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Punctuation for a fictional spacewalk scene.

 
 
Reply Mon 27 Feb, 2017 04:59 am
I'm writing a scifi book at the moment, and I've got a number of scenes in space, including spacewalking scenes where there's radio communication going on, both from the perspective of spacewalkers looking at each other (but hearing each other over the radio), communicating with the ship (no visual reference), as well as a reader's perspective from inside the helmet of the suit (in the case of a character who's point of view is being highlighted). So as you can imagine this can get fairly confusing, as to what *kind* of dialogue the reader is "hearing", so I came up with a scheme to indicate which is which. I'm not sure if there are any rules as far as this goes (if there are, I'd love to know more!) - but I wonder if I should add a little guide at the beginning of the book just to make it all more clear? If so, does the guide I wrote up below make sense? I'll include a bit of dialogue from the book in a separate post just so you all can get some idea of what I'm going for. Any input would be greatly appreciated!

Here's the guide I'm thinking of including:

Guide to Radio and Space Communications re. punctuation:

‘Radio communications are punctuated with italics and single-quotes.’

“Radio communications where spacewalking astronauts are within visual range are puncuated with italics and double-quotes.”

“Spacewalking astronauts quoted without italics afford the reader a perspective from within the speaker’s space helmet.”
 
DaveinJapan
 
  0  
Reply Mon 27 Feb, 2017 05:04 am
Here's a chunk of dialogue (it's still rather rough, I plan to go through all of it with a fine-toothed comb to make sure it's clear who's saying what from where), just to give you guys some idea of what I'm trying to write here. HOPEFULLY it makes sense lol. Thanks in advance for any input!

In this case the perspective belongs to Evans (from inside his helmet during a spacewalk), Denisova is his partner on the spacewalk, and Flight/Shane Douglas is the pilot inside the spaceship (unseen during this scene, only heard over the radio).

Wow...I'm confusing myself just trying to lay it all out. Maybe I should quit scifi after this. :p

Dialogue Segment:

“Denisova, you reading me over there?” Evans asked.
His spacewalking counterpart waved again, then tapped her helmet with a thick-gloved finger. Communication trouble?
“Flight, Evans. Looks like I can’t reach Denisova. Are you getting her signal inside?”
‘Uh, okay. One sec...’ Shane Douglas’ voice came through clear and strong inside Evans’ helmet, evidence that the problem wasn’t on his end.
‘Denisova, Flight. You having trouble with your com?’
“Affirmative Flight. I’m hearing you okay, but I can’t get through to Evans, and I’m not hearing him either.”

Evans thought that it must be some sort of vaccum interference related to the anomaly. It was the only guess he could come up with, given the fact that they had a clear line of sight and weren’t far enough away for distance to factor in.
He relayed his assumption to the pilot. “Something to do with the anomaly, maybe?”
‘Could be, Evans,’ Shane replied. ‘If so, nothing we can do about it from here. You’ll just have to play phone tag. I’ll keep an open channel and relay any necessary communications.’
Necessary. No idle chatter. Which was fine with Evans. He thought with amusement that his chatty shipmate might not be able to contain herself, though.
He heard Denisova’s conformation, then added his own. “Understood,” Evans reported, then he shifted his attention to the deployment.
‘Denisova, Flight. Swing around and take a look at your outward control, make sure the buffers are diverting the shear. Your numbers are a little weaker than what Evans is showing.’
“Roger Flight. Coming around.”
dalehileman
 
  -1  
Reply Mon 27 Feb, 2017 12:09 pm
@DaveinJapan,
DaveinJapan I am DaleinUSA. Apparently you're a newcomer so some if not many of us also interested in such nonsense might like to learn more about you, as with my recent msg to Jes
0 Replies
 
jespah
 
  5  
Reply Mon 27 Feb, 2017 12:12 pm
@DaveinJapan,
Too many italics can be a bit much. Maybe try italics only for Douglas. Otherwise, it's basically a conversation once you forget the electronics part of it.

You can also help to differentiate between the speakers by adding more descriptive prose. E. g. he heard static, she was breaking up, there was a slight lag from Flight Control, that sort of thing.
DaveinJapan
 
  3  
Reply Tue 28 Feb, 2017 03:27 am
@jespah,
Good advice Jespah - thank you!
0 Replies
 
 

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