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THE YIDDISH CONNECTION

Guthrie's Jewish lyrics can be traced to the unusual collaborative relationship he had with his mother-in-law, Aliza Greenblatt, a prominent Yiddish poet who lived across from Guthrie and his family in Brooklyn in the 1940s. Guthrie - the Oklahoma troubadour - and Greenblatt - the Jewish wordsmith - often discussed their artistic projects and critiqued each other's works, finding common ground in their shared love of culture and social justice, despite very different backgrounds. Their collaboration flourished in 1940s Brooklyn, where Jewish culture was interwoven with music, modern dance, poetry and anti-fascist, pro-labor activism.

Woody Guthrie's Jewish lyrics came as a surprise to Nora Guthrie, director of the Woody Guthrie Archives and Woody's daughter. She became aware of his connection to Judaism only recently, in a chance encounter with the Klezmatics and Itzhak Perlman. Following a concert at Tanglewood, where (unbeknownst to Nora) Perlman and the band had performed some of Greenblatt's Yiddish songs, Guthrie was introduced to Perlman as "Aliza's granddaughter." She recalls, "All my life, I've been introduced as Woody's daughter, Arlo's sister and Marjorie Mazia's daughter…but this was the first time I'd ever been introduced as 'Aliza Greenblatt's granddaughter!' Then Itzhak asked me how I liked his version of Aliza's song - I almost fell through the floor. I never knew she wrote songs - I always thought she was just my Bubbie!" The revelation about her grandmother's history encouraged Nora Guthrie to bring her father's Jewish songs to light, and she enlisted the Klezmatics - one of the world's preeminent klezmer groups - in the project that comes to fruition in this concert at the 92nd Street Y.