107
   

WA2K Radio is now on the air

 
 
yitwail
 
  1  
Reply Sat 29 Apr, 2006 01:27 pm
seems apropos to play a tribute to the Duke from another musical prodigy:

Music is a world within itself
With a language we all understand
With an equal opportunity
For all to sing, dance and clap their hands
But just because a record has a groove
Don't make it in the groove
But you can tell right away at letter A
When the people start to move

They can feel it all over
They can feel it all over people
They can feel it all over
They can feel it all over people

Music knows it is and always will
Be one of the things that life just won't quit
But here are some of music's pioneers
That time will not allow us to forget
For there's Basie, Miller, Sachimo
And the king of all Sir Duke
And with a voice like Ella's ringing out
There's no way the band can lose

You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people

You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people

You can feel it all over
You can feel it all over people
You can feel it all over
You can feel it all over people

You can feel it all over
You can feel it all over people
You can feel it all over
I can feel it all over-all over now people

Can't you feel it all over
Come on let's feel it all over people
You can feel it all over
Everybody-all over people
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:27 pm
Rod McKuen
From Wikipedia, the free encyclopedia


Rod McKuen (born April 29, 1933) is a bestselling American poet, composer, and singer, instrumental in the revitalization of popular poetry that took place in the 1960s and early 1970s.
Photo courtesy of Stanyan Entertainment

Born Rodney Marvin McKuen in Oakland, California, McKuen ran away from home at the age of eleven to escape an alcoholic stepfather and to send what money he could to his mother. After a series of jobs, from lumberjack, ranch hand, railroad worker to rodeo cowboy, throughout the west, McKuen began in the 1950s to excite audiences with his poetry readings, appearing with such well-known poets as Jack Kerouac and Allen Ginsburg; during this time, he often used the pseudonym "Dor". He moved to New York City in 1959 to compose and conduct for the TV show "The CBS Workshop." By the 1960s he had achieved fame, far surpassing in sales the works of the Beat poets who preceded him. During the early 1960s he spent most of his time in France. This began his project to translate the work of his close friend, legendary singer/songwriter Jacques Brel into English. After Brel died he said "As friends and as musical collaborators we had traveled, toured and written - together and apart - the events of our lives as if they were songs, and I guess they were. When news of Jacques' death came I stayed locked in my bedroom and drank for a week. That kind of self pity was something he wouldn't have approved of, but all I could do was replay our songs (our children) and ruminate over our unfinished life together." [1]

He became an icon across college campuses for his ability to capture in verse the feelings of anxiety, love, confusion, and hope that were common during the Vietnam era. His public readings had the drawing power of a rock concert.

McKuen's commercial success is unparalleled in the field of modern poetry. His poetic works have been translated into a dozen languages and sold over 65 million copies. Throughout his career he has continued to enjoy sell-out concerts around the world and appears regularly at New York's famed Carnegie Hall.

As a songwriter, he has contributed to the sale of over 100 million records. His material has been recorded by such artists as Frank Sinatra, Waylon Jennings, The London Philharmonic, Greta Keller, Perry Como, and Madonna. On his official website, McKuen claims also to have recorded a single in the 1950s backed by Bill Haley's Comets ("The Beat Generation", with vocal by voice actor Bob McFadden), but this has not been confirmed. McKuen has proven to be a prolific songwriter, penning over 1500 songs. He has collaborated with a variety of internationally renowned composers, including Henry Mancini and John Williams. His symphonies, concertos, and other classical works have been performed by orchestras around the globe. His suite for narrator and orchestra, The City, was nominated for the Pulitzer Prize in Music. His work as a composer in the film industry has garnered him two Academy Award nominations.

Throughout his multi-award-winning career, McKuen has paired his artistic endeavors with a spirit for social reform. Before a tour of South Africa in the 1960s, McKuen demanded "mixed seating" among white and black concert-goers, opening the doors for successful tours by a variety of African-American performers, including Sammy Davis, Jr. and Ella Fitzgerald. He has also spearheaded efforts to raise AIDS awareness and fund charities for children and senior citizens. His humanitarian efforts have twice won him the prestigious Freedoms Foundation Award.

http://en.wikipedia.org/wiki/Rod_McKuen
0 Replies
 
yitwail
 
  1  
Reply Sat 29 Apr, 2006 01:31 pm
and while i'm interrupting bob, i'd like to play a song that's becoming of a virtual radio station:

Theme for an Imaginary Western

When the wagons leave the city
for the forest and further on
Painted wagons of the morning
dusty roads where they have gone
Sometimes travelling through the darkness
met the summer coming home
Fallen faces by the wayside
looked as if they might have known

O the sun was in their eyes
and the desert that dries
In the country town
where the laughter sounds

O the dancing and the singing
O the music when they played
O the fires that they started
O the girls with no regret
Sometimes they found it
Sometimes they kept it
Often lost it on the way
Fought each other to possess it
Sometimes died in sight of day

O the sun was in their eyes
and the desert that dries
In the country town
where the laughter sounds
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:31 pm
Tammi Terrell
From Wikipedia, the free encyclopedia

Born
April 29, 1945
Philadelphia, Pennsylvania
Died
March 16, 1970
Philadelphia, Pennsylvania

Tammi Terrell (born Thomasina Montgomery) (April 29, 1945 - March 16, 1970) was an American Motown singer in the 1960s, best known for her duets with Marvin Gaye.


Biography


Early years

Born in Philadelphia, Pennsylvania, she entered the music business at the age of 13, regularly performing live. In 1961 she was signed to the fledgling Scepter Records (later Wand Records), recording under the name "Tammy Montgomery". After coming to the attention of James Brown she recorded one single apiece for Brown's own Try Me record label and, in 1964, Checker Records. The year after that, she was spotted by Berry Gordy Jr. while playing live, and signed to his Motown label. Attractive and talented, she became romantically linked with both James Brown and David Ruffin, lead singer of The Temptations.


Marvin Gaye & Tammi Terrell

Initially Terrell recorded solo, with only moderate success. However, from 1967 onwards she recorded a series of duets with Marvin Gaye, producing hits with Ashford & Simpson written tunes such as "Ain't No Mountain High Enough", "Ain't Nothing Like the Real Thing" and "You're All I Need to Get By".

However, Terrell's success was to be short-lived. On October 14, 1967, while in concert at the homecoming for a college in Virginia, she collapsed in Gaye's arms. (Sources differ as to the exact site; some say it was Hampton University, others say it was Hampden-Sydney College.) She was rushed to the hospital, where she was later diagnosed with a malignant brain tumor. From then on her health deteriorated. Gaye later told his biographer David Ritz that Terrell was no longer able to record and that Valerie Simpson recorded most of the female vocals on the final Gaye/Terrell duet album, Easy. (Simpson denies these charges in a book written by Terrell's sister Ludie Montgomery.) Terrell died on March 16, 1970 at the age of 24.

Marvin Gaye's classic album What's Going On, an introspective, low-key work which dealt with mature themes, was in part a reaction to Terrell's untimely passing. Both Terrell's solo work and her duets with Marvin Gaye remain in print today.


Rumors

Rumors persist that Terrell's condition was either brought on, or worsened by, domestic abuse from her live-in boyfriend, David Ruffin. While Ruffin and Terrell did fight, it was never proven that Ruffin abused her severely enough to damage her in such a way.

http://en.wikipedia.org/wiki/Tammi_Terrell
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:33 pm
Jerry Seinfeld
From Wikipedia, the free encyclopedia



Jerome "Jerry" Seinfeld (born April 29, 1954 in Brooklyn, New York) is an American actor, writer and observational comedian from Massapequa, New York, a Long Island hamlet. He is best-known for playing a fictional version of himself in the long-running sitcom Seinfeld, which he co-created and executive produced.

Early history

Seinfeld attended the Birch Lane Elementary School and Massapequa High School. Straight from graduation at Queens College, Seinfeld tried out at an open mic night at New York's Catch A Rising Star in 1976. Soon after, he was appearing in a Rodney Dangerfield HBO special.

Seinfeld had a small recurring role as "Frankie" on the Benson sitcom in 1979, but was abruptly fired from the show.

A few years later, in May of 1981, Seinfeld made a highly successful appearance on Johnny Carson's Tonight Show. Seinfeld then became a regular on similar shows, including Late Night with David Letterman and The Merv Griffin Show.

Seinfeld

Seinfeld created The Seinfeld Chronicles with Larry David in 1989 for NBC. The show was later renamed Seinfeld and, by its fourth season, became one of the most popular and successful sitcoms on American television. The show left the air in 1998. As of 2006, the show is still receiving heavy airplay in syndication. The show also starred Saturday Night Live veteran Julia Louis-Dreyfus, as well as Michael Richards and Jason Alexander. On the show, Seinfeld played a caricature of himself. He has said that his show was inspired by the classic 1950s sitcom The Abbott and Costello Show.

Post-Seinfeld

In 1998, Seinfeld went on tour and recorded a comedy special entitled I'm Telling You for the Last Time. An album of the same name was also released that year, and it featured samples of his stand-up performance.

After his sitcom went off the air, Seinfeld returned to stand-up comedy. The process of developing and performing new material at clubs around the world was chronicled in a 2002 documentary, Comedian, directed by Christian Charles. His stand-up routine is highly acclaimed and Jerry was ranked #12 in Comedy Central's list of the 100 greatest standups of all time. Jerry Seinfeld has written a few books, mostly archives of past routines.

Seinfeld also appeared in two commercial 'webisodes' [1] promoting American Express Credit Cards in which he appeared together with an animated rendering of Superman, voiced by Patrick Warburton (who had portrayed David Puddy on Seinfeld). The webisodes were aired in 2004 and directed by Barry Levinson.

Books

Seinfeld is also a bestselling author, most notably for his book Seinlanguage. Released in 1993, the book went onto become a number one New York Times bestseller. The book, written at the height of his television show, deals with Seinfeld's musings on trivial events such as shushing in a movie theater. More recently, he wrote a children's book titled Halloween (2002). The book was illustrated by James Bennett.

He completed the forewords to Ted L. Nancy's Letters From A Nut series of books and Ed Broth's Stories From A Moron. Both authors are rumored to be pseudonyms for Seinfeld or a friend of his. Neither Nancy or Broth have been seen publicly, although Seinfeld is heavily involved in pitching their books for television. In promoting Broth's book, Seinfeld hosted a toast in the author's honor, although Broth did not arrive to the event. [2].

Seinfeld also wrote the foreword to the Peanut Butter & Co. Cookbook, from his favorite sandwich shop in New York City.

Family

He was born to a Jewish family of a Syrian mother and a Hungarian father.

His most famous pre-marriage dalliance was with Shoshanna Lonstein, who was still in secondary school when they first met. He began dating Jessica Sklar after they met at the Reebok Sports Club in 1998, even though she had just married Eric Nederlander, a scion of the Broadway theater-owning family. At one point, Nederlander planned to sue Seinfeld for "alienation of affection", which contributed to the demise of his marriage. Seinfeld and Sklar married on December 25, 1999. They have three children: daughter Sascha (born November 7, 2000), son Julian Kal (born March 1, 2003) and son Shepherd Kellen (born August 22, 2005).

Compensation

Seinfeld received $267 million USD during 2004 according to Forbes magazine ([3]), making him the highest-earning celebrity that year. Even though the sitcom ended in May 1998, Seinfeld still generates more revenue, through syndication, than most current shows.

Trivia

* Seinfeld is an avid automobile enthusiast and collector and is rumored to own one of the largest Porsche collections in the world. He rented out an entire hangar at the Santa Monica Airport in Santa Monica, California for an extended period of time during the 1990s for storage of some of the vehicles in the collection; after his return to New York he was involved in an extended dispute with several neighbors over the proposed building of a massive storage garage to contain the cars. In several episodes of his sitcom, a Porsche themed painting (depicting a 904 GTS race car competing in the 1964 Targa Florio race in Italy, which it won) is visible on a wall in his apartment, an issue of Excellence magazine, a Porsche-centered publication, is featured prominently on an outdoor magazine rack.
* Seinfeld is left-handed, and his first show as a comedian was about being left handed in a right-handed world.
* Seinfeld is a big fan of the comic book character Superman, as evidenced in virtually every episode of his TV series.
* On April 18, 2006, the Boston-based magazine Phoenix named Seinfeld the "17th unsexiest male celebrity".[4]
* Was the first to recieve a American Express Centurion Card
* Apeared on Howard Stern.

http://en.wikipedia.org/wiki/Jerry_Seinfeld
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:34 pm
Kate Mulgrew
From Wikipedia, the free encyclopedia


Kate Mulgrew (born April 29, 1955) is an American actress, most famous for her role on Star Trek: Voyager and Mary Ryan on Ryan's Hope. She was born in Dubuque, Iowa, and is the second oldest of eight siblings.

At the age of 17, Mulgrew left home and traveled to New York City to study acting. While at New York University, Mulgrew was accepted into Stella Adler's Conservatory. At the end of her junior year, she left the university to commit herself full time to her craft.

Kate Mulgrew has performed in 23 plays, 9 movies, 30 television shows, 6 audio books, and 1 television documentary. One of her first roles on television was of older daughter Mary Ryan on the soap opera Ryan's Hope. She would become a fan favorite and would be associated with the show long after it was canceled. To this day she remains friends with former co-star Ilene Kristen and presented a special Soap Opera Digest Award to Ryan's Hope creator Claire Labine in 1995.

Among her television guest roles was as Hillary Wheaton, a Canadian anchorwoman wrestling with alcoholism, on an episode of Murphy Brown. She also guest starred on Cheers as Sam Malone's temporary romantic interest Councillor Janet Eldridge.

She is also well-remembered for starring in the short-lived 1970s series Mrs. Columbo (also known as Kate Loves a Mystery among other titles).

She played Captain Kathryn Janeway on the science fiction television series Star Trek: Voyager from 1995 to 2001, earning her greatest popular success to date.

Something of a Katharine Hepburn lookalike, she continues to star in a one-woman play called Tea at Five, a monologue reminiscence based on Hepburn's memoir Me: Stories of My Life. Tea at Five is also available as an audio recording.

Kate Mulgrew won the Saturn Award for "Best TV Actress" in 1998 and the Golden Satellite Award for "Best Actress in a TV series drama" in 1998. She was nominated for the Golden Globe Award for "Best Dramatic Actress" in 1979.

Mulgrew's husband Tim Hagan was the Democratic party's nominee for the office of governor of Ohio in the 2002 gubernatorial election. Hagan lost to incumbent Robert A. Taft II.

Mulgrew did a radio commercial for the Trappist monks of New Melleray Abbey on their line of Trappist Caskets. She has also narrated commercials for the MetroHealth System of Cleveland, Ohio.

Kate Mulgrew also said that life is sacred to her "on all levels" and is strongly opposed to abortion [1] and capital punishment.

http://en.wikipedia.org/wiki/Kate_Mulgrew
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:36 pm
Daniel Day-Lewis
From Wikipedia, the free encyclopedia

Daniel Michael Blake Day-Lewis (born 29 April 1957) is an Academy Award-winning English/Irish actor. Although born in London, England, he took out Irish citizenship in 1993.

After studying at the Bristol Old Vic Theatre School, Daniel Day-Lewis performed in numerous stage plays and films that gained him an Academy Award, two BAFTA awards, and four Golden Globe nominations. In the midst of his career, he has become known as one of the most selective actors in the film industry, starring in only four movies in the last ten years. He has also been acknowledged for his constant devotion to his roles and copious amounts of research he performs. Often he will remain in character and speak in the accents he has used on screen throughout the entire shooting schedule. Because of his devotion to the famed "Method" acting technique, he has often been called the "British De Niro".[1] [2]

Early life

Day-Lewis is the son of the late British Poet Laureate Cecil Day-Lewis. His mother, who comes from a Jewish family, is actress Jill Balcon, daughter of Sir Michael Balcon, former head of Ealing Studios. Two years after his birth in London, the Day-Lewis family moved to Croom's Hill, Greenwich where Daniel grew up along with his older sister, Tamasin Day-Lewis, who later become a renowned documentary filmmaker and television chef.

Cecil Day-Lewis was already 53 years old at the time of his son's birth, and seemed to take little interest in his children.[3] Following frequent health problems, he died when Daniel was 15. Daniel felt unsettled about his lack of emotion, and regretted not having been closer to his father.

Living in Greenwich, Day-Lewis naturally found himself among some tough South London kids and being Jewish and "posh", he was often bullied. Very quickly, therefore, he mastered the local accent and mannerisms - which he believes to have been the first convincing performances he gave. Later in life, he was known to speak of himself as very much a disorderly character in his younger years, often in trouble for shoplifting and other petty illegalties.[4] [5]

In 1968, Day-Lewis' parents, finding him to be "too wild", sent him to Sevenoaks boarding school in Kent. Though he detested the school, he was introduced to his two most prominent interests, woodworking and acting. He made his debut in Cry, The Beloved Country wearing extensive makeup for his role as an African-American boy.

While his disdain for the school grew, he made his film debut at the age of 14 in Sunday Bloody Sunday in which he played a vandal in an uncredited role. He described the experience as "heaven", for getting paid £2 to vandalize expensive cars parked outside his local church.[3] After two years at Sevenoaks, Daniel was transferred to the Bedales School in Petersfield.

Leaving Bedales in 1975, his unruly attitude had faded and he now had to make a career choice. Although he loved acting and had excelled onstage at the National Youth Theatre, he found something "seedy" about backstage life, and decided to become a cabinet-maker, applying for a five-year apprenticeship. However, because of a lack of experience, he was not accepted.

He then applied (and was accepted) at the Bristol Old Vic Theatre School, which he attended for three years, eventually performing at the Bristol Old Vic itself. (At one point he played understudy to Pete Postlethwaite, whom he would later play opposite in In the Name of the Father).

Career


1980s

Eleven years after his film debut, Day-Lewis continued his film career with a small part in Gandhi (1982) as Colin, a street thug who bullies the title character, only to be immediately chastised by his high-strung mother. In 1984, he had a supporting role as a cowardly first mate in The Bounty, after which he joined the Royal Shakespeare Company, performing as Romeo in Romeo and Juliet. (However, he later grew to detest the character, often referring to him as a "wanker").

The actor was next featured on stage as "The Count" in the stage-play of Dracula where he appeared with his hair dyed blond in a throwback to Nosferatu. He later let his hair grow out to give a frosted "punk look" when he played half of a gay bi-racial couple in My Beautiful Laundrette. Day-Lewis gained further public notice when the film was released simultaneously with a completely different character in A Room with a View (1986), in which he played the effete upper-class fiance of the main character (played by Helena Bonham-Carter).

In 1987, Day-Lewis assumed leading man status by starring in Philip Kaufman's The Unbearable Lightness of Being, co-starring Juliette Binoche, as a Czech doctor whose hyperactive and purely physical sex life is thrown into disarray when he allows himself to become emotionally involved with a woman. During the eight-month shoot he learned Czech and first began to refuse to break character on or off the set for the entire shooting schedule.[5]

Day-Lewis put his personal version of "method acting" into full use in 1989 with his performance as Christy Brown in Jim Sheridan's My Left Foot which won him numerous awards, including the Academy Award for Best Actor. During filming, his eccentricities came to the fore, due to his refusal to break character.

Playing a severely paralyzed character onscreen, offscreen Day-Lewis had to be wheeled around the set in his wheelchair, and crew members would curse at having to lift him over camera and lighting wires, all so that he might gain insight into all aspects of Christy Brown's life, including the embarrassments. [4] He also broke two ribs during filming from assuming a hunched-over position in his wheelchair for so many weeks.[6]

Daniel Day-Lewis returned to the stage to work with Richard Eyre, as Hamlet at the National Theatre, but collapsed in the middle of a scene where the ghost of Hamlet's father first appears to his son. He began sobbing uncontrollably and refused to go back on stage; his understudy finished what little was left of the production's run. One rumour following the incident was that Day-Lewis had seen the ghost of his own father, although the incident was officially attributed to exhaustion. He has not appeared on stage since.

1990s

In 1992, three years after his Oscar win, The Last of the Mohicans was released. Day-Lewis' character research for this film was well-publicized; he reportedly underwent rigorous weight training and learned to live off the land and forest where his character lived, camping, hunting and fishing. He even carried a musket at all times during filming in order to remain in character.

While the film carried him to new heights of stardom, Day-Lewis preferred less "Hollywood" films such as The Age of Innocence co-starring Michelle Pfeiffer and directed by Martin Scorsese. He ultimately returned to work with Jim Sheridan on In the Name of the Father, in which he played Gerry Conlon, one of the Guildford Four who were wrongfully convicted of a bombing carried out by the Provisional IRA. He lost a substantial amount of weight for the part, kept his Northern Irish accent on and off the set for the entire shooting schedule, and spent stretches of time in a prison cell. He also insisted that crew members throw cold water and verbal abuse at him. The film earned him his second Academy Award nomination, his third BAFTA nomination, and his second Golden Globe nomination.

In 1996, Day-Lewis starred in a film version of The Crucible based on the play by Arthur Miller and co-starring Winona Ryder. He followed that with Jim Sheridan's The Boxer as a former boxer and IRA member recently released from prison. His preparation included training for six months with former boxing world champion Barry McGuigan.

Following The Boxer, Daniel Day-Lewis took a leave of absence from acting by putting himself into "semi-retirement" and returning to his old passion of woodworking. He moved to Florence, Italy where he became intrigued by the craft of shoemaking, eventually apprenticing as a cobbler for a time. His exact whereabouts and actions were not publicly known.[7]


2000s

After a three-year absence from filming, Day-Lewis was convinced to return to acting by Martin Scorsese (with whom he had worked on The Age of Innocence) and Harvey Weinstein to play (opposite Leonardo Di Caprio) the villain gangleader, "Bill the Butcher", in "Gangs of New York". He began his lengthy, self-disciplined process by taking lessons as an apprentice butcher. (Day-Lewis' dedication to the role even threatened his life at one point during filming when he was diagnosed with pneumonia. He refused to wear a warmer coat or to take treatment because it was not in keeping with the period. However, he was eventually persuaded to seek medical treatment.[1]

His performance in "Gangs of New York" earned him his third Academy Award nomination and won him the BAFTA Award for Best Actor. At the time, he swore that this film would be his last.


This was not to be the case, however, when Day-Lewis' own wife, director Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose, in which he played a dying man with regrets over how his life had evolved and over how he had raised his teenaged daughter. During filming he arranged to live separately from his wife in order to achieve the "isolation" needed to focus on his own character's reality. [3] The film received mixed reviews, while Day-Lewis received almost universal praise for his performance.

In 2006, it was reported in Variety that Paul Thomas Anderson's next film would be an adaptation of the controversial novel Oil!, renamed There Will Be Blood starring Daniel Day-Lewis.[8]

Personal life

Because of his need for privacy, Day-Lewis rarely talks publicly about his personal life, although he had what he would later describe as "the most on-off relationship in the world" with French actress Isabelle Adjani. The strained relationship lasted six years and eventually ended when Adjani notified Day-Lewis, reportedly by fax, that she was pregnant.[9] Gabriel-Kane Day-Lewis was born in 1995 in New York, months after the relationship between the two actors had ended.

In 1996, while working on the film version of the stage-play The Crucible, he visited the home of playwright Arthur Miller where he was introduced to the writer's daughter, Rebecca Miller. They fell in love and were married two weeks before the film's release. The couple have two sons, Ronan (born June 14, 1998), and Cashel (born May 2002)[10] and divide their time between their homes in the US and Ireland.[3]

http://en.wikipedia.org/wiki/Daniel_Day-Lewis
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:38 pm
Michelle Pfeiffer
From Wikipedia, the free encyclopedia

Michelle Pfeiffer (born April 29, 1958) is an Oscar-nominated American actress.

Biography


Early life

Born in Santa Ana, Orange County, California to Dick Pfeiffer and Donna Taverno, she has three siblings, an older brother, Rick Pfeiffer, and two younger sisters, Dedee Pfeiffer (*1964) and Lori Pfeiffer (*1965). She is of Dutch, German, Irish, Swedish and Swiss descent. Her younger sister, Dedee Pfeiffer, is also an actress, but mostly on TV.

Career

Known for her paradisiacal looks and effervescent, otherwordly talent, Pfeiffer is said to be found at her best when essaying complex and layered characterizations. In films like Dangerous Liaisons or, perhaps more evidently, as the iconic Selina Kyle/Catwoman in Batman Returns, she is the epitome of tragic beauty, always toying with the dark line that separates internal, feline passion from outward facade. In 2002's White Oleander, she plays fatal beauty gone astray.

Her first starring role was in the 1982 musical Grease 2. She also starred in Scarface, Married to the Mob, The Fabulous Baker Boys, Dangerous Liaisons, Dangerous Minds, The Russia House, Frankie and Johnny, and Ladyhawke, among others. Her most recent work includes roles in the movies Sinbad: Legend of the Seven Seas, What Lies Beneath, White Oleander, and I Am Sam.

In 2007, for the first time, Michelle will work with Robert De Niro, in the sci-fi Stardust.

While Pfeiffer is thought to have peaked as a star during the late 1980s/early 1990s (earning three Oscar nominations during this period), she could nonetheless be in the process of a comeback with at least three future projects in the making (see filmography).

Personal life

In 1981, she married actor Peter Horton, but they later divorced. In 1993, Pfeiffer adopted a girl, Claudia Rose Pfeiffer; later that year, she married producer David E. Kelley, the creator of the television series Chicago Hope and Ally McBeal. They have a son, Jack Henry Kelley, in 1994.

http://en.wikipedia.org/wiki/Michelle_Pfeiffer
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:41 pm
Uma Thurman
From Wikipedia, the free encyclopedia

Born: April 29, 1970
Boston, Massachusetts, USA

Uma Karuna Thurman (born April 29, 1970) is an American model and Oscar-nominated film actress. Thurman began her career as a model and modeled professionally throughout the late 1980s before moving to acting in 1988.

Thurman performs predominantly in leading roles in a variety of low-budget and major studio films, ranging from romantic comedies and drama to science fiction and action thrillers. She is best known for her films released in the 1990s and 2000s, specifically those with director Quentin Tarantino. Her most popular films include Dangerous Liaisons (1988), Pulp Fiction (1994), Gattaca (1997), and Kill Bill (2003-04).


Early life and education

Thurman was born in Boston, Massachusetts. Her half-Swedish, half-German mother Nena von Schlebrugg (b. 1941) was briefly married in 1964 to Timothy Leary after the two were introduced by Salvador Dalí. The marriage ended in divorce less than a year later, and in 1967 she married Thurman's father Robert Thurman (b. 1941).

Robert Thurman, a professor at Columbia University of Indo-Tibetan Buddhist studies, gave his children a Buddhist upbringing. She is named after a Hindu goddess. She has three brothers, also with names originating in Tibet: Ganden (b. 1971), Dechen (b. 1973) and Mipam (b. 1978), and one half-sister named Taya (b. 1960) from her father's previous marriage. She and her siblings also spent extended amounts of time in India as children, and the Dalai Lama would sometimes visit their home.[1]

Due to her father frequently teaching at different universities, her family often relocated when she was a child. She grew up mostly in Amherst, Massachusetts and Woodstock, New York. Thurman is described as having been an awkward and introverted young girl who was frequently teased as a child for her large frame, unique angular bone structure, unusual name (sometimes using the name "Uma Karen" instead of her birth-name of "Uma Karuna"), and size 11 feet (Thurman's famously large feet would later be lovingly filmed by Quentin Tarantino in the films he would make with her, to general public amusement). When she was ten years old, a friend's mother suggested she receive a nose job, something that bothered her for years. It was undoubtedly one of the many incidents that lead to her bout with Body dysmorphic disorder, mental disorder that involves a disturbed body image, which she she discussed in an interview with Talk magazine in 2001.[2]

Thurman attended Northfield Mount Hermon, a college preparatory boarding school in Massachusetts, and received her first acting experiences in school plays. She was unathletic and earned average grades in school, but excelled in acting at a young age. It was after performing in a production of The Crucible that she was noticed by talent scouts, and was convinced to act professionally. Thurman left her high school to pursue an acting career in New York City and to attend the Professional Children's School, but dropped out before graduating.[1]


Career


Early works, 1987 - 1989

Thurman began her career as a model at the age of fifteen, following in the footsteps of her mother and grandmother who were also former models. Standing six feet tall with a naturally lanky frame, Thurman was a successful model, and would later be featured in a layout in Glamour magazine. In 1989, Thurman appeared on the cover of Rolling Stone magazine, for the annual "Hot issue".[3]

Thurman made her film debut in 1988 with four films. Her first were the high school comedy Johnny Be Good and the teen thriller Kiss Daddy Goodnight at the age of seventeen, but both films were only marginally successful and failed to gain her notice. Thurman's next role was a part in the film The Adventures of Baron Munchausen. With a budget of $46 million USD and box office receipts of only $8 million, the film was a commercial failure.[4] Her third role as Cecile de Volanges in Dangerous Liaisons was her breakthrough role, which brought Thurman to the attention of the film industry and the general public.

Actresses Glenn Close and Michelle Pfeiffer would earn Oscar nominations for their performances and Thurman won an inordinate amount of attention, much more than a shy, insecure teenager could handle. Her topless scene would garner the lion's share of the attention, and this proved too much for a 19-year-old who thought she was funny-looking. Thurman would flee to London for almost a year and only wear loose, baggy clothing.

Soon after the release of Dangerous Liaisons, magazines and other media outlets were eager to profile the actress, and new roles were available for her. Thurman also received praise from her co-stars of the film for her professionalism with the role. Co-star John Malkovich said of her, "There is nothing twitchy teenager-ish about her, I haven't met anyone like her at that age. Her intelligence and poise stand out. But there's something else. She's more than a little haunted."[5]

Major roles, 1990 - 1993

In 1990, the 19-year-old Thurman starred with Fred Ward in the sexually provocative drama film Henry & June, the first film to receive an NC-17 rating. Due to the film's restrictive rating, it never played in a wide release but would attract more attention to Thurman's career. Critics embraced Thurman in her first leading role, The New York Times wrote, "Thurman, as the Brooklyn-accented June, takes a larger-than-life character and makes her even bigger, though the performance is often as curious as it is commanding."[6]

Thurman's first starring role in a major production was 1993's Even Cowgirls Get the Blues (directed by Gus Van Sant), although the film was a misstep for her career. The film was both a critical and financial disappointment, and Thurman was even nominated for a Worst Actress Razzie. The Washington Post described her acting as shallow, writing that, "Thurman's strangely passive characterization doesn't go much deeper than drawling and flexing her prosthetic thumbs."[7] Thurman also starred opposite of Robert DeNiro in the crime drama Mad Dog and Glory, another box office disappointment. Later that year she auditioned for Stanley Kubrick while he was casting a script named Wartime Lies, which was never produced into a film. She described working with him as a "really bad experience."[8]

1994 - 1998


After Mad Dog and Glory, Thurman auditioned for Quentin Tarantino's Pulp Fiction. Tarantino originally had no intention of casting her, after seeing her performance in Glory. He ultimately decided to cast her after having dinner with her: "And Uma and I were doing that scene. We were living the movie, all right? I left thinking, ... God, she could be Mia!'"[8] Pulp Fiction would became one of the most successful cult hits of all time when it grossed over $107 million on a budget of only $8 million USD.[9] The Washington Post wrote that Thurman was "serenely unrecognizable in a black wig, [and] is marvelous as a zoned-out gangster's girlfriend."[10] Thurman was also nominated for the Best Supporting Actress Oscar the following year. Entertainment Weekly claimed that, "of the five women nominated in the Best Supporting Actress category this year, only [Thurman] can claim that her performance gave the audience fits."[11] Thurman also became one of Tarantino's favorite actors to cast, whom he described in a 2003 issue of Time: "[Thurman]'s up there with Garbo and Dietrich in goddess territory."[12]

Films of varying quality and success followed Pulp Fiction. She starred opposite of Janeane Garofalo in the moderately successful 1996 romantic comedy The Truth About Cats & Dogs as a ditzy blonde supermodel. In 1998 she starred opposite of her future husband Ethan Hawke in the dystopian science fiction film Gattaca. Although Gattaca was not a major success at the box office, it drew many positive reviews and became successful on the home video market.[13] Some critics were not as impressed with Thurman, such as the Los Angeles Times which stated she was "as emotionally uninvolved as ever".[14]

The two biggest film flops of Thurman's career came in 1997 and 1998. She played Poison Ivy in Batman & Robin, the fourth film of the popular franchise. Batman & Robin was a large failure at the box office and became one of the largest critical critical flops in history. Thurman's performance in the campy film received mainly mixed reviews, and critics made comparisons to her and actor Mae West. The New York Times wrote about Thurman, "like Mae West, she mixes true femininity with the winking womanliness of a drag queen."[15] A similar comparison was made by the Houston Chronicle: "Thurman, to arrive at a '40s femme fatale, sometimes seems to be doing Mae West by way of Jessica Rabbit."[16] The next year brought The Avengers, another major financial and critical flop. CNN described Thurman as, "so distanced you feel like you're watching her through the wrong end of a telescope."[17] She received Razzie award nominations for both films. She closed out 1998 with the powerful tale Les Misérables, a film version of Victor Hugo's classic novel of the same name, directed by Bille August, in which she played the role of Fantine.

Hiatus, 1998 - 2002

After the birth of her first child in 1998, she took a hiatus from major roles to concentrate on motherhood. Her next roles were in low budget and television films, including Sweet and Lowdown, Tape, Vatel, and Hysterical Blindness. Thurman won a Golden Globe award for Hysterical Blindness, a film which she also served as the executive producer. In the film she played an agitable New Jersey woman in the 1980s searching for romance. The San Francisco Chronicle review wrote, "Thurman so commits herself to the role, eyes blazing and body akimbo, that you start to believe that such a creature could exist - an exquisite looking woman so spastic and needy that she repulses regular Joes. Thurman has bent the role to her will."[18]


2003 - present


After a five year hiatus from any major film roles, Thurman returned in 2003 in John Woo's film Paycheck, and her next collaboration with Quentin Tarantino, Kill Bill. Paycheck would only be moderately successful with critics and at the box office, but Kill Bill would relaunch her career.

In Kill Bill she played one of the world's top assassins, out on a revenge quest against her former lover. She was offered the role on her 30th birthday from Tarantino, who wrote the part specifically for her. He also cited Thurman as his muse while writing the film, and also gave her a formal joint credit for the character of Beatrix Kiddo, whom the two conceived on the set of Pulp Fiction from the sole image of a bride covered in blood.

Production was delayed for several months after Thurman became pregnant, and her part was considered for recasting, but Tarantino decided against recasting and delayed the film's production.[19] The film reportedly took nine months to shoot, and was filmed on location in five different countries. The role was also her most demanding to date, and she spent three months training in martial arts, swordsmanship, and Japanese language.[20] The two-part action epic was a hit with audiences and scored highly with critics, and earned Thurman Golden Globe nominations for both entries, and three MTV Movie Awards for Best Female Performance and twice for Best Fight. Rolling Stone likened Thurman to "an avenging angel out of a 1940s Hollywood melodrama."[21]

The main inspirations for "The Bride" were several B-movie action heroines. Thurman's main inspirations for the role were the title character of Coffy (played by Pam Grier) and the character of Gloria Swenson from Gloria (played by Gena Rowlands). She said that the two characters are "two of the only women I've ever seen be truly women [while] holding a weapon."[22] Coffy was screened for Thurman by Tarantino prior to beginning production on the film, to help her model the character.[19]

By 2005, Thurman had become one of Hollywood's highest paid actresses, commanding a salary of $12.5 million USD per film.[23] Her first film of the year was Be Cool, the sequel to 1995's Get Shorty, which reunited her with her Pulp Fiction castmate John Travolta. In the film she played the widow of a deceased music business executive. Later in 2005 she starred in the film Prime with Meryl Streep, playing a woman in her late thirties romancing a young man in his early twenties. Thurman's last film of the year was a remake of The Producers in which she played Ulla, a Swedish stage actor hoping to win a part in a new Broadway musical. Originally, the producers of the film planned to have another singer dub in Thurman's musical numbers, but she was eager to do her own vocals,[24] however it has not been confirmed if she performs all of the vocals in the film.

With a successful film career, Thurman once again became a desired model. Cosmetics company Lancôme selected her as a spokesmodel. The company named several lipstick shades after her, but they were only sold in Asia. In 2005, she became a spokesmodel for the French fashion house Louis Vuitton.

On February 7, 2006, Thurman was named as a knight of the Ordre des Arts et des Lettres of France, an award for outstanding achievement in the field of art and literature.


Personal life

Relationships and family

While living in London to avoid the Dangerous Liaisons hype, she began dating director Phil Joanou, who'd just produced U2's acclaimed movie Rattle And Hum. While visiting his latest project, State Of Grace, she met British actor Gary Oldman. The two hit it off immediately - even Joanou later said it was obvious that Oldman and Thurman were meant for each other, so he stepped aside. The two were married in 1990 but the marriage only lasted two years, reportedly caused by the little time they spent together, due to their busy acting schedules. The State of Grace set would spawn another Hollywood marriage between Sean Penn and Robin Wright, who are still together.

On May 1, 1998, she married actor Ethan Hawke, after the two had met at the set of Gattaca. Prior to their engagement, Hawke had proposed twice before she accepted. Thurman herself acknowledged that they married early because she had become pregnant; at the time of their wedding she was seven months along.[25] They have two children, a daughter Maya Ray (b. 8 July 1998) and a son Levon Roan (b. 15 January 2002). Hawke also dedicated his novel For Karuna to her.

In 2003, Thurman and Hawke separated, and in 2004 the couple filed for divorce. Many news outlets reported that the cause of the divorce was because Hawke had cheated on Thurman with Canadian model Jen Perzow, after he had suspected Thurman of cheating on him with Quentin Tarantino. Hawke denied that the cause of the divorce was infidelity, and that it was caused by their busy work schedules.[26] In a 2004 Rolling Stone cover story, both Thurman and Tarantino denied ever having a romantic relationship, despite Tarantino once having told a reporter, "I'm not saying that we haven't, and I'm not saying that we have."[8] When asked on The Oprah Winfrey Show if there was "betrayal of some kind" during the marriage, Thurman said, "There was some stuff like that at the end. We were having a difficult time, and you know how the axe comes down and how people behave and how people express their unhappiness."[27]

She currently resides in Hyde Park, New York and had been dating New York hotelier Andre Balazs since 2004. They lived together in a loft apartment in Manhattan's SoHo neighborhood, down the street from Balazs's Mercer Hotel. In March 2006, Thurman's publicist announced that the couple had split.[28]


Politics and opinions

Thurman also dedicates herself to variety of political and social causes. Thurman is a supporter of the United States Democratic Party, and has made donations to the campaigns of John Kerry, Hillary Clinton, and Joseph Driscoll.[29] She is a strong supporter of gun control laws, and in 2000, she participated in Marie Claire's "End Gun Violence Now" campaign.[30] She also participated in Planned Parenthood's "March for Women's Lives" to support the legality of abortion.[31]

http://en.wikipedia.org/wiki/Uma_Thurman
0 Replies
 
bobsmythhawk
 
  1  
Reply Sat 29 Apr, 2006 01:42 pm
Because I'm a Man (a public service message)

* Because I'm a man, when I lock my keys in the car, I will fiddle with a coat hanger long after hypothermia has set in. Calling AAA is not an option. I will win.

* Because I'm a man, when the car isn't running very well, I will pop the hood and stare at the engine as if I know what I'm looking at. If another man shows up, one of us will say to the other, "I used to be able to fix these things, but now with all these computers and everything, I wouldn't know where to start." We will then drink a couple of beers and break wind, as a form of holy communion.

* Because I'm a man, when I catch a cold, I need someone to bring me soup and take care of me while I lie in bed and moan. You're a woman. You never get as sick as I do, so for you, this is no problem.

* Because I'm a man, I can be relied upon to purchase basic groceries at the store, like milk , meat or bread. I cannot be expected to find exotic items like cumin or tofu. For all I know, these are the same thing.

* Because I'm a man, when one of our appliances stops working, I will insist on taking it apart, despite evidence that this will just cost me twice as much once the repair person gets here and has to put it back together.

* Because I'm a man, I must hold the television remote control in my hand while I watch TV. If the thing has been misplaced, I may miss a whole show looking for it.
Though one time I was able to survive by holding a calculator. (applies to engineers mainly).

* Because I'm a man, there is no need to ask me what I'm thinking about. The true answer is always either sex, cars, sex, sports or sex. I have to make up something
else when you ask, so don't ask.

* Because I'm a man, you don't have to ask me if I liked the movie. Chances are, if you're crying at the end of it, I didn't and if you are feeling amorous afterwards,
then I will certainly at least remember the name and recommend it to others.

* Because I'm a man, I think what you're wearing is fine. I thought what you were wearing five minutes ago was fine, too. Either pair of shoes is fine.With the belt
or without it, looks fine. Your hair is fine. You look fine. Can we just go now?

* Because I'm a man, and this is, after all, the year 2006, I will share equally in the housework. You just do the laundry, the cooking, the cleaning, the vacuuming, and
the dishes, and I'll do the rest, like wandering around in the garden with a beer wondering what to do.


This has been a public service message for women to help them better understand men.
0 Replies
 
Letty
 
  1  
Reply Sat 29 Apr, 2006 01:51 pm
Well, folks. Our hawkman is most definitely THROUGH after that advice to women. Are you supposing that we ladies did NOT know that, Boston?

Love it! Especially your song about the eagle and the hawk. <smile>

Back later to acknowledge each response, folks.
0 Replies
 
Letty
 
  1  
Reply Sat 29 Apr, 2006 02:18 pm
Mr. Turtle, I love the tribute song to Duke. Who did that? Yes, music is a world of its own, and your song that could be for the old West is perfect, buddy.

Thanks again, Bob, for the wonderful background. I was especially interested in Rod McKuen as I love his song, Jean, and was fascinated with his connection to Jacques Brel. He also did a poem, Listen to the Warm, but I have not been able to locate that.

Ah, folks. this fits me perfectly today:

Duke Ellington
» Lost In Meditation

I am LOST IN MEDITATION
And my reverie
Brings you back to me
For in my imagination
Love has lingered on
As though you'd never gone.
This is just a dream that cannot last
When the magic of this mood has passed.
So I sit in meditation
Trying to pretend this mood will never end.
I am LOST IN MEDITATION
And my reverie
Brings you back to me
For in my imagination
Love has lingered on
As though you'd never gone.
This is just a dream that cannot last
When the magic of this mood has passed.
So I sit in meditation
Trying to pretend this mood will never end.
0 Replies
 
yitwail
 
  1  
Reply Sat 29 Apr, 2006 02:32 pm
Sir Duke was a big hit for Stevie Wonder just a few years after the Duke passed away. Cool
0 Replies
 
Letty
 
  1  
Reply Sat 29 Apr, 2006 02:39 pm
Cool, indeed, Mr. Turtle. So Stevie Wonder did that? I really love his music, buddy.

Back to the sunshine:


You are the sunshine of my life
That's why I'll always be around,
You are the apple of my eye,
Forever you'll stay in my heart

I feel like this is the beginning,
Though I've loved you for a million years,
And if I thought our love was ending,
I'd find myself drowning in my own tears.

You are the sunshine of my life,
That's why I'll always stay around,
You are the apple of my eye,
Forever you'll stay in my heart,

You must have known that I was lonely,
Because you came to my rescue,
And I know that this must be heaven,
How could so much love be inside of you?

You are the sunshine of my life, yeah,
That's why I'll always stay around,
You are the apple of my eye,
Forever you'll stay in my heart.

(background) love has joined us,
Love has joined us,
Let's think sweet love
0 Replies
 
Letty
 
  1  
Reply Sat 29 Apr, 2006 03:27 pm
and, I am listening, Rod:

Listen to the Warm
By Rod McKuen

I live alone.
It hasn't always been that way.
It's nice sometimes
to open up the heart a little
and let some hurt come in.
It proves you're still alive.

I'm not sure what it means.
Why we cannot shake the old loves from out minds.
It must be that we build on memory
and make them more that what they were.
And is the manufacture
just a safe device for closing up the wall?

I do remember.
The only fuzzy circumstance
is something where-and how.
Why, I know.
It happens just because we need
to want and to be wanted too,
when love is here or gone
to lie down in the darkness
and listen to the warm.

Beautiful, no?
0 Replies
 
yitwail
 
  1  
Reply Sat 29 Apr, 2006 07:34 pm
the listeners may have heard that Keith Richards fell out of a palm tree & suffered a slight concussion but is otherwise ok. here's a Stones number that seems rather fitting, especially the underlined parts Razz

(Watch it!)
I was born in a crossfire hurricane
And I howled at my ma in the driving rain
But it's all right now, in fact it's a gas
But it's all right
I'm Jumpin' Jack Flash, it's a gas, gas, gas

I was raised by a toothless, bearded hag
I was schooled with a strap right across my back
But it's all right now, in fact it's a gas
But it's all right
I'm Jumpin' Jack Flash, it's a gas, gas, gas

I was drowned, I was washed up and left for dead
I fell down, to my feet and I saw they bled
Yeah, sure and I frowned at the crumbs of a crust of bread, sure
Yeah, I was crowned with a spike right through my head
But it's all right now, in fact it's a gas
But it's all right
I'm Jumpin' Jack Flash, it's a gas, gas, gas
0 Replies
 
Letty
 
  1  
Reply Sat 29 Apr, 2006 07:44 pm
Hey, Mr. Turtle. Oh, yes I heard it. That song was perfect, honey.

Truly, folks, I know that that rolling stone will roll on out and rock again.

Perfect for my good night song, as I have to rock myself to sleep. <smile>

Goodnight you fun people.

From Letty with love
0 Replies
 
hamburger
 
  1  
Reply Sat 29 Apr, 2006 07:49 pm
wa2k
even though this song is titled "dream" , i'm not planning to fall out of a tree - prefer to fall into bed instead - it's a lot softer ! hbg

Dream


(johnny mercer and sung by roy orbison)

Dream,when you're feeling blue
Dream,that's the thing to do
Just watch the smoke rings rise in the air
You'll find your share of memories there

So dream, when the day is through
Dream, and they might come true
Things never are as bad as they seem
So dream, dream dream

Dream, when the day is through
Dream,0and they might come true
Things never are as bad as they seem
So dream, dream dream
0 Replies
 
Letty
 
  1  
Reply Sun 30 Apr, 2006 05:41 am
Good morning, WA2K radio fans and contributors.

Thanks, hamburger, for the dream music. Johnny Mercer was one talented guy, no?

Incidentally, folks. The quote from the bard was taken from Richard III.

Back later after coffee.
0 Replies
 
edgarblythe
 
  1  
Reply Sun 30 Apr, 2006 07:07 am
Down in the Alley
(Words & music by J. Stone & The Clovers)
Janie, Janie, Janie, Janie, Jane Jane
Janie, Janie, Janie, Janie, Jane Jane
Down in the alley, just you and me
We're going bowlin' till half past three
Just rockin' and reelin', we'll get that feelin'
Down in the alley, oh baby gee

I wake you now and dig you later
'cause you're a fine sweet potato
We'll have a ball and that ain't all
Down in the alley, just you and me

The clock is striking a mournful sound
This time of evening my love comes down
That's when I'm missin' your kind of kissin'
Down in the alley, that's where I'll be

Down in the alley, we sure have fun
We just get started 'bout half past one
So if you're 'round just come on down
Down in the alley and you will see

Janie, Janie, Janie, Janie, Jane Jane
Janie, Janie, Janie, Janie, Jane Jane
Janie, Janie, Janie, Janie, Jane Jane
Janie, Janie, Janie, Janie, Jane
0 Replies
 
 

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