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WA2K Radio is now on the air

 
 
dyslexia
 
  1  
Reply Fri 5 May, 2006 06:00 am
Well, if I had to do it all over again,
Babe, I'd do it all over you.
And if I had to wait for ten thousand years,
Babe, I'd even do that too.
Well, a dog's got his bone in the alley,
A cat, she's got nine lives,
A millionaire's got a million dollars,
King Saud's got four hundred wives.
Well, ev'rybody's got somethin'
That they're lookin' forward to.
I'm lookin' forward to when I can do it all again
And babe, I'll do it all over you.

Well, if I had my way tomorrow or today,
Babe, I'd run circles all around.
I'd jump up in the wind, do a somersault and spin,
I'd even dance a jig on the ground.
Well, everybody gets their hour,
Everybody gets their time,
Little David when he picked up his pebbles,
Even Sampson after he went blind.
Well, everybody gets the chance
To do what they want to do.
When my time arrives you better run for your life
'Cause babe, I'll do it all over you.

Well, I don't need no money, I just need a day that's sunny,
Baby, and my days are gonna come.
And I grab me a pint, you know that I'm a giant
When you hear me yellin', "Fee-fi-fo-fum."
Well, you cut me like a jigsaw puzzle,
You made me to a walkin' wreck,
Then you pushed my heart through my backbone,
Then you knocked off my head from my neck.
Well, if I'm ever standin' steady
A-doin' what I want to do,
Well, I tell you little lover that you better run for cover
'Cause babe, I'll do it all over you.

I'm just restin' at your gate so that I won't be late
And, momma, I'm a-just sittin' on the shelf.
Look out your window fair and you'll see me squattin' there
Just a-fumblin' and a-mumblin' to myself.
Well, after my cigarette's been smoked up,
After all my liquor's been drunk,
After my dreams are dreamed out,
After all my thoughts have been thunk,
Well, after I do some of these things,
I'm gonna do what I have to do.
And I tell you on the side, that you better run and hide
'Cause babe, I'll do it all over you.
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 06:11 am
Well, folks. The mystery of the missing cowboy has now been solved. Liked your song, dys. I guess everyone feels a need for revenge sometimes.


Artist: Little Jimmy Dickens
Song: May The Bird Of Paradise Fly Up Your Nose



One fine day as I was a-walkin' down the street
Spied a beggar man with rags upon his feet
Took a penny from my pocket
In his tin cup I did drop it
I heard him say as I made my retreat

CHORUS
"May the bird of paradise fly up your nose"
"May an elephant caress you with his toes"
"May your wife be plagued with runners in her hose"
"May the bird of paradise fly up your nose"

The laundry man is really on his toes
Found a hundred-dollar bill among my clothes
When he called me I came a-runnin'
Gave him back his dime for phonin'
I heard him sayin' as I turned to go

CHORUS

I was way behind one day to catch the train
Taxi driver said "We'll make it just the same"
The speed cop made it with us
And as he wrote out the ticket
I stood by politely a-waitin' for my change
0 Replies
 
dyslexia
 
  1  
Reply Fri 5 May, 2006 06:41 am
out on the sea, there is an island
out on the sea, there is a place
out on the sea there's a wave
with the power to save
all the sailors from the dark and the deep

we used to dance in the shadows
under the moon's pale light
away from home and all alone
turning away into the night
and she would shine like a diamond

trapped in a clear crystal ring
and the tears in my eyes
were the stars in the sky
fading away when she would sing

out on the sea, there is an island
out on the sea, there is a place
out on the sea there's a wave
with the power to save
all the sailors from the dark and the deep
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 06:51 am
Roll on thou deep and dark blue dys. <smile>

An answer from Elvis:

ELVIS COSTELLO Song Lyrics

Harpies Bizarre
(From the album "MIGHTY LIKE A ROSE")

He selects the plainest face form a spiteful row of girls
Elegant insulted women, a flaw of cultured pearls
He drops a name or two, she fails to catch
At last he's met his match
Unspoiled and unaffected, he wants her so much

She puts up half-hearted resistance, like she was taught to do
She's heard some of those small town playboys but this is something new
His promise seems dangerous, she'd like to believe
He says ";You'd better leave";
";You've only got yourself to blame, shame, or deceive";

The waiting lines are long
They never get too far
Everyone wearing that medal with pride
Harpies Bizarre

I looked on but hesitated
I failed to interrupt
You're so hard to tell the truth to
So easy to corrupt
I'll memorize your face
Your tragic smile
The hurt look in your eyes
As you betrayed yourself to the part of him that dies

The waiting lines are long
They never get too far
They're shining up their shoes to kick a falling star
You think you should be somebody
But you don't know who you are
Everyone wearing that medal with pride
Harpies Bizarre.

Harpies Bizarre? Love it!
0 Replies
 
dyslexia
 
  1  
Reply Fri 5 May, 2006 07:17 am
Sometimes I think about Saturday's child
And all about the times when we were running wild
I've been out searching for the dolphins in the sea
Ah, but sometimes I wonder, do you ever think of me
This old world will never change the way it's been
And all the ways of war won't change it back again
I've been out searchin' for the dolphin in the sea
Ah, but sometimes I wonder, do you ever think of me
This old world will never change.
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 07:26 am
and another response to our cowboy, listeners:

Van Morrison
Sometimes I Feel Like a Motherless Child


Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
Long way from my home
Sometimes I wish I could fly
Like a bird up in the sky
Oh, sometimes I wish I could fly
Fly like a bird up in the sky
Sometimes I wish I could fly

Hey! I am a motherless child with a smile
Like a bird up in the sky
Closer to my home

Motherless children have a hard time
Motherless children have-a such a hard time
Motherless children have such a really hard time
A long way from home

Sometimes I feel like freedom is near
Sometimes I feel like freedom is here
Sometimes I feel like freedom is so near
But we're so far from home.
0 Replies
 
dyslexia
 
  1  
Reply Fri 5 May, 2006 07:32 am
speaking of the Van;

I'll tell me Ma when I go home,
The boy's won't leave the girls alone.
They'll pull my hair, they stole my comb,
Well that's alright till I go home.

[Chorus:]
She is handsome. She is pretty.
She is the bell of Belfast City.
She is courtin' one, two, three.
Please won't you tell me, who is she?

Albert Mooney say's he loves her.
All the boy's are fighting for her.
They knock at the door and ring at the bell
Sayin' "Oh my true love, are you well"?
Out she comes as white as snow,
Rings on her fingers and bells on her toes.
Oul Jenny Murray say's she'll die
If you don't get the fella
With the roving eye.

Let the wind and the rain and hail blow high
And the snow come tumbling from the sky,
She's as nice as apple pie.
She'll get her own lad by and by.
When she gets a lad of her own,
She won't tell her Ma when she gets home.
Let them all come as they will
For it's Albert Mooney she loves still.
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 07:39 am
Which leads me, listeners, to remember Yeats:

Through winter-time we call on spring,
And through the spring on summer call,
And when abounding hedges ring
Declare that winter's best of all;
And after that there's nothing good
Because the spring-time has not come ---
Nor know that what disturbs our blood
Is but our longing for the tomb.

The Secret Rose
Far-off, most secret, and inviolate Rose,
Enfold me in my hour of hours; where those
Who sought thee in the Holy Sepulchre,
Or in the wine-vat, dwell beyond the stir
And tumult of defeated dreams; and deep
Among pale eyelids, heavy with the sleep
Men have named beauty. Thy great leaves enfold
The ancient beards, the helms of ruby and gold
Of the crowned Magi; and the king whose eyes
Saw the Pierced Hands and Rood of elder rise
In Druid vapour and make the torches dim;
Till vain frenzy woke and he died; and him
Who met Fand walking among flaming dew
By a grey shore where the wind never blew,
And lost the world and Emer for a kiss;
And him who drove the gods out of their liss,
And till a hundred morns had flowered red
Feasted, and wept the barrows of his dead;
And the proud dreaming king who flung the crown
And sorrow away, and calling bard and clown
Dwelt among wine-stained wanderers in deep woods;
And him who sold tillage, and house, and goods,
And sought through lands and islands numberless years,
Until he found, with laughter and with tears,
A woman of so shining loveliness
That men threshed corn at midnight by a tress,
A little stolen tress. I, too, await
The hour of thy great wind of love and hate.
When shall the stars be blown about the sky,
Like the sparks blown out of a smithy, and die?
Surely thine hour has come, thy great wind blows,
Far-off, most secret, and inviolate Rose?
0 Replies
 
Tryagain
 
  1  
Reply Fri 5 May, 2006 09:51 am
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 10:06 am
Well, there's our Try. Actually, buddy, it may be because I have a bird of paradise shrub in my front yard. <smile>

http://www.longuevue.com/assets/images/l_aug_04_03.jpg

Gambler: para dice lost. Razz

Kismet Soundtrack Lyrics

Artist: Lyrics
Song: Stranger In Paradise Lyrics

She:
Oh why do the leaves
Of the Mulberry tree
Whisper differently now
And why is the nightingale singing
At noon on the Mulberry bow
For some most mysterious reason
This isn't the garden I know
No it's paradise now
That was only a garden
A moment ago

He:
Take my hand
I'm a stranger in paradise
All lost in a wonderland
A stranger in paradise
If I stand starry-eyed
That's a danger in paradise
For mortals who stand beside
An angel like you

I saw your face
And I ascended
Out of the commonplace
Into the rare
Somewhere in space
I hang suspended
Until I know
There's a chance that you care

Won't you answer the fervent prayer
Of a stranger in paradise
Don't send me in dark despair
From all that I hunger for
But open your angel's arms
To the stranger in paradise
And tell him
That he need be
A stranger no more

She:
I saw your face
And I ascended
Out of the commonplace
Into the rare

Both:
Somewhere in space
I hang suspended

She:
Until I know

He:
Till the moment I know

She:
There's a chance that you care

He:
There's a chance that you care

She:
Won't you answer the fervent prayer
Of a stranger in paradise

He:
Don't send me in dark despair
From all that I hunger for

Both:
But open your angel's arms
To the stranger in paradise
And tell me that I may be
A stranger no more.






[
0 Replies
 
Raggedyaggie
 
  1  
Reply Fri 5 May, 2006 10:38 am
Good morning.

Love the dolphin song, Dys. Have it on a CD by "It's a Beautiful Day". Also on tape by the composer, Fred Neil.

Oooh, and there's a beautiful Bird of Paradise and a song from "Kismet". "This Is My Beloved" is my favorite Borodin song from that show.


I guess these two birthday celebs shared a cake on the sets of their movies, Alexander's Ragtime Band; In Old Chicago (Mrs. O'Leary and her cow and the mighty Chicago fire) and Rose of Washington Square.

http://www.picturegoer.net/images/AliceFayeSep39.jpg

Alice Faye sang this one in "Hello, Frisco, Hello" in 1943.

You'll never know just how much I miss you
You'll never know just how much I care
And if I tried, I still couldn't hide my love for you
You ought to know, for haven't I told you so
A million or more times?

You went away and my heart went with you
I speak your name in my every prayer
If there is some other way to prove that I love you
I swear I don't know how
You'll never know if you don't know now
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 10:51 am
and there's our Raggedy, listeners. Thanks, PA for Tyrone and Alice. Alexander's Ragtime Band really swings, gal.

"You'll Never Know" is soooooo familiar. Another sister song?

Let's follow through, folks:

Phil Spector
Chorus:

To know know know him
Is to love love love him
Just to see him smile
Makes my life worthwhile
To know know know him
Is to love love love him
And I do

I'll be good to him
I'll bring love to him
Everyone says there'll come a day
When I'll walk alongside of him
Yes just to know him
Is to love love love him
And I do

Why can't he see
How blind can he be
Someday he will see
That he was meant for me

Repeat Chorus
0 Replies
 
oldandknew
 
  1  
Reply Fri 5 May, 2006 02:47 pm
Hi lettuce, how's your garden growing these days.

I think you should add some knew streams to the station output

1/ gardening advice

2/ agony aunt

3/ household pets advice

you could front all of these streams with your wealth of knowledge of the wider world.
0 Replies
 
Tryagain
 
  1  
Reply Fri 5 May, 2006 02:47 pm
Miss Letty wrote, "I have a bird of paradise shrub in my front yard."

That is paradise. Cool

Paradise Lyrics
Artist: John Denver
Album: Rocky Mountain High

When I was a child, my family would travel
Down to western Kentucky where my parents were born
And there's a backwards old town that's often remembered
So many times that my mem'ries are worn

And daddy won't you take me back to Muhlenberg County
Down by the Green River where Paradise lay
Well, I'm sorry, my son, but you're too late in asking
Mister Peabody's coal train has hauled it away

Well sometimes we'd travel right down the Green River
To the abandoned old prison down by Adrie Hill
Where the air smelled like snakes and we'd shoot with our pistols
But empty pop bottles was all we would kill

And daddy won't you take me back to Muhlenberg County
Down by the Green River where Paradise lay
Well, I'm sorry, my son, but you're too late in asking
Mister Peabody's coal train has hauled it away

And the coal company came with the world's largest shovel
And they tortured the timber and stripped all the land
Well, they dug for their coal till the land was forsaken
Then they wrote it all down as the progress of man

And daddy won't you take me back to Muhlenberg County
Down by the Green River where Paradise lay
Well, I'm sorry, my son, but you're too late in asking
Mister Peabody's coal train has hauled it away

And daddy won't you take me back to Muhlenberg County
Down by the Green River where Paradise lay
Well, I'm sorry, my son, but you're too late in asking
Mister Peabody's coal train has hauled it away
0 Replies
 
tin sword arthur
 
  1  
Reply Fri 5 May, 2006 02:51 pm
In honor of today, although I'm not a big fan of the artist but the words certainly fit-

R Kelly - Thank God It's Friday Lyrics

Finally the weekend's come
And everything is goin' down
Nine to five and now it's time
For me to get around
Good poppin' ain't no stoppin' everybody's in the mood
Mind blowin' once you feel the music startin' to get to you
Disco nights, party lights, it's all good for me

Thank God it's Friday
Party lights, Friday night feelin' right
It's a party
Thank God it's Friday
Party lights, Friday night feelin' right
It's a party

Throw your hands up
If you're ready to get down and jam tonight
Music's got ya jumpin'
And you're feeling not a care tonight
Keep goin' don't you stop
Just let this volume get in you
Take some time out for yourself
And let this Friday get to you
Disco nights, party lights
It's all good for me

Thank God it's Friday
Party lights, Friday night feelin' right
It's a party
Thank God it's Friday
Party lights, Friday night feelin' right
It's a party

Oh God, thank you for Friday
Oh thank you heavenly Father
Oooo so many people lookin', lookin' for the spot
There's a party over here
So many people lookin' for the party spot
If you find it
Let me know and I'll be there until I drop
Valet parking at the club
It lets you know it's Friday night
People swayin', music playin'
And this weekend feels so right, yeah

Thank God it's Friday
Party lights, Friday night feelin' right
It's a party
Thank God it's Friday
Party lights, Friday night feelin' right
It's a party
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 03:03 pm
Lettuce, John? Well, you do have a good idea there, London. Tell us please, the best way to keep a peace lily from dying and how to protect one's maiden hair fern from over eager golfers. Razz

Well, Try, there's J.D. again. Love it buddy. I think it's nice to get a rocky mountain high once in a while. We could all take a trip South of the border.<smile>

Hey, Arthur. You are absolutely right. We got to become party animals. Great music, tin sword.

Hey, folks, here's to James Taylor and Mexico.



Way down here you need a reason to move
Feel a fool running your stateside games
Lose your load, leave your mind behind, baby james

Oh, mexico
It sounds so simple I just got to go
The sun's so hot I forgot to go home
Guess I'll have to go now

Americano got the sleepy eye
But his body's still shaking like a live wire
Sleepy seƱorita with the eyes on fire

Oh, mexico
It sounds so sweet with the sun sinking low
Moon's so bright like to light up the night
Make everything all right

Baby's hungry and the money's all gone
The folks back home don't want to talk on the phone
She gets a long letter, sends back a postcard; times are hard

Oh, down in mexico
I never really been so I don't really know
Oh, mexico
I guess I'll have to go

Oh, mexico
I never really been but I'd sure like to go
Oh, mexico
I guess I'll have to go now
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 5 May, 2006 03:18 pm
Tyrone Power
From Wikipedia, the free encyclopedia


Tyrone Edmund Power, Jr. (May 5, 1914 - November 15, 1958), usually credited simply as Tyrone Power, was an American film actor who appeared in dozens of films in the 1930s to 1950s, usually as a swashbuckling hero, in such movies as The Mark of Zorro, The Black Swan, Prince of Foxes, The Black Rose, and Captain from Castile; however, he was very versatile and played a wide range of roles, from a protagonist with a darker side to light romantic comedy. In the 1950's, he began placing limits on the number of movies he would make in order to have time for the stage. On stage, especially in John Brown's Body and Mr. Roberts, he received his highest acclaim as an actor.


Early life

Born in Cincinnati, Ohio in 1914, the only son of English born stage and screen actor Frederick Tyrone Edmond Power and Helen Emma "Patia" Reaume, Power was descended from a long theatrical line going back to his great-grandfather, the Irish born actor and comedian William Tyrone Power, sometimes referred to as Tyrone Power I, and known professionally as Tyrone Power (1795-1841).

During the first year of Tyrone Power's life, he lived in Cincinnati. His father was absent for long periods, due to his stage commitments in New York. Young Tyrone was a sickly child, and his doctor advised his family that the climate in California might be better for his health. The family moved to California in 1915, and there they welcomed a sister, Anne Power, into their family on August 26, 1915. The parents appeared together on stage and, in 1917, their movie, The Planter, was released. Tyrone Power, Sr., as he later became known, found himself away from home more frequently, as his stage career took him to New York. The Powers drifted apart, and they divorced around 1920.

After the divorce, Patia Power worked as a stage actress. In 1921, at the age of 7, young Tyrone appeared with his mother in the mission play, La Golondrina, at San Gabriel, California. A couple of years later, the family moved back to Cincinnati. Tyrone's mother supported her family as a drama and voice coach at the Schuster-Martin School of Drama, and, in her spare time, she coached him for several years in voice and dramatics. Tyrone grew up with an interest in acting, corresponding with his father about it. He went to Cincinnati-area Catholic schools and graduated from Purcell High School in 1931. Upon his graduation, he opted to join his father to learn what he could about acting from one of the stage's finest actors


Career


Tyrone Power joined his father for the summer of 1931, and young Ty learned a lot from him, but his father suffered a massive heart attack in December of 1931, dying in his son's arms, while preparing to perform in The Miracle Man. Tyrone Power, Jr., as he was then known, decided to continue his pursuit of an acting career. He went door to door, trying to get work as an actor, and, while many contacts knew his father well, they offered praise for his father but no work for him. He appeared in a bit part in 1932 in Tom Brown of Culver, a movie starring actor, Tom Brown. His experience in that movie didn't open any other doors, however, and, except for what amounted to little more than a job as an extra in Flirtation Walk, he found himself frozen out of the movies but making some appearances in community theater. Discouraged, he took the advice of friend, Arthur Caesar, to go to New York to get experience as a stage actor. Along the way, he stopped in Chicago, where his friend, Don Ameche, a radio personality, convinced him to stay awhile to work in radio. He wasn't able to get a foothold in radio, however, and he eventually went on to New York. There, he met Katharine Cornell, the great stage actress, who cast him as an understudy for Burgess Meredith, for the play, Flowers of the Forest. A better stage break came, though, when Cornell put him in the role of Benvolio in Romeo and Juliet. During this time, Hollywood scouts saw him and offered him a screen test. Katharine Cornell advised against going to Hollywood, without a little more stage experience, and Tyrone Power took her advice. Cornell gave him a substantial role in her next stage play, St. Joan. Once again, Hollywood scouts saw him and offered him a screen test. Cornell told him that he was ready.

Tyrone Power went to Hollywood in 1936, where he was signed by 20th Century-Fox. He would be their top leading man for years to come. He got a false start at 20th Century-Fox, though, when he was assigned to Sing Baby Sing, at the request of Alice Faye, already a star for the studio. The director, Sidney Lanfield, didn't recognize his potential and removed him from the cast, telling him that he should find another line of work, as he would never become an actor. Faye intervened again on his behalf, and she convinced the studio to give him another chance. He was assigned to a small part in Girls' Dormitory. In this movie, he caught the eye of many fans, among them Hedda Hopper, who stayed for a second showing to find out who the young man was with just a few lines at the end of the movie. Following that, he was cast in a slightly larger part in Ladies in Love, which starred Janet Gaynor, Constance Bennett, and Loretta Young. It looked as though 20th Century-Fox was not going to pick up his option, however, and Tyrone Power then went to the office of director Henry King to ask him to consider him for a role. King was impressed with his looks and poise, and he insisted that Tyrone Power be tested for the lead role in Lloyd's of London, a role thought to already belong to Don Ameche. Despite Darryl F. Zanuck's reservations, he decided to go ahead and give him the lead role in the movie, once Henry King and Fox editor, Barbara McLean, convinced him that Power had a greater screen presence than did Don Ameche. He was 4th billed in the movie, but he had by far the most screen time of any other actor. He walked into the premiere of the movie an unknown, and he walked out a superstar, where he stayed for the remainder of his career.


Tyrone Power racked up hit after hit from 1936 until 1943, when his career was interrupted for military service. In these years, he starred in romantic comedies such as Thin Ice and Day-Time Wife; in dramas such as Suez, Blood and Sand, The Rains Came, and In Old Chicago; in the musicals, Alexander's Ragtime Band, Second Fiddle, and Rose of Washington Square; in the westerns, Jesse James and Brigham Young; in the war films, Yank in the R.A.F. and This Above All; and, of course, the swashbucklers, The Mark of Zorro and The Black Swan. 1939's Jesse James was a very big hit at the boxoffice, but it did receive some criticism for fictionalizing and glamorizing the famous outlaw. The movie was filmed in and around the Pineville, Missouri, area and was Power's first location shoot. It was also his first Technicolor movie. Before his career was over, he would have filmed a total of sixteen movies in color, including the movie he was filming when he died. He was loaned out one time, to MGM for 1939's Marie Antoinette. Darryl F. Zanuck did not feel that the movie showed Tyrone Power to best advantage, and he vowed to never again loan him out. Through the years, other studios asked for his services, but Zanuck stuck by his original decision.

In 1940 the direction of Tyrone Power's career took a dramatic turn when his movie, The Mark of Zorro, was released. Power played the role of Don Diego Vega, fop by day, and Zorro, bandit hero by night. The role had been made famous by Douglas Fairbanks in the 1920 movie by the same title. Power's performance was excellent, and 20th Century Fox often cast him in swashbucklers in the years that followed. Power was actually an excellent swordsman, and the dueling scene in The Mark of Zorro is considered one of the finest in screen history. The great Hollywood swordsman, Basil Rathbone, who starred with him in The Mark of Zorro, commented, "Power was the most agile man with a sword I've ever faced before a camera. Tyrone could have fenced Errol Flynn into a cocked hat."

Despite being kept busy making movies at 20th Century-Fox, Tyrone Power found time to do radio and stage work. He appeared with his wife, Annabella, in several radio broadcasts, including the plays Blood and Sand, The Rage of Manhattan, and Seventh Heaven. He also appeared with her in the stage play, Liliom, in Country Playhouse, Westport, Connecticut, in 1941. He worked with other big names, in radio. Among those he starred with were Humphrey Bogart, Jeanne Crain, Loretta Young, Alice Faye, and Al Jolson.


Tyrone Power's career was interrupted in 1943 by military service. He reported to the U.S. Marines for training in late 1942, but he was sent back, at the request of 20th Century-Fox, to complete one more film, 1943's Crash Dive, a patriotic war movie. He was credited in the movie as Tyrone Power, U.S.M.C.R., and the movie served as much as anything as a recruiting film. His leading lady, Anne Baxter, would become a favorite leading lady of his, both on the screen and on stage. He wasn't seen on screen again until 1946, when he was seen in The Razor's Edge, an adaptation of Somerset Maugham's novel of the same name. Next up for release was a movie that Tyrone Power had to fight hard to make - the gritty film noir, Nightmare Alley. Darryl F. Zanuck was reluctant to allow him to make the movie, because Tyrone Power's handsome face and charming manner had made a lot of money for the studio, and he feared that the dark role might hurt his image with the fans. But he finally agreed, giving him A-list production values for what normally would be a B film. The movie was directed by Edmund Goulding, and, though the film died at the boxoffice, Tyrone Power received some of the best reviews of his career. The film has recently been released to DVD, after years of being caught up in legal battles, and, once again, Tyrone Power received very favorable reviews from the critics. Tyrone Power's venture into gritty drama was short lived, as he was seen next in a costume movie, Captain from Castile, directed by Henry King, who directed Tyrone Power in eleven movies. After making a couple light romantic comedies, That Wonderful Urge and The Luck of the Irish, Tyrone Power found himself once again in swashbucklers - The Black Rose and Prince of Foxes.

As the 1950's rolled around, Power was becoming increasingly unhappy with his movie assignments, with such movies as American Guerrilla in the Philippines and Pony Soldier. He asked his studio to grant him permission to seek out his own roles outside 20th Century-Fox. Permission was granted, with the understanding that he would fulfill his fourteen-film commitment to 20th Century-Fox, in between his other movie roles. In 1953, he made The Mississippi Gambler for Universal Studios. He worked a deal to get a percentage of the profits, and he ended up making one-million dollars from the movie, a very large sum in those days. His movies had been very profitable for 20th Century-Fox, and the studio tried to get him to sign another contract with the studio when his contract ended. As enticement, they offered him the plum role that eventually went to Richard Burton in The Robe. He turned the role down and, instead, went on a year's tour with the stage play, John Brown's Body.

During the 1950's Power achieved major success on a stage tour and on Broadway, appearing opposite Judith Anderson and Raymond Massey in Charles Laughton's production of John Brown's Body, a play based upon the narrative poem by Stephen Vincent Benet. (Anne Baxter toured in the production in the Judith Anderson role). The critics applauded his performances. He also performed the title role in Mister Roberts to sellout crowds for six months at the London Coliseum. He performed in The Devil's Disciple in 1956 at The Opera House, Manchester, England and for nineteen weeks at the Winter Garden, London. Additional Broadway credits include The Dark is Light Enough and Back to Methusaleh.


Untamed, Tyrone Power's last movie made under his contract with 20th Century-Fox, was released in 1955. That same year, The Long Gray Line, a hugely successful John Ford film was released by Columbia Pictures. Columbia released The Eddy Duchin Story, also huge at the boxoffice, the following year. His old boss, Darryl F. Zanuck, pressed him into service for the lead role in 1957's The Sun Also Rises, adapted from the Ernest Hemingway novel. Released that same year were Abandon Ship and John Ford's Rising of the Moon (narrator only). Tyrone Power's last role turned out to be one of his most highly regarded, cast against type as the accused murderer, Leonard Vole, in Agatha Christie's Witness for the Prosecution, directed by Billy Wilder. The critic, Robert Fulford, for The National Post commented on the "superb performance" of Power as "the seedy, stop-at-nothing exploiter of women" [1] which was in sharp contrast to his earlier swashbuckling roles and romantic heroes. The movie was critically acclaimed and a boxoffice success.

In September of 1958, Tyrone Power went to Madrid, Spain, to film the epic, Solomon and Sheba, to be directed by King Vidor. He had filmed about 75 percent of his scenes when he was stricken with a massive heart attack, as he was filming a dueling scene with his frequent co-star and friend, George Sanders. He died enroute to the hospital. Yul Brynner was brought in to take over the role of Solomon. The filmmakers used some of the long shots that Tyrone Power had filmed, and an observant fan can see him in some of the scenes, particularly in the middle of the duel.

Tyrone Power's last movie, fittingly, was to be in a familiar role, with sword in hand. He is perhaps best remembered as a swashbuckler, and, indeed, he was one of the finest swordsmen in Hollywood. Director Henry King said, "People always seem to remember Ty with sword in hand, although he once told me he wanted to be a character actor. He actually was quite good - among the best swordsmen in films."


Personal life

Tyrone Power was one of Hollywood's most eligible bachelors when he married French actress, Annabella (birth name Suzanne Georgette Charpentier) on April 23, 1939. They met on the 20th Century-Fox lot, around the time they starred together in the movie, Suez. Annabella was a big star in France when 20th Century-Fox brought her over to America, and she was given the big buildup as the next great French star for Hollywood pictures. When Darryl F. Zanuck, 20th Century-Fox studio boss, realized the seriousness of the romance between her and his top male star, however, he strongly objected, fearing that Tyrone Power would lose part of his female fan base if he were married. Zanuck offered to give Annabella plum roles in movies to be filmed abroad, in order to get her out of the country and away from one of Hollywood's biggest heartthrobs. When Tyrone Power and Annabella went against Zanuck's wishes and married, Annabella's career at 20th Century-Fox suffered greatly. After the marriage, Zanuck refused to assign her to movies for the studio, in punishment for their disobedience. After her marriage, she had to wait until after Tyrone Power had left the studio for military service to make another movie. This lack of movie work caused the very talented actress to seek stage work in order to help satisfy her desire to act. In an A&E biography, Annabella said that Zanuck "could not stop Tyrone's love for me, or my love for Tyrone." Their marriage, by all accounts at the time, was a happy one for the first couple years, but it was on rocky ground by the time Tyrone left for the U.S. Marines in 1943.

Irresistible to women, his extramarital affair with Judy Garland is said to have contributed to the failure of their marriage. However, those close to the couple say that there were also other reasons for the failed marriage. J. Watson Webb, close friend and an editor at 20th Century-Fox, maintained, in the A&E Biography, that one of the reasons the marriage fell apart was the inability of Annabella to give him a child. He said that there was not one bit of bitterness between the two. In a March 1947 issue of Photoplay, Tyrone Power was interviewed and said that he wanted a home and children. Annabella shed some light on the situation in an interview that she did for Movieland magazine in 1948. She said, "Our troubles began because the war started earlier for me, a French-born woman, than it did for Americans." She went on to explain that the war clouds over Europe made her unhappy and irritable and that, to get her mind off her troubles, she began accepting stage work, which often took her away from home, for weeks, or in one case, months at a time. "It is always difficult to put one's finger exactly on the place and time where a marriage starts to break up," she said. "But I think it began then. We were terribly sad about it, both of us, but we knew we were drifting apart. I didn't think then - and I don't think now - that it was his fault, or mine." The couple tried to make their marriage work when Power returned from military service, but they were unable to do so. Annabella claimed that he had changed too much during the war. They were legally separated in the fall of 1946 and divorced a couple of years later. Despite the divorce, they remained close until his death.

Following his separation from Annabella, Tyrone Power entered into a love affair with Lana Turner that lasted a couple years. In the fall of 1948, however, he went on a good-will trip to Europe and South Africa. On that trip, he saw and fell in love with the beautiful Linda Christian, in Rome. Upon his return to the U.S., he broke the news to Lana Turner that their romance was over. In her autobiography, Lana Turner said that MGM, her home studio, and 20th Century-Fox, Tyrone Power's studio, conspired to break up their romance. Each studio feared that they would lose their star to the other studio, if they were to marry. Turner claimed that, when Tyrone Power made his goodwill trip to Europe and South Africa, the story of her dining out with Frank Sinatra, a friend, was leaked to Tyrone Power, who became very upset with her "dating" another man, in his absence. Turner also claimed that there was just too much coincidence in Linda Christian being at the same hotel as Tyrone Power, and she went on to say that imply that Linda had gotten Tyrone's itinerary from 20th Century-Fox.

Tyrone and Linda were married on January 27, 1949, in the Church of Santa Francesca, with an estimated 8,000 - 10,000 screaming fans outside the church. Linda lost three babies to miscarriage before finally giving birth to a baby girl, Romina Francesca Power, on October 2, 1951. A second daughter, Taryn Stephanie Power, was born September 13, 1953. Around the time of Taryn's birth, the Power marriage was rocky. In her autobiography, Linda blamed Tyrone's extramarital affairs on the breakup of her marriage. However, she acknowledged that she had an affair with Edmund Purdom, which created great tension between her and her husband. They divorced in 1955.

After his divorce from Linda, Tyrone Power had a long lasting love affair with Mai Zetterling, whom he met on the set of Abandon Ship. At this point in time, however, he vowed that he would never marry again, because he had been twice burned financially from his previous marriages. In 1958, however, he met Deborah Ann Montgomery Minardos, a dark-haired Southern beauty. He and Debbie, as she was called, were married on May 7th, 1958. The couple soon had the happy news that Debbie was going to have a baby. Tyrone Power hoped for a boy to carry on his name, though he adored his two little girls. Debbie Power accompanied her husband to Madrid in September of 1958, for the filming of Solomon and Sheba. She was worried about his health and asked him to slow down, but he pushed ahead with the movie. On November 15, 1958, while filming a strenuous dueling scene for the movie, he was stricken with a massive heart attack and died within an hour or so. Debbie gave birth to his son, Tyrone Power IV, on January 22, 1959.

Military service

In August 1942, he enlisted in the Marine Corps, starting out as a private. He took boot camp training at San Diego and then at Quantico Officer's Candidate School, where he was promoted to Second Lieutenant on June 2, 1943. Because he had already logged many solo hours as a pilot prior to enlisting in the Marine Corps, Tyrone Power was able to go though a short, intense flight training program at Corpus Christi, Texas, where he earned his wings and was promoted to First Lieutenant.In the June 2001 newsletter of Marine Air Transporter, Jerry Taylor, USMC retired flight instructor, recalls memories of WWII. He speaks of training Tyrone Power as a pilot, saying, "He was an excellent student, never forgot a procedure I showed him or anything I told him." Others who served with him have commented that he was well-respected by those with whom he served. Power served in the Pacific theater, with the VMR-352 , carrying supplies aboard a R5C into the embattled Iwo Jima and carrying the wounded out, often under heavy fire. After his military service was over, he decided to remain with the Marine Corps Reserves. By the time of his death in 1958, he had risen to the rank of Major.


Honors

Tyrone Power was honored with having his handprints and footprints put in cement at Grauman's Chinese Theater on May 31, 1937. He was honored in a joint ceremony with Loretta Young, on the occasion of the premiere of their movie Cafe Metropole. At the time of the ceremony, Tyrone was just 23 years old and had been a major star for only six months. He signed the cement block, "To Sid - Following in my father's footsteps", which was a tribute to his father, stage and film star, Tyrone Power, Sr..

Tyrone Power's star on the Hollywood Walk of Fame can be found at 6747 Hollywood Blvd.

Epilogue


Tyrone Power was buried at Hollywood Cemetery, now known as Hollywood Forever Cemetery, Hollywood, California, at noon, on November 21, 1958, in a military service. The memorial service was held at the Chapel of the Psalms, Hollywood Cemetery, with Chaplain Thomas M. Gibson, U.S.N.R. officiating. The active pallbearers were officers of the United States Marine Corps. Honorary pallbears were Charles Laughton, Raymond Massey, Tommy Noonan, Theodore Richmond, Murray Steckler, Cesar Romero, Watson Webb, Milton Bren, James Denton, George Sidney, George Cohen, Lew Schreiber, Lew Wasserman, and Harry Brand. Cesar Romero gave the eulogy, using in it a tribute written by Tyrone Power's good friend and frequent co-star, George Sanders. Sanders had written the tribute on the set of Solomon and Sheba, within the first few hours after Power's death. It read as follows:

"I shall always remember Tyrone as a bountiful man, a man who gave freely of himself. It mattered not to whom he gave. His concern was in the giving. I shall always remember his wonderful smile, a smile that would light up the darkest hour of the day, like a sunburst. I shall always remember Tyrone Power as a man who gave more of himself than it was wise for him to give, until in the end, he gave his life."

Flying over the service was Henry King, who directed him in eleven movies. Almost 20 years before, Tyrone had flown with King, in King's plane, to the set of Jesse James in Missouri. It was then that Tyrone Power got his first experience with flying, which would become such a big part of his life, both in the U.S. Marines and in his private life. In the foreword to Dennis Belafonte's The Films of Tyrone Power, King said, "Knowing his love for flying and feeling that I had started it, I flew over his funeral procession and memorial park during his burial, and felt that he was with me." Tyrone Power was laid to rest, by a small lake, in one of the most beautiful parts of the cemetery. His grave is marked by a unique tombstone, in the form of a marble bench. On the tombstone are the masks of comedy and tragedy, with the transcription, "Good night, sweet prince."

Tyrone Power's will, filed on Dec. 8, 1958, contained an unusual provision. It stated his wish that, upon his death, his eyes would be donated to the Estelle Doheny Eye Foundation, for such purposes as the trustees of the foundation should deem advisable, including transplantation of the cornea to the eyes of a living person.


Post-death rumors

Over 20 years after Tyrone Power's death, Hector Arce, in his book The Secret Life of Tyrone Power (1979) cited anonymous sources to support his claim that Power was bisexual. Up until that time, no claims to this effect had been made. In his 1994 autobiography Crying With Laughter, the British comedian and actor Bob Monkhouse claimed that he had repelled advances from Power. The fashion critic Mr. Blackwell, in his 1995 autobiography From Rags to Bitches claimed that he met Power when a young actor for "romantic moments in his dressing room and took long rides speeding down Sunset to Malibu". According to William J. Mann, Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910-1969, the actor had had homosexual relationships. In his book, The Evening Crowd at Kirmser's: A Gay Life in the 1940s, Ricardo J. Brown confirms that he had heard in New York that there were "a lot of queer people in the theater and the movies", among them Tyrone Power and Tallulah Bankhead. In Oops, I Lost My Sense of Humor, Lois M. Santalo writes that "many stars of the silver screen, dating back to Tyrone Power, had been gay". In Robert Aldrich and Garry Wotherspoon's (both of Sydney University) Who's Who in Contemporary Gay and Lesbian History: From World War II to the Present Day, Power is listed among the "Top box office stars who were gay or bisexual".

However women with whom Power was married or had relationships have denied any knowledge of homosexual leanings. His second wife Linda Christian, in My Own Story, published in 1963, asserts that she and Tyrone Power shared an intense love and described his love for other women. Lana Turner, in her 1983 book The Lady The Legend The Truth, and Mai Zetterling, in All Those Tomorrows (1986) describe their two year long affairs with Power. Other people who knew Power as close friends have refuted the claims of bisexuality: Bob Buck, a pilot who served as Tyrone Power's co-pilot on a trip to Europe and South Africa in 1947, and who became close friends with him, in his autobiography North Star Over My Shoulder stated (in responding to rumors that he had read) "And while talking of Ty, I want to make this clear, and as loudly as I can: he was not a homosexual...", Lana Turner, transcript of Phil Donahue Show 1982, asked about rumors of Power's homosexuality: "I can only say this, naturally I only heard about it after his death. I think some terrible person wrote a book- but all the time I knew him there was never a sign of it. Believe me he was all man." Alice Faye, transcript of Eyewitness News April 1985 while appearing on behalf of Pfizer in New York City, said of Power when questioned about him and his alleged homosexuality: "Well, we were all babies. We had a great time working together...I never saw any sign of any such thing." In On Sunset Boulevard by Ed Sikov [describing a trip that Billy Wilder took with Power and Charles Laughton] "Wilder saw no evidence of homosexuality in Power." Further references to Power's heterosexual relationships can be found in the following: Investigation Hollywood by Fred Otash, The Gift Horse by Hildegarde Knef, Linda: My Own Story by Linda Christian, Lana: The Lady, the Legend, the Truth by Lana Turner, Whisper magazine, 1954, No More Tomorrows by Mai Zetterling, Debbie: My Life by Debbie Reynolds, People Will Talk by John Kobal.

Wives and children

* 1) Annabella, married 23 April 1939 and divorced 26 January 1948
o One daughter Anne Power (Annabella's daughter, adopted by Tyrone Power)
* 2) Linda Christian, married 27 January 1949 and divorced 7 August 1956
o Two daughters Romina Francesca Power, born 1951 and Taryn Power, born 1953
* 3) Deborah Ann Montgomery Minardos, married 7 May 1958
o One son Tyrone William Power IV, born 1959

http://en.wikipedia.org/wiki/Tyrone_Power
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 5 May, 2006 03:20 pm
Ann B. Davis
From Wikipedia, the free encyclopedia

Ann Bradford Davis (born May 5, 1926) is an American television actress. She was born in Schenectady, New York.

Her first success was as Schultzy (aka Charmaine Schultz) in The Bob Cummings Show, and she won two Emmy Awards out of four nominations for this role.

She also played the role of housekeeper Alice Nelson (and her lookalike cousin Emma) in The Brady Bunch television series, and the various Brady Bunch sequel series and TV movies that followed. She made a cameo role as a truck driver in 1995's The Brady Bunch Movie.

Davis never married and currently lives in a residential neighborhood in San Antonio, Texas. She never completely retired from acting, and recently appeared in a commercial with other actors famous for playing servants.

http://en.wikipedia.org/wiki/Ann_B._Davis
0 Replies
 
bobsmythhawk
 
  1  
Reply Fri 5 May, 2006 03:24 pm
Tammy Wynette
From Wikipedia, the free encyclopedia


Tammy Wynette (May 5, 1942 - April 6, 1998) was an American country singer and songwriter. She was known as the "First Lady of Country Music" and one of her best-known songs was "Stand by Your Man," which was one of the biggest selling hit singles by a woman in the history of the music genre.


Biography

Tammy Wynette was born Virginia Wynette Pugh near Tremont, Mississippi, the only child of William Hollis Pugh (died February 13, 1943) and Mildred Faye Russell (1922-1991). She was always called Wynette (pronounced Wee-net), or Nettie, instead of Virginia.

Her father was a farmer and local musician. He died of a brain tumor when Wynette was nine months of age. Her mother worked in an office, as a substitute school teacher, as well as on the family farm. After the death of Hollis Pugh, she left Wynette in the care of her parents, Thomas Chester and Flora A. Russell, and moved to Memphis to work in a World War II defense plant. In 1946, she married Foy Lee, a farmer from Mississippi.

Wynette was raised on the Itawamba County farm of her maternal grandparents where she was born. The place was partly on the border with Alabama. She has often claimed that the state line ran right through their property. As a youngster, she worked in the fields picking cotton alongside the hired crews to get in the crop. She grew up with her aunt, Carolyn Russell, who was only five years older than she was. Wynette sang gospel tunes with her grandmother, learned to play the piano and the guitar.


She attended Tremont High School, where she was an all-star basketball player. A month before graduation, she married her first husband. He was a construction worker and they moved several times. Her early jobs included working as a waitress, a receptionist, a barmaid, and in a shoe factory. In 1963, she attended beauty school in Tupelo, Mississippi, and became a hairdresser; she would renew her cosmetology license every year for the rest of her life, just in case she should have to go back to a daily job. Her first husband, whom she left before the birth of their third daughter, was not supportive of her ambition to become a country singer, and, is said by Wynette to have told her, "Dream on, Baby."

Her baby developed spinal meningitis and Wynette tried to make extra money by performing at night. In 1965, Wynette sang on the Country Boy Eddie Show on WBRC-TV in Birmingham, Alabama, which led to some appearances with Porter Wagoner. In 1966, she moved with her three girls from Birmingham to Nashville, Tennessee, where she pounded the pavement to get a recording contract. After being turned down by repeadedly by every other record company she'd met with, she auditioned for producer Billy Sherrill, who signed her to Epic Records.

Once signed to Epic, Sherrill suggested she consider changing her name to something that might make more of impression with the public. According to her 1979 memoir, "Stand by Your Man," during their meeting, Wynette was wearing her long, blonde hair in a ponytail, and Sherill noted that she put him in mind of Debbie Reynolds in the film "Tammy and the Bachelor," and suggested "Tammy" as a possible name; thus she became Tammy Wynette.

Her first single, "Apartment #9" (written by Johnny Paycheck), was released in late 1966, and reached the top forty on the U.S. country charts. In 1967 she had hits with "Your Good Girl's Gonna Go Bad," "My Elusive Dreams" (a duet with David Houston), and "I Don't Want to Play House," all of which reached the country top ten.

Wynette had three number one hits in 1968: "Take Me to Your World," "D-I-V-O-R-C-E," and her best known song, "Stand by Your Man" (which she said she wrote in fifteen minutes). In 1969, she had two additional number one hits: "Singing My Song" and "The Ways to Love a Man." That same year, Wynette earned a Gold record (awarded for albums selling in excess of one million copies) for "Tammy Wynette's Greatest Hits." She was the first female country artist to do so.

Director Bob Rafelson used a number of her songs in the soundtrack of his 1970 film Five Easy Pieces. Her chart success continued into the 1970s with such hits as "Good Lovin' (Makes it Right)" (1971), "He Loves Me All the Way" (1971), "Bedtime Story" (1972), "Kids Say the Darndest Things" (1973), "Woman to Woman" (1974), "You and Me" (1976), "'Til I can Make it on My Own" (1976), and "Womanhood" (1978).

She married her second husband shortly after her first divorce became final. While still married to him, however, she began a relationship with George Jones, a legendary country performer who was known to have a problem with alcoholism. (They first became involved somewhere around 1968.) Eventually Wynette parted with her second husband and married Jones in Ringgold, Georgia, with whom she had a daughter, Georgette (born in 1970.) It was a difficult marriage, however, due largely to Jones' drinking, and they were divorced in 1975; During their years together, they recorded a number of duet albums, starting in 1971, the first being the Top-10 hit "Take Me" (...to your darkest room, bolt every window and lock every door). They would continue to record together, even after their divorce, through the mid 1990s.

Aside from her music, Wynette's private life was as tumultuous as many of her songs. Over the course of her life, she had had five husbands: Euple Byrd (married 1959-divorced 1966); Don Chapel (married 1967-divorced 1968); George Jones (married 1969-divorced 1975); Michael Tomlin (married 1976-annulled 1976); and George Richey (married 1978-her death 1998).

She and Byrd had three children, Gwendolyn Lee ("Gwen") Byrd (born 1961), Jacquelyn Faye ("Jackie") Byrd (born 1962) and Tina Denise Byrd (born 1965), and she and Jones had one child, Tamala Georgette Jones (born 1970).

Tammy had a well publicized relationship with actor Burt Reynolds in the 1970s. Her fourth marriage, to Michael Tomlin, lasted only six weeks. She then married George Richey, who became her manager. In 1978, she was mysteriously abducted by a masked man at a Nashville shopping center, driven 80 miles south in her luxury car, beaten and released. No one was ever arrested or identified; although, according to her daughter, Jackie, who wrote the book Tammy Wynette: A Daughter Recalls Her Mother's Tragic Life and Death, Tammy and Richey were covering up for him blackening her eye.

She also had a number of serious physical ailments beginning in the 1970s, including operations on her gall bladder, kidney and on the nodules on her throat.

During the late 1960s and early 1970s, Wynette dominated the country charts. She had seventeen number one hits. Along with Loretta Lynn and Dolly Parton, she helped redefine the role and place of female country singers. Beginning in the early 1980s, however, her chart success began to wane. While her singles and albums continued to reach the country top forty, they occurred with less frequency than the previous decade. Meanwhile, Her medical problems continued, including inflammations of her bile duct. In 1986, she acted on the CBS TV soap opera Capitol. In 1988, she filed for bankruptcy as a result of a bad investment in two Florida shopping centers. Her 1987 album "Higher Ground" broke through with a new contemporary sound, broadening her audience..

She recorded a song with the British electronica group The KLF in late 1991 titled "Justified and Ancient (Stand by the JAMs)," which became a number one hit in eighteen countries the following year. In the video, scrolling electronic titles said that "Miss Tammy Wynette is the first lady of country music." Wynette appeared in the video seated on a throne. Although some saw the inclusion of Wynette as a novel ploy for attention[citation needed] to the song - The KLF were well known for scams and stunts - her inclusion was a mark of respect from The KLF and not an after-thought or marketing ploy.[citation needed] Wynette's vocal performance was exceptional and the song was probably one of the better dance songs of the early 1990s in terms of melodic construction and performance.[citation needed]

In 1992, future First Lady Hillary Rodham Clinton said during a 60 Minutes interview that she wasn't "some little woman, standing by my man, like Tammy Wynette." The remark set off a firestorm of controversy and Wynette demanded, and received, an apology from Clinton. (Hillary Clinton's remark aside, Wynette was nonetheless a Clinton supporter, and later performed at a Clinton fundraiser.)

The 1993 album Honky Tonk Angels gave her a chance to record with Dolly Parton and Loretta Lynn for the first time; though yielding no hit singles, the album did well on the country charts. The following year, she released Without Walls, a collection of duets with a number of country, pop and rock and roll performers, including Wynonna,Elton John, Lyle Lovett, Aaron Neville, Smokey Robinson, Sting and a number of others.

Wynette also designed and sold her own line of jewelry in the 1990s. In 1994, she suffered an abdominal infection that almost killed her. She was in a coma for six days. In 1995, she and George Jones recorded and toured together again for the last time.

Wynette lent her vocals on the UK #1 hit Perfect Day in 1997, which was written by Lou Reed.

After years of medical problems, numerous hospitalizations, approximately twenty-six major surgeries and an addiction to large doses of pain medication, Tammy Wynette died at age fifty-five while sleeping on the couch in her living room in Nashville, Tennessee. There is still considerable controversy surrounding how she died, but it is largely believed that she died of a blood clot to the lung. She is interred in Woodlawn Memorial Park Cemetery, Nashville.

In 2003 a survey of country music writers, producers and stars listed Stand by Your Man as the top country song of all time. Country Music Television broadcast a special for the top 100 songs, with the #1 song performed by Martina McBride.

Judson Baptist Church, who neighbors Wynette's house, purchased the house and the land for a little over a million dollars. The Wynette house is used as a Youth Center as well as a guest house.

http://en.wikipedia.org/wiki/Tammy_Wynette


Stand by Your Man :: Tammy Wynette

Sometimes its hard to be a woman
Giving all your love to just one man
You'll have bad times
And he'll have good times
Doing things that you don't understand
But if you love him you'll forgive him
Even though he's hard to understand
And if you love him
Oh be proud of him
'Cause after all he's just a man
Stand by your man
Give him two arms to cling to
And something warm to come to
When nights are cold and lonely
Stand by your man
And tell the world you love him
Keep giving all the love you can
Stand by your man
Stand by your man
And show the world you love him
Keep giving all the love you can
Stand by your man
0 Replies
 
Letty
 
  1  
Reply Fri 5 May, 2006 03:25 pm
But, listeners, before we get down and dirty, we had better heed this bit of news about a come back kid:

Suppressed Freud makes comeback in country of his birth Thu May 4, 3:43 AM ET



PRAGUE (AFP) - After decades under suspicion, Sigmund Freud is making a comeback in the country of his birth 150 years ago, where he left a legacy complex enough to merit a few sessions on the couch.


In Prague, seminars, conferences -- one chaired by President Vlaclav Klaus -- and public exhibitions over his influence on art, as well as smaller events in his birthplace Pribor, all testify to something of a Freud revival in the Czech Republic.

"Ten years ago for the 140th anniversary (of Freud's birth), there was only a symposium organised by one organisation," said Michael Sebek, a practising psychoanalyst and former head of the Czech Psychoanalytical Association.

"Freud is definitely making a comeback," he added.

So, let's hear a recitation about that guy and his slips:

Speak of Freud, Here's the hawkman. Gotta slip this in while he does his bio bit.
0 Replies
 
 

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