1984 that evolved to their establishing the "Born Free Foundation", in 1991.
Bill Travers died in Dorking, Surrey, aged 72.
Dabney Coleman
From Wikipedia, the free encyclopedia
Dabney Wharton Coleman (born January 3, 1932) is an American actor. He was born in Austin, Texas.
Coleman entered the Virginia Military Institute in 1949, but wound up studying law at the University of Texas before turning to acting.
Though a capable character actor with a wide range, Coleman is usually typecast as a smarmy, selfish, patronizing, self-absorbed bigot, usually an authority figure of some sort, most famously as a powerful, chauvinistic boss. His fate in these types of roles was cemented with his performances in roles such as Franklin Hart, Jr. in 1980's Nine to Five, director Ron Carlisle in 1982's Tootsie and the earnest John McKittrick in 1983's WarGames.
Coleman has also played more appealing roles, however, such as Bill Ray in 1981's On Golden Pond, and as Nelson Fox in 1998's You've Got Mail.
Though he has starred in a few lead roles (including the TV sitcoms The 'Slap' Maxwell Story and Buffalo Bill and the movie Short Time) he is actively sought after for strong supporting roles.
Coleman has been married twice. He was married to Ann Courtney Harrell from 1957 to 1959. He had three children with actress Jean Hale, whom he was married to from 1961 to 1983.
Coleman also voice-acted in the Disney series "Recess" as Principle Prickly.
His daughter, Quincy, is a recording artist whose first album, "Also Known as Mary", was released in September 2003.
Recently, Coleman has lent his voice to Rent-a-Center commercials.
Victoria Principal
From Wikipedia, the free encyclopedia
Victoria Principal (born January 3, 1945[dubious ?- see talk page][1] in Fukuoka, Japan) is an American actress, best known for her role as Pamela Barnes Ewing, "Pam", on the long-running CBS nighttime drama Dallas from 1978 to 1987. She is also well-known for her line of cosmetic products.
Early life
Christened Concettina Ree Principale, she was the elder of two daughters born to Victor Principale and Bertha Ree Veal. Her father, a sergeant in the Air Force, moved constantly and like most military brats after being born in Japan, she grew up in London, Florida, Puerto Rico, Massachusetts, and Georgia, among other places, attending 17 different schools.
She acted in a commercial when five and began modeling in high school. She enrolled at Miami-Dade Community College, and wanted to study chiropractic medicine, but serious injuries in a car crash at age 18 made her refocus her energy on acting. She moved to New York City, and worked as a model and actress. She studied at RADA in London, and moved to Los Angeles in 1971.
Acting
Her first film was as a Mexican mistress in Paul Newman's The Life and Times of Judge Roy Bean, and went on to The Naked Ape, a 1973 movie directed by Donald Driver ?- based on the book ?- starred Johnny Crawford, in which she went topless. In 1974, she landed a huge break when she was cast in a co-starring role in the successful disaster film epic, Earthquake.
Two years later, disappointed with her career, she quit acting and for the next several years worked as an agent. Principal planned on going to law school, and later become a studio executive.
But Aaron Spelling offered her one year's tuition to accept a role in the pilot of Fantasy Island. She agreed - and then landed the role of Pamela Ewing in Dallas. Her part of Pamela Barnes Ewing was the dramatic fulcrum point of the entire series - a Barnes marrying into the clan-hatred Ewing family causing rifts which would erupt for years in and thereabouts Southfork.
Entrepreneur
She left the show after nine years, and began her own production company, Victoria Principal Productions, although she still works as an actress. In addition, she has promoted a line of skin care products and written three books about beauty and skin-care.
In late 1999, she appeared on the series Family Guy, in which she played her Pam Ewing role and parodied the infamous "shower scene" in which she dreamed up her Dallas husband's death (on Family Guy, she dreamed up an episode in which the family underwent a nuclear holocaust on January 1, 2000).
She also appeared in the NBC TV series Titans with Yasmine Bleeth in 2000, and the unsuccessful pilot Sparks in which she played the mayor of Albuquerque, New Mexico c. 1998. The animated television series South Park features a character named Principal Victoria, a play on the actress' name.
She currently lives in Beverly Hills, California. On May 27, 2006 she filed for divorce from her plastic surgeon husband of 21 years, Dr. Harry Glassman, after they separated in March 2006 citing irreconcilable differences.
Victoria has graced the page of Playboy with Full nude pictorial in 80's et 70's.
Mel Gibson
From Wikipedia, the free encyclopedia
Born January 3, 1956 (age 51)
Peekskill, New York, USA
Spouse(s) Robyn Moore
Mel Columcille Gerard Gibson AO (born January 3, 1956) is an Academy Award-winning Australian raised American born actor, director, and producer. After establishing himself as a household name with the Mad Max and Lethal Weapon series, Gibson went on to direct and star in the Academy Award-winning Braveheart. Gibson's direction of Braveheart made him only the sixth actor-turned-filmmaker to garner an Oscar for Best Director.[1] In 2004, he directed and produced The Passion of the Christ, a blockbuster movie that portrayed the last hours of the life of Jesus.
Early life
Mel Gibson is the son of Hutton Gibson and Anne Reilly Gibson. His paternal grandmother was a prominent Australian opera singer, Eva Mylott. He was born in Peekskill, New York, the sixth of eleven children. One of Mel's younger brothers, Donal, is also an actor.
Gibson's first name comes from a 5th century Irish saint, Mel, founder of the diocese of Ardagh containing most of his mother's native county, while his second name, Columcille is also linked to an Irish saint.[2] Columcille is the name of the parish in County Longford where Anne Reilly was born and raised.
Although Gibson is a native-born United States citizen, Gibson's father relocated the family to Australia in 1968, after his father won a work related injury lawsuit against New York Central after a seven day trial on February 14, 1968 where the jury awarded him $145,000.[3] The family moved when Gibson was twelve. This move was in protest of the Vietnam War for which Gibson's elder brothers risked being drafted. It is also because Gibson's father believed that changes in American society were immoral.
Film career
Gibson graduated from the National Institute of Dramatic Art in Sydney in 1977. His acting career began in Australia with appearances in television series, including The Sullivans, Cop Shop and Punishment. Gibson's handsome boyish good looks made him a natural for leading male roles in action projects such as the "Mad Max" series of films, Peter Weir's Gallipoli, and the "Lethal Weapon" series of films. Later, Gibson expanded into a variety of acting projects including human dramas such as Hamlet, and comedic roles such as those in Maverick and What Women Want. His greatest artistic and financial success came with films where he expanded beyond acting into directing and producing, such as 1993's The Man Without a Face, 1995's Braveheart and 2004's Passion of the Christ.
Mad Max
Gibson made his film debut as the leather-clad post-apocalyptic survivor in George Miller's Mad Max. The film was totally independently financed and had a reported budget of $300,000 AUD ?- of which $15,000 was paid to Mel Gibson for his performance. The film achieved incredible success, and went on to earn $100 million world wide. It held a record in Guinness Book of Records as the highest profit-to-cost ratio of a motion picture, and only lost the record in 2000 to The Blair Witch Project. The film was awarded four Australian Film Institute Awards in 1979.
When the film was first released in America, all the voices, including that of Mel Gibson's character, were dubbed with U.S. accents at the behest of the distributor, American International Pictures, for fear that audiences would not take warmly to actors speaking entirely with Australian accents.
The original film spawned two larger sequels: Mad Max 2 (known in North America as The Road Warrior), and Mad Max 3 (known in North America as Mad Max Beyond Thunderdome). A fourth movie, Mad Max 4: Fury Road, has been considered but has not been produced.
The Bounty
In 1984, starred as Fletcher Christian in The Bounty. Reportedly, Gibson and Anthony Hopkins, his costar on the film, did not get along during the shoot. At the time, Anthony Hopkins was a teetotaler, and Mel Gibson was struggling with alcoholism. Gibson frequently spent his evenings in local saloons and took to mixing two shots of Scotch with his beer. He dubbed the concoction "Liquid Violence". In one incident, Gibson's face was severely cut up in a bar room brawl and the film's shooting schedule had to be rearranged while he was flown to a hospital in Papeete.
Lethal Weapon
Gibson moved into more mainstream commercial filmmaking with the popular Lethal Weapon series, in which he starred as LAPD Detective Martin Riggs, an emotionally unstable Vietnam veteran with a death wish and a penchant for violence and gunplay. In the films, he was partnered with the elder and more reserved Roger Murtaugh (played by Danny Glover). This series would come to exemplify the action genre's so-called buddy film.
The two actors were trained in two different schools of acting. Gibson is classically trained and Glover is a method actor. Three sequels were produced.
Hamlet
Gibson made the unusual transition from the action to classical genres, playing the melancholy Danish prince in Franco Zeffirelli's Hamlet. Gibson was cast alongside such experienced Shakespearean actors as Ian Holm, Alan Bates, and Paul Scofield. He described working with his fellow cast members as similar to being "thrown into the ring with Mike Tyson".
The film met with critical and marketing success and remains steady in DVD sales. It also marked the transformation of Mel Gibson from action hero to serious actor and filmmaker.
Braveheart
Gibson stated that when the Braveheart script arrived and was recommended by his agents, he rejected it outright because he thought he was too old to play the part. After careful thought, he decided to not only act in the film, but to direct it as well.
Gibson received two Academy Awards, Best Director and Best Picture, for his 1995 direction of Braveheart. In the movie, Gibson starred as Sir William Wallace, a thirteenth-century Scottish freedom fighter.
He said in interviews that he was attempting to make a film similar to the epics he had loved as a child, such as Stanley Kubrick's Spartacus and The Big Country. The filming began in the Scottish Highlands. After learning that the intended filming locations were among the rainiest spots in Europe, the shooting was moved to Ireland, where members of the Irish Army Reserve worked as extras in the battle scenes.
The Passion of the Christ
Gibson co-wrote, produced and directed the The Passion of the Christ. The 2004 film was based on the last twelve hours of the life of Jesus according to the most widely recognized Christian gospels, rendered multilingually in Aramaic, Hebrew, and Latin.
Reviews were mixed, with critics ranging from praising the film for its realistic depiction of Jesus' final hours from a Catholic point of view and criticism of violence, manipulation and charges of anti-Semitism.[4][5]
Asked if his movie would "upset Jews", Gibson responded, "It's not meant to. I think it's meant to just tell the truth. I want to be as truthful as possible."[6] Accusations of anti-Semitism were fueled by revelations that Mel Gibson's father Hutton Gibson is a vocal Holocaust denier who believes much of the Holocaust is "fiction".[7]
On his decision to cut the scene in which Caiaphas says "his blood be on us and on our children" soon after Pontius Pilate washes his hands of Jesus, Gibson said:
I wanted it in. My brother said I was wimping out if I didn't include it. But, man, if I included that in there, they'd be coming after me at my house. They'd come to kill me.[8][9][10][11]
The movie grossed US$611,899,420 worldwide and $370,782,930 in the US alone. It became the eighth highest-grossing film in history and the highest-grossing rated R film of all time. The ticket sales were boosted by the film attracting viewers who generally do not attend theaters, including entire church congregations.[12] The film was nominated for an Academy Award for Original Music Score, Best Cinematography, and Best Makeup at the 77th Academy Awards and won the People's Choice Award for Best Drama.
The movie was the subject of the feature documentary 'Impact: The Passion of the Christ' (http://www.Impactthemovie.com) by writer/director Tim Chey (http://www.TimChey.net) which was released into the theaters and is now on DVD.
Apocalypto
Gibson's next historical epic, Apocalypto, was released to theaters on December 8, 2006. The film is set in Mesoamerica, during the period immediately before the Spanish conquest. It focuses on the decline of the Maya civilization which reached its zenith around 600 AD. Dialogue is spoken in the Yucatec Maya language, in the same way Gibson used Aramaic and Latin for his The Passion of the Christ. It features a cast of unknown actors from Mexico City, the Yucatán, and some Native Americans from the United States.
While Gibson financed the film himself, Disney released it in specific markets.
The film is set against the turbulent end times of the once great Maya civilization. When a Maya man's idyllic existence is brutally disrupted by a violent invading force, he is taken on a perilous journey. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.
The title is a Greek term which means "an unveiling" or "new beginning", but the movie is not religiously themed or connected to the biblical Apocalypse.
Gibson pre-screened Apocalypto to two predominantly Native American audiences in Oklahoma, at the Riverwind Casino in Goldsby, owned by the Chickasaw Nation, and at Cameron University in Lawton.[13]
Family
On June 7, 1980, Gibson married Robyn Moore, a nurse whom he met through a dating service, in a Catholic Church in Forestville, New South Wales. He has referred to his wife as "my Rock of Gibraltar, only much prettier." They have seven children, one daughter and six sons: Hannah (born 1980), twins Edward and Christian (born 1982), Willie (born 1985), Louis (born 1988), Milo (born 1990), and Tommy (born 1999).
Gibson is Roman Catholic and his wife is Anglican. He holds to the Catholic doctrine of "Extra Ecclesiam Nulla Salus", and when asked how this doctrine would affect his wife, he said: "There is no salvation for those outside the Church; I believe it. My wife is a saint. She's a much better person than I am. Honestly. ... She prays, she believes in God, she knows Jesus, she believes in that stuff. And it's just not fair if she doesn't make it; she's better than I am. But that is a pronouncement from the chair. I go with it." [14]
Hannah Gibson, Mel's eldest child and only daughter, married the musician Kenny Wayne Shepherd on September 16th, 2006. [citation needed] She had previously considered becoming a Catholic nun or religious sister. [citation needed]
On December 17, 2006, British tabloid newspaper News of the World published claims by a 29 year-old Australian woman, Carmel Sloane, that Gibson is her father. The story reports that she intends to serve legal papers demanding a DNA paternity test if he refuses to admit to this relationship. [15]
Philanthropy
Although the Gibsons have avoided publicity over their philanthropy, they are believed to spend much money on various charities. [16]
One known charity is Healing the Children. According to Cris Embleton, one of the founders, the Gibsons have given millions to provide lifesaving medical help to needy children worldwide. [17] [18]
While filming the movie Apocalypto in the jungles of Mexico's Veracruz state, Mel Gibson donated money to build houses for poor people in the region after some severe flooding wiped out many homes, stating: "[T]hey had a lot of floods down there. It was like Louisiana down there in the southern regions. They had severe flooding and something like a million people were displaced and washed out. I've always been of the opinion that if you go into someone else's country to make a film you don't just go in there and stomp all over the place. You bring a gift. It's like going to somebody's house. You bring them a bottle of wine or a bunch of flowers or a box of chocolates and it's the same sort of thing on a big scale when you're going in to somebody's country and they are going to help you make your film. You help them first somehow or you give them a gift or you help in what way you can. So we sort of assisted with the flood relief stuff down there." [19]
Personal and political views
Religion
Based on many of his positions, Gibson can be considered a traditionalist Roman Catholic. In 2004, he publicly condemned taxpayer-funded embryonic stem-cell research that involves the cloning and destruction of human embryos. In March 2005, he issued a statement condemning the ending of Terri Schiavo's life, referring to her death as "state-sanctioned murder" on Sean Hannity's radio show.[20] He is a proponent of the death penalty, which the traditional doctrine of the Roman Catholic Church allows for under specific circumstances, but which post-Vatican II Popes have said is rarely justifiable in modern society.[21]
Gibson has expressed the belief that God is pointing out his path, particularly with respect to the making of The Passion of the Christ. In 2003 he told The New Yorker "There are signals. Signal graces, they are called. It's as clear as a traffic light. Bing! I mean, it just grabs you and you know you have to listen to that and you have to follow it."[22] At a screening of the film for clergy, he stated that the Holy Spirit was making the film through him, "I was just directing traffic".[22]
Politics
While having never identified himself as being a conservative Republican, Gibson has been referred to as one in The Washington Times, and WorldNetDaily once reported that there was grassroots support among Republicans for "a presidential run".[23].
Gibson praised liberal director Michael Moore and his documentary film Fahrenheit 9/11.[24] Gibson's Icon Productions originally agreed to back Moore's film, but abruptly sold the rights to Miramax Films. Moore has claimed that "top Republicans" intimidated Mel Gibson into relinquishing the film.[25]
In a July 1995 interview with Playboy magazine, Gibson said President Bill Clinton was a "low-level opportunist" because someone was "telling him what to do". He said he thought Clinton and other politicians who had won Rhodes Scholarships were part of a "stealth" trend of Rhodes scholars becoming politicians who were striving for a "new world order." He said this was a form of Marxism.[26][27]
In 2006 Gibson told a UK film magazine that the "fearmongering" depicted in his film Apocalypto "reminds me a little of President Bush and his guys."[28] He has criticized the Iraq War in interviews. [2]
His critics
Gibson has expressed strong opinions of his critics. In an interview with Playboy, he said of the author of an unauthorized biography, "I don't think God will put him in my path. He deserves death."[26] After Frank Rich of the New York Times wrote that Gibson's Passion of the Christ would inflame anti-Semitism and accused Gibson of "protecting a Holocaust denier" by refusing to denounce his father, Gibson told The New Yorker, "I want to kill him. I want his intestines on a stick. I want to kill his dog."[22] Gibson's Traditionalist Catholic beliefs have also been the target of attacks, especially during the controversy over his film The Passion of the Christ. When the film premiered in France, the newspaper Libération, considered the voice of French Liberalism, dubbed Gibson's religious beliefs "the Shiite version of Christianity." Gibson recently stated in an interview with Diane Sawyer that he feels that his "human rights were violated," by the often vitriolic attacks on his person, his family, and his religion which were sparked by "The Passion."
Controversy
Accusations of homophobia
Some gay rights groups accused Gibson of homophobia, after a 1992 interview in the Spanish newspaper El País. Asked what he thought of gay people, he said, "They take it up the ass." Gibson gestured descriptively, continuing, "This is only for taking a ****." When the interviewer recalled that Gibson previously had expressed fear that people would think he is gay because he's an actor, Gibson replied, "Do I sound like a homosexual? Do I talk like them? Do I move like them? I think not." However, when reminded that he had worked closely with gay students at university, he said they were "kind people." Additionally, he later defended his comments on Good Morning America, saying, "[Those remarks were a response] to a direct question. If someone wants my opinion, I'll give it. What, am I supposed to lie to them?"[29][30] In the Playboy interview, he responded to GLAAD's protests over his comment with "I'll apologize when hell freezes over. They can **** off".[26] Eventually, however, to make amends with the gay community and show he was not homophobic, Gibson joined GLAAD in hosting 10 lesbian and gay filmmakers for an on-location seminar on the set of the movie Conspiracy Theory.[31]
Although Gibson did not write the screenplay for Braveheart[32], the depiction of a homosexual character in the film drew accusations of homophobia.[33] Although historians agree that Prince (later King) Edward II of England was a mere puppet of Piers Gaveston, Hugh Despenser and Isabella of France, they dispute the portrayal of Edward as effeminate. Edward's father, also, never threw his male lover out of a window as portrayed in the movie.
Gibson was accused of homophobia once more in his movies with his portrayal of Herod Antipas in The Passion of the Christ. Antipas is portrayed as an effeminate homosexual wearing makeup and having 'boy-toys'. The character was a similar portrayal of the same character in the film Jesus Christ Superstar. Although this was a common caricature of Herod in medieval Passion plays, it is contrary to the historical record regarding Antipas. It is of note that the Greek text has Christ describing Herod as a "vixen", or female fox, rather than "fox" in the Gospel.[34][35]
Accusations of anglophobia
Gibson was accused of anglophobia by English audiences and press based on his direction of Braveheart and the liberties taken with historical content in the film. In addition, Gibson was further criticized for The Patriot. [36] [37]
Although he did not write the screenplay, in his film Braveheart Prince Edward of Carnarvon (later King Edward II of England) was depicted as an effete homosexual who was not the true father of his son, the future Edward III of England. The film also made use of the concept of Droit de seigneur although this is historically inaccurate. Gibson has stated that it was more cinematically compelling to falsely include the Droit de seigneur because it portrayed Edward Longshanks, the King of England played by Patrick McGoohan as a sinister tyrant.
Gibson was further accused of anglophobia following the release of The Patriot in 2000, despite neither directing or writing the script for the film. The movie depicted the British in an extremely negative light and took many liberties in its depiction of the American character played by Gibson, who was loosely based on "The Swamp Fox," Francis Marion.
According to Wensley Clarkson's unauthorized biography, the Gibsons, like many Irish-American families, have always been openly anti-British. Clarkson further cites family friends and relatives who allegedly told him that Gibson's maternal grandmother was raped by the Black and Tans during the Irish War of Independence. [38] Although it is not understood why Mel Gibson voice acted a British character, John Smith in Disney's Pocahontas after his accusations of anglophobia.
Accusations of anti-Semitism
Gibson has been accused of anti-Semitism on at least two occasions.
In 2004, his film The Passion of the Christ was criticized for alleged anti-Semitic imagery and overtones. Gibson strongly denied that the film was anti-Semitic, but critics remained divided. Many agreed that the film was consistent with a strict interpretation of the Gospels and traditional Catholic teachings, while others argued that it reflected a selective reading of the Gospels[39], and failed to comply with recommendations for dramatization of The Passion[40] issued by either the Vatican or the United States Conference of Catholic Bishops.[41]
On July 28, 2006, Gibson was arrested in California for speeding and on suspicion of drunk driving (see: Mel Gibson DUI incident). According to a leaked police report, he was abusive to the arresting officers and remarked "...Jews are responsible for all the wars in the world," asking one of them, "Are you a Jew?"[42] He later issued, through his publicist, two apologies for the incident. In his second statement, he specifically denied being an anti-Semite and apologized to the Jewish community.[43] Anti-Defamation League National Director Abraham Foxman issued a statement accepting Gibson's apology and expressing a willingness to help in Gibson's rehabilitation.[44]
Prankster
Gibson has a reputation for being a prankster on the set of his movies, and many of his leading ladies have often accused him of acting juvenile on the set.[45] Helena Bonham Carter, who appeared alongside him in Hamlet, said of him: "He has a very basic sense of humor. It's a bit lavatorial and not very sophisticated." [46] While filming Conspiracy Theory, he played several pranks on co-star Julia Roberts, one of which included gift wrapping a dead rat.[47] He also disgusted co-star and friend [48] Jodie Foster by licking the dirt off a wagon wheel on the set of Maverick. On the set of Braveheart, he spread the false rumor that co-star Sophie Marceau was the granddaughter of famous French mime Marcel Marceau. He also directed several scenes while impersonating Elmer Fudd, including the funeral scene of Murron Wallace, causing everyone to break down laughing. Before the filming of What Women Want, co-star Helen Hunt pleaded with Gibson to be spared of his pranks. Reportedly, there was no incident.[citation needed]
Drug and alcohol abuse
According to Gibson biographer Wensley Clarkson, Gibson's alcoholism dates to his teenage years. Clarkson also states that Gibson's repeated attempts to stop drinking have led to relapses whenever his stress level increased. A feature article on Gibson published on the DailyCatholic website March 17, 2004, described as having been written four years previously and before The Passion of The Christ, states, "He has made it known that from an early age he suffered from being manic depressive, but through his strong faith and appropriate medicines he has been able to overcome these shortcomings to attain the heights of stardom."[49] This disorder is often linked with alcohol abuse and/or self-destructive behavior.
In 1984, Gibson was arrested for drunk driving after he rear-ended a car in Toronto. According to Clarkson, when the other driver exited his vehicle and began shouting profanity at him, Mel Gibson laughed and offered him a drink. He was fined $400 and banned from driving in Canada for 3 months. [50]
In a 2004 Primetime interview with Diane Sawyer, Gibson admitted to drug and alcohol abuse. He also said that his addictions have led him to contemplate suicide. [51]
On July 28, 2006, Gibson was arrested on suspicion of drunken driving, the Los Angeles County Sheriff's Department said. According to the Sheriff's statement, Gibson was detained while driving along the Pacific Coast Highway in Malibu at 2:36 am, and spouted expletives, sexist, and anti-Semitic comments. He was later released on his own recognizance.[3] He has since sent an apology alongside tickets to the Apocalypto premiere to the two Deputies who arrested him and a large bouquet of flowers to the female Deputy whom he lewdly insulted at the station.
On August 17, 2006, he pleaded no contest to a misdemeanor drunken-driving charge and was sentenced to three years on probation. He could have been sentenced to as long as six months in jail. He admitted making anti-Semitic remarks during his arrest and apologized, saying the comments were "blurted out in a moment of insanity." When pressed for what his thoughts were at the time in a later interview with Diane Sawyer, he cited the vitriolic attacks on his film The Passion of the Christ and Israel's activities in Lebanon.
He announced he was entering a recovery program to battle alcoholism, and he asked to meet with Jewish leaders to help him "discern the appropriate path for healing." Gibson did not appear in court, the Los Angeles County District Attorney's office said.
Superior Court Judge Lawrence Mira ordered Gibson to attend Alcoholics Anonymous meetings five times a week for four and a half months and three times a week for the remainder of the first year of his probation. He was fined $1,300 and his license was restricted for 90 days. He also volunteered to record a public service announcement on the dangers of driving drunk and volunteered to immediately enter into a rehabilitation program.
Quotations
Wikiquote has a collection of quotations related to:
Mel Gibson"Vatican II corrupted the institution of the church. Look at the main fruits: dwindling numbers and pedophilia." ?- Time, January 27, 2003
On the Holocaust: "The thing with him [my father] was that he was talking about numbers. I mean when the war was over they said it was 12 million. Then it was six. Now it's four. I mean it's that kind of numbers game." Readers Digest 2004[4]
"Hollywood is a factory. You have to realize that you are working in a factory and you're part of the mechanism. If you break down, you'll be replaced." On the nature of "the industry." Excerpted from Wensley Clarkson's "Mel Gibson; Living Dangerously," page 202.
Trivia
Gibson was born with a physical anomaly called "horseshoe kidney". His two kidneys are fused at the base into a U-shape. This fusion anomaly occurs in about one of every 400 people.[52]
In December 2004, Gibson purchased Mago Island from Tokyu Corporation of Japan for $15 million.[53] Descendants of the original native inhabitants of Mago (who were displaced in the 1860s) have protested the purchase.
Prior to making The Passion of the Christ, Gibson constructed a traditionalist Catholic chapel on his California estate.
Gibson almost did not get the role that made him a star. His agent got him an audition for Mad Max, but the night before, he got into a drunken brawl with three other men at a party, resulting in a swollen nose, a broken jawline, and various other bruises. Mel showed up at the audition the next day looking like a "black and blue pumpkin" (his own words). Mel did not expect to get the role and only went to accompany his friend. However, the casting agent told Mel to come back in two weeks, telling him "we need freaks." When Mel did come back, he was not recognized because his wounds had healed almost completely, and received the part. This incident is listed in Ripley's Believe It or Not![54]
Gibson was considered for roles in Batman, GoldenEye, Amadeus, Gladiator, The Golden Child, X-Men, Robin Hood: Prince of Thieves, Runaway Bride and Primary Colors.[55]
The first person awarded People magazine's "Sexiest Man Alive".
Actor Sean Connery once suggested Gibson should play the next James Bond to Connery's M. Gibson turned down the role, reportedly because he feared being typecast. [56]
Gibson is an admirer of the Baroque works of Caravaggio. Much of the cinematography of The Passion of the Christ was done to evoke the painter's style.[57][58]
Gibson's height is disputed. Varied sources place him from 5'6" (170cm) to 5'11" (180cm).[59][60][61]
On July 25 1997, Mel Gibson was awarded the Officer of the Order of Australia, which was country's highest honor for "recognition to Australian citizens and other persons for achievement or for meritorious service". He was awarded this as a result of his "service to the Australian film industry".[62][63]
Gibson has multiple homes in Malibu, CA, an estate in Greenwich, Connecticut, a private island off the coast of Fiji and a ranch in Australia.[64][65]
Hole rocker Courtney Love praised Mel Gibson for saving her from a life of drugs after the Hollywood actor forced her into rehabilitation. Gibson sought to help the wild lady of rock at her home in Los Angeles when he realised she was hanging out with the wrong people. Love says, "I kept slamming the door in (Gibson's) face. There were two drug people with me who wouldn't leave, so they couldn't get me to rehab. But because of Mel, two drug people ran off to have a cheeseburger with him because he's Mel, and then Warren [Boyd] (her drug minder) could get me into rehab."[66] [67]
listening to some old lp's by the 'preservation hall jazz band' .
we heard them a number of times - starting in the mid 70's in NYC .
those wonderful musicians : the humprey broths (percy and willie) ,
cie frazier , sing miller , narvin kimball and allan jaffe , who re-surrected the band and died much too young ; he was only in his 40's when he died .
hbg
here we go !
Song: His Eye Is On The Sparrow Lyrics
Why should I feel discouraged
Why should the shadows come
Why should my heart feel lonely
And long for heaven and home
When Jesus is my portion
A constant friend is He
His eye is on the sparrow
And I know He watches over me
His eye is on the sparrow
And I know He watches me
I sing because I'm happy
I sing because I'm free
His eye is on the sparrow
And I know He watches me (He watches me)
His eye is on the sparrow
And I know He watches
I know He watches
I know He watches me
I sing because I'm happy
I sing because I'm free
His eye is on the sparrow
And I know He watches me (He watches me)
His eye is on the sparrow
And I know He watches me (He watches me)
He watches me
I know
He watches
Me
this was the band when we first saw and heard them at lincoln centre -
we thought we were the only white faces in the crowd .
sweet emma 'the leader of the band' on the right !
There's our speckled pup, folks. Wow! This is one of your best collages, PA.
We are looking at ZaZu, Marion, (rosebud's lady)Bill, Dabney, Victoria and Mel. Wonder what kind of parents would name a kid, ZaZu?
I do believe the last movie that Ray Milland starred in was "Love Story."
That's the only time that I know of that a book was written to promote a movie.
Not one of my favorites, listeners, but let's play it anyway.
Andy Williams
Where do I begin to tell the story
Of how great a love can be
The sweet love story that is older than the sea
The simple truth about the love she brings to me
Where do I start
With her first hello
She gave new meaning to this empty world of mine
They'll never be another love another time
She came into my life and made the living fine
She fills my heart
She fills my heart with very special things
Angel songs and wild imaginings
She fill my soul with so much love
That any where I go I'm never lonely
With her around who could be lonely
I reach for her hand
She's always there
How long does it last
Can love be measured by the hours in a day
I have no answers now
But this much I can say
I know I'll need her until the stars all burn away
And she'll be there
How long does it last
Can love be measured by the hours in a day
I have no answers now
But this much I can say
I know I'll need her until the stars all burn away
And she'll be there
letty :
here is a reference to 'james (sing) miller' :
Miller, Sing (James "Sing" Miller)
Appearance as principal performer
Amen,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 14
Beg Your Pardon,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 4
Count Your Blessings,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 12
Gee, Baby,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 11
Girl of My Dreams,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 8
His Eye Is on the Sparrow,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 13
Hurry Down Sunshine (See What Tomorrow Bring),Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 7
In the Evening when the Sun Goes Down (In the Evening),Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 2
I Want You and I Need You,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 9
Let Me Call You Sweetheart,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 1
My Darling,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 10
Someday,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 5
Trust in Me,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 3
Who Threw the Whiskey in the Well,Old Times with Sing Miller, Smokey Mary SM-1975, LP (1975), cut # 6
Side Performer Appearance
Preservation Hall Jazz Band / When the Saints Go Marching In. New Orl..., Columbia Special Prod. FM3860
on this album cover picture 'sing' is sitting on the right , wearing a light blue shirt .
when the band appeared in kingston some 25 years ago , we went behind stage over the performance and had a good chat with him .
he told us that they had just performed in hamburg (my hometown
) and that they had been given a wonderful reception there .
i've always enjoyed chatting with some of the musicians after their performance . at first i thought they might look upon it as an intrusion , but found out that they all loved to talk about their music to anyone willing to listen - and willing i was :wink: .
hbg
letty :
since you are such a good listener , the band will now play for you :
Won't you come home, Bill Bailey, won't you come home
I moan the whole night long
I'll do the cookin', honey, I'll pay the rent
I know I done you wrong
Remember that rainy eve' that
I drove you out with nothin' but a fine tooth comb
Yes, I know that I'm to blame, and ain't that a shame
Bill Bailey, won't you please come home
Won't you come home, Bill Bailey, won't you come home
I moan the whole night long
I'm-a gonna do your cookin', honey, I'm-a gonna pay your rent
I know that I've done you wrong
Remember that rainy eve' that
I drove you out with nothin' but a fine tooth comb
Well, I know that I'm to blame, and ain't that a dirty, low-down shame
Bill Bailey, won't you please come home
Come home, come home, Bill Bailey
Bill Bailey, won't you please come on home
Come home, Bill Bailey
Bill Bailey, won't you please come on home
Come on home
Well, thanks, hamburger, for that info. I know all those Dixieland songs, buddy. Love "When the Saints go Marching In" and "Bill Bailey." Walter does as well.
The intro to Bill Bailey goes something like:
Bill drove by in a limousine,
A chauffer at the wheel.
A great big diamond on his hand,
You should have heard that sad gal squeal,
And to that crowd.
She yelled out loud. etc.
Here's another that preceded that song, folks:
Ain't that a shame,
A measley shame,
To keep your honey,
Out in the rain.
(oh, Lordy have a little pity)
Won't ya open that door
And let me in.
I stand here freezin',
Right wet to the skin.
Ah, I miss Booman.
Frank Sinatra
Mood Indigo
You ain't been blue; no, no, no.You ain't been
blue,Till you've had that mood indigo.That
feelin' goes stealin' down to my shoesWhile I
sit and sigh, "Go 'long blues".Always get that
mood indigo,Since my baby said goodbye.In the
evenin' when lights are low,I'm so lonesome I
could cry.'Cause there's nobody who cares
about me,I'm just a soul who'sbluer than
blue can be.When I get that mood indigo,I could lay
me down and die.
Good morning, WA2K folks.
edgar, if I recall, that "All of a Sudden my Heart Sings", was done by someone who wanted to incorporate the complete scale of notes in the octave into a song. ( from "C to shining C" both up and back)
Well, let's hear a Sinatra "get even" song.
I cried for you, now it's your turn to cry over me.
Every road has its turning, that's one thing I'm learning.
I cried for you, what a fool I used to be,
Now I found two eyes just a little bit bluer,
And I found a heart just a little bit truer.
I cried for you, not it's your turn to cry over me.
