The neverending A TO Z OF WHATEVER GAME

picking up from Dutch & Eq's v & w:

x-rated activity (I hear it happens...)
x-rated swim-suits - practically!
x factor - some people got it & some people don't

Young people
Yahoos
Yawners
Yokels
Yuppies

zinc oxide ointment (to prevent sunburn)
zip top bags
zoris


Next Topic--Poets


Arnold, Matthew--British (1822-1888)


REQUIESCAT

Strew on her roses, roses,
And never a spray of yew!
In quiet she reposes;
Ah, would that I did too!

Her mirth the world required;
She bathed it in smiles of glee.
But her heart was tired, tired,
And now they let her be.

Her life was turning, turning,
In mazes of heat and sound.
But for peace her soul was yearning,
And now peace laps her round.

Her cabin'd, ample spirit,
It flutter'd and fail'd for breath.
To-night it doth inherit
The vasty hall of death.

John Berryman US (1914-1972)

The Curse

Cedars and the westward sun.
The darkening sky. A man alone
Watches beside the fallen wall
The evening multitudes of sin
Crowd in upon us all.
For when the light fails they begin
Nocturnal sabotage among
The outcast and the loose of tongue,
The lax in walk, the murderers:
Our twilight universal curse.

Children are faultless in the wood,
Untouched. If they are later made
Scandal and index to their time,
It is that twilight brings for bread
The faculty of crime.
Only the idiot and the dead
Stand by, while who were young before
Wage insolent and guilty war
By night within that ancient house,
Immense, black, damned, anonymous.

e.e. cummings--American (1894-1962)

in just-


in Just-
spring when the world is mud-
luscious the little
lame balloonman
whistles far and wee

and eddieandbill come
running from marbles and
piracies and it's spring

when the world is puddle-wonderful

the queer
old balloonman whistles
far and wee
and bettyandisbel come dancing
from hop-scotch and jump-rope and

it's spring
and the goat-footed
balloonMan whistles
far
and
wee

C.J.Dennis Australia (1876-1938)

The Australaise

Fellers of Australier,
Blokes an' coves an' coots,
Shift yer --- carcases,
Move yer --- boots.
Gird yer --- loins up,
Get yer --- gun,
Set the --- enermy
An' watch the blighters run.

T.S. Eliot American-British (1888-1965

The Love Song Of J. Alfred Prufrock

S'io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s'i'odo il vero,
Senza tema d'infamia ti rispondo.


Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question …
Oh, do not ask, "What is it?"
Let us go and make our visit.

In the room the women come and go
Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.

And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.

In the room the women come and go
Talking of Michelangelo.

And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair?-
[They will say: "How his hair is growing thin!"]
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin?-
[They will say: "But how his arms and legs are thin!"]
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all:?-
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?

And I have known the eyes already, known them all?-
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?

And I have known the arms already, known them all?-
Arms that are braceleted and white and bare
[But in the lamplight, downed with light brown hair!]
It is perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
. . . . .
Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?…

I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
. . . . .
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head [grown slightly bald] brought in upon a platter,
I am no prophet?-and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"?-
If one, settling a pillow by her head,
Should say: "That is not what I meant at all.
That is not it, at all."

And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor?-
And this, and so much more??-
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
"That is not it at all,
That is not what I meant, at all."
. . . . .
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous?-
Almost, at times, the Fool.

I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

Banjo Paterson Australia (1864-1941)


Waltzing Matilda


OH! there once was a swagman camped in the Billabong,
Under the shade of a Coolabah tree;
And he sang as he looked at his old billy boiling,
"Who'll come a-waltzing Matilda with me."

Who'll come a-waltzing Matilda, my darling,
Who'll come a-waltzing Matilda with me?
Waltzing Matilda and leading a water-bag?-
Who'll come a-waltzing Matilda with me?
Down came a jumbuck to drink at the water-hole,
Up jumped the swagman and grabbed him in glee;
And he sang as he put him away in his tucker-bag,
"You'll come a-waltzing Matilda with me!"

Down came the Squatter a-riding his thorough-bred;
Down came Policemen?-one, two, and three.
"Whose is the jumbuck you've got in the tucker-bag?
You'll come a-waltzing Matilda with me."

But the swagman, he up and he jumped in the water-hole,
Drowning himself by the Coolabah tree;
And his ghost may be heard as it sings in the Billabong,
"Who'll come a-waltzing Matilda with me?"

Ah-ah-ah! Alphabet, my friend, alphabet! (F)

Robert Frost

The Road Not Taken

TWO roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I?-
I took the one less traveled by,
And that has made all the difference.

(It seemed to me way back when that everyone had to memorize this one!)

George Gordon, Lord Byron-- British (1788-1824)

She Walks In Beauty

She walks in Beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which Heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

A. E. Housman (English, 1859 - 1936)

Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.

Langston Hughes

Justice

That Justice is a blind goddess
Is a thing to which we black are wise:
Her bandage hides two festering sores
That once perhaps were eyes.

Pipped!

David Ignatow

For My Daughter


When I die choose a star
and name it after me
that you may know
I have not abandoned
or forgotten you.
You were such a star to me,
following you through birth
and childhood, my hand
in your hand.

When I die
choose a star and name it
after me so that I may shine
down on you, until you join
me in darkness and silence
together.

Josephine Jacobsen (1908 - 2003)


from Of Pairs

The mockingbirds, that pair, arrive,
one, and the other; glossily perch,
respond, respond, branch to branch.
One stops, and flies. The other flies.
Arrives, dips, in a blur of wings,
lights, is joined. Sings. Sings.

Actually, there are birds galore:
bowlegged blackbirds brassy as crows;
elegant ibises with inelegant cows;
hummingbirds' stutter on air;
tilted over the sea, a man-of-war
in a long arc without a feather's stir.

Rudyard Kipling

If

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream -- and not make dreams your master;
If you can think -- and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with kings -- nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run --
Yours is the Earth and everything that's in it,
And -- which is more -- you'll be a Man, my son!

Larkin, Philip

When first we faced, and touching showed
How well we knew the early moves,
Behind the moonlight and the frost,
The excitement and the gratitude,
There stood how much our meeting owed
To other meetings, other loves.

The decades of a different life
That opened past your inch-close eyes
Belonged to others, lavished, lost;
Nor could I hold you hard enough
To call my years of hunger-strife
Back for your mouth to colonise.

Admitted: and the pain is real.
But when did love not try to change
The world back to itself--no cost,
No past, no people else at all--
Only what meeting made us feel,
So new, and gentle-sharp, and strange?

Marianne Moore (American, 1887 - 1972)

Silence

My father used to say,
"Superior people never make long visits,
have to be shown Longfellow's grave
or the glass flowers at Harvard.
Self-reliant like the cat --
that takes its prey to privacy,
the mouse's limp tail hanging like a shoelace from its mouth --
they sometimes enjoy solitude,
and can be robbed of speech
by speech which has delighted them.
The deepest feeling always shows itself in silence;
not in silence, but restraint."
Nor was he insincere in saying, "Make my house your inn."
Inns are not residences.

Peter Nicholson Australia (1950-present )

Music

When thinking of the world, or tired, or excited
And taken with the moment,
Music brings detachment
To our bizarre involvements.
The subtlety of this dwarf planet's errors
Contracts to ample harmony, to water, wind and fire,
When life seems stale desire
And chaos the only factor to remember.
To hear the warp, the earth's emphatic surface,
Pressing from thick scores of black and white
Is passionate, past circumstance or time,
And breaks the barrier of the flesh's senses.
Music is geometry of space
Bending to our doubting minds the final, purest shapes.

Wilfred Owen -- British (1893-1918)

Anthem for Doomed Youth

What passing-bells for these who die as cattle?
-Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,-
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.


What candles may be held to speed them all?
Not in the hands of boys but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.