@aidan,
Perhaps, the "me too" feeling is unique to this particular situation because I am working on a play about Shakespeare's women. It will be . . . if ever finished
. . . a very different play.
I read a book by journalist Ron Rosenbaum who said that directors have as much insight into Shakespeare as scholars. Tina has been an actress and director most of her life and she's played most of Shakespeare's women. I've largely been a Shakespeare enthusiast who experienced periods of intense involvement with the plays, followed by years without them. I toyed with the idea of presenting an academic paper on the character Shakespeare called Gertrude for 20 years. Putting Gertrude at the center of a play occurred to me a few months ago, which led me to usher at Shakespeare and Co.
So, Tina and I both feel Amelia Bassanio is the perfect candidate for the Dark Lady. That's a popular theory now. But, as someone wrote, after reading the Sonnets, one will decide Shakespeare was a heterosexual, a homosexual and a bi-sexual! After all, the Dark Lady could be a construct.
We both have thoughts on the cross dressing issue. I remember a paper on sumptuary laws (which included legal strictures on dress) during the Elizabethan Era. Women were frequently fined for dressing as men. They did this to travel . . . perhaps more easily without a side saddle, perhaps, for greater safety while traveling. To me, the fines meant that women did don men's clothes at the time and this might be reflected in the plays.
Tina points out that when Will's women are "in their frocks" and try to speak the truth, the results are terrible. They generally end up dead. However, when they assume male dress, they are able to speak to people who listen to them. That's a powerful observation.
This is taking too long but my problem is how to write to her about how grateful I am for that insight and how important it is without fawning, without turning her off is a problem.
Then there is the matter of whether to add the insights I have. Tina points out that Ophelia is a woman in her frock. I watched three Hamlet films this summer and two offered rather masculine versions (Richard Briers and Bill Murray) of Polonius paired with actresses (Kate Winslet and Julia Stiles) who, while young when they played the role were not ingenues. Those portrayals changed how I feel about Ophelia . . . that it was not Hamlet that pushed her off the edge. Tina's insight reinforces mine. So, will writing about that sound just too "me, too!"
I have been writing some of the speeches for the women I have picked. I'm not certain which women will be left standing should the play ever be finished. I'm still reading and still watching performances.
It's an exciting project and it is not sufficiently formed to ask for a professional opinion, which is a subtext here.
Did I put you to sleep?